| Photos (see all 18 | slideshow) | Videos (see all 4) |
| Cécile De France | ... | Marie | |
| Maïwenn Le Besco | ... | Alexia (as Maïwenn) | |
| Philippe Nahon | ... | Le tueur | |
| Franck Khalfoun | ... | Jimmy | |
| Andrei Finti | ... | Alex's Father | |
| Oana Pellea | ... | Alex's Mother | |
| Marco Claudiu Pascu | ... | Tom | |
| Jean-Claude de Goros | ... | Police Captain | |
| Bogdan Uritescu | ... | Gendarme | |
| Gabriel Spahiu | ... | Homme voiture |
Directed by | |||
| Alexandre Aja | |||
Writing credits(in alphabetical order) | ||
| Alexandre Aja | writer | |
| Grégory Levasseur | writer | |
Produced by | |||
| Alexandre Arcady | .... | producer | |
| Robert Benmussa | .... | producer | |
| Andrei Boncea | .... | executive producer | |
| Inigo Lezzi | .... | line producer | |
| Mehdi Sayah | .... | assistant producer | |
| Luc Besson | .... | co-producer (uncredited) | |
Original Music by | |||
| François Eudes | |||
Cinematography by | |||
| Maxime Alexandre | |||
Film Editing by | |||
| Baxter | |||
| Al Rundle | |||
| Sophie Vermersch | |||
Casting by | |||
| Florin Kevorkian | (as Florin Chevorchian) | ||
Production Design by | |||
| Renald Cotte Verdy | |||
| Tony Egry | |||
Art Direction by | |||
| Grégory Levasseur | |||
Set Decoration by | |||
| Gabriel Nechita | |||
| Gabriela Nechita | |||
Makeup Department | |||
| Gabi Cretan | .... | makeup artist | |
| Giannetto De Rossi | .... | special makeup effects artist | |
Production Management | |||
| Andrei Boncea | .... | executive in charge of production | |
| Attila Egry | .... | unit manager | |
| Calin Furtunescu | .... | production manager | |
| Inigo Lezzi | .... | production supervisor | |
Art Department | |||
| Blehan Bogdan | .... | construction crew | |
| Adrian Cancer | .... | storyboard artist | |
| Agler Catalin | .... | construction crew | |
| Ann Chakraverty | .... | set dresser | |
| Paul Dobre | .... | construction crew | |
| Dorin Grigorescu | .... | construction crew | |
| Ionut Mandruta | .... | construction crew | |
| Gabriela Nechita | .... | construction crew (as Gabi Nechita) | |
| Gabriela Nechita | .... | storyboard artist | |
| Rusetelu Nicolae | .... | construction crew | |
| Calin Papura | .... | construction crew | |
| Tudor Polizu | .... | construction crew | |
| Serge Recorbet | .... | construction manager | |
| Elsa Richez | .... | key painter | |
| Camelia Sirbu | .... | construction crew | |
| Doru Stan | .... | construction crew | |
Special Effects by | |||
| Adrian Popescu | .... | special effects supervisor | |
Visual Effects by | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | visual effects | |
| Christophe Chanvin | .... | visual effects supervisor | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Matthias Weber | .... | visual effects producer | |
Stunts | |||
| Szabolcs Cseh | .... | stunts (as Szabo Cseh) | |
| Marius Florian | .... | stunt double: Marie | |
| Von Totojescu | .... | stunts | |
Casting Department | |||
| Domnica Circiumaru | .... | extras casting | |
Editorial Department | |||
| Serge Anthony | .... | color timer (as Serge Antony) | |
| Adam Fox Forrest | .... | dvd menu designer | |
| Magali Magnan | .... | assistant editor | |
Music Department | |||
| Matthew Bellamy | .... | composer: song "New Born" | |
| Jérôme Devoise | .... | score mixer | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Mehdi Sayah | .... | assistant music supervisor | |
Transportation Department | |||
| Adrian Nita | .... | transportation coordinator | |
Other crew | |||
| Andra Barbuica | .... | script supervisor | |
| Bob Buchholz | .... | english language director | |
| Razvan Caminschi | .... | production assistant | |
| Liliana Ciobanu | .... | production assistant | |
| Jean-Patrick Flande | .... | unit publicist | |
| Catherine Grandjean | .... | administrator | |
| Nicu Kasza | .... | production assistant | |
| Dorina Popa | .... | production assistant | |
| Dominique Segall | .... | press attache | |
| Karl Sigwald | .... | production assistant | |
| Luminita Costinela Stanciu | .... | production secretary | |
| Doru Stan | .... | production assistant | |
|
|
|
|
|
| The Hills Have Eyes | Tenebre | Wild at Heart | Lo squartatore di New York | Koroshiya 1 |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
| Add this title to MyMovies |
This film seems to me to lack balance between the combination of elements that it blends together: the thriller-suspense factor, the gore, and the "surprise" factor. It is a very irregular film, but it still boasts good style and good manners in atmosphere-building, even if it doesn't really live up to meet the expectations, at least for me.
The story goes about Marie and Alexia, best friends who drive up to Alexia's parents' countryside house, hoping to find some peace for studying. Instead, they'll have to fight a psychopathic killer in a macabre cat-and-mouse game.
The best part, in my opinion, is the mise-en-scene and the introduction of the characters and the storyline. Everything in those first sequences tells us that something horrible is going to happen, not only because we already know that we're watching a horror film. The dusty road, the scorching weather, the big corn fields... the real feel of a horror story scene is there. It increases with the night scenes, the shots of the house, the staircase, the corridors. The gloominess and inherent darkness of the place and the quiet surroundings perfectly do their job of preparing us for what's to come.
The story-telling loses steam after this part. Not being a big fan of gore, I didn't really care for the bloody murder scenes, but I'm sure that they'll be appreciated by many -they're rather truculent and well filmed. The duel between Marie and the killer didn't really work for me; in fact, I found it a little boring. On the whole, I thought the story was unoriginal and predictable, but, contrary to what many say, I don't think it's deceitful -I didn't feel that the director cheats on the audience with the ending. (I won't elaborate on this so as not to spoil the film for those who want to see it).
I have mixed feelings about "High Tension". On the one hand, for me, it is ineffective as a thriller, and flawed as an exercise of story-telling. On the other, however, the murky atmosphere and the darkness of the story and of its subtleties stuck with me for a while after seeing the film. I wouldn't watch it again, but I understand why many like it so much.