| Photos (see all 39 | slideshow) | Videos (see all 8 NEW) |
| Jessica Biel | ... | Erin | |
| Jonathan Tucker | ... | Morgan | |
| Erica Leerhsen | ... | Pepper | |
| Mike Vogel | ... | Andy | |
| Eric Balfour | ... | Kemper | |
| Andrew Bryniarski | ... | Thomas Hewitt (Leatherface) | |
| R. Lee Ermey | ... | Sheriff Hoyt | |
| David Dorfman | ... | Jedidiah | |
| Lauren German | ... | Teenage Girl | |
| Terrence Evans | ... | Old Monty | |
| Marietta Marich | ... | Luda May | |
| Heather Kafka | ... | Henrietta | |
| Kathy Lamkin | ... | Tea Lady in Trailer | |
| Brad Leland | ... | Big Rig Bob | |
| Mamie Meek | ... | Clerk | |
| John Larroquette | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Scott Martin Gershin | ... | Leatherface (voice) (uncredited) | |
| Harry Jay Knowles | ... | Victim On a Silver Platter (uncredited) | |
Directed by | |||
| Marcus Nispel | |||
Writing credits(WGA) | ||
| Kim Henkel | (1974 screenplay) and | |
| Tobe Hooper | (1974 screenplay) | |
| Scott Kosar | (screenplay) | |
Produced by | |||
| Jeffrey Allard | .... | executive producer | |
| Michael Bay | .... | producer | |
| Matthew Cohan | .... | associate producer | |
| Joe Dishner | .... | co-producer | |
| Ted Field | .... | executive producer | |
| Mike Fleiss | .... | producer | |
| Andrew Form | .... | executive producer | |
| Bradley Fuller | .... | executive producer (as Brad Fuller) | |
| Kim Henkel | .... | co-producer | |
| Tobe Hooper | .... | co-producer | |
| Pat Sandston | .... | associate producer | |
| Guy Stodel | .... | executive producer | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Daniel Pearl | |||
Film Editing by | |||
| Glen Scantlebury | |||
Casting by | |||
| Lisa Fields | |||
Production Design by | |||
| Greg Blair | |||
Art Direction by | |||
| Scott Gallagher | |||
Set Decoration by | |||
| Randy Huke | (as Randy Smith Huke) | ||
Costume Design by | |||
| Bobbie Mannix | |||
Makeup Department | |||
| Troy Breeding | .... | key makeup artist | |
| Grady Holder | .... | makeup artist: special effects body dismemberment | |
| Kelly Nelson | .... | key hair stylist | |
| Carla Palmer | .... | head makeup artist (as Carla E. Palmer) | |
| Scott Stoddard | .... | special makeup effects artist | |
Production Management | |||
| Joe Dishner | .... | unit production manager | |
| Tami Goldman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Randy Fletcher | .... | first assistant director | |
| Phil Hardage | .... | second assistant director (as Philip Hardage) | |
| Katie Tull | .... | second second assistant director | |
Art Department | |||
| Steve Allen | .... | carpenter | |
| Amy Bell | .... | assistant property master | |
| Kevin Berve | .... | prop fabricator | |
| Debbie Cortez Haber | .... | art department coordinator | |
| Erick Garibay | .... | assistant props | |
| David Hack | .... | set dresser | |
| Heather Ingram | .... | art department intern | |
| Joe McCusker | .... | construction coordinator | |
| Mark Millicent | .... | storyboard artist | |
| Melissa Pagen | .... | assistant: production designer | |
| Darren Patnode | .... | on-set dresser | |
| Shane Patrick | .... | leadman | |
| Annilee Ballentine Ramirez | .... | set dressing buyer | |
| Charles Seale | .... | carpenter | |
| Corissa Smith | .... | scenic artist | |
| Christopher Stull | .... | set dresser | |
| Kara Sutherlin | .... | stand-by scenic | |
| Mark Wallace | .... | property master | |
| Gary Wimmer | .... | lead scenic | |
| Robert R. Wonson | .... | set dresser | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| Steve Bartkowicz | .... | re-recording engineer | |
| John Bires | .... | sound engineer | |
| Stacy Brownrigg | .... | production sound mixer | |
| Matt Colleran | .... | sound re-recordist | |
| Thadd Day | .... | second boom operator | |
| Chris Frazee | .... | boom operator | |
| Scott Martin Gershin | .... | sound designer | |
| Scott Martin Gershin | .... | sound supervisor | |
