| Videos |
| Sam MacLintock | ... | Little Yury | |
| Keira Knightley | ... | Lara Antipova (neé Guishar) | |
| Bill Paterson | ... | Alexander Gromyko | |
| Celia Imrie | ... | Anna Gromyko | |
| Sam Neill | ... | Victor Komarovsky | |
| Daniella Byrne | ... | Little Tonya | |
| Nick Stewart | ... | Orthodox Priest | |
| Hans Matheson | ... | Yury Zhivago | |
| Alexandra Maria Lara | ... | Tonya Gromyko Zhivago | |
| Jeremy Clyde | ... | Professor | |
| Daniele Liotti | ... | Misha Gordon | |
| Anne-Marie Duff | ... | Olya Demina | |
| Maryam d'Abo | ... | Amalia Guishar | |
| Robert Orr | ... | Agitator | |
| Kris Marshall | ... | Pasha Antipov / Strelnikov | |
| Karel Dobry | ... | Mayakovsky | |
| David Fisher | ... | Blok | |
| Hugh Bonneville | ... | Andrey Zhivago | |
| John Comer | ... | Bolshevik Infiltrator | |
| Honza Klimer | ... | Convoy Officer | |
| Sylvia Syms | ... | Madame Fleury | |
| Jan Travnicek | ... | Sasha Zhivago | |
| Jan Unger | ... | Vassya | |
| Vojtech Rohlicek | ... | Vassya | |
| Philip Lenkowsky | ... | Remaining Villager (as Phil Lenkowsky) | |
| Rudolf Pellar | ... | Mikulytsin (as Rudolph Pellar) | |
| Anna Rust | ... | Katya | |
| Pavel Kríz | ... | Palyk | |
| Rick Warden | ... | Liberius | |
| Stuart Penn | ... | Mutilated Man | |
| rest of cast listed alphabetically: | |||
| Zuzana Hodkova | ... | Wedding Guest | |
| Gregg Sulkin | ... | Seryozha | |
| James Babson | ... | Distraught Father (uncredited) | |
| Roger Denesha | ... | Dragoon Officer (uncredited) | |
| Ryan James | ... | Physician (uncredited) | |
| Ivo Novák | ... | Lieutenant (uncredited) | |
Directed by | |||
| Giacomo Campiotti | |||
Writing credits | ||
| Boris Pasternak | (novel) | |
| Andrew Davies | (screenplay) | |
Original Music by | |||
| Ludovico Einaudi | |||
Cinematography by | |||
| Blasco Giurato | |||
Film Editing by | |||
| Joe Walker | |||
Casting by | |||
| James Bain | |||
| John Hubbard | |||
| Cornelia von Braun | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| John Hill | |||
| Martin Maly | |||
Set Decoration by | |||
| Philippa Hart | |||
| Tatiana Lund | |||
Costume Design by | |||
| Annie Symons | |||
Makeup Department | |||
| Fae Hammond | .... | makeup designer | |
| Ivana Nemec | .... | hair stylist (as Ivana Nemcova) | |
| Ivana Nemec | .... | makeup artist (as Ivana Nemcova) | |
| Ruzena Novotna | .... | hair stylist | |
| Ruzena Novotna | .... | makeup artist | |
| Lisa Pickering | .... | hair stylist | |
| Lisa Pickering | .... | makeup artist | |
| Milan Vlcek | .... | hair stylist | |
| Milan Vlcek | .... | makeup artist | |
| Noriko Watanabe | .... | hair stylist: Sam Neill | |
| Noriko Watanabe | .... | makeup artist: Sam Neill | |
| Brian Best | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Pavel Nový | .... | production manager | |
| Zbynek Pippal | .... | unit manager | |
| Shelley Powell | .... | post-production supervisor | |
Art Department | |||
| Christine Buttner | .... | graphic designer | |
| Jaroslav Cesal | .... | property master | |
| Bruno de Santa | .... | set dressing supervisor | |
| Joanna Foley | .... | stand-by art director | |
| Jiri Hybes | .... | props | |
| Marketa Korinková | .... | assistant art director | |
| Paolo Morales | .... | storyboard artist | |
| Pavel Tatar | .... | draftsman | |
| Radan Kapinos | .... | stand-by prop man (uncredited) | |
Sound Department | |||
| Terry Brown | .... | sound effects editor | |
| Hugh Johnson | .... | dubbing mixer | |
| Khama Matiti | .... | sound recordist | |
| André Schmidt | .... | adr editor | |
| Bruce Wills | .... | sound recordist | |
| Steve Wright | .... | boom operator | |
| Hilary Wyatt | .... | dialogue editor | |
Special Effects by | |||
| Jirí Vojtech | .... | special effects crew | |
Visual Effects by | |||
| Robin Beard | .... | digital effects artist | |
| Simon Carr | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Viv Jim | .... | digital compositor: Men From Mars | |
