| Photos (see all 130 | slideshow) | Videos (see all 4) |
| Sat. July 4 | 7:30 AM | FX |
| Hugh Jackman | ... | Van Helsing | |
| Kate Beckinsale | ... | Anna Valerious | |
| Richard Roxburgh | ... | Count Vladislaus Dracula | |
| David Wenham | ... | Carl | |
| Shuler Hensley | ... | Frankenstein's Monster | |
| Elena Anaya | ... | Aleera | |
| Will Kemp | ... | Velkan | |
| Kevin J. O'Connor | ... | Igor | |
| Alun Armstrong | ... | Cardinal Jinette | |
| Silvia Colloca | ... | Verona | |
| Josie Maran | ... | Marishka | |
| Tom Fisher | ... | Top Hat | |
| Samuel West | ... | Dr. Victor Frankenstein | |
| Robbie Coltrane | ... | Mr. Hyde | |
| Stephen Fisher | ... | Dr. Jekyll (as Stephen H. Fisher) | |
| Dana Moravková | ... | Barmaid | |
| Zuzana Durdinova | ... | Opera Singer | |
| Jaroslav Vízner | ... | Gendarme | |
| Marek Vasut | ... | Villager | |
| Samantha Sommers | ... | Vampire Child | |
| Dorel Mois | ... | Dracula's Ball Performer | |
| Marianna Mois | ... | Dracula's Ball Performer | |
| Laurence Racine | ... | Dracula's Ball Performer | |
| Patrice Wojciechowski | ... | Dracula's Ball Performer | |
| rest of cast listed alphabetically: | |||
| Kacie Borrowman | ... | Dwerger (uncredited) | |
| Ryan James | ... | Villager (uncredited) | |
| Martin Klebba | ... | Dwerger (uncredited) | |
| Allison Queal | ... | Dwerger (uncredited) | |
Directed by | |||
| Stephen Sommers | |||
Writing credits(WGA) | ||
| Stephen Sommers | (written by) | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Allen Daviau | |||
Film Editing by | |||
| Bob Ducsay | |||
| Kelly Matsumoto | |||
| Jim May | |||
Casting by | |||
| Joanna Colbert | |||
| Priscilla John | |||
| Ellen Lewis | |||
Production Design by | |||
| Allan Cameron | |||
Art Direction by | |||
| Steve Arnold | |||
| Keith P. Cunningham | |||
| Giles Masters | |||
| Tony Reading | |||
| Jaromír Svarc | |||
Set Decoration by | |||
| Cindy Carr | |||
| Anna Pinnock | |||
Costume Design by | |||
| Gabriella Pescucci | |||
| Carlo Poggioli | |||
Makeup Department | |||
| Ozzy Alvarez | .... | special makeup effects artist | |
| Jeri Baker | .... | key hair stylist: second unit, Prague | |
| Anthony Allen Barlow | .... | makeup artist | |
| Colleen Callaghan | .... | lead hair stylist and designer | |
| Greg Cannom | .... | special makeup designer | |
| Ken Culver | .... | foam technician | |
| Justin Ditter | .... | special effects hair designer | |
| Elle Elliott | .... | hair co-department head | |
| Jirí Farkas | .... | key makeup artist: Prague | |
| Nathan Franson | .... | makeup effects technician: Captive Audience Productions | |
| Voni Hinkle | .... | hair stylist: Ms. Beckinsale | |
| Will Huff | .... | special makeup effects artist | |
| Susan V. Kalinowski | .... | hair co-department head | |
| Stephen Kelley | .... | makeup co-department head (as Stephen M. Kelley) | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Zdenka Klika | .... | hair stylist: Czech | |
| Natasha Ladek | .... | wigmaker | |
| Steve LaPorte | .... | key special effects makeup artist | |
| Angela Levin | .... | makeup co-department head | |
| Susan Jennifer Lipson | .... | hair stylist: Ms. Beckinsale (as Susan Lipson) | |
| Ivana Nemec | .... | key hair stylist: second unit, Prague (as Ivana Nemcova) | |
| Douglas Noe | .... | makeup artist | |
| Ruzena Novotna | .... | hair stylist | |
| Alexei O'Brien | .... | special makeup effects artist | |
| Michael O'Brien | .... | special makeup effects: Captive Audience Productions | |
| Mimi Palazon | .... | special makeup effects artist | |
| James Parr | .... | special makeup effects technician | |
| Michael Peterson | .... | lab makeup effects | |
| Jana Radilová | .... | key hair stylist: Prague | |
| Lee Romaire | .... | makeup template designer: Captive Audience | |
| Brian Sipe | .... | special makeup supervisor: Captive Audience Productions | |
| Nena Smarz | .... | makeup department head | |
| Vasilios Tanis | .... | makeup artist: Ms. Beckinsale | |
| Keith VanderLaan | .... | makeup effects creator/producer: Captive Audience Productions | |
| Milan Vlcek | .... | key makeup artist: second unit, Prague | |
| Brian Wade | .... | special makeup effects artist | |
| Karl Wesson | .... | hair co-department head | |
| Gabriel De Cunto | .... | special makeup effects artist (uncredited) | |
| Nancie Marsalis | .... | additional makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Maria Battle-Campbell | .... | second second assistant director | |
