| Photos (see all 29 | slideshow) | Videos (see all 2 videos) |
| Barry Watson | ... | Tim | |
| Emily Deschanel | ... | Kate Houghton | |
| Skye McCole Bartusiak | ... | Franny Roberts | |
| Tory Mussett | ... | Jessica | |
| Andrew Glover | ... | Boogeyman | |
| Lucy Lawless | ... | Tim's Mother | |
| Charles Mesure | ... | Tim's Father | |
| Philip Gordon | ... | Uncle Mike | |
| Aaron Murphy | ... | Young Tim | |
| Jennifer Rucker | ... | Pam | |
| Scott Wills | ... | Co-Worker | |
| Michael Saccente | ... | Jessica's Dad | |
| Louise Wallace | ... | Jessica's Mom | |
| Brenda Simmons | ... | Jessica's Grandma | |
| Josie Tweed | ... | Jessica's Sister | |
| Ian Campbell | ... | Franny's Father | |
| Robyn Malcolm | ... | Dr. Matheson | |
| Olivia Tennet | ... | Terrified Girl | |
| Edward Campbell | ... | Priest | |
| Andrew Eggleton | ... | Jessica's Brother-in-Law (as Andrew Eggelton) | |
| rest of cast listed alphabetically: | |||
| Gene Hollins-Werry | ... | Boy (uncredited) | |
| Noah Matthews | ... | Boy (uncredited) | |
| Caden St. Clair | ... | Child (uncredited) | |
Directed by | |||
| Stephen T. Kay | (as Stephen Kay) | ||
Writing credits(WGA) | ||
| Eric Kripke | (story) | |
| Eric Kripke | (screenplay) and | |
| Juliet Snowden | (screenplay) & | |
| Stiles White | (screenplay) | |
Produced by | |||
| Gary Bryman | .... | executive producer | |
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Steve Hein | .... | executive producer | |
| Nathan Kahane | .... | executive producer | |
| Michael Kirk | .... | associate producer | |
| Eric Kripke | .... | co-producer | |
| Doug Lefler | .... | co-producer (as Doug Leffler) | |
| Carsten H.W. Lorenz | .... | executive producer (as Carsten Lorenz) | |
| Sam Raimi | .... | producer | |
| Chloe Smith | .... | line producer | |
| Robert G. Tapert | .... | producer (as Rob Tapert) | |
Original Music by | |||
| Joseph LoDuca | |||
Cinematography by | |||
| Bobby Bukowski | |||
Film Editing by | |||
| John Axelrad | |||
Casting by | |||
| Marie Adams | |||
| Miranda Gooch | |||
| Lynn Kressel | |||
Production Design by | |||
| Patricia Devereaux | |||
| Robert Gillies | |||
Art Direction by | |||
| Nick Bassett | |||
| Philip Ivey | |||
| Jennifer Ward | |||
Set Decoration by | |||
| Jill Cormack | |||
| Jackie Gilmore | |||
Costume Design by | |||
| Jane Holland | |||
Makeup Department | |||
| Susan Glass | .... | hair supervisor: second unit | |
| Susan Glass | .... | makeup supervisor: second unit | |
| Marjory Hamlin | .... | makeup & hair supervisor | |
| Vanita Thomas | .... | assistant makeup & hair artist | |
| Deb Watson | .... | key hair stylist | |
| Deb Watson | .... | key makeup artist | |
Production Management | |||
| Moira Grant | .... | unit production manager | |
| Jim Miller | .... | executive in charge of production | |
| Jack Schuster | .... | post-production supervisor | |
Art Department | |||
| Robert Bavin | .... | stand-by props | |
| Phil Chitty | .... | construction manager | |
| Alistair Gillies | .... | art depertment assistant | |
| Fraser Harvey | .... | construction foreman | |
| Viv Kernick | .... | property master | |
| Gareth Mills | .... | set dresser | |
| Roger Murray | .... | props designer | |
| Josh Sheppard | .... | storyboard artist | |
| Megan Vertelle | .... | set dresser | |
| Tracey Wilson | .... | storyboard artist | |
Sound Department | |||
| Ray Beentjes | .... | supervising dialogue editor | |
| Melanie Graham | .... | sound effects editor | |
| Michael Hedges | .... | sound re-recording mixer | |
| Tony Johnson | .... | sound mixer | |
| Matthew Lambourn | .... | sound editor | |
| Robyn McFarlane | .... | sound recordist | |
| Carolyn McLaughlin | .... | foley artist | |
| Peter Mills | .... | sound effects editor | |
| Tim Prebble | .... | sound designer | |
| Eric Thompson | .... | adr mixer | |
| Chris Todd | .... | dialogue editor | |
| Justin Webster | .... | assistant dialogue editor | |
| Dave Whitehead | .... | sound designer | |
| Dave Whitehead | .... | supervising sound editor | |
Special Effects by | |||
| Brendon Durey | .... | special effects director | |
| Dan Perry | .... | special effects makeup technician (as Daniel Perry) | |
| Felix Q. Ponce | .... | special effects makeup technician | |
Visual Effects by | |||
| Daniel Barrett | .... | animator: Oktobor | |
| Jason Billington | .... | digital compositor: pre-visualization | |
| Dan Blank | .... | look development | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Richard Borg | .... | digital intermediate assist | |
| Jon Bowen | .... | senior compositor | |
| James Braid | .... | engineering | |
| David Cole | .... | lead digital colourist | |
| David Cole | .... | supervising digital colourist | |
| Sam Cole | .... | senior compositor: research and development previz | |
| Tony Cole | .... | lead compositor | |
| Marten Coombe | .... | digital intermediate coordinator | |
| Martyn 'Moose' Culpitt | .... | digital compositor | |
| Jason Duncan | .... | digital compositor | |
| Patrick Felgueras | .... | digital effects artist | |
| Brent Gilmartin | .... | visual effects supervisor | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| Dean Lyon | .... | head: Oktobor | |
