| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Vincent Gallo | ... | Bud Clay | |
| Chloë Sevigny | ... | Daisy (as Chloe Sevigny) | |
| Cheryl Tiegs | ... | Lilly | |
| Elizabeth Blake | ... | Rose | |
| Anna Vareschi | ... | Violet | |
| Mary Morasky | ... | Mrs. Lemon | |
| rest of cast listed alphabetically: | |||
| Rick Doucette | ... | Featured Racer (uncredited) | |
Directed by | |||
| Vincent Gallo | |||
Writing credits(in alphabetical order) | ||
| Vincent Gallo | written by | |
Produced by | |||
| Vincent Gallo | .... | producer | |
Cinematography by | |||
| Vincent Gallo | |||
Film Editing by | |||
| Vincent Gallo | |||
Production Design by | |||
| Vincent Gallo | (uncredited) | ||
Art Direction by | |||
| Vincent Gallo | (uncredited) | ||
Set Decoration by | |||
| Vincent Gallo | (uncredited) | ||
Costume Design by | |||
| Vincent Gallo | |||
Makeup Department | |||
| Vincent Gallo | .... | makeup artist (uncredited) | |
Art Department | |||
| Vincent Gallo | .... | set designer | |
Sound Department | |||
| Marc Fishman | .... | sound mixer | |
| Tony Lamberti | .... | sound mixer | |
| Jon Mete | .... | sound editor | |
| Edward Tise | .... | sound recordist | |
Camera and Electrical Department | |||
| John Clemens | .... | camera operator | |
| Vincent Gallo | .... | camera operator | |
| Toshiaki Ozawa | .... | camera operator | |
| Toshiaki Ozawa | .... | gaffer | |
| Toshiaki Ozawa | .... | grip | |
Other crew | |||
| Cat Doran | .... | support | |
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| Freeway | My Own Private Idaho | Enter the Void | Blue Valentine | Boys on the Side |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
If you can endure a 90 minute portrait of brooding self loathing with virtually no dialog and uninspired cinematography, this film is for you. The notorious scene with Daisy is incongruous. Perhaps, I am dense, but in my view, the emperor has no clothes. To be successful, this film should have elicited a strong interest in the lead character. But in the end, you have learned little about someone who is shallow and unappealing. This film portrays the journey of a motorcyclist tormented by demons vaguely hinted at in mysterious stops he makes in route. You see that he is attracted and repulsed by women. (Cheryl Tiegs, for those of you old enough to remember her from the 1970s is perfect in what amounts to a cameo.) But his encounters with women are so fleeting and glancing that you learn little until the end of the journey. Then, what you learn is too trite to support your having endured the trip with him. I believe Vincent Gallo had a serious idea, but the idea is unrealized.