| Christian P. Della Penna | .... | first assistant director: second unit, Prague | |
| Kevin Duncan | .... | second assistant director: second unit, Prague | |
| Jakub Dvorak | .... | second second assistant director | |
| Martina Götthansova | .... | second second assistant director | |
| Jeffrey Hunt | .... | dga trainee | |
| Mirek Lux | .... | first assistant director: Czech Republic | |
| Jan Mensik | .... | first assistant director: second unit | |
| Greg Michael | .... | second unit director | |
| Artist W. Robinson | .... | first assistant director | |
| Martin Sebik | .... | second assistant director: Czech Republic | |
| Deanna Stadler | .... | second assistant director (as Deanna Stadler-Jones) | |
| Michael Owens | .... | additional unit director (uncredited) | |
Visual Effects by | |||
| Charles Alleneck | .... | animator | |
| Alp Altiner | .... | visual effects | |
| Christian Alzmann | .... | visual effects art director | |
| Andrew Anderson | .... | lead creature developer | |
| Chris Anderson | .... | roto/paint artist: CIS Hollywood | |
| Florent Andorra | .... | CG artist: BUF | |
| Stephen Aplin | .... | animator | |
| Stephen Aplin | .... | modeler | |
| Sean Apple | .... | digital compositor | |
| Lori Arnold | .... | visual effects coordinator | |
| Joel Aron | .... | technical director | |
| Kenneth Bailey | .... | creature technical director: ILM | |
| Michael Bain | .... | matchmover: Weta Digital | |
| Cheryl Bainum | .... | executive producer: HATCH | |
| Justin Ball | .... | senior systems engineer: Zoic Studios | |
| Ken Banks | .... | visual effects | |
| Travis Baumann | .... | Inferno artist: Digiscope | |
| Joel Behrens | .... | compositor: ILM | |
| Tory Belleci | .... | model maker (as Tori Belleci) | |
| Jennifer C. Bell | .... | visual effects producer | |
| Jeffrey Benedict | .... | sequence supervisor: ILM | |
| Hugh Bengs | .... | digital paint/rotoscope artist | |
| Colin Benoit | .... | digital layout artist: ILM | |
| Wayne Billheimer | .... | visual effects location coordinator | |
| Duncan Blackman | .... | matchmover | |
| Richard Bluff | .... | digital matte artist: ILM | |
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood (as Jayni Kavanaugh) | |
| Timothy Brakensiek | .... | lead creature technical director | |
| Kristen Branan | .... | head of production | |
| Sam Breach | .... | digital artist: ILM | |
| Brom | .... | creature concept designer (as Gerald Brom) | |
| Simon Brown | .... | technical director | |
| Tripp Brown | .... | digital artist | |
| Matt Brumit | .... | digital compositor | |
| Ken Bryan | .... | digital modeler | |
| David C. Bryant | .... | digital artist: Digiscope | |
| Andrew Buecker | .... | visual effects | |
| David Bullock | .... | research & development: ILM | |
| Carey Burens | .... | visual effects assistant editor | |
| Jeremy Burns | .... | digital compositor: CIS Hollywood | |
| Timothy Michael Cairns | .... | quality control supervisor: EFILM/Panavision | |
| Mario Capellari | .... | digital artist | |
| Derrick Carlin | .... | animator: ILM | |
| Ozzie Carmona | .... | digital compositor | |
| Christine Castellano | .... | visual effects production assistant | |
| Kai Chang | .... | production & technical support: ILM | |
| Max Chen | .... | research & development: ILM | |
| Lydia Choy | .... | layout artist | |
| Eric D. Christensen | .... | digital paint/rotoscope artist | |
| Ian Christie | .... | sequence supervisor: ILM | |
| Marc Chu | .... | animator: ILM | |
| Patrick Clancey | .... | digital opticals | |
| Grady Cofer | .... | Inferno supervisor | |
| Dylan Cole | .... | senior matte painter: Weta Digital | |
| Zachary Cole | .... | technical director | |
| Brian Connor | .... | lead compositor: ILM | |
| Catherine Craig | .... | viewpaint artist | |
| Christopher Cram | .... | visual effects post production coordinator | |
| Don Crawford | .... | digital compositor | |
| Jim Croasdale | .... | digital paint and roto artist | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM | |
| Julie D'Antoni | .... | visual effects associate producer | |
| Scott David | .... | compositor | |
| Jarrod Davis | .... | digital artist | |
| Bradford deCaussin | .... | digital modeler: ILM | |
| Valerie Delahaye | .... | post-production supervisor | |
| Lindy DeQuattro | .... | technical director | |
| Karin Derlich | .... | creature technical director: ILM | |
