| Mi Grönlund | ... | Jonna | |
| Nicke Lignell | ... | Niklas | |
| Jasper Pääkkönen | ... | Aleksi | |
| Amira Khalifa | ... | Nora | |
| Hanna Karjalainen | ... | Helena | |
| Saija Lentonen | ... | Sanna | |
| Jukka Puotila | ... | Herman | |
| Miska Kaukonen | ... | Mika | |
| Mika Räinä | ... | Markus | |
| Edvard Lammervo | ... | Mikael | |
| Fanny Mustala | ... | Iida | |
| Eliel Lignell | ... | Aapo | |
| Miina Maasola | ... | Heidi | |
| Erkki Herola | ... | Ari Hautala | |
| Jerry Mikkelinen | ... | Erik | |
| Juha Veijonen | ... | Violent man | |
| Petteri Sallinen | ... | Project manager | |
| Tuomo Lahtinen | ... | Dinner guest | |
| Gita Ek | ... | Dinner guest | |
| Johanna Sandström | ... | Dinner guest | |
| Ilkka Halmesto | ... | Man at the casino | |
| Sini Hartikainen | ... | Talkshow guest | |
| Sari Viitasalo | ... | Talkshow guest | |
| Mikko Erä-Esko | ... | Talkshow guest | |
| Katriina Honkanen | ... | Talkshow guest | |
| Ari Myllyselkä | ... | Man at the hotelroom | |
| Vesa Vilén | ... | Man at the hotelroom | |
| Pirkka-Pekka Petelius | ... | Teppo | |
| Janne Särmäkari | ... | Waiter at Hotel Torni | |
| Teppo Vuorensyrjä | ... | Sailor | |
| Jussi Tikkanen | ... | Sailor | |
| Joni Karsikko | ... | Sailor | |
| Janne Porkka | ... | Sailor |
Directed by | |||
| Minna Virtanen | |||
Writing credits(in alphabetical order) | ||
| Veli-Pekka Hänninen | translation | |
| Leena Lehtolainen | short story | |
| Lara Moon | writer | |
| Minna Virtanen | idea | |
Produced by | |||
| Jukka Helle | .... | executive producer | |
| Antti Jokinen | .... | co-executive producer | |
| Sedu Koskinen | .... | co-executive producer | |
| Jukka Kujala | .... | post-production producer | |
| Jussi Lepistö | .... | co-executive producer | |
| Jussi Salonoja | .... | executive producer | |
| Markus Selin | .... | producer | |
Original Music by | |||
| Leri Leskinen | |||
| DJ Slow | |||
Cinematography by | |||
| Mark Stubbs | |||
Film Editing by | |||
| Jussi Lehto | |||
Casting by | |||
| Tutsa Paananen | (as Tutsa Virtanen) | ||
| Pia Pesonen | |||
Costume Design by | |||
| Tiina Kaukanen | |||
Makeup Department | |||
| Mira Aalto | .... | makeup artist: second unit | |
| Mari Vaalasranta | .... | makeup artist | |
Production Management | |||
| Iinu Pelli | .... | production manager | |
| Sirkka Rautiainen | .... | production management supervisor | |
Second Unit Director or Assistant Director | |||
| Pauliina Moisander | .... | second assistant director | |
| Jouni Mutanen | .... | first assistant director | |
| Iinu Pelli | .... | first assistant director: second unit | |
Art Department | |||
| Kata Kärkkäinen | .... | story consulting | |
| Päivi Kettunen | .... | set designer | |
| Sanna Laitila | .... | property master | |
| Jussi Maula | .... | graphic designer | |
| Joel Melasniemi | .... | book cover illustrator | |
| Jussi Rantamäki | .... | assistant property master | |
| Johannes Salonen | .... | storyboard artist | |
| Raili Tang | .... | paintings | |
| Tytti Tiri | .... | property master | |
| Ville Vaajakallio | .... | poster designer | |
Sound Department | |||
| Jenni Aarniala | .... | assistant sound | |
| Lauri Koski | .... | assistant sound | |
| Peter Nordström | .... | sound mixer | |
| Kirka Sainio | .... | sound assistant | |
| Kyösti Väntänen | .... | sound | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Kimi Seppä | .... | special effects | |
Visual Effects by | |||
| Tommi Gröhn | .... | film recording | |
| Petteri Linnus | .... | digital special effects | |
| Adam Vándor | .... | digital colorist | |
Stunts | |||
| Kristo Salminen | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Jasmin Ali | .... | costumer | |
| Saija Tiitinen | .... | assistant to costumer | |
| Saija Tiitinen | .... | costumer: second unit | |
Editorial Department | |||
| Jari Hakala | .... | on-line editor | |
| Tuomo Hintikka | .... | on-line editor | |
| Tuukka Hoikkala | .... | assistant editor | |
| Jyrki Keränen | .... | trailer editor | |
| Jussi Lehto | .... | trailer editor | |
| Petteri Linnus | .... | on-line editor | |
| Benjamin Mercer | .... | trailer editor (as Ben Mercer) | |
| Sarri Seppä | .... | assistant editor | |
