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The 48th Annual Academy Awards (1976)

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Nominated for 2 Primetime Emmys. Another 1 nomination. See more awards »

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Directors: Marty Pasetta, Harrison Engle
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Cast

Credited cast:
...
Herself - Co-Hostess
...
Himself - Co-Host
...
Himself - Nominee
...
Himself - Co-Host
...
Himself - Co-Host
Rest of cast listed alphabetically:
...
Herself - Nominee & Presenter
John Alcott ...
Himself - Winner
...
Himself - Nominee
...
Herself - Nominee
...
Himself - Presenter
...
Herself - Presenter
...
Herself - Presenter
...
Herself - Presenter
...
Himself - Presenter
...
Herself - Nominee
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Storyline

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Details

Country:

Release Date:

29 March 1976 (USA)  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

For his brief segment, Red Skelton did a few routines and joked about the cover placed over the orchestra pit. See more »

Quotes

Milos Forman: I've been told by many people that the Academy is patriotic, chauvinistic and does not like to give awards to foreigners. It's nice to know it isn't so.
See more »

Connections

References Little Lord Fauntleroy (1921) See more »

Soundtracks

Theme from Mahogany (Do You Know Where You're Going To)
from "Mahogany (1975)"
Music by Michael Masser
Lyrics by Gerry Goffin
Performed by Diana Ross
See more »

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User Reviews

 
Loved working on the 48th for Marty Pasetta
19 August 2006 | by See all my reviews

It was incredible . yes, incredible, Marty chose me from a long list of 'availables' to replace his assistant when she went on a trip to Europe .. I was nervous . but not for long, Marty can put a person at ease quickly .. and to work on the Oscars .. Marty is one of the MOST creative bosses I have ever worked for .. he flew to Amsterdam to see IF it would be possible (1st time ever) to Satellite a broadcast from there to the LIVE Oscars .. he brought me back a pair of little wooden shoes ..they still hang on my wall .. YES, it probably would work . he would be sending Howie Koch, Jr. to direct that segment .. Oh, and Poloroid decided they wanted Marty to do a LIVE commercial at the head of the awards . he agreed ..

Marty would go and take an apartment near the Dorothy Chandler for weeks so he could be right there daily . LONG hours . I was supposed to stay in 'his office' . but I was needed at the Chandier .. I went and it was SUPER .. Photos (huge) were put in the seats where the person would be sitting ...so the cameras (believe he had 18 . another first) would know where each person was .. So much going on .. constantly .. we ate there . had 'chits' to get in to get a meal... I was in the 'production office' the day of and had been told that Marty did NOT take any calls that day ..even IF his house were on fire .. the phone rang .. a male voice asked for Marty . I said 'he cannot take calls today, who is this?' .. 'Don Adams' .. I said 'get off my phone Don!' ..he asked who I was . I told him (have worked for him on/off for 5 years & neither of us recognized our voices) . he told me he HAD to have tickets for the Awards .. I told him perhaps I could get Howard W. Koch to speak w/him .. after running to the audience .. Howard said to give him the number.. I did .. a few minutes later . Don called back and said 'he hung up on me.. said I was NOT Don Adams?!' . I went back to the audience . Howard told me was NOT Don . I told him it was . he told me that he asked Don how his horse did yesterday (Don being a real horse junky) . and he had no idea . I told Mr. Koch that had he asked how Telly's Pop did and not 'my horse' Don would have told him .. with that . he turned away . but his assistant said there were some seats in the balcony .. I called Don .he called back and did NOT want the seats in the balcony ..

Marty had also gone to Pickfair to interview Mary Pickford for a special Oscar . she was too frail to make the Oscars .. it was incredible. how much I would have liked to have gone there ..

Elizabeth Taylor looked gorgeous .. she was to close the show .. she arrived with an entourage .. but was just perfect .. the whole night was perfect ..

It was time .. from the mobile booth, the crew (we all had to be in formal attire in case the camera caught us) heard Marty's voice say, and in 5 - 4 - 3 - 2 - 1 .. TAKE 6 (or whatever camera he used) . the commercial.. oh boy, it was good . but Marty said he would never do that again as it took away from his thinking for the main show . but he IS a pro .. the BEST .. AND then the camera in Amsterdam for Dianna Ross singing theme from Mahogany . would it work . 5 in the a.m. there (think) .. YES . it worked . . Everything worked . the celebrities WERE in their proper seats and cameras could find them easily .. Marty's voice was a raspy whisper by that night .. all the rehearsals . but what an incredible man and evening .. AND . .I still marvel that I got to work on the show .. I still have the gold lettered 3 ring binder with my name on it and the script inside ..

And then it was over ... back to the office next day . late though .. now to write letters to all the presenters & winners .. Marty, not only 'the pro' .. but well mannered ..

Inside info .. when a seat is empty by a person leaving to go on stage .. an extra takes it .. so the seat is never empty .. a standing ovation? .. An extra rises or two perhaps to get the rest of the audience to rise .. it works ..

Was an INCREDIBLE 'too short lived' position for me .. finishing up the Grammys and all of the Oscars for the 48th year ..

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