| Natasha Devaud | .... | digital artist | |
| Amit Dhawal | .... | digital artist | |
| Richard Ducker | .... | digital artist: ILM | |
| Nika Dunne | .... | digital paint & roto artist: ILM | |
| Syd Dutton | .... | matte painting supervisor | |
| Mark Duvall | .... | 3D artist | |
| Sam Edwards | .... | digital compositor | |
| Raul Essig | .... | sequence supervisor | |
| Simon Eves | .... | technical director: ILM | |
| Bill Eyler | .... | digital compositor | |
| Steven Fagerquist | .... | digital compositor | |
| Brad Falk | .... | digital artist | |
| Nina Fallon | .... | visual effects coordinator | |
| Katherine Farrar | .... | production assistant | |
| Dan Feinstein | .... | digital paint and rotoscope artist | |
| Deak Ferrand | .... | concept artist: HATCH | |
| Chris Flynn | .... | digital compositor | |
| Chris Foreman | .... | technical support | |
| Tim Fortenberry | .... | technical director | |
| Christian Foucher | .... | digital effects artist | |
| Collin Fowler | .... | visual effects coordinator: Illusion Arts | |
| Aidan Fraser | .... | digital paint and roto artist: ILM | |
| Fortunato Frattasio | .... | digital effects artist | |
| Carl N. Frederick | .... | sequence supervisor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Arts Studio | |
| Ron Friedman | .... | digital character animator: ILM | |
| Leslie Fulton | .... | lead animator: ILM (as Lee Fulton) | |
| Bradley Gabe | .... | creature development | |
| David Gainey | .... | animator: ILM | |
| Ryan Galloway | .... | digital artist | |
| Patti Gannon | .... | digital compositor | |
| Dawn Gates | .... | digital roto/paint artist: ILM | |
| Grantland Gears | .... | digital resource assistant: ILM | |
| Willi Geiger | .... | lead digital artist | |
| Richard Gentner | .... | digital imaging operator | |
| Angela Giannoni | .... | digital compositor: ILM | |
| Ray Gilberti | .... | layout artist | |
| Rocco Gioffre | .... | matte artist | |
| Nathalie Girard | .... | digital compositor: ILM | |
| Mitch Goldstrom | .... | senior systems administrator | |
| Kelly Granite | .... | visual effects compositor: ILM | |
| Frank Gravatt | .... | digital modeler: ILM | |
| Frank Gravatt | .... | model supervisor: ILM | |
| Colin Green | .... | visual effects | |
| Bryant Terrell Griffin | .... | digital matte artist | |
| Cam Griffin | .... | digital paint and rotoscope artist | |
| Joseph Grossberg | .... | visual effects associate producer | |
| Branko Grujcic | .... | digital artist: ILM | |
| Celia Hallquist | .... | visual effects coordinator | |
| Stephanie Hamilton | .... | film librarian: visual effects | |
| Craig Hammack | .... | CG supervisor | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Tim Harrington | .... | animation sequence supervisor: ILM | |
| Matt Hartle | .... | digital compositor | |
| Trevor Hazel | .... | digital paint and rotoscope artist: ILM | |
| Quentin Hema | .... | digital paint/roto supervisor | |
| Hal T. Hickel | .... | additional animation supervisor | |
| Sherry Hitch | .... | digital compositor: ILM | |
| Rob Hodgson | .... | digital artist | |
| Robert Hoffmeister | .... | sequence supervisor: ILM | |
| Bruce Holcomb | .... | visual effects supervisor | |
| Adam Howard | .... | Sabre artist: ILM | |
| Heather Hoyland | .... | digital compositor: ILM | |
| Jill E. Hughes | .... | visual effects coordinator: ILM | |
| Nick Ilyin | .... | compositor: Illusion Arts | |
| Grant Imahara | .... | modelmaker: ILM | |
| Gary Jackemuk | .... | visual effects producer | |
| Gary Jackemuk | .... | visual effects supervisor | |
| Jiri Jacknowitz | .... | lead digital paint and roto artist | |
| Mike Jamieson | .... | digital artist | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist: ILM | |
| Daniel Jeannette | .... | animation supervisor | |
| Paul Jenness | .... | CG modeler: Weta Digital | |
| Chris John Jones | .... | creative director: Zoic Studios | |
| Christopher Jones | .... | visual effects supervisor: Zoic Studios | |
| Darren Jones | .... | digital imaging engineer | |
| Zoran Kacic-Alesic | .... | research & development: ILM | |
| Brad Kalinoski | .... | digital compositor | |
| Samson Kao | .... | technical director: ILM | |
| Ryan Kautzman | .... | research and development: ILM | |
| Maia Kayser | .... | animator | |
| Patrick Keenan | .... | digital compositor: Pacific Title Digital | |
| Pete Kelly | .... | animator: ILM | |
| Mark Kenaston | .... | digital artist | |
