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Directed by | |||
| Denys Arcand | |||
Writing credits(in alphabetical order) | ||
| Denys Arcand | writer | |
Produced by | |||
| Daniel Louis | .... | producer | |
| Denise Robert | .... | producer | |
| Fabienne Vonier | .... | co-producer | |
Original Music by | |||
| Pierre Aviat | |||
Cinematography by | |||
| Guy Dufaux | |||
Film Editing by | |||
| Isabelle Dedieu | |||
Casting by | |||
| Lucie Robitaille | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| Caroline Alder | |||
| Normand Sarazin | |||
Set Decoration by | |||
| Patrice Bengle | |||
| Annika Krausz | |||
Costume Design by | |||
| Denis Sperdouklis | |||
Makeup Department | |||
| Betty Belmore | .... | makeup artist | |
| Evelyne Byot | .... | key makeup artist | |
| Ginette Lajeunesse | .... | key hair stylist | |
| Martin Lapointe | .... | hair stylist: extras | |
| Christel Piazzolla | .... | assistant hair stylist | |
| Diane Simard | .... | key makeup artist | |
Production Management | |||
| Hélène Grimard | .... | production manager | |
| Stéphane Jacques | .... | assistant unit manager | |
| George Jardon | .... | post-production supervisor (as Georges Jardon) | |
| Jaime Tobon | .... | unit manager | |
| Fabienne Vonier | .... | production manager: France | |
Second Unit Director or Assistant Director | |||
| Jacques W. Benoit | .... | first assistant director (as Jacques Wilbrod Benoit) | |
| Pierre Bouchard | .... | second assistant director | |
| Yanick DiVito | .... | additional third assistant director | |
| Simon Dugas | .... | third assistant director | |
Sound Department | |||
| Diane Boucher | .... | post-synchronization supervisor | |
| Jocelyn Caron | .... | adr foley recordist | |
| Jérôme Décarie | .... | foley artist | |
| Michel Descombes | .... | sound re-recording mixer | |
| François Domerc | .... | boom operator | |
| Alexis Duceppe | .... | sound trainee | |
| Gavin Fernandes | .... | sound re-recording mixer | |
| Marie-Claude Gagné | .... | sound designer | |
| Marie-Claude Gagné | .... | sound editor | |
| Nicolas Gagnon | .... | assistant foley artist | |
| Shaun-Nicholas Gallagher | .... | foley recordist (as Shaun Gallagher) | |
| Réjean Juteau | .... | sound mixer | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| Yves Laferrière | .... | additional sound designer | |
| Pierre Laroche | .... | assistant sound re-recording mixer | |
| Mireille Morin | .... | adr editor | |
| Claire Pochon | .... | sound editor | |
| Patrick Rousseau | .... | sound | |
| Bruno Ruffolo | .... | adr recordist | |
| Jean Philippe Savard | .... | sound editor | |
Special Effects by | |||
| Guillaume Murray | .... | special effects supervisor | |
Visual Effects by | |||
| Jean-François Bachand | .... | digital supervisor | |
| Benoit Brière | .... | visual effects supervisor | |
| Sophie Chometton | .... | compositor | |
| Sophie Chometton | .... | digital compositor | |
| Stéphane Paradis | .... | compositor | |
| Josh Pines | .... | technical director | |
| Mario Rachiele | .... | visual effects producer | |
| Jennifer Lee | .... | digital intermediate editor (uncredited) | |
Stunts | |||
| Stéphane Lefebvre | .... | stunt driver | |
Camera and Electrical Department | |||
| Christopher Ball | .... | director of photography: additional photography | |
| André Bélaieff | .... | generator operator | |
| Diane Boisvert | .... | third assistant camera | |
| Michael Boulonne | .... | best boy | |
| Ian Brabant | .... | grip | |
| Mario Brabant | .... | grip | |
| Julien Brisbois | .... | electrician | |
| André Caron | .... | electrician | |
| François Daignault | .... | Steadicam operator | |
| François Daignault | .... | camera operator | |
| Jean-Maurice de Ernsted | .... | key grip | |
| Attila Dory | .... | still photographer | |
| Amelie Duceppe | .... | second assistant camera: second unit | |
| Claude Fortier | .... | gaffer | |
| Vytaitas Gudlevicius | .... | key grip | |
| Martine Guillard | .... | electrician | |
| Alain Jolicoeur | .... | generator operator | |
| Martin Lebel | .... | first assistant camera: second unit | |
| Isabelle Lecompte | .... | second assistant camera | |
| Marion Mailhot | .... | best boy | |
| Denis Martel | .... | electrician | |
| Nathalie Moliavko-Visotzky | .... | director of photography: additional photography | |
