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Directed by | |||
| Christian Duguay | |||
Writing credits(WGA) | ||
| John Pielmeier | (written by) and | |
| G. Ross Parker | (written by) | |
Produced by | |||
| Christian Duguay | .... | co-executive producer | |
| Ed Gernon | .... | executive producer | |
| Diana Kerew | .... | co-executive producer | |
| Ian McDougall | .... | supervising producer | |
| John Pielmeier | .... | co-producer | |
| John Ryan | .... | producer | |
| Peter Sussman | .... | executive producer | |
| Philip von Alvensleben | .... | supervising producer | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Pierre Gill | |||
Film Editing by | |||
| Sylvain Lebel | |||
| Stephen R. Myers | |||
| Henk Van Eeghen | |||
Casting by | |||
| Deirdre Bowen | |||
| Anja Dihrberg | |||
| Susan Glicksman | |||
| Sue Jones | |||
| Alex Wald | |||
Production Design by | |||
| Marek Dobrowolski | |||
Art Direction by | |||
| Albrecht Konrad | |||
| Martin Martinec | |||
Set Decoration by | |||
| Milan Babik | |||
| Karel Vanásek | (as Karel Vanasek) | ||
Costume Design by | |||
| Maria Schicker | |||
Makeup Department | |||
| Jan Archibald | .... | key hair stylist | |
| Libuse Barlova | .... | hair stylist | |
| Linda Dvorakova | .... | hair stylist | |
| Sandra Feijoo | .... | makeup artist | |
| Tahira Herold | .... | makeup artist | |
| Gabriela Rezacova | .... | makeup interpreter | |
| Benjamin Robin | .... | hair designer | |
| Benjamin Robin | .... | makeup artist | |
| Benjamin Robin | .... | makeup department head | |
| Ivo Strangmüller | .... | makeup artist | |
Production Management | |||
| Simon Borecky | .... | unit manager | |
| Steve D'Onofrio | .... | post-production supervisor | |
| Martina Rejzkova | .... | assistant unit manager | |
| Gerhard Rupp | .... | production manager: Austria | |
| Ales Tybl | .... | production manager | |
| Paul Vella | .... | executive in charge of production | |
| Gordon Yang | .... | production supervisor | |
Art Department | |||
| Ales Cepelka | .... | assistant art director | |
| Axel Eichhorst | .... | storyboard artist | |
| Milan Janostik | .... | property master | |
| Radan Kapinos | .... | on-set proops: second unit | |
| Radan Kapinos | .... | swing gang | |
| Francis Politzer | .... | storyboard artist | |
| Manu Poupard | .... | property master | |
| Veronika Skarlandtova | .... | art department coordinator | |
| David Vondrasek | .... | assistant art director | |
| Miroslav Zdenek | .... | draughtsman | |
Sound Department | |||
| Marina Adam | .... | foley artist | |
| Rob Bertola | .... | sound editor | |
| Tom Bjelic | .... | supervising sound effects editor | |
| Tomas Cervenka | .... | boom operator | |
| Colin Cooper | .... | adr recordist | |
| Tony Currie | .... | dialogue editor | |
| Chris Czopnik | .... | assistant sound editor (as Christopher Czopnik) | |
| Allan Fung | .... | adr editor | |
| Garrett Kerr | .... | dialogue editor | |
| Jirí Kríz | .... | sound mixer: second unit | |
| Martin Lee | .... | sound re-recording mixer | |
| Kirk Lynds | .... | foley recordist | |
| Steven Moore | .... | sound re-recording assistant | |
| John Palmieri | .... | assistant sound editor | |
| Donna Powell | .... | foley artist | |
| Ian Rankin | .... | sound re-recording mixer | |
| James Robb | .... | assistant sound editor (as Jimmy Robb) | |
| Paul Shikata | .... | sound effects editor | |
| John Douglas Smith | .... | supervising sound editor | |
| Reinhard Stergar | .... | sound recordist (as Reinhard Sterger) | |
| David Yonson | .... | adr recordist | |
| David Yonson | .... | foley recordist | |
| Eric Apps | .... | sound re-recording mixer (uncredited) | |
| Dale Sheldrake | .... | adr editor (uncredited) | |
Special Effects by | |||
| Dominik Janda | .... | special effects crew | |
| Martin Kulhánek | .... | special effects coordinator (as Martin Kulhanek) | |
| Pavel Policar | .... | special effects technician | |
Visual Effects by | |||
| Ales Dlabac | .... | Inferno artist | |
| Miro Gal | .... | Inferno artist | |
| Vít Komrzy | .... | visual effects producer | |
| Robert Loudil | .... | animator | |
| Peter Nemec | .... | Flame artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| David Vána | .... | visual effects supervisor | |
| Jan Vseticek | .... | visual effects coordinator | |
Stunts | |||
| Jiri First | .... | stunts (as Jiri Firt) | |
| Michal Grün | .... | stunts (as Michael Grun) | |
| Jan Holicek | .... | stunts | |
| Jiri Horky | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Pavel Kratky | .... | stunts | |