| Connie Kennedy | .... | visual effects coordinator | |
| Michael Kennedy | .... | digital compositor | |
| Stephen Kennedy | .... | digital compositor | |
| Ntana Key | .... | digital intermediate color assistant | |
| Perry M. Kimura | .... | digital intermediate: Efilm/Panavision | |
| Woonam Kim | .... | visual effects artist | |
| Deke Kincaid | .... | 2D/3D artist: CobaltFX | |
| Jeanmarie King | .... | visual effects associate producer | |
| Raymond C. King | .... | digital effects | |
| Drew Klausner | .... | roto and paint artist | |
| Peter Koczera | .... | senior digital artist | |
| Michael Kory | .... | 3D artist: Illusion Arts | |
| Ed Kramer | .... | digital effects artist | |
| Marshall Richard Krasser | .... | compositing supervisor: ILM | |
| François Lambert | .... | lead digital compositor: ILM | |
| Tom Lamb | .... | digital compositor | |
| Christopher Lance | .... | compositor | |
| Lana Lan | .... | digital modeler | |
| Leonid Larionov | .... | character animator | |
| David Latour | .... | animator: ILM | |
| Laurent Lavigne | .... | pre-visualization | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Alison Leaf | .... | character animator | |
| Joshua LeBeau | .... | technical director: ILM | |
| Derek Ledbetter | .... | visual effects artist | |
| Jake Lee | .... | digital effects artist | |
| Sunny Lee | .... | creature technical director | |
| Phillip Lefesi | .... | visual effects coordinator | |
| Dan Lemmon | .... | computer graphics supervisor | |
| Joe Letteri | .... | visual effects supervisor: Weta Digital | |
| John M. Levin | .... | visual effects match animator | |
| Gretchen Libby | .... | visual effects producer | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Hollywood (as Greg Liegey) | |
| Brice Liesveld | .... | visual effects coordinator | |
| Kevin Lin | .... | quality control Combustion paint artist, digital intermediate: Efilm/Panavision | |
| Kevin Lin | .... | quality control coordinator, digital intermediate: Efilm/Panavision | |
| Victoria Livingstone | .... | senior character animator | |
| Lance Lones | .... | pipeline engineer | |
| Wayne Lo | .... | creature concept designer | |
| Jonathan Lyons | .... | animator | |
| Alex MacDonald | .... | cablecam operator | |
| Sean MacKenzie | .... | lead digital compositor | |
| Douglas R. MacMillan | .... | digital effects artist | |
| James Madigan | .... | visual effects coordinator | |
| Andrea Maiolo | .... | lead creature technical director | |
| Mike Makara | .... | pre-visualization | |
| Wesley Mandell | .... | character animator | |
| Mary E. Manning | .... | visual effects | |
| Paul Maples | .... | motion control operator | |
| Mark Marcin | .... | production and technical assistant: ILM | |
| Tia L. Marshall | .... | sequence supervisor | |
| Kevin Martel | .... | animator | |
| Fumi Mashimo | .... | animation supervisor | |
| Craig Mathieson | .... | digital compositor | |
| Kevin May | .... | Sabre artist: ILM | |
| Jake Maymudes | .... | digital artist | |
| Mark 'Crash' McCreery | .... | creature concept designer (as Crash McCreery) | |
| W. Regan McGee | .... | digital artist | |
| Kelvin McIlwain | .... | matte painting supervisor | |
| Tim McLaughlin | .... | creature supervisor | |
| Phil 'Captain 3D' McNally | .... | character animator | |
| Scott Meadows | .... | visual effects | |
| Scott Mease | .... | technical director | |
| David Meny | .... | digital effects artist | |
| Joseph Metten | .... | digital effects artist: ILM | |
| Michael Meyers | .... | lead modeler/texture artist: Illusion Arts | |
| Steven Meyer | .... | digital effects artist | |
| Richard Miller | .... | sculptor | |
| Kristen Millette | .... | digital compositor | |
| Saki Mitchell | .... | senior compositor | |
| Todd Mitchell | .... | technical support: ILM | |
| Curt I. Miyashiro | .... | computer graphics supervisor (as Curt Miyashiro) | |
| Chris Monks | .... | creature technical director | |
| Oliver Moore | .... | pre-visualization artist | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Lauren Morimoto | .... | digital paint and rotoscope artist | |
| David Manos Morris | .... | match move artist | |
| Katie Morris | .... | digital paint and roto supervisor | |
| Kevin Moseley | .... | visual effects artist | |
| Michael Muir | .... | digital artist | |
| Michael Muir | .... | technical director: ILM | |
| Patrick Paul Mullane | .... | compositor: Illusion Arts | |
| Patrick Paul Mullane | .... | matte painter: Illusion Arts | |
