Oldboy (2003)

User Rating:

8.3/10   

Director:

Chan-wook Park

Writers:

Garon Tsuchiya (story)
Nobuaki Minegishi (comic) ...
(more)

Release Date:

21 November 2003 (South Korea)

Genre:

Drama | Mystery | Thriller

Tagline:

15 years of imprisonment, five days of vengeance

Plot:

After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

Plot Keywords:

Imprisonment | Revenge | Police Station | Cell | Death Of Wife

Awards:

17 wins & 10 nominations

Cast

Min-sik Choi	...	Dae-su Oh
Ji-tae Yu	...	Woo-jin Lee
Hye-jeong Kang	...	Mi-do
Dae-han Ji	...	No Joo-hwan
Dal-su Oh	...	Park Cheol-woong
Byeong-ok Kim	...	Mr. Han
Seung-Shin Lee	...	Yoo Hyung-ja
Jin-seo Yun	...	Lee Soo-ah
Dae-yeon Lee	...	Beggar
Kwang-rok Oh	...	Suicidal Man
Tae-kyung Oh	...	Young Dae-su
Yeon-suk Ahn	...	Young Woo-jin
Il-han Oo	...	Young Joo-hwan
Su-hyeon Kim
Seung-jin Lee
Su-kyeong Yun
Myeong-shin Park
rest of cast listed alphabetically:
Dae-han Chi
Yi Yong	...	Delivery Boy

Directed by
Chan-wook Park

Writing credits
Garon Tsuchiya		(story)
Nobuaki Minegishi		(comic)
Jo-yun Hwang		screenplay
Chun-hyeong Lim		screenplay
Joon-hyung Lim		writer
Chan-wook Park		screenplay

Produced by
Dong-ju Kim	....	executive producer
Seung-yong Lim	....	producer

Cinematography by
Chung-hoon Chung

Film Editing by
Sang-Beom Kim

Production Design by
Seong-hie Ryu

Costume Design by
Sankyung Cho

Sound Department
Seung-cheol Lee	....	sound

Visual Effects by
C. Jin Im	....	main titles supervisor
Jeon-hyeong Lee	....	visual effects

Music Department
Seung-hyun Choi	....	composer: theme music
Yeong-wook Jo	....	director of music
Ji-soo Lee	....	composer: theme music

Production Companies

• Egg Films
• Show East

Distributors

• 3L Filmverleih (2004) (Austria) (theatrical)
• 3L Filmverleih (2004) (Germany) (theatrical)
• A-Film Home Entertainment (2005) (Netherlands) (DVD) (rental)
• A-Film Home Entertainment (2006) (Netherlands) (DVD) (retail)
• ArtCam (2005) (Czech Republic) (theatrical)
• Bac Films (2004) (France) (theatrical)
• Bazuca Films (2006) (Chile) (theatrical)
• Bright Angel Distribution (2004) (Netherlands) (theatrical)
• Distribution Company (2005) (Argentina) (theatrical)
• Europa Filmes (2005) (Brazil) (DVD)
• Festive Films (2004) (Singapore) (theatrical)
• Filmhouse (2005) (Mexico) (theatrical)
• Fundamental Films (2009) (China) (TV)
• Lucky Red (2004) (Italy) (theatrical)
• Palisades Tartan (2003) (USA) (all media)
• Rialto Entertainment (2005) (Australia) (DVD)
• Show East (2003) (Korea) (theatrical)
• Tartan Films (2004) (UK) (theatrical)
• Tartan Video USA (2005) (USA) (DVD)
• Tartan Video (2005) (UK) (DVD)
• Tartan (2005) (USA) (theatrical) (subtitled)
• Toshiba Entertainment (2004) (Japan) (theatrical)
• United International Pictures (UIP) (2004) (Singapore) (theatrical)
• e-m-s the DVD-Company (2005) (Germany) (DVD)

Other Companies

• Dolby Laboratories  sound post-production
• HFR  dailies

Also Known As:

Old Boy (International: English title) (DVD title)
Oldeuboi (South Korea)
Old Boy (Belgium: French title) (dubbed version) (France) [fr]
15 ans volés (Canada: French title) [fr]
Cinco días para vengarse (Mexico) (festival title) [es]
Ihtiyar delikanli (Turkey: Turkish title) [tr]
Old Boy (Finland) (festival title) [fi]
Old Boy (Czech Republic) [cs]
Old Boy (Slovakia) [sk]
Old Boy - hämnden (Sweden) [sv]
Oldboy (Italy) [it]
Oldboy (Brazil) [pt]
Oldboy (Finland) [fi]
Oldboy (Poland) [pl]
Oldboy (Croatia) [hr]
Oldboy (Greece) [el]
Oldboy (Serbia) [sr]
Oldboy-Velho amigo (Portugal) [pt]
Vana poiss (Estonia) [et]

MPAA:

Rated R for strong violence including scenes of torture, sexuality and pervasive language.

Runtime:

120 min

Country:

South Korea

Language:

Korean

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Argentina:18 | New Zealand:R18 | Taiwan:R-18 | Portugal:M/18 | Iceland:16 | Australia:MA (tv rating) | Brazil:18 | Italy:T | Norway:18 (unrated) | Norway:15 (DVD) | Belgium:16 | Israel:18 | Chile:18 | Belgium:KNT | Argentina:16 (DVD rating) | Mexico:C | Australia:R | Canada:16+ (Quebec) | Canada:18A (Ontario) | Finland:K-15 | France:-16 | Germany:16 | Hong Kong:III | Ireland:18 | Japan:R-15 | Netherlands:16 | Singapore:R21 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Busan, South Korea

Company:

Egg Films

Trivia:

The last scenes of the movie (with snow and footsteps) were filmed in New Zealand. After the ending credit completely rolls over, audiences can hear sound of the wind. It was actual sound of the wind recorded in NZ location. The director revealed in an interview that he was impressed by the scenary of NZ so much he saved the sound there for the (Korean) audience.

Goofs:

Continuity: The last scene at Woo-jin's penthouse, while he is getting dressed, his shirt cuffs already have cufflinks in them; in the next shot, they are missing, and he is putting them on.

Quotes:

Mi-do: Very lonely people that I met... they all hallucinated ants at one time.

Movie Connections:

References Angel Heart (1987)

Soundtrack:

Waltz

One step ahead of America

Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.

Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.

Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.