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A Note Regarding Spoilers

The following FAQ entries may contain spoilers. Only the biggest ones (if any) will be covered with spoiler tags. Spoiler tags have been used sparingly in order to make the page more readable.

For detailed information about the amounts and types of (a) sex and nudity, (b) violence and gore, (c) profanity, (d) alcohol, drugs, and smoking, and (e) frightening and intense scenes in this movie, consult the IMDb Parents Guide for this movie. The Parents Guide for King Kong can be found here.

No. The giant gorilla known as Kong was the brainchild of American aviator and screenwriter Merian C. Cooper [1893-1973], conceived after a dream in which a giant gorilla was terrorizing New York City. Screenwriters Ruth Rose and James Ashmore Creelman wrote the screenplay for the original King Kong (1933) movie. A novelization of the screenplay actually appeared in 1932, a year before the film, adapted by newspaper reporter and writer Delos W. Lovelace. It was published in serialized form in Mystery Magazine and in book form later that year by Grosset & Dunlap. This version of King Kong is the third version of the film, preceded by the original 1933 movie and King Kong (1976). Kong was adapted for this version by Australian screenwriters Fran Walsh and Philippa Boyens along with Peter Jackson, who directed the movie.

It depends upon the version of the movie. There are 15 verifiable deaths in the theatrical version. These include: two of Carl Denham (Jack Black)'s crew killed on Skull Island by natives, one Venture crewman killed aboard ship by Skull Islanders, four members of Ann's rescue party killed during the brontosaurus stampede/raptor attack (Lumpy confirms this number in the following scene), Mr. Hayes killed by Kong, Choy, Lumpy, and two unnamed crewmen killed in the ravine due to the fall or pit creatures, and finally three crewmen killed by Kong during the capture attempt (two smashed against a cliff wall, one bitten in midsection).The extended cut shows another three crewmen eaten by the piranhadon in the swamp, totalling eighteen. Denham states in his presentation of Kong in New York that only seventeen people were killed. This discrepancy may be attributed to a writer's miscount, though it is only apparent in the extended cut.

Some viewers maintain that Jimmy (Jamie Bell) died; others disagree. Jimmy is not included in the verifiable death toll. When Kong throws the boat against the boulder, Jack Driscoll (Adrien Brody) immediately rushes toward Jimmy, who can be seen swimming in the water. After Kong is chloroformed, Jimmy's eyes are still open. In Lovelace's novelization of the movie, it is mentioned that Jack is holding an unconscious Jimmy in the water. This can also be seen in the movie. Peter Jackson does not specify in the DVD commentary whether Jimmy lives through the scene, though his death would push the grand total of casualties to nineteen (counting those in the extended cut), above the stated number of seventeen deaths.

When the ice is blown apart by the army, some of the resulting chunks are two feet thick -- more than enough to support Kong's weight.

1. The most obvious difference is that of running time: while the films are very similar structurally, the 2005 film is over an hour longer than the 1933 film.

2. There is much more backstory given to the two principals, Ann Darrow and Carl Denham. Ann did not appear in the 1933 film until the point at which Denham covered for her attempted shoplifting of food.

3. The character of Denham is quite different. He was originally a successful, respected filmmaker. The newer film portrays him as a man on the outs with the studio heads who steals the footage for his own film and flees after learning the bosses are planning to scrap the picture. The newer incarnation is also played as much more of an antihero, whereas the 1933 film never brought the character's actions into question.

4. Jack Driscoll is now a playwright who is working on Denham's screenplay; previously, he was the First Mate of the Venture.

5. The natives of Skull Island are much more hostile. In the original film, they allowed Denham's party to leave without incident; in this version, they kill several members of the group before the Venture's captain arrives with help.

6. All references to and quotes from Conrad's Heart of Darkness are new to this version of the story.

7. Kong is played less as a monster and more as an animal. Relatively little was known about gorillas at the time of the 1933 film; the new film more accurately portrays the behavior of an actual ape.

8. The 2005 film contains a scene shot for the original film but later excised: the spider pit. Originally, stop-motion spiders attacked and ate the crew members who fell off of the log bridge and into the gorge it spanned. The new version presents a variety of insects and leechlike creatures, but eschews spiders, possibly to avoid feeling like a retread of Jackson's previous film, The Return of the King, which had featured a battle with a huge spider.