| Vijay Myneni | .... | creature technical director: ILM | |
| Giovanni Nakpil | .... | digital modeler: ILM | |
| Robert Nall | .... | digital artist | |
| Marc Nanjo | .... | lead compositor: CIS Hollywood | |
| Steve Nichols | .... | animation associate supervisor | |
| Wolfgang Niedermeier | .... | camera technical director | |
| Shannon Noble | .... | digital effects artist | |
| Brett Northcutt | .... | lead digital matte artist: ILM | |
| Ben O'Brien | .... | Sabre artist: ILM | |
| Rick O'Connor | .... | CG animator | |
| James Ogle | .... | digital modeler | |
| Michael Olague | .... | visual effects gaffer | |
| Andrew Orloff | .... | CG supervisor: Zoic Studios | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Marc Ostroff | .... | visual effects accountant: ILM | |
| Randy Ottenberg | .... | model maker | |
| Michael Owens | .... | visual effects plate supervisor | |
| Philippe Palmieri | .... | digital artist | |
| Bryan Park | .... | visual effects editor: Digiscope | |
| James Pastorius | .... | visual effects | |
| Chris Paxson | .... | motion control technician | |
| Tony Pelle | .... | research & development: ILM | |
| Phil Peterson | .... | research & development: ILM | |
| Cary Phillips | .... | research & development: ILM | |
| Patrick Phillips | .... | visual effects | |
| Brian Pohl | .... | pre-visualization artist: ILM | |
| Nicolas Popravka | .... | research & development: ILM | |
| Brennan Prevatt | .... | compositing supervisor | |
| Martin Pryca | .... | visual effects technician: ILM | |
| Janet Quen | .... | digital effects artist | |
| Jesse Rademacher | .... | matchmove artist | |
| Ricardo Ramos | .... | digital effects artist | |
| Troy Ramsey | .... | digital artist: Weta Digital | |
| Ari Rapkin | .... | research & development: ILM | |
| Michael Rich | .... | assistant digital effects artist: ILM | |
| Magali Rigaudias | .... | digital character animator | |
| Dylan Robinson | .... | technical director | |
| Robin Roepstorff | .... | main title animation | |
| Dennis Rogers | .... | first assistant cameraman: ILM | |
| Martin Rosenberg | .... | visual effects director of photography | |
| Alan Rosenfeld | .... | digital effects artist | |
| Sutherland-Valentine Roxanne | .... | receptionist: Weta Digital | |
| Frank Rueter | .... | senior compositing artist: Weta Digital | |
| Penny Runge | .... | visual effects plate coordinator: second unit | |
| Chris Ryan | .... | lead CGI artist: CIS Hollywood | |
| Barry Safley | .... | digital compositor: ILM | |
| Gregory Salter | .... | digital compositor: ILM | |
| Jeff Saltzman | .... | technical layout lead | |
| Juan-Luis Sanchez | .... | digital simulation artist: ILM | |
| Mike Sanders | .... | motion capture lead engineer | |
| Hamish Schumacher | .... | digital paint artist: Weta Digital Ltd | |
| Steven J. Scott | .... | digital color timer | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm | |
| Nelson Sepulveda | .... | compositor | |
| Amy Shepard | .... | digital paint & rotoscope artist | |
| M. Zachary Sherman | .... | digital effects artist | |
| Mark Siegel | .... | digital modeler | |
| Laura Siewert | .... | digital effects artist | |
| Ken Sjogren | .... | digital compositor | |
| Brian Smallwood | .... | digital compositor | |
| Jason Smith | .... | creature technical director: ILM | |
| Ben Snow | .... | visual effects supervisor | |
| Sharmishtha Sohoni | .... | compositor: ILM | |
| Jim Soukup | .... | matchmove artist: ILM (as James Soukup) | |
| Scott Squires | .... | visual effects supervisor | |
| Christopher Stack | .... | data manager: Digiscope | |
| Adam Stark | .... | digital imaging supervisor | |
| Albrecht Steinmetz | .... | camera technical director: Weta Digital | |
| Oliver Streuli | .... | matchmove assistant: ILM | |
| Mary Stuart-Welch | .... | visual effects producer: Digiscope | |
| Russ Sueyoshi | .... | digital compositor | |
| Rpin Suwannath | .... | previsualization supervisor | |
| Charles Tait | .... | 2D sequence lead: Weta Digital | |
| Patrick Tatopoulos | .... | creature concept designer | |
| Chad Taylor | .... | sabre artist | |
| Renita Taylor | .... | creature technical director: ILM | |
| Eric Texier | .... | digital artist | |
| Meghan Thornton | .... | digital effects artist | |
| Lola Tiger | .... | digital intermediate coordinator (as Helga Salmena) | |
| Kyle Toucher | .... | digital artist | |
| Barbara Townsend | .... | digital artist | |
