| Karisma Kapoor | ... | Nandini | |
| Nana Patekar | ... | Narasimha | |
| Sanjay Kapoor | ... | Shekhar | |
| Jai Gidwani | ... | Raja | |
| Shah Rukh Khan | ... | Jaisingh (Drifter) | |
| Deepti Naval | ... | Shekhar's mother | |
| Aishwarya Rai Bachchan | ... | Dream Girl (as Aishwarya Rai) | |
| Vijay Raaz | ... | Beeja | |
| Tiku Talsania | ... | Nandini's uncle | |
| Jaspal Bhatti | ... | Nandini's uncle | |
| rest of cast listed alphabetically: | |||
| Prabhu Deva | ... | Special Appearance | |
| Divya Dutta | ... | Shekhars sister | |
| Chandrakant Gokhale | |||
| Chris Ippolito | ... | Dancer | |
| Prakash Raj | |||
| Ritu Shivpuri | ... | Shekhar's sister | |
| Anupam Shyam | |||
| Rajshree Solanki | ... | Shekhar's sister | |
| Rocky Verma | ... | Goon (as Rocky) | |
| Zerifa Wahid | |||
Directed by | |||
| Krishna Vamshi | |||
Writing credits | ||
| Krishna Vamshi | (screenplay) | |
| Kamal Pandey | (dialogue) | |
Produced by | |||
| Boney Kapoor | .... | producer | |
| Beena Shah | .... | consulting producer | |
| Rajesh Shah | .... | line producer | |
| Sridevi | .... | producer | |
Original Music by | |||
| Ismail Darbar | |||
Cinematography by | |||
| Sethu Sriram | (as S. Sriram) | ||
Production Design by | |||
| Shyam Sunder | |||
Art Direction by | |||
| Priten Patil | |||
Costume Design by | |||
| Mandira Shukla | |||
Production Management | |||
| V.Y. Praveenkumar | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Arjun Kapoor | .... | assistant director | |
| Kumarnagendra | .... | assistant director | |
| Vasu Oleti | .... | first assistant director | |
| Shyam Sunder | .... | chief assistant director | |
| Shyam Sunder | .... | second unit director | |
Sound Department | |||
| Abhijit Deo | .... | dialogue editor | |
| Pradeep Suri | .... | audiographer | |
| Santosh Verma | .... | sound recordist | |
Special Effects by | |||
| Agnelo D'Souza | .... | special effects assistant | |
Visual Effects by | |||
| Mahesh Baria | .... | flame artist | |
Stunts | |||
| Allan Amin | .... | stunt action director | |
| Rocky Verma | .... | stunts | |
Camera and Electrical Department | |||
| Jeffin Joseph | .... | second assistant camera | |
Music Department | |||
| Mahalakshmi Iyer | .... | playback singer (as Mahalaxmi) | |
| Kavita Krishnamurthy | .... | playback singer | |
| G.V. Prakash Kumar | .... | playback singer (as Prakash) | |
| Anu Malik | .... | composer: song "Ishq kameena" | |
| Sonu Nigam | .... | playback singer | |
| Anuradha Paudwal | .... | playback singer | |
| Mohammad Salamat | .... | playback singer | |
| Adnan Sami | .... | playback singer | |
| Ravindra Sathe | .... | playback singer | |
| Sukhwinder Singh | .... | playback singer | |
| Alka Yagnik | .... | playback singer | |
Other crew | |||
| Ganesh Acharya | .... | choreographer | |
| Farah Khan | .... | choreographer | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb India section |
Seeing this movie was the most fun I've had at the cinema in a long time. However, I am not able to say whether this is a good or a bad film, because such simple qualifications simply cannot be applied. This picture has everything any movie could ever have. It has characteristics of a romantic comedy, a political commentary, a thriller, a drama, an action movie, a musical, and an absurdist self-conscious art film. It's all in there, adding up to a myth.
The basic premise is about an Indian couple, Nandini (Karishma Kapoor) and Shekhar (Sanjay Kapoor), happily living in Canada, who rush to India to visit the husband's parents after a disturbing news report. The rest of the story takes place in India, where the couple find themselves in the midst of a plot of fratricidal violence. At one point, the story borrows from "Not without my baby," but to call Shakti a remake of anything would be an injustice.
The ostensible story line takes a backseat to a number of astonishing interruptions, including Shah Rukh Khan's dream of Aishwarya Rai which comes as if out of another movie. In fact, the two stars are on all the posters, but they appear really late in the film, and only Shah Rukh ends up being a real character. Yet he makes up for it with a spirited and truly unexpected performance.
Karishma Kapoor is the one with most work to do in this film, and she does an admirable job, having to link up the film's twists and turns with a show of believable emotion. Another notable presence is Nana Patekar, who plays Narsimha, the tyrannical father of the husband Shekhar. Nana Patekar dominates every scene he's in with a scary but nuanced character.
The movie is not without its share of realism. Violence is rampant, but truly disturbing in the abuse received by most of the female characters, with Karishma getting soundly beaten on a number of occasions. At times, this violence is clearly disturbing but ultimately it becomes surreal as every dramatic sequence is usually followed by such comic and spectacular turns that the overall effect is nothing but cathartic.
I have seen a share of Bollywood releases, and the mixing of genres and incredible plot resolutions are certainly their norm. But "Shakti" raises the bar by absorbing an even greater masala without becoming ridiculous. It is a film that achieves the grandeur of a Shakespearian tragedy, where the audience of the rabble and royalty is equally entertained. It is pure, gratuitous cinema, and the director Krishna Vamsi must have had a dream of a good time by throwing in every trick in the book. Perhaps, the all-important message of violence begetting violence and the inspiring extents of motherly love were not the thoughts on my mind, but I came out of watching "Shakti" exhilarated. Making movies can be the most fun in the world!