| Photos (see all 61 | slideshow) | Videos (see all 20) |
Directed by | |||
| Todd Haynes | |||
Writing credits | ||
| Todd Haynes | (screenplay) & | |
| Oren Moverman | (screenplay) | |
| Todd Haynes | (story) | |
Produced by | |||
| Philippe Aigle | .... | associate producer: Dreammachine | |
| Philip Elway | .... | executive producer | |
| John Goldwyn | .... | producer | |
| Andreas Grosch | .... | executive producer | |
| Douglas Hansen | .... | executive producer (as Douglas E. Hansen) | |
| Wendy Japhet | .... | executive producer | |
| Amy J. Kaufman | .... | executive producer | |
| Charlotte Mickie | .... | associate producer: Dreammachine | |
| Hengameh Panahi | .... | executive producer | |
| Charles Pugliese | .... | co-producer | |
| John Sloss | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| James D. Stern | .... | producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Cinematography by | |||
| Edward Lachman | |||
Film Editing by | |||
| Jay Rabinowitz | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Judy Becker | |||
Art Direction by | |||
| Pierre Perrault | |||
Set Decoration by | |||
| Ann Smart | (decorator) | ||
| Louise Tremblay | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Jean-Jacques Dion | .... | assistant hair stylist | |
| Rick Findlater | .... | hair designer | |
| Rick Findlater | .... | makeup designer | |
| Réjean Forget | .... | key hair stylist | |
| Bruno Gatien | .... | special makeup effects artist | |
| Christophe Giraud | .... | assistant makeup artist | |
| Kathy Kelso | .... | assistant makeup artist: extras | |
| Peter King | .... | hair designer (as Peter Swords King) | |
| Peter King | .... | makeup designer (as Peter Swords King) | |
| Catherine Lahaye | .... | assistant makeup artist: extras (as Catherine La Haye) | |
| Raymonde Laliberté | .... | assistant hairdresser: extras | |
| Julie Mignot | .... | assistant makeup artist: extras | |
| Cynthia Patton | .... | assistant hairdresser: extras | |
| Colleen Quinton | .... | key makeup artist | |
| Morag Ross | .... | hair stylist: Ms. Blanchett | |
| Morag Ross | .... | makeup artist: Ms. Blanchett | |
| Ghislaine Sant | .... | assistant hairdresser: extras | |
| Fanny Vachon | .... | assistant makeup artist: extras | |
| Adrianna Velbert | .... | assistant makeup artist: extras (as Adriana Verbert) | |
Production Management | |||
| Didier Communaux | .... | assistant unit manager | |
| Kerstin Dyroff | .... | production manager: VIP | |
| Jacky Lavoie | .... | production manager | |
| Simon Paquin | .... | unit manager | |
| Jeff Robinson | .... | post-production supervisor | |
| Michael Jackman | .... | executive in charge of post-production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Fabrice Barrilliet | .... | additional third assistant director (as Fabrice Barillet) | |
| Anabelle Berkani | .... | additional third assistant director | |
| Holly Brace-Lavoie | .... | additional third assistant director | |
| Ariane Côté-Chénier | .... | additional third assistant director | |
| Pedro Gandol | .... | first assistant director (as Pedro B. Gandol) | |
| Fanny Hudon | .... | second second assistant director | |
| Carl Kouri | .... | third assistant director | |
| Marie-Eve-Lyne Michel | .... | trainee assistant director | |
| Louis Morin | .... | second unit director | |
| Eric Raby | .... | additional third assistant director | |
| Evelyne Renaud | .... | additional third assistant director | |
| Dandy Thibaudeau | .... | second assistant director | |
| Anna Ferenczi | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Alec Anderson | .... | construction coordinator | |
| Vincent Gauvin Badeau | .... | head greensman | |
| Donald Beaulieu | .... | on-set dresser | |
| André Bédard | .... | scenic technician | |
| François Béland | .... | on-set painter | |
| Sara Bélanger | .... | painter | |
| Pierre Bellemare | .... | scenic technician | |
| Jacques Bertrand | .... | painter | |
| Antoine Bianchi | .... | head greensman | |
| Josée Bolduc | .... | on-set props assistant | |
| André Boucley | .... | swing | |
| Robert Bourdeau | .... | scenic painter | |
| Pierre Boutin | .... | scenic technician | |
| Francis Brousseau | .... | scenic technician | |
| Solomon Burbridge | .... | art director: title effects, photo sequence, Bent Image Lab | |
| Real Capuano | .... | assistant art director | |
| Annie Carpentier | .... | assistant props buyer | |
| Guenael Charier | .... | unit swing | |
| Jean-Marc Cormier | .... | scenic technician | |
| Brigitte Côté | .... | scenic painter | |
| Patricia Cuccia | .... | key decorator | |
| Jean Desroches | .... | scenic technician | |
| Ariane Drapeau-Cloutier | .... | painter | |
| Joël Dumoulin | .... | scenic technician | |
| Bruce Farrell | .... | greensman | |
| Genevieve Ferderber | .... | art department assistant (as Geveniève Ferderber) | |
| Chloé Fortin | .... | assistant set dresser | |
| Andre Gaudet | .... | painter (as André Gaudet) | |
| Céline Gauvreau | .... | painter | |
| Odette Gauvreau | .... | key scenic painter | |
