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King Arthur (2004)
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Overview
User Rating:
Director:
Writer (WGA):
David Franzoni (written by)
Release Date:
7 July 2004 (USA)
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Tagline:
Rule Your Fate more
Plot:
A demystified take on the tale of King Arthur and the Knights of the Round Table. full summary | add synopsis
Plot Keywords:
Awards:
3 wins
&
7 nominations
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NewsDesk:
(162 articles)
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User Comments:
Fresh Look On An Old Theme
more (839 total)
US TV Schedule:
Cast
(Cast overview, first billed only)| Clive Owen | ... | Arthur | |
| Ioan Gruffudd | ... | Lancelot | |
| Mads Mikkelsen | ... | Tristan | |
| Joel Edgerton | ... | Gawain | |
| Hugh Dancy | ... | Galahad | |
| Ray Winstone | ... | Bors | |
| Ray Stevenson | ... | Dagonet | |
| Keira Knightley | ... | Guinevere | |
| Stephen Dillane | ... | Merlin | |
| Stellan Skarsgård | ... | Cerdic | |
| Til Schweiger | ... | Cynric | |
| Sean Gilder | ... | Jols | |
| Pat Kinevane | ... | Horton | |
| Ivano Marescotti | ... | Bishop Germanius | |
| Ken Stott | ... | Marius Honorius |
Additional Details
Also Known As:
King Arthur: Director's Cut (USA) (DVD title (director's cut))
Knights of the Roundtable (USA) (working title)
El rey Arturo (Argentina) (International: Spanish title) (Spain) [es]
Le roi Arthur (Belgium: French title) (Canada: French title) (France) [fr]
Король Артур (Russia) [ru]
King Arthur (Germany) [de]
Kral Arthur (Turkey: Turkish title) [tr]
Kuningas Arthur (Finland) [fi]
Kuningas Artur (Estonia) [et]
Rei Arthur (Brazil) [pt]
Rey Arturo (Argentina) [es]
Vasilias Arthouros (Greece) [el]
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Knights of the Roundtable (USA) (working title)
El rey Arturo (Argentina) (International: Spanish title) (Spain) [es]
Le roi Arthur (Belgium: French title) (Canada: French title) (France) [fr]
Король Артур (Russia) [ru]
King Arthur (Germany) [de]
Kral Arthur (Turkey: Turkish title) [tr]
Kuningas Arthur (Finland) [fi]
Kuningas Artur (Estonia) [et]
Rei Arthur (Brazil) [pt]
Rey Arturo (Argentina) [es]
Vasilias Arthouros (Greece) [el]
more
MPAA:
Rated PG-13 for intense battle sequences, a scene of sensuality and some language.
Parents Guide:
Runtime:
126 min | USA:142 min (director's cut)
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) (director's cut) |
Canada:G (Quebec) |
Iceland:16 |
Netherlands:16 (director's cut) |
Malaysia:18PL |
Malaysia:U (cut version) |
Australia:M (Video rating) |
USA:PG-13 (original rating) (certificate #40970) |
Canada:G (re-rating) |
New Zealand:M |
Spain:18 (DVD rating) |
Sweden:11 |
Argentina:13 |
Australia:MA (director's cut) |
Australia:M (original rating) |
Canada:14A (director's cut) |
Chile:14 |
Czech Republic:12 |
Finland:K-11 (original rating) |
Finland:K-15 (director's cut) |
France:U (director's cut) |
Germany:12 (original rating) |
Germany:16 (director's cut) |
Ireland:15 |
Netherlands:12 |
Norway:15 |
Peru:14 |
Philippines:PG-13 |
Singapore:PG |
South Korea:15 |
Spain:13 (director's cut) |
Spain:7 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:12A (original rating) |
UK:12 (video rating) (2004) |
UK:15 (director's cut) |
USA:Open (director's cut) (rating surrendered) |
USA:R (director's cut) |
Greece:K-13 |
Brazil:14
Filming Locations:
Company:
Fun Stuff
Trivia:
According to Ioan Gruffudd (Lancelot), it took him months to grow the "scraggly" beard his character sports during the film. In addition, due to his Celtic heritage (Gruffudd is Welsh), the beard kept growing in red and had to be "painted" each day before filming, to match his brown hair.
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Goofs:
Anachronisms: Arthur and his knights are wearing modern shoes with modern lacings.
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Quotes:
[first lines]
Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day...
[...]
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Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day...
[...]
more
Movie Connections:
Referenced in The Making of 'King Arthur' (2004) (TV)
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Soundtrack:
Song of the Exile
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FAQ
What are the differences between the Theatrical version and the Unrated Director's Cut?more
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And I loved it!
Not just the new take on the King Arthur legend and the able cast, but the colors, the costumes, the landscapes, the horses, and Hans Zimmer's heart-pounding score.
I'm no King Arthur scholar but I have always been enamored with the chivalric ideals. It's great to see the knights in shining armor and Merlin conjuring up the mists and casting spells, and the young Arthur pulling Excalibur out of the stone.
But I went into this movie with an open mind. I was swiftly transported to that earlier time and happy for the journey. I could see where the elements of the now oh-so-familiar Arthurian themes may have had their beginnings. I found the on-screen chemistry between Ioan Gruffod and Clive Owen to be very powerful and it provided poignant counterpoint to Lancelot's most fateful choice.
The love triangle was never my favorite part of the Arthurian legends, so the subtle treatment of it here didn't bother me at all. In fact, I found it more intriguing in this film than in any other King Arthur movie I've seen.
I loved that there was no hocus-pocus-type magic. Instead the magic was in nature itself - the landscapes, the forests, the rain, the fog, the ice and snow - all creating an other-worldly atmosphere along with Moya Brennan's haunting vocals and Hans Zimmer's stirring score.
I loved the knights. I loved the idea that they were just regular guys and, in effect, drafted into military service. Not the privileged elite who volunteered their services to a king. Yet it is apparent that the Sarmatian knights fought more out of their love and respect for Arthur than any duty to Rome. That comraderie feels very organic and the sentiments, pure. I liked that they're not all wearing the same uniform, that they might have picked up pieces here and there as spoils of war.
I was especially captivated by Mads Mikkelson's Tristan. There appeared to be Eastern influences in his tattoos, clothing, sword, and fighting style. I love the idea of Lancelot using two swords. And I learned something about battlefield strategy, too.
Whatever shortcomings this movie may have, I found heart and soul in it. It was not only entertaining, it touched all my senses, and I felt good when I walked out of the theatre.