IMDb > Podium (2004) > IMDb user comments
Poster Not Submitted
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany creditstv schedule
Awards & Reviews
user commentsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage board
Plot & Quotes
plot summarysynopsisplot keywordsAmazon.com summarymemorable quotes
Fun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

IMDb user comments for
Podium (2004) More at IMDbPro »

Filter: Hide Spoilers:
Index 10 comments in total 

12 out of 13 people found the following comment useful :-
French Idol for Masters. A true treat in the genre, and above all, funny and charming., 25 September 2004
8/10
Author: oso_travis from Mexico City

Podium. Directed by Yann Moix. ***

I haven't had this much fun for a while!

Courtesy of the 8th French Cinema Tour, "Podium" just hit theaters in a festival-like run here; Oh! I got so lucky! It's such a funny comedy, one of the best I've seen coming out of La France, and one of the best of the year for sure.

Benoit Poelvoorde is Belgium's national treasure for sure. He's performance is outstanding; he played Bernard Fréderic with such emotion, wit and realism that I'm gonna be real mad if he doesn't get a Best Actor nomination at the Cesars. The thing that is so great, is that his character is hateful and charismatic at the same time. He believes he's a star, so he starts acting like one: mean and rudely. He's a great singer and dancer too (maybe Kevin Spacey could borrow him some ideas).

Great writing, solid direction, hot French chics (or according to Bernard, "sexual bombs") in a comedy that smartly explores the obsession for fame, celebrity and pop idols. You won't regret if you watch it. Believe, it is worth it.

The tribute to French super star, Claude Francois is there, making the whole thing nostalgic. And one more thing... perhaps Americans should keep their hands out of it, and not starting to think about a remake. I suppose it will start its international commercial run in 2005, so where it's available, don't miss it!

7/10

Was the above comment useful to you?

6 out of 7 people found the following comment useful :-
Benoit Poelvoorde : the REAL Claude Francois!, 14 January 2004
7/10
Author: FabZeFab from Paris, France

It's an excelllent comedy! Benoit Poelvoorde is totally amazing, the script is intelligent, smart and funny. Julie Depardieu is beautiful and a good actress and Jean-Paul Rouve from the Robin des Bois is excellent as Michel Polnareff! If you like Claude Francois this film is made for you!

Well done.

Was the above comment useful to you?

2 out of 2 people found the following comment useful :-
Booster of energy, 27 February 2004
8/10
Author: geofverney from Brussels, Belgium

This is the story of Bernard Frederic, a "double" of Claude François (France's Elvis - author of classics such as "My Way"). A special television broadcast on doubles incites him to return to a life he stopped for his wife. We follow him during the steps leading to the big show...

There is something in this movie that makes it irresistible. Is it the story (very original), the rythm (fast but not furious :-)), the humor (I had a smile on my face almost the entire movie), the music (the mood was so positive that the audience sang along)? Or the cast? Benoît Poelvoorde (Bernard Frederic) has shown in this film just how talented he was. An outstanding performance then from him but also from his two co-stars the beautiful Julie Depardieu and the always disconcerting Jean-Paul Rouve. This movie should soon be crowned one of France's cult movies alongside classics such as "Le Père Noël est une Ordure", les "Visiteurs" or "Les Bronzés".

Except if you are looking for what is wrong in a movie, you shouldn't be disturbed by its minor flaws. However for those who read the book (such as me), there may be some level of disappointment (not for me though). You must know that the movie shows only part of Bernard Frederic's impressive personality. He is depicted in the book as impulsive, selfish, stingy but still very likeable. We get to see only a small selection of the ferociously funny situations from the book. But I guess it would have undermined the rythm of the film. So go see it if you want to feel a boost of energy!

Was the above comment useful to you?

1 out of 1 people found the following comment useful :-
why can't I be you?, 8 June 2006
7/10
Author: dbdumonteil

*** This comment may contain spoilers ***

Bernard Frédéric (Benoît Poelvoorde) devoted his life to his biggest icon Claude François, perhaps the most famous mainstream French singer in the seventies. To fully live his passion and his admiration for him, he organized provincial tours in which he sang with female dancers "Cloclo"'s most popular songs, flanked by his associate Couscous who assured the first parts of his shows, dressed as Michel Polnareff's double. But today, galvanized by his wife Véro (Julie Depardieu) who forced him to choose between her or his god, his once exciting life got bogged down in a humdrum one. An employee in a bank, he also lives in a modest suburban house until one day, his former chum approaches him again to prompt him to attend a TV show about celebrity doubles. Frédéric can't withstand to the desire to attend it, dressed as Claude François. But he would have to defy the promise he made to Véro who might see this as the last straw about the future of her relationship with her mercurial man...