| Jiri Kraus | .... | stunts | |
| Miroslav Lhotka | .... | stunts | |
| Dimo Liptkovsky | .... | stunts (as Dimo Lipitkovsky) | |
| David Listvan | .... | stunts | |
| David Motl | .... | stunts | |
| Leo Stransky | .... | stunt coordinator (as Leos Stransky) | |
| Tomas Tobola | .... | stunts | |
| Rudolf Vrba | .... | stunts | |
| Jan Petrina | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alexander Bscheidl | .... | second assistant camera: "a" camera | |
| Jan Carda | .... | focus puller | |
| Petr Dvorak | .... | grip | |
| Petr Granilla | .... | key grip | |
| Martin Grosup | .... | director of photography: second unit | |
| René Guillard | .... | gaffer | |
| Bohumil Havlicek | .... | best boy | |
| Michael Hersalek | .... | best boy grip | |
| Mark Hoffmann | .... | first assistant camera | |
| Patrick Lima | .... | dolly grip | |
| Martin Lippert | .... | crane grip | |
| Slavek Mikovec | .... | gaffer | |
| Petr Zavrel | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Anette Czagany | .... | assistant costume designer | |
| Liba Malerova | .... | costumer | |
| Petr Pluhar | .... | costumer | |
| Ladislav Procházka | .... | costumer | |
| Carola Raum | .... | costume supervisor | |
| Patricie Soptenková | .... | costumer | |
| Claudia Vasekova | .... | translator: costume department | |
| Jaroslava Vesela | .... | costume supervisor | |
| Jindriska Vorlova | .... | wardrobe coordinator | |
Editorial Department | |||
| Christopher Berg | .... | telecine assistant | |
| Andrea Folprecht | .... | additional editor | |
| Attila Kovacs | .... | assistant editor | |
| Jeff Krebs | .... | on-line editor (as Jeffrey Krebs) | |
| Mark Kueper | .... | tape-to-tape colorist | |
| Jennifer Macleod | .... | post-production coordinator | |
| Stephen R. Myers | .... | additional editor | |
| Andrea Pugner | .... | assistant editor | |
| Steve Sahagun | .... | assistant editor | |
Music Department | |||
| Christopher Dedrick | .... | composer: additional music | |
| Yuri Gorbachow | .... | music editor | |
| David Greene | .... | executive music consultant | |
| Roger Hewett | .... | orchestrator | |
| Erin Hunt | .... | music coordination: S.L. Feldman & Associates | |
| Adam Klemens | .... | conductor | |
| Michael Perlmutter | .... | music supervisor: S.L. Feldman & Associates | |
| Craig Pettigrew | .... | music editor | |
| John Timperley | .... | music recordist | |
Transportation Department | |||
| Leona Kosova | .... | transportation coordinator | |
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| Die Blechtrommel | Sunshine | Edvard Munch | Enemy of Women | Bonhoeffer |
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I watched this hoping to find out something I didn`t know about modern history`s most infamous man and couldn`t help thinking that history has been rewritten in HITLER:THE RISE OF EVIL . Hitler was so obsessed with his niece that he threatened to have one of her admirer`s shot . Hitler turned up with a gun in his hand to arrest Ernst Rohm . Forgive me for asking but haven`t the writers confused Adolph Hitler with Tony Montana from SCARFACE ? That`s bad enough but what really offended me was that there`s entire chunks of historical context missing in this mini series . Germany lost the first world war and the allied powers made Germany pay a heavy price for doing so. It was this economic environment that led the German people to have someone - anyone - to restore their pride and that`s why they turned to Nazism . The German humiliation of the 1920s caused by the allied powers seems to be entirely missing therefore there is no way that HITLER:THE RISE OF EVIL can be taken seriously as a historical document, and I haven`t even mentioned that Himmler and Goering are conspicous by their absence
There is one positive point about the mini series and that`s Robert Carlyle in the title role . Okay some of his mannerisms are wrong and his voice is a little too loud ( Archive recordings show that Hitler had a soft seductive voice ) but Carlyle is a charismatic actor and he does manage to communicate Hitler`s own charisma on screen . Comments in the British press that Carlyle resembles the synth player from Sparks more than Adolph Hitler are unfounded and he gives one of the better interpretations of Hitler.
I liked the performance by Robert Carlyle but I hated everything else about this mini series and wondered why on earth it was made in the first place . There`s nothing to recommend it to serious history fans