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The Barbarian Invasions (2003)

Les invasions barbares (original title)
During his final days, a dying man is reunited with old friends, former lovers, his ex-wife, and his estranged son.

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Won 1 Oscar. Another 48 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Louise
Johanne-Marie Tremblay ...
Sister Constance Lazure (as Johanne Marie Tremblay)
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Pierre Citrouillard
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Claude
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Diane Leonard
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Dominique St. Arnaud
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Sylvaine
Toni Cecchinato ...
Alessandro
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First Lover
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Ghislaine (as Mitsou Gélinas)
Markita Boies ...
Nurse Suzanne
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Storyline

In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on. Written by matt-282

Plot Summary | Add Synopsis

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A provocative new comedy about sex, friendship, and all other things that invade our lives.


Motion Picture Rating (MPAA)

Rated R for language, sexual dialogue and drug content | See all certifications »

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Details

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Language:

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Release Date:

5 March 2004 (USA)  »

Also Known As:

The Barbarian Invasions  »

Filming Locations:

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Box Office

Budget:

CAD 6,000,000 (estimated)

Opening Weekend:

$1,688,557 (France) (26 September 2003)

Gross:

$3,432,342 (USA) (30 May 2004)
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Company Credits

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Technical Specs

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Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At the beginning of the film, the "first lover" (Sophie Lorain) mentions she would win an Oscar for all she has done in her life. In reality, this movie really won an Oscar (Best Foreign Film). See more »

Goofs

When Sebastian and Nathalie first come to Nathalie's heroin dealer, we hear the rain falling, yet when Nathalie steps on the street there is no sign of rain but we can still hear it. See more »

Quotes

Rémy: We've been everything: separatists, supporters of independantists, sovereignists, sovereignity-associanists...
Pierre: At first, we were existentialists.
Dominique: We read Sartre and Camus.
Claude: Then Fanon, we became anti-colonialists.
Rémy: We read Marcuse and became Marxists.
Pierre: Marxist-Leninists.
Alessandro: Trotskyists.
Diane: Maoists.
Rémy: After Solzhenitsyn we changed, we became structuralists.
Pierre: Situationists.
[...]
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Connections

Follows The Decline of the American Empire (1986) See more »

Soundtracks

Sonate R. 381
Music by Wolfgang Amadeus Mozart (as Mozart)
Performed by Marlene Finn and Pierre-Richard Aubin
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Frequently Asked Questions

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User Reviews

 
Key Themes are Not 'Anti-capitalism, Anti-Americanism'
8 March 2007 | by (Australia) – See all my reviews

There seems to be a lot of passion over the claim that the film is anti-American, anti-capitalist, etc. Many criticisms seem to dismiss the humanistic elements in this film - pain, death, reconciliation - because it has a vague intellectual, leftist, socialist face. My experiences in Canada tend to suggest that the Canadians have plenty of targets down south that deserve criticism. But does it matter? Whether the film included all these elements, the key theme was the preparation for death and reconciliation between those who will not see each other again.

Doesn't anybody cry over loss? Are we scared of those things after death? or do we fear the process of dying - the loss of the person, their presence? A person died in this film - right before us - 100 minutes of decline -and what a sigh of relief that there was reconciliation in the end! That there was time to speak, time to be present. Consider the contrast between the daughter on the yacht - stranded, distant - and the son near his father. The great pain that welled up in me to see that there was no opportunity for her left.

I don't cry in films, but I did here. I feared dying more than ever - other people's deaths, and mine - and I resolved to prepare for it.


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