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2 Fast 2 Furious (2003)
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Overview
User Rating:
Release Date:
6 June 2003 (USA) moreTagline:
How Fast Do You Want It? morePlot:
Former cop, Brian O'Conner is finally arrested after letting his leader escape the law. To avoid the consequences, he must now work with an old college friend and help the police arrest a local drug exporter. full summary | add synopsisAwards:
3 wins & 13 nominations moreNewsDesk:
(27 articles)
Jealous Gibson Wants To Rejoin Fast & Furious Franchise (From WENN. 5 May 2009, 12:20 PM, PDT)
'Hannah Montana: The Movie' scores $17M Friday
(From screeninglog. 11 April 2009, 8:56 AM, PDT)
User Comments:
I hate to say it but... moreCast
(in credits order) (verified as complete)
Directed by | |||
| John Singleton | |||
Writing credits(WGA) | ||
| Gary Scott Thompson | (characters) | |
| Michael Brandt | (story) & | |
| Derek Haas | (story) and | |
| Gary Scott Thompson | (story) | |
| Michael Brandt | (screenplay) & | |
| Derek Haas | (screenplay) | |
Produced by | |||
| Michael Fottrell | .... | executive producer | |
| Heather Lieberman | .... | co-producer | |
| Lee R. Mayes | .... | executive producer | |
| Neal H. Moritz | .... | producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Bruce Cannon | |||
| Dallas Puett | |||
Casting by | |||
| Kim Hardin | (as Kimberly Hardin) | ||
| Bill Marinella | |||
Production Design by | |||
| Keith Brian Burns | |||
Art Direction by | |||
| Lawrence A. Hubbs | |||
Set Decoration by | |||
| Jon Danniells | |||
| Rick Simpson | |||
Costume Design by | |||
| Sanja Milkovic Hays | |||
Makeup Department | |||
| Carla Antonino | .... | makeup artist | |
| Erin Brasfield | .... | makeup artist (as Erin Brasfield-Koplow) | |
| Leo Corey Castellano | .... | additional makeup artist | |
| Hallie D'Amore | .... | key makeup artist | |
| Donna Battersby Greene | .... | hair stylist | |
| Lee Grimes | .... | additional makeup artist | |
| Pauletta O. Lewis | .... | key hair stylist | |
| Bill McCoy | .... | additional makeup artist | |
| Linda Melazzo | .... | makeup artist | |
| Rod Ortega | .... | hair designer: Ms. Mendes | |
| Carol Rasheed | .... | makeup artist | |
| Carol Raskin | .... | hair stylist | |
| Mark Wittenberg | .... | additional makeup artist | |
Art Department | |||
| Chris Alicia Jr. | .... | on-set dresser | |
| Hugh Conlon | .... | construction coordinator: Los Angeles | |
| Robert Crowley | .... | greens foreman | |
| Liba Daniels | .... | art director: second unit | |
| Liba Daniels | .... | assistant art director | |
| Warren Drummond | .... | assistant art director | |
| Gerard V. Engrassia | .... | greens | |
| Michael J. Flynn | .... | prop assistant | |
| James Harris | .... | general foreman | |
| Kevin Long | .... | property master | |
| Kevin Long | .... | property master: second unit | |
| Alexa Marino | .... | art department coordinator | |
| Brian McGee | .... | storyboard artist | |
| Jean-Francois Mignault | .... | concept artist | |
| Philip Schneider | .... | property master (as Phil Schneider) | |
| Nicholas Scott | .... | set designer | |
| Roger Sherman | .... | scenic artist | |
| Xelinda Yancy | .... | art department assistant | |
| Diana Anctil | .... | paint decorator (uncredited) | |
| Kon Iliov | .... | gangboss (uncredited) | |
Visual Effects by | |||
| Chris Allen | .... | R&D supervisor: CIS Hollywood | |
| Johnny Alves | .... | visual effects supervisor: BUF | |
| Chris Anderson | .... | paint artist: CIS Hollywood | |
| Carol Ashley | .... | digital artist: Hammerhead Prods. | |
| Matt Ashton | .... | systems: CIS Hollywood | |
| Erika Bach | .... | 3D scanning assistant coordinator | |
| Louise Baker | .... | pre-visualization artist | |
| Christopher Batty | .... | previsualization artist | |
| Thad Beier | .... | visual effects supervisor | |
| Daniel Birnbaum | .... | I/O operator: Hammerhead Productions | |
| Jonathan Block | .... | main title design & animation | |
| Constance Bracewell | .... | digital supervisor | |
| Richard Britton | .... | lead data technician: LidarVFX | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead Productions | |
| Thomas Dadras | .... | animator: Hammerhead Productions | |
| Chris Dawson | .... | motion control camera operator | |
| Tom Daws | .... | digital artist: CIS Hollywood | |
| Michael Degtjarewsky | .... | compositor | |
| Valerie Delahaye | .... | post-production supervisor | |
| Antoine Deschamps | .... | digital artist | |
| Jamie Dixon | .... | animator: Hammerhead Productions | |
| Crystal Dowd | .... | visual effects producer | |
| Syd Dutton | .... | visual effects | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Derek Fisher | .... | previsualization designer | |
| Chris Flynn | .... | digital compositor | |
