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All (20)
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4
Year:
2002
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2003
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2004
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2005
Original Air Date—15 October 2002
At school the children of the favela are told how the Portuguese crown was brought to Brazil, when Napoleon attacked Portugal. Acerola conceives Napoleon as something equivalent to the local gang-leader BB in his fights with other criminal gangs in the favela. Soon the schoolboys Acerola and Laranjinha get stuck in the middle of one of these fights. |
Original Air Date—16 October 2002
The gang-leader Deco falls in love with Acerola's sister Mirka. Because of this the social status of Acerola is changed in a twinkling. The young boy uses his new power to domineer and humiliate his former tormentors. When the love story between Mirka and Deco cracks, Acerola loses his protection and is in big trouble. |
Season 1, Episode 3: CorreioOriginal Air Date—17 October 2002
The postman cannot deliver the post in the favela, because the streets have no names and the houses no numbers. The ruling gangsters order Acerola to invent names for all the streets and put up signboards in all corners. But when the police gets hold of Acerola's handwritten map, the gangsters are in great danger. |
Original Air Date—18 October 2002
Laranjinha, whose birth name is Uólace, is living on the streets while João Victor lives in a high-rise. As their paths cross, both teens worry about their own futures. |
Season 2, Episode 1: SábadoOriginal Air Date—14 October 2003
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Original Air Date—17 October 2003
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Original Air Date—24 October 2003
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Original Air Date—4 November 2003
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Original Air Date—11 November 2003
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Season 3, Episode 1: EstréiaOriginal Air Date—24 September 2004
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Original Air Date—1 October 2004
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Original Air Date—8 October 2004
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Original Air Date—15 October 2004
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Original Air Date—22 October 2004
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Season 4, Episode 1: A FilaOriginal Air Date—18 November 2005
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Original Air Date—11 November 2005
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Original Air Date—2 December 2005
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Original Air Date—9 December 2005
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Original Air Date—16 December 2005
Darlan Cunha and Douglas Silva ponder the futures of their characters. They also ponder their own futures as actors and as men. |
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