In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
Cloris Leachman originally appeared in the film as Mrs. Himmelstein, an elderly Jewish woman living in Boston. Although filmed, the scenes featuring Mrs. Himmelstein drinking tea with Donny Donowitz (and signing his trademark baseball bat afterward) were cut from the final film. Quentin Tarantino says that he might use the footage in the prequel instead. See more »
NEIN, NEIN, NEIN, NEIN, NEIN, NEIN!
[turns to his men]
How much more of these Jew swine must I endure? They butcher my men like they were fish bait! I have heard the rumors myself! Soldiers of the Third Reich, who have brought the world to its knees, now pecking and clucking like chickens. Do you know the latest rumor they've conjured up in their fear-induced delirium? The one that beats my boys with a bat. The one they call "the Bear Jew" is a golem!
Mein Führer, that is ...
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Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier Tarantino films. See more »
Inglorious Basterds makes no apologies, asks for no forgiveness, it's a no holds barred assault on the senses. Tarantino doesn't care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest. It's great to see a film maker whose work clearly isn't interfeared with by the powers that be. Tarantino is a master of effortlessly cranking up immense tension and suddenly mixing it with laugh out loud moments; you're not sure if you should be looking away in disgust or rolling around laughing, either way it's a roller coaster and one not to be missed! It's not for everyone, certainly if you're not a fan of Tarantino's style, this may be a little hard to swallow, but never-the-less, it is a film which simply has to be seen. No self respecting film fan should miss this. And the performance of Christoph Waltz... Oscar don't you dare ignore him!!
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