| Collin Fowler | .... | visual effects coordinator: Illusion Arts | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Lynn M. Gephart | .... | visual effects coordinator | |
| Gilbert Gonzales | .... | digital artist: Hammerhead Productions | |
| Jericho Green | .... | modeler | |
| Sharon Smith Holley | .... | visual effects editor | |
| Justin Jones | .... | digital compositor | |
| Patrick Kavanaugh | .... | digital compositor: CIS Hollywood | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Ntana Key | .... | digital intermediate paint artist | |
| Michael Kory | .... | 3D supervisor | |
| Gregory D. Liegey | .... | digital compositing supervisor: CIS Hollywood | |
| Kevin Lin | .... | digital cleanup artist | |
| Rebecca Marie | .... | animator: Hammerhead Productions | |
| Fumi Mashimo | .... | animator | |
| Mamie McCall | .... | animator: Hammerhead | |
| Kelvin McIlwain | .... | matte artist | |
| Diana Miao | .... | CG artist: CIS Hollywood | |
| Suzanne Mitus-Uribe | .... | senior digital artist: CIS Hollywood | |
| Paolo Moscatelli | .... | digital artist: Hammerhead Prod. | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Josh Novak | .... | lead compositor: end title sequence | |
| Gregory Oehler | .... | senior digital artist: CIS Hollywood | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Jose A. Ortiz Jr. | .... | title animator | |
| Patrick Phillips | .... | visual effects | |
| Kyle Robinson | .... | pre-vis consultant | |
| Michelle Rothburgh | .... | digital assistant | |
| Dixiana Rubio | .... | post production assistant | |
| Mark Russell | .... | visual effects producer: Black Box Digital | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Tom Slovick | .... | production manager: CIS Hollywood | |
| Bill Taylor | .... | visual effects | |
| Alexander Vegh | .... | previsualization supervisor: Proof Inc. | |
| Jason Wardle | .... | lead CG artist: CIS Hollywood | |
| Mike Wassel | .... | visual effects supervisor | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Peipei Yuan | .... | animator: Pixel Liberation Front | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Thanh Nguyen | .... | modeler (uncredited) | |
| Rodrigo Teixeira | .... | digital compositor: red car (uncredited) | |
| Bryan Thombs | .... | 3D artist: title sequence (uncredited) | |
Animation Department | |||
| Peipei Yuan | .... | animator | |
Casting Department | |||
| Leah Daniels | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Winsome Sinclair | .... | extras casting | |
| Lori Wyman | .... | casting: Florida | |
Costume and Wardrobe Department | |||
| Yaa Boaa Aning | .... | costumer | |
| Camille Argus | .... | costume supervisor | |
| Valerie Fusaro | .... | set costumer (as Valarie Fusaro) | |
| Lorenzo Hearns Jr. | .... | key set costumer | |
| Heather Holmes | .... | costumer | |
| E. Melanie Moore | .... | assistant costume designer | |
| Lawrence Quon | .... | set costumer | |
| Irena Stepic | .... | key costumer (as Irena Stepic Rendulic) | |
| Catherine Peña | .... | costumer (uncredited) | |
Editorial Department | |||
| Justin Bourret | .... | associate editor | |
| Gary Burritt | .... | negative cutter | |
| Elizabeth Dionne | .... | post-production coordinator | |
| Scott Janush | .... | assistant editor | |
| Maggie Ostroff | .... | assistant editor | |
| David Raymond | .... | assistant editor | |
| Jeff Smithwick | .... | color timer | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Jordan Corngold | .... | music editor | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Robert Fernandez | .... | scoring mixer | |
| Carlton Kaller | .... | music editor | |
| Stephanie Murray | .... | score stage administrator | |
| Rob Playford | .... | music programing: score | |
| Paul Stewart | .... | music consultant | |
| Melodee Sutton | .... | music consultant | |
| Paul Wertheimer | .... | music recordist | |
| Shie Rozow | .... | music editor (uncredited) | |
Transportation Department | |||
| Brian Allen | .... | driver: cast | |
| John Feinblatt | .... | picture car coordinator | |
| Duke Foster | .... | transportation captain | |
| Kevin Hudis | .... | driver: car hauler | |
| Joyce M. Lark | .... | transportation coordinator | |
| Craig Lietzke | .... | transportation captain | |
| Douglas Miller | .... | transportation co-captain | |
| Rana Morrison | .... | race car driver | |
| Ted Moser | .... | transportation coordinator | |
| Cyril O'Neil | .... | consultant: picture cars | |
| Marty Osborne | .... | driver | |
| Ron Parsell | .... | driver | |
| Michael Ralph Price | .... | picture car captain | |
| Lisa Robertson | .... | picture car transportation liaison | |
| Rick S. Sulier | .... | transportation accountant | |
| Chad Wadsworth | .... | production van operator | |
| Jeff Woodward | .... | driver | |
| David Neil Enfinger | .... | driver (uncredited) | |
