| Birol Ünel | ... | Cahit Tomruk | |
| Sibel Kekilli | ... | Sibel | |
| Catrin Striebeck | ... | Maren | |
| Meltem Cumbul | ... | Selma (Cousine) | |
| Stefan Gebelhoff | ... | Nico | |
| Francesco Fiannaca | ... | Mann am Tresen | |
| Mona Mur | ... | Stammkundin Zoe Bar | |
| Ralph Misske | ... | Patient 1 (Psychiatrie) | |
| Philipp Baltus | ... | Patient 2 (Psychiatrie) | |
| Hermann Lause | ... | Dr. Schiller | |
| Karin Niwiger | ... | Kassiererin (Psychiatrie) | |
| Demir Gökgöl | ... | Yunus Güner (Vater) | |
| Cem Akin | ... | Yilmaz Güner (Bruder) | |
| Aysel Iscan | ... | Birsen Güner (Mutter) | |
| rest of cast listed alphabetically: | |||
| Monique Akin | ... | Kundin im Friseurladen | |
| Canan Ata | ... | Canan | |
| Cahit Aygüler | ... | Schläger | |
| Adam Bousdoukos | ... | Barmann - Hochzeitsnacht | |
| Yilmaz Canan | ... | Türsteher #1 | |
| Aytun Ede | ... | Musiker | |
| Selim Erdogan | ... | Taxifahrer | |
| Tugay Erverdi | ... | Osman #3 | |
| Nurcan Esmertürk | ... | Nurcan | |
| Marco Greiser | ... | Abschlepper Disco | |
| Orhan Güner | ... | Busfahrer | |
| Sileyman Kaplan | ... | Sly | |
| Hatun Kazci | ... | Hatice | |
| Güven Kiraç | ... | Seref | |
| Feridun Koc | ... | Osman #1 | |
| Mehmet Kurtulus | ... | Barmann Istanbul | |
| Zarah Jane McKenzie | ... | Barfrau in der Fabrik (as Zarah McKenzie) | |
| Alma Ouglu Sahin | ... | Türsteher 2 | |
| Reinhold Schulz | ... | Gefängnisbeamter | |
| Tulga Serim | ... | Osman #2 | |
| Tim Seyfi | ... | Bayerischer Taxifahrer | |
| Herr Tekin | ... | Barbier | |
| Andreas Thiel | ... | Standesbeamter | |
| Misra Tomruk | ... | Pamuk - Tochter | |
| Senol Ugurlu | ... | Shane | |
| Fanfare Ciocarlia | ... | Musiker (uncredited) | |
Directed by | |||
| Fatih Akin | |||
Writing credits(in alphabetical order) | ||
| Fatih Akin | book | |
Produced by | |||
| Ali Akdeniz | .... | line producer: Turkey | |
| Fatih Akin | .... | co-producer | |
| Mehmet Kurtulus | .... | co-producer | |
| Andreas Schreitmüller | .... | producer: arte | |
| Stefan Schubert | .... | producer | |
| Ralph Schwingel | .... | producer | |
| Andreas Thiel | .... | co-producer | |
| Jeanette Würl | .... | producer: NDR | |
Original Music by | |||
| Alexander Hacke | |||
| Maceo Parker | |||
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Andrew Bird | |||
Casting by | |||
| Mai Seck | |||
| Mia Seck | |||
| Harika Uygur | |||
Production Design by | |||
| Tamo Kunz | |||
Art Direction by | |||
| Sirma Bradley | |||
| Nergis Çaliskan | |||
Costume Design by | |||
| Katrin Aschendorf | |||
Makeup Department | |||
| Nursen Balci | .... | makeup supervisor | |
| Daniel Schröder | .... | makeup supervisor | |
Production Management | |||
| Muharrem Gulmez | .... | production manager: Turkey | |
| Ingrid Holzapfel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Andreas Thiel | .... | assistant director | |
| Nergis Usta | .... | assistant director | |
Art Department | |||
| Christoph Birth | .... | props | |
| Beate ter Schüren | .... | property master | |
Sound Department | |||
| Richard Borowski | .... | sound mixer | |
| Kai Greve | .... | trouble shooter | |
| Hubert Henle | .... | stereo sound consultant: Dolby | |
| Thomas Knop | .... | foley recordist | |
| Jörg Krieger | .... | sound designer | |
| Martin Langenbach | .... | foley artist | |
| Kai Lüde | .... | sound | |
| Matthias Münster | .... | adr recordist | |
| Nani Schumann | .... | sound designer | |
| Herbert Wüst | .... | boom operator | |
Special Effects by | |||
| Peter Wiemker | .... | special effects | |
Stunts | |||
| Emanuel Bettencourt | .... | fights choreographer | |
| Josh Haggerty | .... | stunts | |
| Soncke M. Korries | .... | stunts (as Sönke Korries) | |
