Starsky & Hutch (2004)

User Rating:

6.2/10   

Director:

Todd Phillips

Writers (WGA):

William Blinn (characters)
Stevie Long (story) ...

Release Date:

5 March 2004 (USA)

Genre:

Action | Comedy | Crime

Tagline:

They're the man.

Plot:

Two streetwise cops bust criminals in their red-and-white Ford Torino with the help of police snitch called Huggy Bear.

Plot Keywords:

Cocaine | Police | Police Detective | Hazing | 1970s

Awards:

3 wins & 8 nominations

Cast

Ben Stiller	...	David Starsky
Owen Wilson	...	Ken Hutchinson
Snoop Dogg	...	Huggy Bear
Fred Williamson	...	Captain Doby
Vince Vaughn	...	Reese Feldman
Juliette Lewis	...	Kitty
Jason Bateman	...	Kevin
Amy Smart	...	Holly
Carmen Electra	...	Staci
George Cheung	...	Chau (as George Kee Cheung)
Chris Penn	...	Manetti
Brande Roderick	...	Heather
Molly Sims	...	Mrs. Feldman
Matt Walsh	...	Eddie
G.T. Holme	...	Bartender

Also Known As:

Starsky et Hutch (Canada: French title) (France) [fr]
Starsky y Hutch (Argentina) (Spain) [es]
Afili aynasizlar (Turkey: Turkish title) [tr]
Starsky & Hutch (Germany) [de]
Starsky & Hutch (Finland) [fi]
Starsky & Hutch (Argentina) [es]
Starsky & Hutch - Justiça em Dobro (Brazil) [pt]

MPAA:

Rated PG-13 for drug content, sexual situations, partial nudity, language and some violence.

Runtime:

101 min

Country:

USA

Language:

English | Korean

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:12 | Ireland:15 | South Korea:12 | Brazil:14 | Argentina:Atp | Australia:M | Canada:14A | Finland:K-11 | Germany:12 | Hong Kong:IIA | Netherlands:12 | Norway:11 | Peru:PT | Philippines:PG-13 | Singapore:M18 | Singapore:PG (cut) | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:PG-13 (certificate #40613) | Malaysia:18PL

Filming Locations:

Dockweiler Beach, Los Angeles, California, USA

Company:

Dimension Films

Trivia:

Thomas Lennon and 'Ben Garant' did uncredited work on the screenplay for this film.

Goofs:

Plot holes: Kevin tells the coke dealers that the German Sheppard can "detect smells that even the most advanced technology in the world cannot." With that in mind, we see the fat coke dealer smoking a cigarette who is sitting closer to the dog than the man with the "old coke" (the one that the dog attacks) thus, the dog should have caught the man with the cigarette first.

Quotes:

[first lines]
Kitty: Don't stress. Just relax.
Reese Feldman: I don't understand man, I don't understand. You can lose keys, ya know, you can lose your wallet. How... how do you lose a plane?
Terrence Meyers: Reese, come on. What do you want me to do? You got three out of four planes in. That's still a lot of coke.
Reese Feldman: Now, see that? That's the kind of winning attitude that's gonna take this enterprise straight to the top.

Movie Connections:

Featured in "Goedemorgen Nederland: (2004-04-29)" (2004)

Soundtrack:

Dazz

Copping out

During its inauspicious four year run, the TV series "Starsky & Hutch" was never a huge hit; though it did land at an impressive number 15 in the Nielsen ratings its first year (1975-76), the numbers declined steadily thereafter. It was never a particularly good show and in the ensuing years it has never really had much of a cult following (except, maybe, among gay audiences who imagined more in the Starsky-Hutch relationship than was ever intended -- something immortalized in a Halloween episode of "Will & Grace"). Indeed, much of the success of the show could be attributed to the fact that the proverbial pair of mismatched cops it featured drove a tricked out Ford Gran Torino -- an otherwise uncool make of car which somehow became cool because it was given a remarkably ugly red-and-white paint job. Yet, neither particularly admired for its quality nor beloved for its unintentionally humorous mediocrity, the show has lingered in our consciousness, even as many that were far better and more original have faded into oblivion. Even so, it is hard to imagine that there was ever a great demand for it to be turned into a big screen movie.

It does, however, deserve some credit; the show did strive for a bit of grittiness in the style of THE FRENCH CONNECTION. In an era when most TV cop shows were slick and glib and sometimes striving for a touch of glamor, "Starsky & Hutch" moved around in a world of pimps and prostitutes, drug pushers and lowlifes. It tried to maintain a sense of realism, or at least what could pass as realism on network television in the 1970s. Therefore, just as there is no real reason for a Starsky & Hutch movie to exist, it is a further puzzlement that the one quality that gave the TV show any distinction or purpose, it's rough-edged quality, is the one thing the movie version immediately jettisoned.

The film is less about the series than it is about all the untold number of gritty buddy-cop films that have come and gone along the way, from FREEBIE AND THE BEAN to LETHAL WEAPON and even SEVEN. The movie also takes shots at the disco-dazed trendiness of the seventies, a quality that was also never a big part of the series. Thus, the humor in STARSKY & HUTCH is so generic and so broad that it jumps past satire and instead goes directly into parody, ending up little more than an extended version of the type of skits that "The Carol Burnett Show" used to stage. Without the trademark Gran Torino, the characters played by Ben Stiller and Owen Wilson could just as easily have been named Smith and Jones -- or Hope and Crosby. Indeed, the two characters' personas were deemed so inconsequential that essentially Stiller and Wilson opted to simply play themselves -- or at least dust off their well-used screen images -- rather than to even attempt to find something unique about the characters played by Paul Michael Glaser and David Soul on TV.

It may be just as well. But if the original series was so bereft of any distinctive element on which to hang a full length feature, then it only increases the pointlessness of the movie as a whole. Like so many TV-to-movie translations, the film has no real interest in the source material beyond exploiting its pre-sold title and recycling a few trademark bits of trivia as jokes -- like dragging in Glaser and Soul for self-mocking cameos. Otherwise, there's nothing in STARSKY & HUTCH that hadn't already been mocked, and with much greater skill and wit, by Emilio Estevez and Samuel L. Jackson in NATIONAL LAMPOON'S LOADED WEAPON 1, a comedy that had the sense to know that merely repeating clichés is not the same as making fun of them.