Production CompaniesDistributors
- Universal Pictures (2003) (USA) (theatrical)
- United International Pictures (UIP) (2003) (non-USA) (theatrical)
- Argentina Video Home (2004) (Argentina) (DVD)
- Argentina Video Home (2004) (Argentina) (VHS)
- RTL Entertainment (2005) (Netherlands) (TV) (first national airing) (RTL5)
- United International Pictures (UIP) (2003) (Argentina) (theatrical)
- United International Pictures (UIP) (2003) (Switzerland) (theatrical)
- United International Pictures (UIP) (2003) (Germany) (theatrical)
- United International Pictures (UIP) (2003) (UK) (theatrical)
- United International Pictures (UIP) (2003) (Italy) (theatrical)
- United International Pictures (UIP) (2003) (Netherlands) (theatrical)
- United International Pictures (2003) (Far East) (theatrical)
- United International Pictures (2003) (Japan) (theatrical)
- Universal Home Video (2003) (Brazil) (DVD)
- Universal Home Video (2003) (Brazil) (VHS)
- Universal Pictures Benelux (2003) (Netherlands) (DVD) (VHS)
- Universal Pictures Benelux (2007) (Netherlands) (DVD) (HD-DVD)
- Universal Pictures (2003) (Germany) (DVD)
- Universal Studios Home Entertainment (2009) (USA) (DVD)
- BUF (GPS and ejection seat animation)
- Black Box Digital (additional visual effects)
- Black Box Digital (computer screens)
- CIS Hollywood (visual effects)
- Gentle Giant Studios
- Hammerhead Productions (visual effects)
- Illusion Arts (additional visual effects)
- Illusion Arts (matte paintings)
- Lidar Services (digital survey and modelling)
- Pacific Title and Art Studio (compositing)
- Pixel Liberation Front (pre-visualization)
- Behind the Scenes Freight shipping by
- Boston Light & Sound VistaVision dailies
- Chapman/Leonard Studio Equipment cranes and dollies
- Cinevideo Tech camera equipment provided by (as Cinevideotech Inc.)
- Def Jam Recordings soundtrack published by (as Def Jam South)
- Dolby Laboratories sound post-production
- EFilm film scanning and recording
- Howard Anderson Company, The opticals
- J.L. Fisher camera dollies
- Movie Movers cast trailers
- Movie Movers transportation
- Paramount Pictures Scoring Stage M score recorded and mixed at (as Paramount Scoring Stage M)
- Picture Mill, The titles
- Post Media post-production
- RPM Group promotion and marketing
- Spacecam Systems gyro-stabilized camera system provided by
- Technicolor color timing
- Trademark Animal Talent animals provided by
- UMG Soundtracks soundtrack published by
- Universal Studios Sound Facilities re-recording services (as Universal Studios Sound)
- Universal Studios Sound Facilities sound post-production (as Universal Studios Sound)
Additional Details
Also Known As:
2 Fast 2 Furious (Germany)The Fast and the Furious 2 (USA) (working title)
+rápido +furioso (Argentina) (poster title) (Chile) (Mexico) (Peru) [es]
Двойной форсаж (Russia) [ru]
+Velozes +Furiosos (Brazil) [pt]
2 Fast 2 Furious (France) [fr]
2 fast 2 furious. A todo gas 2 (Spain) [es]
Daha hizli daha öfkeli (Turkey: Turkish title) [tr]
Halálosabb iramban (Hungary) [hu]
Kiired ja vihased 2 (Estonia) [et]
Mahites ton dromon (Greece) [el]
Rapides et dangereux 2 (Canada: French title) [fr]
Wild Speed X2 (Japan: English title) [en]
Yoter Mahear Yoter Atzbani (Israel: Hebrew title) [iw]
Za szybcy, za wsciekli (Poland) [pl]
more
MPAA:
Rated PG-13 for street racing, violence, language and some sensuality.Parents Guide:
View content advisory for parentsRuntime:
USA:107 minColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Netherlands:12 | Brazil:14 | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Malaysia:18PL | France:U | South Korea:12 | UK:15 (DVD rating) (2003) | Argentina:13 | Australia:M | Denmark:11 | Finland:K-15 | Germany:16 | Iceland:12 | New Zealand:M | Norway:15 | Peru:14 | Philippines:R-13 | Singapore:PG | Spain:13 | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:16 (canton of Zurich) | UK:12A (cut) | USA:PG-13 (certificate #39925)Fun Stuff
Trivia:
So much neon lighting was used in the cars that a technical specialist whose expertise was in shooting neon on film was kept on set at all times. moreGoofs:
Continuity: The gear shift knob of Brian's Mitsubishi Evo repeatedly changes between two clearly different after-market items. moreSoundtrack:
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I am going to anyway. This movie was nowhere near as good as the original. Without the camaraderie between characters that existed between Turetto and his gang, all we had was the same movie, only now there are two undercover brothers and a really "bad" guy. There was a lot of potential here to create something great, but I don't think it was achieved. Then again, if all you're after is some fast driving, and no-brain action, you'll probably LOVE this movie! I don't even care for Vin Diesel all that much, but his presence was sorely missed here!