| Photos (See all 12 | slideshow) |
| Slavko Stimac | ... | Luka | |
| Natasa Tapuskovic | ... | Sabaha (as Natasa Solak) | |
| Vesna Trivalic | ... | Jadranka | |
| Vuk Kostic | ... | Milos | |
| Aleksandar Bercek | ... | Veljo | |
| Stribor Kusturica | ... | Captain Aleksic | |
| Nikola Kojo | ... | Filipovic | |
| Mirjana Karanovic | ... | Nada | |
| Branislav Lalevic | ... | President | |
| Davor Janjic | ... | Tomo | |
| Adnan Omerovic | ... | Eso | |
| Obrad Djurovic | ... | Vujan | |
| Dr. Nele Karajlic | ... | Cymbal Player (as Dr. Nelle Karajlic) | |
| Dana Todorovic | ... | SF TV Reporter (as Danica Todorovic) | |
| Vanessa Glodjo | ... | Nurse 1 (as Vanesa Glodjo) | |
| Josif Tatic | ... | Doctor 1 | |
| Dragan Zurovac | ... | Football Manager | |
| Dejan Sparavalo | ... | Orchestra Conductor | |
| Dragan Krtolina | ... | Djani Rebus | |
| Josep Weber | ... | Military Instructor | |
| Milan Janjusevic | ... | Soldier | |
| Vladan Milojevic | ... | Captain Aleksic's Orderly | |
| Marko Jeremic | ... | Petkovic | |
| Bojan Krstovic | ... | Bosnian Sniper 1 | |
| Zoran Jovanovic | ... | Bosnian Sniper 2 | |
| Zorica Jovanovic | ... | Nurse 2 | |
| Branko Ristanovic | ... | Doctor 2 | |
| Lidija Stankov | ... | Dobrila | |
| Aco Sisic | ... | Violon Player | |
| Bora Dimic | ... | Accordion Player | |
| Petar Samardzija | ... | Agresivni vojnik |
Directed by | |||
| Emir Kusturica | |||
Writing credits | ||
| Ranko Bozic | (scenario and dialogue) & | |
| Emir Kusturica | (scenario and dialogue) | |
Original Music by | |||
| Emir Kusturica | |||
| Dejan Sparavalo | |||
Cinematography by | |||
| Michel Amathieu | (director of photography) | ||
Film Editing by | |||
| Svetolik Zajc | (as Svetolik Mika Zajc) | ||
Casting by | |||
| Slobodan Dedeic | (as Boban Dedeic) | ||
Production Design by | |||
| Milenko Jeremic | |||
Art Direction by | |||
| Radoslav Mihajlovic | |||
Costume Design by | |||
| Zora Mojsilovic | (as Zora Popovic) | ||
Makeup Department | |||
| Halid Redzebasic | .... | sfx makeup artist | |
| Marinela Spasenovic | .... | makeup designer | |
Production Management | |||
| Christophe Guillerault | .... | assistant production manager | |
| Dragan Jovanovic | .... | unit manager | |
| Alex Nikolic | .... | production consultant | |
| Alex Nikolic | .... | production supervisor | |
| Françoise Piraud | .... | post-production supervisor | |
| Olivera Varagic | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Zoran Andric | .... | first assistant director | |
| Slobodan Dedeic | .... | assistant director | |
| Vasilije Nikitovic | .... | second unit director | |
Art Department | |||
| Radovan Markovic | .... | property master | |
| Zivojin Savic | .... | property master | |
Sound Department | |||
| Miroslav Babic | .... | sound | |
| Yannick Boulot | .... | sound recordist | |
| Pascal Chauvin | .... | foley artist | |
| Mathieu Cox | .... | sound re-recording mixer | |
| Eric Grattepain | .... | assistant foley artist | |
| Vladan Korac | .... | playback recordist | |
| Dejan Pekovic | .... | boom operator | |
| Aleksandar Protic | .... | sound editor | |
| Nenad Sciban | .... | adr recordist | |
| Nenad Sciban | .... | wildsound recordist | |
| Bruno Tarrière | .... | foley engineer | |
| Bruno Tarrière | .... | sound re-recording mixer | |
| Jérôme Thiault | .... | sound recordist | |
Special Effects by | |||
| Kemal Maracic | .... | special effects technician | |
Visual Effects by | |||
| Frederic Moreau | .... | visual effects producer | |
Stunts | |||
| Rémi Canaple | .... | stunts wire effects | |
| Rémi Canaple | .... | stunts | |
| Patrick Cauderlier | .... | stunts wire effects | |
| Branislav Fistric | .... | stunts | |
| Milan Mitic | .... | stunt coordinator: horses | |
| Milan Mitic | .... | stunt double: Alexsandar Bercek | |
Costume and Wardrobe Department | |||
| Irena Rajnvajn | .... | wardrobe | |
| Mirko Sirkovic | .... | animal dresser | |
Editorial Department | |||
| Branislav Krstic | .... | assistant editor | |
| Yvan Lucas | .... | color timer | |
| Gordana Othnin-Girard | .... | assistant editor | |
Music Department | |||
| Emir Kusturica | .... | music supervisor | |
| Valérie Lindon | .... | music supervisor | |
| Aleksandar Perisic | .... | music editor | |
| Aleksandar Perisic | .... | music recordist | |
Transportation Department | |||
| Ilija Svetac Nikolic | .... | transportation coordinator | |
Other crew | |||
| Andjela Ilic | .... | script supervisor | |
| Nathalie Radovic | .... | assistant to producer | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Serbia and Montenegro section |
This is the best Kusturica's film i have seen. I was very pleased and smiling when i got out of the cinema. It's is very nice to watch that, being always himself, the director was able to improve his style and understand the most powerful elements of each of his previous films, so this time he mixed the lightness and joy of "Crna macka, beli macor" (black cat white cat) with the seriousness and dramatic feelings of "underground".. plus a romance, which is truly explored for the first time in a Kusturica's film, and with high sensitivity i must say.
So, in this one the scenery is a typical Black cat, a almost wild village near the serbia - bosnia border, where a railroad is being built, in the middle of a feeling of pre war. Here we find the main character, this humble man with a (devily insane) wife and a son. Things move forward and he looses both when she escapes with some Hungarian and he goes to war where becomes a prisoner. Than we have the last important character showing up, Sabaha (performed by a dazzling Natasa Solak, truly beautiful). Around this context Kusturica builds a very intense psychological diary of the man, who has constantly to decide whether to save his son or stay with his love (you'll understand how when you get to watch the film), as well as to deal with his returning wife vs his new lover. Better to observe that in the film than to talk about it. Apart from that you get a lot of Kusturica elements and typical way of making laugh, such as through a mule who is constantly trying to commit suicide in the railroads or the fantastic scene in the football game. In opposition to this you have this scene where Luka (main character) desperately grabs his son foot ball and cries over it. Powerful. Mixing the beautiful Balcan's landscapes and the ambiguous, but typical and enjoyable "no smoking" soundtrack and never loosing the posture of portraying ex yugoslavia social environment (like in the references to Tito, ex dictator of the balcans), kusturica creates this romantic but also dramatic comedy, which is the most difficult thing to put in films, as far as i observe. You have in this one that strange laughing/crying effect you find in for instance La Vita e bella or in most of Chaplin's movies. You spend the movie laughing but suddenly you feel very sad, and disturbed and understand you saw something sensitive and great...
From time to time pace gets to slow and if the film was 15 min shorter it wouldn't be worst. Apart from that it's a powerful European creation. It's Kusturica for sure. 8/10