IMDb user comments for
"Cidade dos Homens" (2002)

advertisement

Filter:

Best Chronological Prolific Authors Loved It Hated It Hide Spoilers:

Page 1 of 2:

[1] [2]

Index

12 comments in total

---

17 out of 18 people found the following comment useful :-
great stuff, 6 October 2004
Author: findesigns from South-East Wales UK

I've just seen the first two episodes after buying the UK edition of this amazing mini-series. Of course I watched the Film "City Of God" and thats how I came to hear of this. For those who say the series isn't as good as the film I don't think it should be compared to the film...sure it shares many things with the film, specially the humour and cinematic style but lets judge this on its own as it's NOT a film.

The music is excellent, the acting (especially Douglas Silva) is superb, and the cinematography is beautiful. The two episodes I've seen are brilliantly structured and I can't wait to see the rest...I only wish there were more episodes in each series (only 4 in the 1st and 5 in the 2nd). A pleasant surprise is the occasional computer animated sequence based on the narrative or what Silva's character is imagining..these are implemented so well that they really add to the atmosphere and feel of the show, and they're done with great humour.

For anyone who saw the film and is worried this won't be as exciting or "complete" forget your worries. I've only watched the first 2 episodes and my "City of God" thirst has already been quenched. But it's not all fun, and yes this is, like the film, also so memorable because it seems quite realistic and it grabs at the heart. You feel like you are getting a real taste of Rio slum life from a kids perspective, and although the overall experience is enjoyable I also find it quite sad and moving at times. Sometimes Silva's acting feels so real I wonder if he's not actually remembering real life problems he's run into on the streets. There's a wonderful moment in the first episode after he's been mugged where his character (Acerola) starts crying, and for a brief moment glimpses at the camera. To me its not like a "save the children" moment..it really is a "you see what I have to deal with!?" kind of moment, and for me it works superbly.

So my advice is if in your TV series' you like fresh ideas, great acting, original presentation, quality filming, addictive story lines, and some wicked humour then watch City Of Men.

---

21 out of 28 people found the following comment useful :-
Maybe the best mini series I've ever seen, 10 October 2004

Author: Splattii from A Region Free World

When I saw the DVD set come out in the UK I had to pick it up. When it got here, I broke it open and popped it in the next day. I finished both seasons within 12 hours.

I don't really know what to say other than see this now. If you liked City of God, you will not only like this series, but you'll love it. It's amazing. It could be the best mini series I've ever seen.

I used to brag to people about a film called "Cidade Des Dues" before it was widely known. People now seem to have embraced the film and given it the respect it deserves. I will now spread the word of the amazing mini-series.

I can't emphasize enough how good this was. I paid 15 euro's shipped to my door, and I would have paid more than double after seeing it.

---

13 out of 13 people found the following comment useful :-
City Of Men, 3 February 2006
Author: from London, england

First things first, this series is not a continuation of the story of the film City Of God, but covers similar themes. Many of the actors are in both (Douglas Silva, for example played Ze Pequeno in the film, and plays Acerola, one of the two protagonists in the series). No matter what anyone says, the series will always be compared to film.

But I feel that the series explores the favela culture in far more depth than the film. One particularly good episode is 'Uólace and João Victor', where Laranjinha's troubles living in the favela are compared to those of a middle class 'playboy' Joao Victor. The episode explores their problems with girls, crime, friends, parents, food, school, race etc. and ultimately concludes that their adolescent lives really aren't all that different, even though their surroundings are. There is a really nice scene at the end of the episode when one is walking the streets, and the other is looking out the window. They look at each other and both think "That boy looks so lonely".

Many of the episodes take place out of the favela, bringing a whole new aspect to the culture. How are black/favela kids perceived by the rest of society? What is school like for them? Is it even possible for them get a decent education? Are they all thieves and bandits, or just hungry and desperate? Say one wants to leave the favela drug business, is it possible for them to leave and get a 'normal' job? Although inevitably glamourised somewhat, the series is a great look into Rio life, shot beautifully with many interesting techniques used - montage, voice-over, animation, pans, subjective camera-work are all used to recreate the lifestyle. Another ace scene is in the final episode when one bandit is running from the police, dodging in and out of alleys in the favela. The camera switches to a natural, overhead view, and we see what the bandit sees, as he glances down possible routes to make his escape.

I think that the most interesting scene is when there is a particularly violent event, and the shot merges into real life interviews with the kids about their lives in the favela. As they brag about various violent scenes they have witnessed in real life, it becomes clear that the brutality in the series is not all that far fetched. Many of the young actors in the film and series were picked from the favela by the director and just told to act how they would naturally when presented with, say, a drug deal or a murder.

The series is into is fourth of fifth season in Brazil, so here's hoping for an international release soon...

---

14 out of 17 people found the following comment useful :-
Great piece of Art !, 21 May 2004

Author: pmiranda-3 from Portugal

If you have seen the «City of God» movie... and you really enjoy it... You just have to run and see this mini-series.