| Dany Racine | .... | first assistant camera: "a" camera | |
Casting Department | |||
| Mike Migliara | .... | extras casting | |
| Nicolas Ronchi | .... | casting: France | |
| Bruno Rosato | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hélène Bélanger | .... | costumer | |
| Louise Dube | .... | costumer (as Louise Dubé) | |
| Diane Groulx | .... | costume coordinator | |
| Nicole Langlois | .... | seamstress | |
| Richard Lanthier | .... | dresser | |
| Michel L'Heureux | .... | costumer | |
| Francine Richard | .... | key costumer | |
| André Valade | .... | costumer | |
Editorial Department | |||
| Genevieve Clermont | .... | assistant editor (as Geneviève Clermont) | |
| Pascale Dubé | .... | post-production assistant | |
| Marie-Neige Forget | .... | assistant editor | |
| Francine Gauthier | .... | color timer | |
| Melanie Gauthier | .... | post-production assistant | |
| Trent Johnson | .... | colorist | |
| Elizabeth Ostermann | .... | post-production coordinator | |
| Louis-Martin Paradis | .... | assistant editor | |
| Marie-Eve Talbot | .... | assistant editor | |
Transportation Department | |||
| Mark Barsalou | .... | transportation coordinator (as Marco Barsalou) | |
| Pierre Chalifoux | .... | driver | |
| Mélanie Dubois | .... | driver | |
| Réal Hamel | .... | picture car coordinator | |
| Martin Lebrun | .... | driver | |
| Cédric Lévesque | .... | production driver | |
| Christian Ménard | .... | driver | |
Thanks | |||
| Viviane Adam | .... | thanks | |
| Jean-Marc Bakouch | .... | thanks | |
| Pierre Beaudoin | .... | thanks | |
| Nadia Belali | .... | thanks | |
| Marc Béland | .... | thanks | |
| Geneviève Benoît | .... | thanks | |
| Jacques Bensimon | .... | special thanks | |
| Dominique Besnehard | .... | thanks | |
| Anne-Marie Caron | .... | thanks: Bombardier Aérospace | |
| Kevin Caron | .... | thanks: aéroports de Montréal | |
| Pierre Chagnon | .... | thanks | |
| Laurent Champoussin | .... | thanks | |
| Martin Desroches | .... | thanks | |
| Nathalie Desrosiers | .... | thanks | |
| Geneviève Dessureault | .... | thanks | |
| François Dompierre | .... | thanks | |
| Dominique Dupuis | .... | thanks | |
| Chris Evert | .... | thanks | |
| Valérie Farthouat | .... | thanks | |
| Brigitte Faure | .... | thanks | |
| Denise Filiatrault | .... | thanks | |
| Jean-Louis Fontaine | .... | thanks | |
| Roger Frappier | .... | thanks | |
| Guy Gagnon | .... | thanks | |
| Françoise Hardy | .... | thanks | |
| Pascale Hébert | .... | thanks | |
| Karen Kain | .... | thanks | |
| Michel Lemay | .... | thanks: CLSC du Vieux La Chine | |
| Suzanne Lévesque | .... | thanks | |
| Bénédicte Linard | .... | thanks | |
| René Malo | .... | thanks | |
| André Parisé | .... | thanks: CLSC du Vieux La Chine | |
| Nicolas Ronchi | .... | thanks | |
| Patrick Roy | .... | thanks | |
| Robert Roy | .... | thanks | |
| Michel Trudel | .... | thanks | |
| Réjean Villeneuve | .... | thanks | |
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| Ceux qui m'aiment prendront le train | Edvard Munch | La hija del caníbal | 8½ | Candy |
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In Montreal, Rémy (Remy Girard) is an atheistic professor of history and lover of women, who has a terminal disease. His wife calls their son, Sébastien (Stéphane Rousseau) to come from London, where he works as a successful investor. Sébastien arrives in Montreal with his mate, and using his money and corruption, he improves the condition of his father in a public Canadian hospital. He gathers his father's friends around him, and they stay together until the death of Rémy. This low budget movie is a touching story about friendship and farewell to life, alternating drama with acid dialogs about religion, history, life, political system, literature and many other themes. The cast has a great performance, flowing the story in a very natural way. At least twice, the characters say that they are not in the Third World, and I certainly agree with that. But I was really surprised and impressed with the way subjects like corruption, Canadian public heath system, labor union, ministerial of exterior, bureaucracy, police, drug dealers etc. are presented in this film. If what this movie shows is reality, then they are in the right way to join the club... My vote is nine.
Title (Brazil): ` As Invasões Bárbaras' (`The Barbarians Invasion')