The Texas Chainsaw Massacre (2003)

Director:

Marcus Nispel

Writers (WGA):

Kim Henkel (1974 screenplay) and
Tobe Hooper (1974 screenplay) ...

Release Date:

17 October 2003 (USA)

Genre:

Horror | Thriller

Tagline:

Inspired by a True Story

Plot:

A group of friends passing through are stalked and hunted down by a deformed killer with a chainsaw in order to sustain his poor family who can only afford to eat what they kill.

Plot Keywords:

Leatherface | Suicide | Chainsaw | Psychopath | Telephone

Awards:

4 wins & 10 nominations

Cast

Jessica Biel	...	Erin
Jonathan Tucker	...	Morgan
Erica Leerhsen	...	Pepper
Mike Vogel	...	Andy
Eric Balfour	...	Kemper
Andrew Bryniarski	...	Thomas Hewitt (Leatherface)
R. Lee Ermey	...	Sheriff Hoyt
David Dorfman	...	Jedidiah
Lauren German	...	Teenage Girl
Terrence Evans	...	Old Monty
Marietta Marich	...	Luda May
Heather Kafka	...	Henrietta
Kathy Lamkin	...	Tea Lady in Trailer
Brad Leland	...	Big Rig Bob
Mamie Meek	...	Clerk

Also Known As:

La masacre de Texas (Argentina) (Venezuela) [es]
Massacre à la tronçonneuse (Canada: French title) (France) [fr]
A texasi láncfürészes (Hungary) [hu]
La matanza de Texas (Spain) [es]
Michael Bay's Texas Chainsaw Massacre (Germany) [de]
Motorsågsmassakern (Finland: Swedish title) [sv]
Non aprite quella porta (Italy) [it]
O Massacre da Serra Elétrica (Brazil) [pt]
O shizofrenis dolofonos me to prioni (Greece) [el]
Teksas katliami (Turkey: Turkish title) [tr]
Texase mootorsaemõrvad (Estonia) [et]
Texasin moottorisahamurhat (Finland) [fi]

MPAA:

Rated R for strong horror violence/gore, language and drug content.

Runtime:

98 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Taiwan:R-18 | Canada:16+ (Quebec) | Canada:18A (Alberta/British Columbia) | Canada:R (Manitoba/Nova Scotia/Ontario) | Iceland:16 | Mexico:C | Portugal:M/18 | Italy:VM18 (tv rating) | Singapore:M18 (re-rating) | Australia:MA | Brazil:18 | Finland:K-18 | France:-16 | Germany:18 (nf) | Hong Kong:III | Ireland:18 | Italy:VM14 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Philippines:R-18 | Singapore:R(A) | South Korea:18 | Sweden:15 | UK:18 | USA:R (certificate #39964) | Argentina:16 | Chile:14 | Germany:BPjM Restricted

Filming Locations:

Austin, Texas, USA

Company:

New Line Cinema

Trivia:

Banned in Ukraine by the Ministry of Culture.

Goofs:

Plot holes: When the Sheriff has the three characters prone in the dirt, he has their drivers licenses in his hand. As he starts to toss them down, the second license clearly states that it is an Arizona license. All three of the licenses are identical except for the picture. As he throws them down to them, he calls out the states of each of the owners. He first says "Arizona", although that is the second license, not the first one. He then says "Colorado" as he tosses down the Arizona license and finally says "New York" for the third.

Quotes:

[first lines]
Narrator: The film which you are about to see is an account of the tragedy which befell a group of 5 youths. It is all the more tragic in that they were young. But had they lived very, very long lives, they could not have expected, nor would they have wished to see as much of the mad and macabre as they were to see that day...
[...]

Movie Connections:

Featured in The House That Freddy Built (2006) (V)

Soundtrack:

Sweet Home Alabama

Surprisingly good remake.

The horror/sci-fi movie critic Richard Scheib coined the term "Backwoods Brutality" to describe the slew of low-budget movies that emerged in the 1970s which had as their main theme the violent and abrupt destruction of middle-class serenity. The concept has occasionally found expression outside of the horror genre (Straw Dogs, Deliverance), but since Wes Craven's Last House on the Left (1972), it has been a mainstay of the horror genre. Even thirty years later, the basic idea continues to be remade and re-interpreted.

In my view, the original Texas Chainsaw Massacre (1974) is the most successful exponent of the genre. As it often is in the American variations of this genre, the TCM takes the so-called blue state/red state dichotomy to a grotesque extreme: the backroads of the Deep South is another country and its inhabitants exhibit uncontained contempt for every unsuspecting wayfarer. Its use of tension, which is meticulously established in the movie's first 45 minutes, and release -- the last 45 minutes -- is almost elegant in its simplicity. Throughout, violence is used in sparing and sudden bursts until the adrenaline-fueled final act, during which it is mercilessly sustained.

With some minor qualifications, this description also fits Marcus Nispel's 2003 remake. Here the enlarged budget and technical expertise have worked both for and against the film. On the one hand, a variety of new elements have been added to the story. Some, like the mysterious little boy or the ending, are so-so, while others, like Leatherface's skin mask or the "extended family," are effective. On the other hand, the professionalism and attention to detail demonstrated by Nispel and Daniel Pearl (whose cinematography here is magnificent) on down to those responsible for filming locations and set detail, is consistently impressive.

So the basic "tension-release" framework has been lifted from the original but instead of improving on it the filmmakers have saddled it with characters, situations, drama, and violence. (We learn from the DVD extras, happily, that some "tender moments" were left on the cutting room floor.) I give it a 7 because ultimately I think it works as a horror movie on its own terms -- in fact, I don't think a better American horror movie has been made since 2000 -- and Nispel/Kosar deserve credit attempting to revise the concept in minor ways for fans of the franchise. On the balance, however, the original's low-budget guerilla-like realism as well as some of its visceral power has been compromised.

Of note, finally, is the performance of Jessica Biel. Having earned her acting chops on the Christian TV show/cheesefest, Seventh Heaven, Biel has as of late found a niche playing physically tough, but likable and intelligent characters. She's quite excellent here; as it was for the original TCM's Marilyn Burns, Biel's performance is exhilarating and intense -- a kind of endurance test. But one easily believes she has the acuity and toughness to survive the ordeal.