With the same actors, the same and other directors, and with the same landscape (Brazilian «Favelas»), Cidade dos Homens is a great mini-series, that show us how is the live, dead, living, love, fun, sadness on the Brazilian «Favelas».

Another interesting thing about this young actors, is that most of them, actually were young kids that used to live on the streets of Rio de Janeiro, because of this are now having a normal live, with other perspectives. I'm sure most of them will have a great future on the movies or cinema works.

Great Job... I'm only sad because it ended... ;-)

---

11 out of 13 people found the following comment useful :-
City of Men does City of God proud., 24 June 2006
Author: el-mno-p from Newcastle, England

City Of Men (Cidade dos Homens) is a nine-part mini series, based on Fernando Meirelles' modern classic, City Of God (Cidade de Deus), which follows inhabitants of the Rio de Janeiro favelas through their lives.

Like its parent film, City Of Men is an exciting mixture of gritty social realism and high-octane action. However, the filmmakers use the mini series format to delve deeper into the characters, and the reality of their situation. This approach was much more realistic than the approach taken by the film, as we see our two main characters, Acerola and Laranjinha, balance dodging bullets with job hunting and, in one memorable episode, trips to the beach. This is also useful from a dramatic standpoint because, like with all good TV shows, we are able to build relationships with these characters, and by the end, they become like old friends. We are with them every step of the way, as they discover girls, get in trouble with the law, experience racism and prejudice... through the good times and the bad, we see Laranjinha and Acerola grow. The acting of the young amateur cast was highly praised in City Of God, and several of the actors reappear in City Of Men, albeit as different characters. Darlan Cunha (Laranjinha) and Douglas Silva (Acerola) feature in most scenes, so it is a relief that they are so natural in front of the camera.

The series doesn't have a particular narrative to speak of. Instead, each episode can be viewed as a snapshot of a different aspect of life in the favela (or, as it is called by the locals, 'The Hill'). As a result, the final episode is something of an anti-climax, as life continues, without a big exciting conclusion. However, this is the best way to view City Of Men, to understand that life DOESN'T stop just because the director yells 'Cut!', that The Hill really does exist, and this is how its inhabitants really live.

I can't think of an episode that I didn't enjoy. City Of Men, all things taken into account, is better than City Of God, in the way that it presents us with likable characters and exciting situations, alongside challenging social commentary. It made me feel comfortable in an unfamiliar world, so much so that I began to feel a part of that world, and that the concerns of the characters became my own concerns. Everybody should watch City Of Men. It's much better than the film.

---

9 out of 12 people found the following comment useful :-
Lacks narrative cohesion & visual style but is an excellent experience, 10 December 2004
Author: bob the moo from Birmingham, UK

In Rio de Janeiro, the shantytowns on the Hill have death rates that are comparable to some areas that are classed as war zones. The losers in this particular war zone are mostly children and teenagers, who find themselves sucked into violent lives of crime that are as short as they are hopeless. However not everyone on The Hill has "always wanted to be a gangster" and some just live their lives day to day. In this series we meet Laranjinha and Acerola, two young men who enjoy the dances, are drawn by the game, run things to get money, hang out on the beach and mostly chase girls and try to lose their virginity.

With a deeply ironic title that hints at the dark realities of life in these places (many don't make it to be men) I was a definite viewer when I saw this series coming onto BBC4. I won't babble too long but I just want to take the chance to register my praise for this channel – those who say that BBC4 is not providing a service are dead wrong, it is not their fault the mass audience want mindless stuff to relax in front of. BBC4 gives me cinema from all over the world on a weekly basis and also throws things like this my way – otherwise I would have had to buy the DVD. My dig at City of God in my plot summary is not a reflection of my view of the film because I actually really liked it, however City of Men is better in regards the actual story. Free of the constraints of the film, we are released of the demands of narrative and it produces a film that is more about the experience than it is about one specific story. Although I liked the film I did like this approach better over the course of the nine episodes because I felt it was able to relax and be more realistic without the pressure of actually going someone. As esteemed reviewer el-p has already observed, this means that the final episode does feel a bit of an anti-climax because it just sort of drifts away without closure; but then life only has one closure and that just doesn't happen bang on the end of any given look at life.

This approach allows us to simply follow the two boys during this part of their life and produces a picture of life in the shantytowns as well as some wider comments. The series has episodes based totally around the nightlife, around the dealers, around hustling or even just about the beach life. Some of them are fun, some are deadly serious, some are political and some are moving but the important thing is that they all work well. The writing never feels like writing and there are no speeches, just natural dialogue that helped me to get into the characters and accept them as real even when their situations are a million miles from my life. The use of an amateur cast helps as well but it also helps that they can be natural in front of a camera – and there are few here that struggle. Cunha stands out because he has the most interesting character; Silva is also good but the series tends to use Acerola as more of a comic character or have his inner issues be more about getting laid than anything else.

