Le temps du loup (2003)

Director:

Michael Haneke

Writer:

Michael Haneke (writer)

Release Date:

8 October 2003 (France)

Genre:

Drama

Plot:

When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.

Plot Keywords:

Stranger | Death Of Pet | Letter | Razor Blade | Sacrifice

Awards:

2 wins & 1 nomination

Cast

Isabelle Huppert	...	Anne Laurent
Béatrice Dalle	...	Lise Brandt
Patrice Chéreau	...	Thomas Brandt
Rona Hartner	...	Arina
Maurice Bénichou	...	M. Azoulay
Olivier Gourmet	...	Koslowski
Brigitte Roüan	...	Béa
Lucas Biscombe	...	Ben
Hakim Taleb	...	Young runaway
Anaïs Demoustier	...	Eva
Serge Riaboukine	...	The leader
Marilyne Even	...	Mme Azoulay
Florence Loiret	...	Nathalie Azoulay (as Florence Loiret-Caille)
Branko Samarovski	...	Policeman
Daniel Duval	...	Georges Laurent

Also Known As:

The Time of the Wolf (UK)
Wolfzeit (Germany)
El tiempo del lobo (Argentina) (festival title) [es]
Farkasok ideje (Hungary) [hu]
Il tempo dei lupi (Italy) [it]
Kurdun günü (Turkey: Turkish title) [tr]
O Tempo do Lobo (Brazil) (festival title) [pt]
Suden aika (Finland) [fi]
Vargens tid (Sweden) [sv]

MPAA:

Rated R for some violence, language and sexuality/nudity.

Runtime:

France:113 min (Cannes Film Festival) | Hong Kong:113 min (Hong Kong International Film Festival) | Argentina:114 min (Buenos Aires Festival Internacional de Cine Independiente) | USA:114 min

Country:

France | Austria | Germany

Language:

French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby SR

Certification:

New Zealand:R16 | Argentina:16 | Finland:K-15 | Germany:12 | Italy:T | Netherlands:12 | Norway:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | Australia:MA

Filming Locations:

Großmittel, Ebenfurth, Lower Austria, Austria

Company:

Bavaria Film

Movie Connections:

References Andrey Rublyov (1966)

Temps Du Loup..

"Temps Du Loup" is probably Michael Haneke's most successful attempt at presenting his bleak outlook on mankind.

Vaguely set in a post-apocalyptic world, the film works both ways: a. at isolating various institutions and values (society, family, religion) outside of their normal environment, and therefore analyzing them more thoroughly; b. as an exercise in evoking beautiful imagery out of spartan and plain settings.

While the first is certainly no new ground for Haneke (the storyline is less complex than his previous effort, "La Pianiste", yet the scope is much grander), the second means that this is his most cinematic and elegant effort yet.