What can be said about a film which enjoyed a conspicuous publicity campaign and made it a household name virtually everywhere in France? Well, visually, it's an appealing film. The director Yann Moix retorted to a quite kitsch cinematography with often gaudy colors to recreate the aura of the Claude François mania in the seventies. A mania which is still vivacious today in Frédéric's mind and in his relentless training to be on this vital TV show about double celebrities. A quirky directing with split-screens which includes authentic footage dating from the seventies and an epileptic editing consolidates this whimsical menu. One word about the last sequence: Moix doesn't tap overflowing effects to leave the viewer speechless about the harrowing vibe the scene conveys and one forgets its formulaic character.

Then, the scenario seems to have been sedately written. It's true that the scriptwriters including Olivier Dazat follow an ultra-mapped scheme to tell Frédéric's efforts to reach the TV show which seems to be the most crucial thing on earth for him. However, there's more on the paper and to the picture than meets the eye. This scenario has its moments and they are numerous like when it comes to showcase and construe Frédéric's apparently simple but complex persona. He's a lackluster man when Claude François isn't on his mind but when his passion for Claude François has the upper hand and his determination to reform his female dance band make his demeanor with his surrounding hateful, obnoxious, on the brink of the unacceptable as the sequences when he selects his female dancers and then asks her questions (he has all the answers) about his god bear witness. But he's especially guided by his former tour companion, Couscous, deemed as disreputable by Véro. In a way, this hare-brained Polnareff's double is his evil genius because he indirectly jeopardizes Frédéric's couple to make him resume his one-time favorite activities. It's all the more serious as Véro is deeply enamored of her man. Moreover, does headstrong Frédéric's imagination play tricks on him? Is the sequence during which he's phoned by Claude François a dream or an hallucination? So, the scriptwriters have penned a cohesive screenplay which concerns nearly all of us, at least the ones who have heroes in any domain in life. To which extent, can we go to fully identify oneself with a celebrity for whom one is in awe? Could it make us cut off from the reality? Doesn't one risk a split personality?

"Podium" was basically a novel written by Moix himself for Benoît Poelvoorde to convince him to transpose it to the silver screen and to act in it. It bore fruit. The Belgian actor, once revealed with the half-gruesome, half-wacky "C'est Arrivé Près De Chez Vous" (1992) carries an important part of the film on his shoulders and his input both in the film and in his role is visible. His charisma, François' songs he heartily sings, the choreography are reproduced with painstaking application. But the rest of the cast isn't sacrificed. Julie Depardieu, (Gérard's daughter) acts her role with reserve and self-control and deftly circumvents the drawbacks her role was tending. Jean-Paul Rouve, him, keeps a part of mystery to Frédéric's sidekick and Polnareff's double.

On the surface, the story of "Podium" smells the reheated but the authors had the gusto to cool it down to better entertain the viewer and to arouse essential questions about his tastes and likes. This a little oddball film should appeal to Poelvoorde's fans and to "Cloclo"'s. And as soon as the film ends, French viewers, be prepared to hum his tunes. All together now: "Alexandrie, Alexandra", "Des Magnolias Par Centaines!" etc...

Was the above comment useful to you?

1 out of 1 people found the following comment useful :-
Poelvoorde may be the funniest man on earth, 26 January 2006
10/10
Author: j-s p

I first saw "C'est arrivé près de chez-vous"(Man bites dog) about ten years ago and I was amazed by the whole thing.The darkest humor ever,sick violent scenes,and of course,the Man himself.Poelvoorde plays a violent maniac but he's funny and charismatic at the same time.Fast forward to 2005:I realised there was a new movie with that guy that I've never seen in another film.I didn't know that much about Claude Francois,but I had to see Poelvoorde in another role.Here he plays Bernard Frédéric,an ex-imitator of Cloclo.He stopped his "career" in show-business when his wife,Véro, gave an ultimatum.So now he has a boring job,9 to 5, a son, a "normal" life. But when he learns that there is an imitator contest on prime time TV,his passion takes over.So many funny scenes in this movie! The auditions of his "Clodettes"(he's so rude with them ,can't watch it without laughing)the psycho-therapist,the introduction of his partner Couscous,the sex scene in which he changes his love tempo depending what Claude song he has in mind,...Add to this a great soundtrack, dancing, beautiful women in there Clodettes suit, a happy ending and you have 90 minutes of pure joy.I can't wait to see the long version.