| Kimmo Taavila | .... | consulting editor | |
Music Department | |||
| Sami Kuoppamäki | .... | musician | |
| Samuli Laiho | .... | musician | |
| Leri Leskinen | .... | music mixer | |
| Leri Leskinen | .... | musician | |
| Niklas Nylund | .... | music recordist | |
| Christa Renwall | .... | musician | |
| DJ Slow | .... | music mixer | |
| DJ Slow | .... | musician | |
| Jesse Vainio | .... | music mixer | |
| Essi Wuorela | .... | musician | |
Other crew | |||
| Martin Backa | .... | video recorder | |
| Raisa Baer | .... | catering | |
| Lotta Hakala | .... | production secretary | |
| Olli Härkki | .... | studio director | |
| Juuso Heikkinen | .... | runner | |
| Tarja Höijer | .... | accountant | |
| Leila Honkanen | .... | nanny | |
| Pauli Kairismaa | .... | location manager | |
| Pertti Koskinen | .... | sailing instructor | |
| Tanja Lähtevänoja | .... | catering: second unit | |
| Maija Lampinen | .... | management assistant | |
| Antti Määttänen | .... | location manager | |
| Selja-Anneli Mansnerus | .... | consultant: psychology | |
| Sara Norberg | .... | script supervisor | |
| Kaisa Pikkarainen | .... | assistant to assistant director | |
| Taina Sirola | .... | production secretary | |
| Kari Tiainen | .... | coordinator | |
| Rampe Toivonen | .... | publicist | |
| Ville Vaajakallio | .... | titles | |
| Tiina Virtanen | .... | assistant to assistant director | |
| Recent Posts (updated daily) | User |
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| Levottomat 3: What does it mean? | jerry4444 |
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| Worst Drama movie rating :D | pingutyyppi |
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Kieslowski's colour trilogy must had been some sort of an inspiration to all the unattached trilogies we're having these days. Producer Markus Selin is one of the most influential producers in the Finnish film scene and is often credited as the man who brought Finnish commercial cinema back after some 40 years of absence in late 1990's.
The so called Restless-trilogy was meant to be a series of films directed by young directors about the state of the young adults in Finland. A great subject and a great idea although one could see the commercial aspects of this money-making early 30's demographics shine through.
The first part of the trilogy "Levottomat" (Restless, 1999)can be seen as a huge success for Finnish cinema being controversial, sexy and very much tapped into the moment in time as well as the subject. The second part "Minä ja Morrison" (Me and Morrison, 2001) was slightly dimmer success as for some reason it wasn't marketed as the second part. The film and acting were good, though the story ended a little suddenly and the deeper aspects of modern young adulthood were more absent than in "Levottomat".
The third part i.e. "Levottomat 3" (Restless 3, 2004) was a complete let-down of the trilogy. Huge skin-deep marketing, poor acting, poor dialogue, poor story and safe and "pop" choices in casting made sure that the audience felt sick about the whole trilogy. It is told that screenwriters resigned throughout the project and in the end it was just pure bad luck that the last one's name ended up in the credits. Whereas the earlier parts got their young directors to a beginning of a promising career, this one must had been the worst call-card for the poor director who obviously didn't know what sort of a money-making machinery she was getting into.
Sure I should write something about the film itself. Well, dialogue in "Oxford Finnish" is the first thing to take you of the mood of getting into the story. The story itself about sex-addicted young mother getting de-railed for her ambitions has a certain contemporary touch to it but the solid numb acting between her and his husband and her and the new lover of doom leaves everyone stone cold. The plot shows how things get from bad to worse and then a shimmering happyish ending.
I think the only positive thing in this film was to tie it to the contemporary Helsinki scenery at the time when the nations biggest building project (Kamppi commercial and traffic centre) was being built right in the middle of the city. Well, that's about it.