| Barbara Townsend | .... | visual effects | |
| Delio Tramontozzi | .... | character animator | |
| Alan Travis | .... | visual effects | |
| Marjolaine Tremblay | .... | animator: ILM | |
| Emerito Trevino | .... | research & development: ILM | |
| Alex Tropiec Jr. | .... | Sabre artist: ILM | |
| Guerdon Trueblood | .... | digital compositor: ILM | |
| Chi Chung Tse | .... | digital character animator | |
| Pat Turner | .... | digital layout artist | |
| Lee Uren | .... | lead creature technical director | |
| Michael Vaglienty | .... | flame artist | |
| Todd Vaziri | .... | lead compositor: ILM | |
| Alexander Vegh | .... | previsualization supervisor | |
| Omz Velasco | .... | digital modeler: ILM | |
| Jamie Venable | .... | visual effects producer: Svengali Visual Effects | |
| Danny Wagner | .... | character design group: ILM | |
| John Walker | .... | digital artist | |
| Talmage Watson | .... | layout artist | |
| Robert Weaver | .... | technical director | |
| Patrice Wechsler | .... | visual effects coordinator: BUF | |
| David Weinstein | .... | animator: ILM | |
| Matt Welford | .... | senior digital compositor: Weta Digital | |
| Chris Wells | .... | previs animator | |
| Jeff White | .... | creature technical director | |
| Bob Wiatr | .... | digital compositor | |
| Johnny Wilson | .... | visual effects | |
| Gordon T. Wittmann | .... | visual effects coordinator: ILM | |
| Eric Wong | .... | lead creature technical director: ILM | |
| Kevin Wooley | .... | motion capture engineer | |
| Annette Wullems | .... | visual effects producer | |
| Keiji Yamaguchi | .... | creature development | |
| David Yee | .... | visual effects conceptual artist | |
| Roland Yepez | .... | CG layout artist: ILM | |
| Marvyn Young | .... | sequence manager | |
| Scott Younkin | .... | digital compositor: ILM | |
| Peipei Yuan | .... | visual effects: previz | |
| Heidi Zabit | .... | visual effects | |
| Daniel Zizmor | .... | character animator | |
| Chris Allen | .... | research & development supervisor: CIS Hollywood (uncredited) | |
| Matt Ashton | .... | senior systems engineer: CIS Hollywood (uncredited) | |
| John Cassella | .... | CG artist: CIS Hollywood (uncredited) | |
| Vanessa Cheung | .... | digital matte artist (uncredited) | |
| Andrew Cochrane | .... | motion tracking (uncredited) | |
| Andrew Doucette | .... | character animator: ILM (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Michael Fellows | .... | data coordinator (uncredited) | |
| Jesse Fernley | .... | compositor: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Alexandre Frazao | .... | motion capture engineer (uncredited) | |
| Mathias Frodin | .... | compositor: CIS Hollywood (uncredited) | |
| Amy Garback | .... | CG artist: CIS Hollywood (uncredited) | |
| Corey Garnett | .... | systems: CIS Hollywood (uncredited) | |
| Julia Gaudette | .... | visual effects coordinator: CIS Hollywood (uncredited) | |
| Steve Gawley | .... | model maker (uncredited) | |
| Larry Gaynor | .... | senior roto/paint artist: CIS Hollywood (uncredited) | |
| Camille Geier | .... | visual effects producer (uncredited) | |
| John Goodson | .... | concept modeler (uncredited) | |
| Antony Graf | .... | compositor (uncredited) | |
| Aram Granger | .... | digital compositor (uncredited) | |
| Phil Greig | .... | digital intermediate technologist (uncredited) | |
| Patrick Jarvis | .... | digital painter: ILM (uncredited) | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood (uncredited) | |
| Erin King | .... | rotoscope artist: ILM (uncredited) | |
| Luis Labrador | .... | 3D character scanning (uncredited) | |
| Mark Larranaga | .... | digital compositor (uncredited) | |
| Toan-Vinh Le | .... | digital artist (uncredited) | |
| Noll Linsangan | .... | 2D/3D artist: CobaltFX (uncredited) | |
| Randy Little | .... | junior compositor (uncredited) | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Vicky McCann | .... | digital simulations artist: ILM (uncredited) | |
| Angela Menz | .... | rotoscoping artist: Weta Digital (uncredited) | |
| Tory Mercer | .... | digital compositor (uncredited) | |
| Diana Miao | .... | lead texture artist: CIS Hollywood (uncredited) | |
| Kenneth Nakada | .... | digital matte painter: ILM (uncredited) | |
| Mayur Patel | .... | digital effects artist (uncredited) | |
| Evan Pontoriero | .... | pre-visualisation artist: ILM (uncredited) | |
| Adam Shand | .... | senior systems administrator: Weta Digital (uncredited) | |