| Frederick Howard | .... | sound editor | |
| Trevor Jolly | .... | sound supervisor | |
| Kevin Maloney | .... | additional boom operator | |
| Paul Menichini | .... | sound effects editor | |
| Brad Sherman | .... | sound re-recording mixer | |
| Gregg Silk | .... | assistant sound engineer | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Edward M. Steidele | .... | foley artist | |
| Jon Taylor | .... | sound re-recording mixer | |
| Jon Title | .... | sound effects editor | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
Special Effects by | |||
| Gary D. Bierend | .... | special effects assistant | |
| Rocky Gehr | .... | special effects | |
| Brandon K. McLaughlin | .... | special effects supervisor | |
| Gregory Nicotero | .... | special effects makeup | |
| Christopher A. Suarez | .... | special effects technician | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group (uncredited) | |
| Kevin McTurk | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Andy Barrios | .... | Inferno artist: Asylum | |
| Joel Behrens | .... | compositor: Asylum | |
| Emma McGuinness | .... | visual effects executive producer: Asylum | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| Jason Schugardt | .... | visual effects supervisor | |
| Greg Stuhl | .... | digital artist | |
| Bridget M. Taylor | .... | digital artist: Asylum VFX | |
| Jeff Werner | .... | visual effects producer | |
| Jesse James Chisholm | .... | element photography (uncredited) | |
| Mark Alan Loso | .... | compositor (uncredited) | |
Stunts | |||
| Jill Brown | .... | stunt double | |
| John Cann | .... | stunt double: Mike Vogle | |
| Tony Cecere | .... | stunt coordinator | |
| Nicola C. Hindshaw | .... | stunt double: Jessica Biel | |
| Diana R. Lupo | .... | stunts | |
| Carl Milinac | .... | stunts (re-shoots) | |
| Lillie Miller | .... | stunt double | |
| Bryon Weiss | .... | stunt double: R. Lee Ermey | |
Camera and Electrical Department | |||
| Roger Basquette | .... | digital video assist operator | |
| Buzzy Burwell | .... | set lighting technician | |
| Matt Cowan | .... | grip | |
| Theda Cunningham | .... | first assistant camera: "b" camera | |
| Donald R. Howe Jr. | .... | second assistant camera: "a" camera | |
| Edison Jackson | .... | best boy electric | |
| Eric R. Laudadio | .... | assistant camera | |
| Greg Lomas | .... | dolly grip | |
| James Marks | .... | remote camera technician | |
| Edward A. Navarro | .... | additional electrician | |
| Eric Pickett | .... | additional video assist | |
| Paul Postal | .... | electrician: additional photography | |
| Van Redin | .... | still photographer | |
| Donis Rhoden | .... | best boy grip | |
| Peter D. Roome | .... | additional first assistant camera | |
| Andy Ryan | .... | chief lighting technician | |
| Tom Shinn | .... | electrician | |
| Peter Simonite | .... | additional photographer | |
| Greg Travis | .... | grip | |
| Jeffery J. Tufano | .... | camera operator | |
| Atom Vyvial | .... | grip | |
| Sean Wright | .... | grip | |
| Thomas Young | .... | second assistant camera: "b" camera | |
Casting Department | |||
| Lisa Fields | .... | local casting | |
| Julia Kim | .... | casting associate | |
| Meagan Lewis | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nyima Johnston | .... | wardrobe | |
| Kathy Kiatta | .... | costume supervisor | |
| Stephanie A. Steel | .... | costume production assistant | |
| Yvonne Wilburn | .... | costumer | |
Editorial Department | |||
| Nathan R. Fitzgerald | .... | associate editor | |
| John McCunn | .... | digital intermediate producer | |
| Dennis McNeill | .... | color timer | |
| Sara Mineo | .... | post-production assistant | |
| Thatcher Peterson | .... | digital color producer | |
| Rob Sciarratta | .... | video color timer | |
| Kurt Smith | .... | color timer | |
Music Department | |||
| Bob Badami | .... | assistant music editor | |
| Wayne Bell | .... | composer: original theme | |
