Fahrenheit 9/11 (2004)

Director:

Michael Moore

Writer (WGA):

Michael Moore (written by)

Release Date:

25 June 2004 (USA)

Genre:

Documentary | Comedy | Drama

Tagline:

The temperature where freedom burns!

Plot:

Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.

Plot Keywords:

Violence | Corpse | Black Woman | African American | Bitterness

Awards:

26 wins & 12 nominations

Cast

Ben Affleck	...	Himself (archive footage)
Stevie Wonder	...	Himself (archive footage)
George W. Bush	...	Himself (archive footage)
James Baker III	...	Himself - Former Secretary of State (archive footage)
Richard Gephardt	...	Himself - Congressman (archive footage)
Tom Daschle	...	Himself - Senator (archive footage)
Jeffrey Toobin	...	Himself - Author of "Too Close to Call" (archive footage)
Al Gore	...	Himself - U.S. Vice President and Senate President (archive footage)
Condoleezza Rice	...	Herself - National Security Advisor (archive footage)
Donald Rumsfeld	...	Himself (archive footage)
Saddam Hussein	...	Himself (archive footage)
George Bush	...	Himself - Former U.S. President (archive footage)
Ricky Martin	...	Himself (archive footage)
Byron Dorgan	...	Himself - Senator in Subcommittee on Aviation (archive footage)
Osama Bin Laden	...	Himself (archive footage)

Also Known As:

Fahrenheit 911 (USA) (working title)
Fahrenheit 9/11 (Argentina) (Spain) [es]
Fahrenheit 11 de Setembro (Brazil) [pt]
Fahrenheit 9/11 (Finland) [fi]
Fahrenheit 9/11 (Greece) [el]

MPAA:

Rated R for some violent and disturbing images, and for language.

Runtime:

122 min

Country:

USA

Language:

English | Arabic

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Italy:T | Switzerland:14 (canton of Zurich) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Iceland:12 (video rating) | Malaysia:18PL | Hong Kong:IIB | USA:R (certificate #40791) | Australia:M | Iceland:L | Argentina:13 | Brazil:12 | Canada:G (Quebec) | Chile:14 | Czech Republic:12 | Denmark:11 | Finland:K-15 | France:U | Germany:12 | Ireland:15 | Kuwait:(Banned) | Netherlands:12 | Norway:11 | Peru:14 | Philippines:PG-13 | Portugal:M/12 (theatrical) | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15

Filming Locations:

Baghdad, Iraq

Company:

Lions Gate Films

Trivia:

Ray Bradbury, author of "Fahrenheit 451", has voiced his displeasure at Michael Moore appropriating the title of his book.

Quotes:

[first lines]
Narrator: Was it all just a dream?
Al Gore: God bless you, Florida! Thank you!
Narrator: Did the last four years not really happen? Look, there's Ben Affleck. He's often in my dreams. And the Taxi Driver guy. He was there too. And little Stevie Wonder, he seemed so happy... like, like a miracle had taken place. Was it a dream? Or was it real?

Movie Connections:

Referenced in This Divided State (2005)

Soundtrack:

Silent Night, Holy Night

The silence before the ovation is what stays with me

Contrary to what so many of us were lead to believe, this movie does not portray a negative message. George W. Bush and his administration aren't painted as fascist tyrants at all. They appear to be fools, power-hungry but fallible. As such, their stranglehold over the American people isn't concrete. There is hope that things can change, and that seems to be the overall message in this film.

For every American soldier Moore shows talking about the adrenaline rush they get when they kill, every soldier that appears on screen as a trigger-happy madman, he shows an American soldier dead on the streets of Iraq. The film progresses as a two-hour reenactment of the thoughts that must go through so many soldiers minds, starting out as a soldier going to war, fighting for the safety of their country against enemies that surely want all Americans dead, but all certainty of their righteousness gives way to hesitation, to men and women questioning why they are there fighting a war that has no clear justification.

Moore also uses his various clips and interviews to show how similar the American civilian population are to the Iraqis. His portrayal of the Saddam-era Iraq was certainly biased, but so many people are happy, looking for joy and prosperity, something that isn't as alien as some of us would like to think of the Iraqis as being. One thing that stays in my mind now, the day after watching this film, is one Iraqi woman crying for her lost family members outside her burned and ruined home, screaming to Allah for help. Comparing that woman to Ms. Lipscombe from Flint, Michigan, who lost her son in the war, crying in her interview with Moore and asking for support from Jesus just shows how this war affects all the people caught up in it equally.

That is to say, all of the people, except those running it. Throughout the horrifying clips of war, we see Bush, who appears to be completely out of touch with how his war is affecting those who are fighting it for him. Bush's bumbling makes up the lighter moments in the film, but in retrospect, they are just as frightening as the War itself.

Moore's overall message was that hope exists, but without action on the part of the silent and downtrodden, that hope will vanish. This is a film designed to have people take action, whether it is in the form of taking to the streets in protest, or simply voting Bush out of office in November. It was a powerful message for a powerful film, and as many have said before me, it received standing ovation at the end. But it was that short moment of silence before the applause that really stays with me. That quiet collective gasp where people are trying to digest the weight of Moore's message.

Yes this movie is biased. It is the war and the world through Moore's eyes, but the message is not buried in the bias. I suppose I can sum it up best by saying this film was painfully human. It is human nature to question injustice and hypocrisy, and Moore is there to remind us of that.