| Jochen Lange | .... | stunts | |
| Uwe Mansshardt | .... | stunts | |
| Ronnie Paul | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Almut Stier | .... | costume assistant | |
Editorial Department | |||
| Stefanie Delfs | .... | negative cutter | |
| Ilona Gehr | .... | negative cutter | |
| Nikolai Hartmann | .... | assistant editor | |
| Petra Schütt | .... | color grader | |
Music Department | |||
| Klaus Maeck | .... | music consultant | |
| Alex Menck | .... | composer: additional music | |
| Daniel Puente Encina | .... | composer: additional music | |
Other crew | |||
| Mira Amari | .... | coach: actors | |
| Georgios Arvanitis | .... | set intern | |
| Roman Brandt | .... | location manager | |
| Dewi Grobecker | .... | payroll | |
| Uwe Grobecker | .... | production accountant | |
| Mira Husseini | .... | film publicist | |
| Uwe Kolbe | .... | legal & business affairs | |
| Oliver Lammert | .... | title designer | |
| Birgit Nentwig | .... | production assistant | |
| Erhan Ozogul | .... | production accountant: Turkey | |
| Andreas Schreitmüller | .... | misc crew | |
| Nergis Usta | .... | continuity | |
| Jan Weber | .... | location manager | |
| Jeanette Würl | .... | misc crew | |
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| Rois et reine | Persepolis | My Own Private Idaho | La meglio gioventù | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
"Head On (Gegen die Wand)" is a completely original love story and shames conventional Hollywood romantic comedies with its fresh take on love and loss as rich as Rhett and Scarlett.
The closest I can think of a dysfunctional couple meeting so oddly cute and playing out an unusual relationship is in Christopher Fry's "The Lady's Not for Burning" which shares self-destructive lovers. The German literal title of "Against the Wall" is more resonant of how they feel, but the American distributors probably thought that had too much political implication.
The completely self-involved he and she here are innately off-kilter because writer/director Faith Akin sets them within a diverse Turkish immigrant community of Germany, so that their personalities are circumscribed by cultural expectations and restrictions, she chafing against binds on women and he lost in the nihilistic punk rock underground.
The rocky journey of how they find their own individuality within their sexual and emotional needs and ethnic identity and what each means to the other is an unpredictable thrill ride as each unexpected action leads to tears, laughter, poignancy and regret of bad timing. This is a baldly brash and frank exploration of the meaning of love and marriage, as individuals and within a web of family, friends and culture.
Craggy-faced Birol Ünel is riveting as the older, burned-out case whose past we only glimpse. Sibel Kekilli at first seems like just another pretty young thing, but brings spunk and sympathy on her maturing roller coaster ride. Evidently, deleted scenes that are available on the European DVD help to expand on the hints as to what her closing motivations are.
Dependant on the English subtitles, I'm sure I lost some significances as I wasn't sure when characters were speaking Turkish or German, let alone able to discern their fluency in either, with the added fillip of recognition of globalization with a sudden concluding discussion in Istanbul in English of their future.
The chapter introductions by an ethnic band playing a traditional sad love song adds to the timeliness of the tale that is reminiscent of old folk ballads of tragic love stories. In between, the punk rock and contemporary world fusion selections are terrific, including the moving closing song.