| Tom Stanton | .... | motion tracking (uncredited) | |
| Sam Stewart | .... | digital paint and rotoscope artist: ILM (uncredited) | |
| Johan Thorngren | .... | digital matte artist: ILM (uncredited) | |
| Olivier Van Zeveren | .... | digital artist (uncredited) | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood (uncredited) | |
Animation Department | |||
| Scott Carroll | .... | animator | |
| Miguel A. Fuertes | .... | animator | |
| Gary Hebert | .... | animator: title animation | |
| Greg Kyle | .... | animator | |
| P. Jeep Naarkom | .... | animator | |
| Rick O'Connor | .... | animator | |
| Jay Rennie | .... | animator | |
| Marjolaine Tremblay | .... | animator | |
| Andy Wong | .... | animator | |
Casting Department | |||
| Faith Allbeson | .... | casting assistant | |
| Nancy Bishop | .... | casting: Prague | |
| Jennifer Euston | .... | casting associate: New York | |
| Jirí Hrstka | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laura Baker | .... | set costumer | |
| Serena Fiumi | .... | assistant costume designer | |
| Maria Hubackova | .... | costumer | |
| Adriana Mattiozzi | .... | seamstress | |
| Rizia Ortolani | .... | costume department coordinator | |
| Massimo Cantini Parrini | .... | assistant costume designer | |
| Enzo Serafino Pellegrino | .... | specialty costumer (as Serafino Pellegrino) | |
| Catherine Peña | .... | costumer: Kate Beckinsale | |
| Gregory B. Peña | .... | key costumer | |
| Damien Quinn | .... | costumer | |
| Silvia Raiano | .... | set costumer | |
| Nick Scarano | .... | costume supervisor | |
| Richard Schoen | .... | key costumer | |
| Nancy Smytka | .... | set costumer | |
| Dita Valentinova | .... | costume interpreter | |
| Barbora Wildova | .... | assistant to wardrobe supervisor | |
| Sarka Zvolenska | .... | costume supervisor | |
| Viera Zvonarova | .... | set costumer | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate producer | |
| Ray Bushey III | .... | assistant editor | |
| Josh Campbell | .... | assistant editor | |
| Tzarina V. Edillon | .... | first assistant editor | |
| Steven T. Ellis | .... | post-production coordinator | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Michael Gay | .... | assistant editor | |
| Tamaron Greene | .... | assistant editor | |
| Martin Hubacek | .... | assistant editor | |
| Ntana Key | .... | digital colorist assistant | |
| Jeff Schweikart | .... | post-production assistant | |
| Danita Slaughter | .... | assistant digital intermediate editor | |
| Vaclav Sramek | .... | editorial production assistant | |
Music Department | |||
| Bryan Clements | .... | scoring crew | |
| Brad Dechter | .... | additional orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| John Finklea | .... | music editor | |
| Mark Graham | .... | music librarian | |
| Kenneth Karman | .... | supervising music editor | |
| Mark McKenzie | .... | lead orchestrator | |
| Adam Michalak | .... | score recordist | |
| William Ross | .... | additional orchestrator | |
| Dennis S. Sands | .... | music scoring mixer | |
| Ben Schor | .... | apprentice music editor | |
| Alan Silvestri | .... | conductor | |
| David Slonaker | .... | additional orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Pat Weber | .... | scoring technician | |
Transportation Department | |||
| Jiri Husak | .... | transportation coordinator | |
| Jiri Kotlas | .... | unit transportation coordinator | |
| Ted Moser | .... | transportation coordinator | |
| John Pellegrino | .... | driver | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
| Pavel Voracek | .... | transportation captain | |
| Chad Wadsworth | .... | production van operator | |
| J. Wilfrid White | .... | camera boat driver: marine department | |
| Jeff Woodward | .... | driver | |
| Devon F. Wright | .... | assistant to transportation captain | |
| Mickey Davie | .... | vehicle technician (uncredited) | |
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| The League of Extraordinary Gentlemen | The Lord of the Rings: The Return of the King | The Monster Squad | Underworld | Dracula |
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If you're a purist-any kind of purist-stay away from Van Helsing. But if you love the Universal horror films of the 30's and 40's or the Hammer films of the 50's and 60's and don't mind re-imagining them, then go. Check your brain at the door, buy a large popcorn and a soda and sit back for a fun ride.