| Jonathan Flood | .... | composer: additional music | |
| Tobe Hooper | .... | composer: original theme | |
| Malcolm Luker | .... | score mixer | |
| William V. Malpede | .... | music assistant (as William Malpede) | |
| Melissa Muik | .... | score recordist | |
| Jennifer Nash | .... | music editor | |
| Paul Silver | .... | music editor: temp mix | |
| Mel Wesson | .... | ambient music designer | |
Transportation Department | |||
| Greg Faucett | .... | transportation coordinator | |
| Russell E. Scott | .... | picture cars | |
Other crew | |||
| Crisoforo Aguilar | .... | key set production assistant: additional photography | |
| John Arszyla | .... | medic | |
| Meg Beatty | .... | set production assistant | |
| Allison Bergstrand | .... | assistant: Mr. Field | |
| Sidney Bowen | .... | assistant: Mr. Nispel | |
| Brinton Bryan | .... | additional set production assistant | |
| Doug Carter | .... | key set production assistant | |
| Simon Cassels | .... | title designer | |
| Diana Mia Cevallos | .... | liaison: Chapman | |
| Monique Champagne | .... | production assistant | |
| Brad Clark | .... | assistant: Mr. Nispel | |
| Logan Cooper | .... | location scout | |
| Shanti Delsarte | .... | production coordinator | |
| Tiffany Lynn Drucker | .... | production assistant | |
| Aaron L. Enz | .... | assistant: Mr. Allard | |
| Pam Fuller | .... | script supervisor (as Pam Fuller Vasquez) | |
| Josh Gold | .... | assistant: Mr. Form and Mr. Fuller | |
| Joey Hudgins | .... | assistant location manager | |
| Susan Jasso | .... | additional set production assistant | |
| Lauren Kaufman | .... | assistant: Mr. Form and Mr. Fuller | |
| Nell Kennedy | .... | production assistant | |
| Kelly Kernan | .... | location manager | |
| Vas Leonidov | .... | artistic consultant: Mr. Nispel | |
| Carolyn Mcguinness | .... | assistant: Mr. Bay | |
| Tammy McKendrick | .... | production coordinator | |
| Rana Morrison | .... | location assistant | |
| Rich Newman | .... | production assistant | |
| Heidi S. Pavey | .... | production coordinator: additional photography | |
| John M. Pisani | .... | unit publicist | |
| Gabe Proctor | .... | additional video playback operator | |
| DeLayne Rasmussen | .... | assistant production office coordinator | |
| Mikey Reyes | .... | production and props assistant | |
| Jeremy Roberts | .... | payroll accountant | |
| Ralph Sall | .... | album producer | |
| Alicia Utz | .... | assistant: Mr. Fleiss | |
| Jeff Valeri | .... | assistant production coordinator: additional photography | |
| Suzanne Welch | .... | assistant: Mr. Field | |
| Leigh A. Wilbourn | .... | production coordinator | |
| Edward Albolote | .... | assistant: Michael Bay (uncredited) | |
| Justin Herber | .... | assistant: Mr. Bay (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Deborah J. Page | .... | location manager: re-shoots (uncredited) | |
| Christopher Scull | .... | production assistant (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
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| The Texas Chainsaw Massacre: The Beginning | The Texas Chain Saw Massacre | Freddy vs. Jason | The Hills Have Eyes | House of Wax |
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Not bad for a re-make of course it didn't have quite the impact of the original. It did a decent job building tension and there was a darker atmosphere to the location, made it seem more nightmarish.
Obviously the film had some advantages from a bigger budget, and R. Lee Ermey is definitely worth watching. As for the family, you had an almost twisted take on 'the dirty south', or in this case southwest, people being more bizarre caricatures, but with the darker and more atmospheric setting it works.
Interstingly, it seems to lack the social commentary of the original, but that is very common with remakes these days. Though there is extensive use of rather effective foreshadowing in numerous scenes.