The direction and production values will probably initially put City of God fans off because the series lacks the real cinematic style of its bigger brother, being shot mostly on digital video and being very hand-held and grainy. However give it five minutes and it won't matter because you'll be into it like this and appreciate the intimacy it brings with it. Some of the episodes use animation (most don't) and, apart from a nasty little Matrix-style moment in the last episode (that look cheaply done) the animation is well done and matches the indie feel of the series by being rough but inventive. The biggest problem for me was the fact that the opening credits are so terrible that the first episode I watched I assumed it was going to be awful and, although the series was great, I always fast-forward the opening credits. It is a nice idea but the sight of Chunda and Silva running on the spot unconvincingly just looks daft to me.

Overall this is a very good series and in many ways is better than the film that spawned it. It may lack the narrative flow and visual style of City of God but it paints a fuller picture that shows us something closer to reality – not all those on the hill go into crime etc but many, many lives are touched by it and it is a dire situation. The lack of narrative is not a problem until an ending is required: up till then the experience is well done and makes for great viewing thanks to the charismatic leads. Well worth seeing and it was a genuine shock to me to see fewer than 50 votes registered for this on IMDb – last year everyone and their dog were praising City of God and Brazilian cinema in general, I know I've seen a lot more South American films as a result of getting into this market, but it seems I am one of the few. I guess the mass market will only seek out non-Hollywood product if it is served on their terms and they don't have to hunt it out; bit depressing really to see so many viewing dumb action movies while stuff like this goes unnoticed. Anyway, rant over, this was a great little series – had its weaknesses but the messages and story telling are so well done that as many viewers as possible should be introduced to it.

---

6 out of 9 people found the following comment useful :-
A masterpiece in the TV's miniseries subject, 21 October 2003

Author: Mia_W (melody_yami@hotmail.com) from Brazil

Cidade dos Homens uses the same ingredients that made Cidade de Deus such an amazing film: Fast and inteligent dialogs, which usually focus on the violence of RJ, beautiful art work, great soundtrack and talent kids. Now, in it's second season, the show continues to show us with humor and drama how much stuff is wrong in this powerful country. Its a shame that not many other countries will be able to see this.

---

2 out of 2 people found the following comment useful :-
Better than "City of God"!, 15 June 2005

Author: Hugo Lopes from Porto, Portugal

*** This comment may contain spoilers ***

This is the story of two kids that leave in Rio DE Janeiro. From the same creators of "City of God", with the same actors. While "City of God" is more about traffic of drugs in Rio DE Janeiro, this movie is more about the community that lives there. It's a comedy with a touch of drama and the traffic of drugs in this movie it's only a background!With an excellent group of actors, the principal characters(Laranjinha and Acerola) are interpreted by Douglas Silva and Darlan Cunha. If you like this type of movies, this will probably be one of the best films you'll ever seen. In my opinion better than "City of God". Excellent in all aspects..

---

4 out of 6 people found the following comment useful :-
An intriguing spinoff from Cidade de Deus, 13 December 2003
Author: rodrigodavies from Oxford, UK

Cidade dos Homens is Meirelles' return to the domestic television audience after the international success of Cidade de Deus, a film he admits he did not intend for exposure outside Brazil. Turning to the domestic arena with a slightly more altruistic/socio-political agenda, Meirelles is perhaps not as 'punchy' a director as he was in the original feature but is taking on a much more challenging topic. The series, rather than purely the mini-feature, is helping to break some ground in the nation's film and television industry and is certainly worth a look.

---

0 out of 2 people found the following comment useful :-
Dazzling, but it induces headaches, 24 March 2008

Author: groggo from Toronto, Canada wmmacd@hotmail.com

This is a powerful 19-part fictional series, based on real events and characters, that is ingeniously filmed on the streets, beaches and the notorious favelas of Rio de Janeiro.

'City of Men' recounts the many experiences (some very funny) of two teenagers from the slums trying to remain reasonably honest while poverty, racism, gang warfare and police brutality surround them. The close friendship of the two teenagers is brought to the screen with rare intensity by Darlan Cunha as Laranjinha, a disconnected but charismatic and streetwise figure, and the often bewildered, likable and always horny ('I don't want to die a virgin') Douglas Silva as Acerola. Both of these boys are not trained actors, and were 14 years old when the series started in 2002 (it ended in 2006). It's remarkable to watch these two boys work.

The series is bathed in brilliant day-time colour and ominous night-time danger. People in this film live close to the edge. Murder is an everyday event.

I would offer this caution to viewers: if you're more than, say, 40 years old, you might be subjected to severe headaches brought on by frenetic camera work that would bring delight, no doubt, to MTV junkies. I felt dizzy at times by the rapid-fire quick cuts and the shaky hand-held cameras. No cut appears to last for longer than three seconds. If this kind of stuff doesn't bother you, sit tight and enjoy the ride. For oldtimers like me, I have to deduct two marks for overkill on the sizzle and the dazzle, which I found both unnecessary and distracting. Too much focus (literally) on style, and the messages of the film suffer because of it.

---

---

Page 1 of 2:

[1] [2]

Add another comment

---

Related Links

Plot summary	Ratings	Awards
External reviews	Official site	Plot keywords
Main details	Your user comments	Your vote history