Birth (2004)

Director:

Jonathan Glazer

Writers:

Jean-Claude Carrière (written by) &
Milo Addica (written by) ...

Release Date:

3 November 2004 (France)

Genre:

Drama | Mystery | Romance

Tagline:

Be careful what you wish for.

Plot:

A woman (Nicole Kidman) becomes convinced that a ten year old boy is the reincarnation of her dead husband.

Plot Keywords:

Jealousy | Hansom Cab | Pregnancy | Heart Attack | Ice Cream

Awards:

Nominated for Golden Globe. Another 1 win & 9 nominations

Cast

Nicole Kidman	...	Anna
Cameron Bright	...	Young Sean
Danny Huston	...	Joseph
Lauren Bacall	...	Eleanor
Alison Elliott	...	Laura
Arliss Howard	...	Bob
Michael Desautels	...	Sean
Anne Heche	...	Clara
Peter Stormare	...	Clifford
Ted Levine	...	Mr. Conte
Cara Seymour	...	Mrs. Conte
Joe M. Chalmers	...	Sinclair
Novella Nelson	...	Lee
Zoe Caldwell	...	Mrs. Hill
Charles Goff	...	Mr. Drummond

Also Known As:

Reencarnación (Argentina) (Chile) (Spain) [es]
Birth (France) [fr]
Birth - Io sono Sean (Italy) [it]
Gennisi (Greece) [el]
Naissance, La (Canada: French title) [fr]
Reencarnação (Brazil) [pt]

MPAA:

Rated R for sexuality.

Runtime:

100 min

Country:

USA | Germany

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Philippines:R-13 | South Korea:15 | Canada:14A (Ontario) | Taiwan:R-18 | Argentina:13 | Australia:MA | Brazil:12 | Canada:13+ (Quebec) | Chile:14 | Finland:K-15 | France:U | Germany:12 | Hong Kong:IIB | Hong Kong:III (director's cut) | Ireland:15 | Netherlands:MG6 | Norway:11 | Peru:14 | Portugal:M/16 | Singapore:M18 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R (certificate #40949) | Iceland:12

Filming Locations:

Brightwaters, Long Island, New York, USA

Company:

New Line Cinema

Trivia:

The type of cake served at Eleanor's birthday and which Sean has a left-over piece of is a Red Velvet Cake which is also known as a Waldorf Astoria Cake.

Goofs:

Continuity: Toward the end of the film, when Anna first goes into the conference room to apologize to Joseph, the lights are on/off/on between shots.

Quotes:

[first lines]
Voice of Sean: Ok, let me say this... If I lost my wife and, uh, the next day, a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.

Movie Connections:

Featured in The Work of Director Jonathan Glazer (2005) (V)

Soundtrack:

Bridal March from 'Lohengrin'

The Main Problem Was....

The premise of the death of a prominent scientist coinciding with the birth of a child and the two "souls" merging ten years later was an intriguing one. But despite the effective cinematography, especially the exterior scenes in New York City, there was a central problem to this film.

The major problem was in the characterization of the child. The main character Anna (Nicole Kidman) becomes attached to the 10-year-old boy who claims to be her deceased husband. Anna then develops an obsession with the child, throwing her engagement to Joseph (Danny Huston) into confusion.

If only the child had some personality and had been able to convey some of the charm of the deceased husband, it might have been possible to become engaged in this film as a supernatural thriller. (When Anna and the boy meet privately in Central Park, the site is Sean's death scene. A more appropriate spot would have been a special part of the park where the couple met in life--not the place where Sean died.) Throughout the film, the boy only asserted ad nauseum that he was the husband "Sean" without giving Anna any hint of the "soul" of her former husband. If only the screenwriters could have developed sensitively and insightfully the characterization of the child, this film could have been stunning.

The credibility gap was too wide for us to believe that Anna would actually begin to love the child as the reincarnation of her husband. It was also too difficult to believe that Joseph, Anna's family, and the child's parents would permit him to literally move into Anna's apartment.

The most effective scene in the film was the moment when Anna's sister-in-law Clara (Anne Heche) confronts the child with her own secrets pertaining to Anna and Sean. The entire film might have resonated this level of energy if only the little boy had been given a personality!

It is unfortunate that this little kid could not have been paired with Linda Blair's character in "The Exorcist." Now that would have been a perfect match!