Was the above comment useful to you?

Failed Masterpiece, 17 February 2007
Author: bertrand-ulrich from France

Now this is a movie that you would enjoy, if it were achieved. Somehow, the writers seem to have been afraid of upsetting the Cloclo fans, which leads to an average story, with ingredients such as cheap emotion, irregular characters, endless dancing. It reminds me of a '50s science fiction movie, in which the whole plot was actually based upon the disguise of the stunt (aka the extra-terrestrial usually). In the case of "Podium", the over-exploited leitmotiv is two dressed up characters being stupid. The first comedy without a gag, if not the first, the most over-rated surely. BUT, the actors do a great job, the special effects (actually "effect") are convincing. Not a total waste of time.

Was the above comment useful to you?

Belgian splendor in a french movie; the best since 'Daens', 3 February 2005
8/10
Author: bullrot (jorisdepaepe@hotmail.com) from Ghent, Belgium

This movie came out in Belgium in 2003 but I waited to see this wonderful movie until now. The story is simple but the movie is great. Benoît Poelvoorde is playing Bernard, a bank clerk of the greatest dullness. A job he had to take 'cause his wife couldn't stand living with a dual-personality (or as she's called NO personality). So he promises her never to do the man again. His great obsession is the french star Claude François. Bernard is the perfect double of the star, no, resurrection is the better word. When there is a competition 5 years after the Promise, there's a competition for doubles on television and the best claude françois wins 100000 euro (125000 dollar) Bernard wants to compete and starts his old routine but he thinks he IS the star and starts acting on it. The actors are one for one top quality but the star is indeed Benoît Poelvoorde from my beloved country. His splendor, to be able to show a character that you can hate and love at the same time, is remarkable. I really can recommend this one Some pointers for the people oversees (United states): If you don't know claude françois it's easier to look at the movie like Claude = Elvis. Then it's easier to understand the hype If you look carefully: you can notice the original french version of 'my way' by Frank Sinatra or in this case 'comme d'habitude'

Was the above comment useful to you?

Podium shows the born of the real star: the human being, 26 November 2004
Author: Edmundo Chavez

When a friend of mine told me about Podium she said that the movie was about a legendary french singer Claude Francois. Personally I love the movies based on bios, so I have nothing to said against it. In fact I had another good experience watching a French comedy (Gregorie Moulin vs Humanity). Not in the mood of that movie, Podium, instead of the Claude biography shows the life of Bernard, a banker that in his teenage years used to love everything about Claude, but his girlfriend made him let things down about his hero. In that time the only choice was his idol or her. Years later motivated by an imitators challenge Bernard suddenly begins to rise as Claude Francois and in the middle of his hallucination, everything begins to make sense. Or isn't it? In my humble opinion Podium goes further than its firsts goals. It doesn't have only good comedic moments, it also has very touching moments that goes around the main character, explaining the suddenly change in Bernard. A good comedy and although is long, the direction of this is really impressive. It makes you feel like the main character, his happiness, his sadness, even his loneliness. In some part of the movie I can also guarantee that you'll feel even like Claude. Have a good time watching this piece of art.

Rating: 10 of 10.

Was the above comment useful to you?

Simply brilliant !, 1 March 2004
10/10
Author: ausine from Paris, France

This movie is one the greatest comedy I've ever seen... The actors are so good, I can't compare it with any other movie. The singing performance by Benoit Poelvoorde is perfectly incredible too ! Nevertheless,I guess american audience would not understand this movie, as it deals with a french music symbol, Claude François...

That's why I let myself dream of an american transcription of "Podium"... imagine Adam Sandler or Bill Murray play some unlikely Elvis double... If some producer could read it :)

Congratulations, Yann Moix !!

Was the above comment useful to you?

Great first movie!, 13 February 2004
10/10
Author: ldel from Marseille (France)

Very good rhythm, pretty picture, wonderful actors, a lot of humour and some sweet and beautiful moments. So yes, it's a great movie and it's worth to see it! I'm not at all a fan of Claude François (I'm more into rock and jazz) but this movie gave me the will to discover this singer...it's quite weird... Anyway, Benoît is fantastic, very moving. Julie is sublime. Jean-Paul is perfect as usual. And there must be some future cult quotes ;)

Well done to all the cast, the crew and Yann Moix!

Rad ^__^

Was the above comment useful to you?


Add another comment


Related Links

Plot summary Ratings Awards
External reviews Plot keywords Main details
Your user comments Your vote history