| Damian McDonnell | .... | digital colourist | |
| Matthew Packham | .... | digital compositor | |
| George Port | .... | visual effects supervisor: PRPVFX | |
| Mohan Ramachandran | .... | scanning and recording technician: Weta Digital | |
| Abigail Scollay | .... | digital compositor | |
| Pedram Shohadai | .... | digital effects artist | |
| Pedram Shohadai | .... | visual effects animator | |
| Cameron Smith | .... | digital compositor: pre-visualization, Oktobor VFX | |
| Greg Spencer | .... | digital compositor | |
| Shereena-Lee van de Berkt | .... | visual effects co-producer: post production | |
| Randy Vellacott | .... | digital compositor | |
| Leon Woods | .... | digital compositor | |
| Phil Greig | .... | digital intermediate technologist (uncredited) | |
Stunts | |||
| Mark Harris | .... | stunt coordinator | |
| Glen Levy | .... | stunt rigger | |
| Allan Poppleton | .... | stunt driver | |
| Stuart Thorp | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Jonathan Bixley | .... | best boy | |
| Kirsty Griffin | .... | still photographer | |
| Scott Harman | .... | lighting technician | |
| Simon Hawkins | .... | key dolly grip | |
| Brenden Holster | .... | first assistant camera | |
| Aaron Morton | .... | director of photography: additional material | |
| Evan Pardington | .... | best boy grip | |
| Ruru Reedy | .... | electrician | |
| David Sargison | .... | lighting assistant | |
| Tim Shafe | .... | crane operator: Technocrane | |
| Alan Wilson | .... | lighting board operator | |
Casting Department | |||
| Sandy Holt | .... | adr voice casting | |
| Caroline Liem | .... | casting associate | |
Costume and Wardrobe Department | |||
| Anna Bosley | .... | costume stand-by: second unit | |
| Anna Bosley | .... | extras costume supervisor | |
| Jenny Rushton | .... | key costume stand-by | |
Editorial Department | |||
| Mark V. Phillips | .... | first assistant editor | |
| James Renfroe | .... | apprentice editor | |
| Stephen R. Sheridan | .... | color timer | |
| Robb Sullivan | .... | additional editor | |
Music Department | |||
| Scott Davidson | .... | music engineer (uncredited) | |
Other crew | |||
| Tobin Adams | .... | assistant: Mr. Lorenz | |
| Rebecca Hutton | .... | production accountant | |
| Jaehi Jung | .... | title designer | |
| Karsten Kastelan | .... | publicist | |
| Lisa Marinkovich | .... | accounting assistant | |
| Sue May | .... | publicist | |
| Dianne Moffatt | .... | second script supervisor | |
| Asha Norman | .... | assistant: Mr. Kay | |
| David Pollison | .... | office assistant: Renaissance Pictures | |
| Leigh-Ann Pukeroa | .... | assistant: Mr. Tapert | |
| Patricia Rivera | .... | assistant: Mr. Drake | |
| Niccola Sanderson | .... | production coordinator | |
| Clayton Tikao | .... | location manager | |
| Dina Valenzuela | .... | production accountant | |
| Andrew J. Wahlquist | .... | assistant: Mr. Kahane | |
| Angela Williams | .... | production assistant | |
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Soooo I ended up seeing this film at the cinema cos my half brother is a moron who only likes bland Hollywood movies... I could have said no... no... I won't suffer the indignity but foolishly I figured "Hey, at least I'm not paying for it" and tagged along... but I did pay... oh lord I did pay...
This film is basically about a middle class twenty-something advertising executive (with a hot rich girlfriend and a really slick car)... who is frightened of cupboards!!!!!!!! CUPBOARDS!!!!! I didn't know whether to laugh or cry. This is apparently due to some childhood trauma that occurs in the opening scene but to be honest I'm not sure exactly what happened cos the sequence looked like it was shot and edited by an epileptic who had taken an amphetamine overdose. It seems to have become accepted in Hollywood that the best way to make a scary movie is to direct it like a Britney spears music video... admittedly thats pretty terrifying but not if you:
Cast bland, wooden actors... Base all your scares on tired haunted house cliché's (The wardrobe scene was one of the most poorly executed horror sequences I've ever seen, void of tension, void of style and the pay off is so lame even a black cat hissing and jumping on him would have been preferable)... Layer the most annoyingly intrusive score over everything... Make no attempt at narrative cohesion... Drench the final scene in childish CGI...
If this film had contained even a shred of lightheartedness about it I might have found it tolerable but everything about it was so po-faced and serious, I find it hard to believe anyone could enjoy this film on any level. It's almost impossible to relate to any of the characters, mainly because they are so miserable and unlikeable and as a result it's impossible to CARE whether they live/die/disappear/get snatched by a stupid purple comic book character.
I recommend that anyone who is remotely considering seeing this film does not do so for their own well being and the sake of their souls... Don't become like me! Don't become a bitter purple CGI freak who hides in cupboards thinking about how much he wants to flame this film on every website on the internet... I hate this film! AAARGH!