A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
The story of Frank Abagnale Jr., before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and legal prosecutor as a seasoned and dedicated FBI agent pursues him.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Victor Novarski reaches JFK airport from a politically unstable country. Due to collapse of his government, his papers are no longer valid in the airport, and hence he is forced to stay in the airport till the war cools down. He makes the airport his home and develops a friendship with the people who work there until he can leave. Written by
Tony Randall appears, uncredited, in the "I Love New York" television advertisement in the movie. See more »
In the early part of the film, Viktor is often seen with both pieces of baggage: his carry on shoulder bag, and large suitcase. Just as often, he is seen without the suitcase, but there has been never been an establishment of where he would store it. The same situation applies to his overcoat. See more »
United Airlines announcing the arrival of Flight 9435 from Beijing. Customer service representative, please report to gate C42.
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The opening credits are spelled out on the tumblers of the flight schedule boards. See more »
It's funny how Steven Spielberg and Tom Hanks, two of Hollywood's most powerful men, who could literally do any movie they want, end up making something like The Terminal. Instead of reaching for new heights of film-making like including the latest in special effects, or new original ways of storytelling and editing, Spielberg goes back to a simpler form. That in itself is surprisingly refreshing. Filmmakers try so hard to be inventive and change the typical form of the classics, that when someone finally does go back to that Capra or Wilder fashion, it ends up seeming original. That's what The Terminal goes for. A movie about characters, not plot. About emotion, not CGI. It's a true heart-felt piece of work. It's funny, it's cute, and it always keeps you interested.
Tom Hanks leads an exceptional cast as Viktor Navorski, a man stranded in JFK airport, not welcome in the U.S. and having no country to come home to. Throughout the experience he makes friends, a love interest, and a rival. He changes all of their lives, of course. That's to be expected from a movie like this. Tom Hanks is totally believable, accent and all. It's a performance well worthy of an Oscar nod.
I loved The Terminal for many reasons, but one big reason is it's simplicity. And more importantly, because it is good at being simple. It doesn't contribute anything new to movies, it doesn't try to. It is what it is. A great, feel-good film. Something that is getting rarer and rarer these days. Sometimes you'll want to see a gritty, wrenching melodrama, but other times you'll want to see The Terminal.
My rating: 10/10
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