| Muzaffer Özdemir | ... | Mahmut | |
| Emin Toprak | ... | Yusuf (as Mehmet Emin Toprak) | |
| Zuhal Gencer | ... | Nazan (as Zuhal Gencer Erkaya) | |
| Nazan Kirilmis | ... | Lover | |
| Feridun Koc | ... | Janitor (as Feridun Koç) | |
| Fatma Ceylan | ... | Mother | |
| Ebru Ceylan | (as Ebru Yapici) | ||
| Bahaltin Surler | (as Bahattin Serter) | ||
| Nazli Aydin | |||
| Engin Hepsev | |||
| Ercan Kesal | |||
| Asli Orhun | |||
| Ahmet Bugay | |||
| Arif Asçi | |||
| Cemal Gülas | |||
| Ahmet Özyurt | |||
| Erhan Ersoy | |||
| Hakan Kuldan | |||
| Ayhan Ergürsel |
Directed by | |||
| Nuri Bilge Ceylan | |||
Writing credits(in alphabetical order) | ||
| Nuri Bilge Ceylan | scenario | |
| Cemil Kavukçu | additional writing | |
Produced by | |||
| Nuri Bilge Ceylan | .... | producer | |
| Feridun Koc | .... | line producer | |
Cinematography by | |||
| Nuri Bilge Ceylan | (director of photography) (as N. B. Ceylan) | ||
Film Editing by | |||
| Nuri Bilge Ceylan | (as N. B. Ceylan) | ||
| Ayhan Ergürsel | |||
Production Management | |||
| Feridun Koc | .... | production manager (as Feridun Koç) | |
Second Unit Director or Assistant Director | |||
| Serkan Cindoruk | .... | second assistant director | |
Art Department | |||
| Adnan Sahin | .... | color supervisor | |
Sound Department | |||
| Erkan Aktas | .... | sound mixer | |
| Ismail Karadas | .... | sound | |
| Richard Welsh | .... | dolby sound consultant | |
Camera and Electrical Department | |||
| Turksoy Golebeyi | .... | assistant camera (as Türksoy Gölebeyi) | |
| Zafer Saka | .... | set & lighting utility | |
Editorial Department | |||
| Tuncay Koçtürk | .... | negative cutter | |
| Mustafa Oruç | .... | negative & positive bathing | |
| Erol Sahin | .... | printing | |
| Mustafa Sahin | .... | negative & positive bathing | |
| Zekeriya Sahin | .... | printing | |
| Eyüp Yildiz | .... | negative cutter | |
| Yahya Öztürk | .... | negative & positive bathing | |
Thanks | |||
| Alaeddin Aksoy | .... | thanks | |
| Asiye Aksoy | .... | thanks | |
| Arif Asçi | .... | thanks | |
| Necmi Aykar | .... | thanks | |
| Asiye Bodur | .... | thanks | |
| Ebru Ceylan | .... | thanks (as Ebru Yapici) | |
| Emine Ceylan | .... | thanks | |
| Zeki Demirkubuz | .... | thanks | |
| Sadik Incesu | .... | thanks | |
| Cemil Kavukçu | .... | thanks | |
| Temel Kerimoglu | .... | thanks | |
| Kadir Kubasik | .... | thanks | |
| Hakan Kürtür | .... | thanks | |
| Cemal Okan | .... | thanks | |
| Serdar Pehlivanoglu | .... | thanks | |
| Keriman Ulusoy | .... | thanks | |
| Ahmet Çadirci | .... | thanks | |
| Kamer Çelik | .... | thanks | |
| Reis Çelik | .... | thanks | |
| Yüksel Öztürk | .... | thanks | |
| Ahmet Özyurt | .... | thanks | |
| Metin Üstündag | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Turkey section |
I am very thankful that the small college town of Abingdon, Va.- near Bristol, TN. and home of the famous Barter Theatre where Gregory Peck once acted- managed to get an art film festival togather and show this film there. Abingdon is two and a hour hours from where I live, but the trip was worth it in every sense of the word. UZAK/DISTANT is an amazing, brilliant, jarring, emotional, captivating film. As a Turkish-American, this film was not only a testimony as to what life in Turkey is like; but on a larger scale it tells the world of what it is like to be Turkish whether one lives in Istanbul, Berlin, Montreal, New York, or Omaha. It may be two hours in length as opposed to five minutes, but this is effectively our Bob Marley song. There are so many wonderful scenes in this film. It is very difficult to choose just a random few. But, for me, one telling scene takes place in a Beyoglu (downtown Istanbul) cinema. The title character, played by Mehmet Emin Toprak who sadly died in a car accident shortly after this film's completion, follows a very attractive young woman down a staircase to the cinema's main auditorium. She goes into see "Vanilla Sky." As the image of Tom Cruise is reflected from a glass, we sense that Turkish men are competing with Tom Cruise for their own women's affections even though Tom Cruise is nowhere to found in Beyoglu. The scenes shot across the Bosphorous shores are also quite revealing as they symbolize the beauty, yet desperate empty gulfs, which are a painful fact of life in Turkey. In this film, the gulf separates lovers and families. A simple, empty packet of Samsun (Turkish brand) cigarettes and a dying mouse jump off the screen the way seagulls did in the 1982 Serif Goren-Yilmaz Guney film "Yol." Many of Guney's films, including "Yol," "Suru- the Herd" (1978- completed by Zeki Okten) and "Baba-The Father" (1971) have been considered by many to be the best Turkish films ever made. Without Guney's sometimes overblown social-political anger (especially in his last film, the 1983 prison drama "Duvar-The Wall"), "Distance" captures the essence of Turkish life quite remarkably. This is a crowning achievement for a director who in my view can already be proclaimed as the Turkish equivalent to directors like Tarkovsky, Bresson, and Ozu. I can't wait to see his other films!