| Ian Murphy | .... | digital compositor: Men From Mars | |
Stunts | |||
| Jiri Horky | .... | stunts | |
| Pavel Myslik | .... | stunt coordinator | |
Casting Department | |||
| James Bain | .... | casting: Granada | |
| Nancy Bishop | .... | casting: Czech Republic | |
| John Hubbard | .... | casting: UK | |
| Cornelia von Braun | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Martina Fialová | .... | wardrobe assistant | |
| Jana Hohnova | .... | seamstress | |
| Sharon Long | .... | assistant costume designer | |
| Jirina Svancarova | .... | seamstress | |
| Iveta Trmalova | .... | costume supervisor | |
| Eva Vacková | .... | wardrobe assistant | |
| Sarka Zazvorkova | .... | wardrobe assistant | |
| Alice Kheilova | .... | costume interpreter (uncredited) | |
Editorial Department | |||
| Chris Beeton | .... | telecine colorist | |
| Scott Hinchcliffe | .... | on-line editor | |
| Blanka Kulová | .... | assistant editor | |
| Simon Reglar | .... | assistant editor | |
Music Department | |||
| Angelo Giovagnoli | .... | orchestra coordinator | |
| Claudio Messina | .... | music producer | |
| Davide Settembrino | .... | music consultant | |
| Paola Vanoni | .... | music production assistant | |
Transportation Department | |||
| Vaclav Mottl | .... | transportation coordinator | |
| Tony Vizina | .... | driver: cast | |
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| Doctor Zhivago | Silk | Original Sin | Dangerous Liaisons | Catherine the Great |
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Pasternak's novel was a love story tucked in an epic set against the turbulent Russian revolution. The novel itself, with its story of illicit love in time of war, was almost the GONE WITH THE WIND of its day. When the time came to make the movie the task fell, quite naturally, to epic film maker David Lean, winner of the Academy Award for his last two pictures (BRIDGE ON THE RIVER KWAI, LAWRENCE OF ARABIA). Lean and screenwriter Robert Bolt (A MAN FOR ALL SEASONS, LAWRENCE) did a superb job of distilling the essence of the novel, but left out many characters and events in their 197 minute motion picture (which, until the advent of Lucas and Spielberg, was one of the highest grossing movies ever). Robert Bolt won a deserved Oscar for his work on DOCTOR ZHIVAGO, for his job was formidable. But now that Pasternak's epic sweep was personified by Lean and Bolt, a television version was needed whose focus was Pasternak's (admittedly soap-opera) story without sacrificing any of the other events for time limitations.
The television version that finally appeared was barely an hour longer than Lean's. It would be unfair to compare this version to Lean's, which had a powerhouse cast (Christie, Steiger, Richardson, Courtenay, Guinness), a director with an eye for the cinematic, and a superb script. However, when some of the same sorts of scenes appear, the new version seems like a hollow echo.
This new version also truncates the novel. The dialog is pedestrian. In the old days British television would make adaptations of novels this size that went on for months (ZHIVAGO could sustain it). The interiors were videotaped like stage presentation and the exteriors were shot on grainy film, but the breadth of great novels came across. Four hours was not time enough to do justice to Pasternak. Everything seems to boil down to sex in this version, which is daring -- for the 1960s!
On the plus side, it must be said that Keira Knightley (Lara) is pure sex on the screen. Her character is hardly the thrall of Komarovsky she is in the novel (the victim she is in Lean's movie). Again, this might have been daring forty years ago. It seems the writers of this movie missed the other revolution (the sexual revolution) that might've gotten them past this approach to the material to focus on the larger view of the Russian revolution the novel presents. We had the love story, done a whole lot better, decades ago. We're still waiting for a version that does justice to Pasternak.