The film is a complete reworking of everything you think you know about all the big guys. Present for your enjoyment are Dracula, the Wolf man, Frankenstein's monster and a guest appearance by Mr. Hyde. And of course, tying the whole thing together is our hero, Van Helsing (yummily played by Hugh Jackman). Named Abraham in Stoker's book but called Gabriel in the film, VH doesn't appear in any book other than Dracula, but in the more than a century since his `birth' we've become accustomed to his presence as the elder statesman of monster killers.
Completely re-imagined in this new production, VH is now young, handsome, and virile and apparently as immortal and indestructible as the creatures he chases. Don't expect great resolutions or deep explanations here, there are none. Don't expect Academy Award level acting, some of the actors apparently phoned in their performances while others decided to take up the slack. The resultant scenery chewing is uneven, but never boring. The dialogue, not to put too fine a point on it, is absurd and sometimes unintentionally, howlingly funny.
The makers of this film are clearly fans of the genre. The subject matter is treated with a loving sledgehammer. As the film progressed my companion and I made a game of naming all the classics represented. In addition to those you might expect, we were able to recognize allusions to `Young Frankenstein,' `Star Wars,' `Aliens,' `Raiders of the Lost Ark,' `Gremlins,' `Romancing the Stone,' `Lord of the Rings,' `Buffy the Vampire Slayer,' `Twister,' "Wild, Wild West" and any James Bond film you care to name among others. If you go, try it yourself.
If the producers were intending to frighten us, they failed dismally; but if they only intended to entertain us they succeeded, if not brilliantly, at least admirably. I'm uncertain if they intended quite so much humor, but both my companion and I laughed out loud most of the way through.
In addition to inside jokes, the film is filled with extraordinary visual images. From the opening encounter between VH and a startlingly oversized and athletic Edward Hyde, physicality is the order of the day. Everyone, including Van Helsing's friar sidekick is a magnificent specimen. Even Frankenstein's monster (who I nicknamed `Sparky' for the electrical discharges from his partially exposed brain) is hideously beautiful. Also, the cinematography is breathtaking. Both real scenery and CGI imagined are dazzling. I especially loved the castles Dracula and Frankenstein. Both edifices were Mad Ludwig's Neuschwanstein Castle as imagined by Tim Burton. I'd almost say that if the film had no other virtues at all, it would still be worth the price of admission for the incredible beauty of its backgrounds. However, the real star of the film is the (you guessed it) special effects.
Transformation scenes abound. At any point in the film you are only moments from watching someone turn into something. And what wonderful things they are. Vampires don't become simple bats, but snake-jawed, full size harpies. The Wolf man sprouts saber tooth fangs as he rips the human skin from his body. Frankenstein's monster's flesh partially peels from his skull and is smoothly pushed back into place and Mr. Hyde morphs from grinning giant menace to pitiful human corpse.
Not to put too fine a point on it, everyone-vampires, villagers, heroes, even horses and cattle go airborne sometime during the film. Dracula's three brides take the prize for most hang time. These ladies would be a wonderful asset to the Transylvanian Air Force with their dizzying dives, spins and barrel rolls. The camera gives us a bat's eye view of their deadly aerobatic ballet. When not in full flight Dracula and his wives walk up walls, across ceilings and carry on family quarrels while hanging from the rafters by their toes. Those characters that do not fly on their own power are lifted aloft and usually dropped soon after. The rest are climbers, scrambling up and down castle architecture like houseflies on speed. Interestingly, no one is ever seriously hurt or even has a hairstyle mussed.
The scenes shift so rapidly that it becomes difficult at times to follow the story. Fortunately, the gossamer plot is as deep as a kiddie's backyard swimming pool, so it isn't too much of a problem. Only the barest bones are needed to carry us from one action sequence to the next. Although there is no nudity and not a cussword is uttered, the film is violent. Well, of course it's violent--and about as traumatic as a Road Runner cartoon. Still, it earns its PG-13 rating. Leave the little 'uns home. The throbbing, pounding soundtrack keeps the attention even when not very much is happening.
Is Van Helsing a great film? No. Absolutely not. Is it a good film? No, not really. Is it entertaining? Yes. And maybe, just maybe, that's enough.