9. In the 1933 film, Ann Darrow remains frightened of the giant ape throughout the film. Now she and the gorilla form an emotional bond, with Ann recognizing human traits such as intelligence and empathy in her captor-turned-guardian.

10. Ann and Jack originally joined Denham on stage as he presented the captive Kong to a New York audience. In Jackson's film, both have become disillusioned by his glory-minded pursuits and decline to take part. Denham therefore hires an actress whom he tells his audience is Ann, and he credits her rescue not to Jack, but to the actor Bruce Baxter, who had actually abandoned the search for Ann to save himself.

11. The New York rampage in the 2005 version is more PC than in the 1933 Kong. The attack on the el train does not occur in the new version, nor does Kong throw a woman he mistakes for Ann to her death-at least not definitively; he does throw a number of women about casually, but their fates are not depicted.

12. Now, Jack is the only one to race to the top of the Empire State Building to save Ann at the film's climax. Previously Denham and a few other rescuers had also ascended the skyscraper.

13. Kong's death is no longer seen as the necessary destruction of a dangerous monster, but the tragic killing of a noble beast who has suffered at the hands of human exploitation.

1. Skull Island is "visually layered," as inspired by the original.

2. Some of the relics (spears, drums, and shields) that appear in early scenes on board the ship are original 1933 film props. The gas bombs that can briefly be seen in the cage full of chemical bottles are also original props.

3. Whilst in the cab Carl Denham mentions that "Fay's a size four" - referencing Fay Wray, the actress who played Ann Darrow in the 1933 original. When Preston informs Denham that she's "busy making a picture with RKO," he is actually referring to the original King Kong film itself, and Denham moans "Cooper, huh?" referring to Merian C. Cooper, one of the original movie's directors. A brief sting from the original film's sountrack accompanies this line.

4. When Kong defeats the V-Rex creature he checks that the reptile's jaw is broken by flexing it open a few times. This action is almost a frame-for-frame copy of the 1933 original and is a direct tribute to the work of stop-motion pioneer Willis O'Brien.

5. Ann and Bruce act a scene on the ship. She says, "This is very exciting, I've never been on a ship before," to which Bruce replies. "Well, I've never been on one with a woman before." This "acted" scene is a direct copy of a "real" scene from the 1933 original.

6. During his stage presentation of Kong, Denham quotes an "old Arabian proverb" about how beauty tames the beast; this quote opened the original film in the form of an on-screen title. As an aside, Merian C. Cooper admitted in interviews that the alleged proverb was actually his own invention.

7. When Kong is struggling to free himself from the chains on the New York theatre stage, Denham says "Let him roar; it makes a swell picture." This line of dialogue was spoken by a journalist in the original movie.

8. The musical score which accompanies the dance routine in the New York theatre is Max Steiner's original composition from the 1933 film.

9. The native dancers on the New York stage are a direct copy of the natives from the original 1933 movie.

10. When Denham and Kong first see each other, they pause for a moment. According to Peter Jackson this is the moment during which they both recognise each other - a feeling that they have met before. This suggests that they are spiritually bonded to the original movie in some way.

11. The last line of the movie is the same in the 1933 one.

The ultimate reference to the original movie was sadly never to be - Peter Jackson wanted Fay Wray, by then in her 90s, to make a cameo at the end of the movie, but she died before this was possible.

Even as the theatrical cut was released, it was obvious that an extended cut of the ape-saga, announced by Peter Jackson, would follow. That arrived shortly a year later, spread over two DVDs and with a few surprises consisting of more than the already-familiar deleted scenes. The largest addition was inclusion of a scene (inspired by a similar scene from the 1933 film) wherein the party searching the island for Ann builds a raft to cross a swamp, and is attacked by a giant piranha-like creature. The spider pit scene has a slightly longer coda, and a gag scene wherein a truck full of soldiers (played by the film's animation department) is trampled by Kong appears near the end. A detailed comparison between the theatrical version and the extended version with pictures can be found here.

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