| Sébastien Gervais | .... | scenic technician | |
| Martine Giguère-Kazemirchuk | .... | assistant to construction coordinator (as Martine Giguère) | |
| Eric Gosselin | .... | greensman | |
| Jean-Pierre Gosselin | .... | scenic technician | |
| Martin Handfield | .... | on-set props | |
| Mario Hébert | .... | scenic technician | |
| Olivier Hogue | .... | scenic technician (as Olivier C. Hogue) | |
| Jamie Knutson | .... | property master | |
| Sylvie Labréche | .... | scenic technician | |
| Hans Laliberté | .... | art department assistant | |
| Raymond Larose | .... | set designer | |
| Carl Le Jossec | .... | scenic technician | |
| Manon Lemay | .... | assistant set dresser | |
| Denis Lemire | .... | scenic technician | |
| Glendon Light | .... | scenic technician | |
| Steve Louis | .... | graphic artist | |
| Kenneth Meany | .... | property master | |
| Vincent Morin | .... | scenic technician | |
| Serge Nadon | .... | scenic technician | |
| Vasil Nikov | .... | scenic painter | |
| Roger Paquin | .... | greensman | |
| Ludovic Poirot | .... | scenic technician | |
| Ginette Robitaille | .... | key decorator | |
| René Robitaille | .... | scenic technician | |
| Vincent Ronse | .... | painter | |
| Doris Simard | .... | art department coordinator | |
| Marc Simard | .... | assistant props buyer | |
| Marc Simard | .... | food stylist | |
| Leonardo Valente | .... | greensman | |
Sound Department | |||
| Jean-Philippe Bérubé | .... | cable puller | |
| David Boulton | .... | adr recordist | |
| Jenna Dalla Riva | .... | foley recording mixer | |
| Brian Dunlop | .... | foley editor | |
| David Esparza | .... | sound effects editor | |
| Maxime Ferland | .... | boom operator | |
| Marshall Garlington | .... | sound re-recording mixer | |
| Robert Jackson | .... | supervising sound editor (as Robert C. Jackson) | |
| Goro Koyama | .... | foley artist | |
| Travis MacKay | .... | adr recordist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording mixer | |
| Ron Malligers | .... | foley mixer | |
| Patrick Rousseau | .... | sound recordist | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabriel Serrano) | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Trevor Ward | .... | sound consultant: Dolby | |
| Benjamin Cheah | .... | sound effects recordist (uncredited) | |
| Caoimhe Doyle | .... | foley artist (uncredited) | |
| David Hingorany | .... | sound mix engineer (uncredited) | |
| Don White | .... | foley recording mixer (uncredited) | |
Special Effects by | |||
| Gaspar Brabant | .... | special effects technician | |
| André Essiembre | .... | special effects technician | |
| Stephen Gilbert | .... | mechanical effects coordinator: Studio Ex-centris | |
| Jacques Langlois | .... | mechanical effects coordinator: Studio Ex-centris | |
| Vincent Marion | .... | special effects technician | |
| Louis Craig | .... | special effects supervisor (uncredited) | |
| Bernard Guay | .... | special effects assistant (uncredited) | |
| David Loveday | .... | special effects technician (uncredited) | |
| Yves Martel | .... | special effects assistant (uncredited) | |
| Sebastien Roussel | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Marie-Josee Auclair | .... | compositing artist: Ex-centris (as Marie-José Auclair) | |
| Pierre-Hugues Dallaire | .... | 3D artist: Ex-centris | |
| Martin Desrochers | .... | 3D artist: Ex-centris | |
| Ray DiCarlo | .... | effects producer: titles (as Ray Di Carlo) | |
| Ray DiCarlo | .... | title effects producer: photo sequence, Bent Image Lab | |
| Mark Eifert | .... | effects photographer: titles | |
| Sylvain Lebeau | .... | compositing artist: Ex-centris | |
| Guillaume Marin-Lafond | .... | rotoscoping: Ex-centris | |
| Rene Morel | .... | matte painting artist: Ex-centris (as René Morel) | |
| Louis Morin | .... | visual effects supervisor | |
| Renaud Paradis | .... | system administrator: Ex-centris | |
| Jonathan Piche-Delorme | .... | compositing artist: Ex-centris (as Jonathan Piché-Delorme) | |
| Alain Roy | .... | visual effects operational manager: Ex-centris | |
| Tsui Ling Toomer | .... | effects producer: titles | |
| Tsui Ling Toomer | .... | title effects producer: photo sequence, Bent Image Lab | |
| Jamal Toppi | .... | effects line producer: titles | |
| Jamal Toppi | .... | title effects line producer: photo sequence, Bent Image Lab | |
| Daniel Torrico | .... | compositing artist: Ex-centris | |
| Gabriel Tremblay-Beauvais | .... | 3D artist (as Gabriel Beauvais) | |
| Gabriel Tremblay-Beauvais | .... | 3D artist: Ex-centris (as gabriel Beauvais) | |
| Nathalie Tremblay | .... | compositing artist: Ex-centris | |
| Elise Voyer | .... | visual effects project manager: Ex-centris | |
| Chel White | .... | effects supervisor: titles | |
| Chel White | .... | title effects supervisor: photo sequence, Bent Image Lab | |
| Ryan Kunkleman | .... | camera assistant: Portland Downshooter (uncredited) | |
Stunts | |||
| Alain Bérard | .... | stunts | |
| Stéphane Byl | .... | stunts (as Stéphan Byl) | |
| Christian Caperaa | .... | stunts | |
| Annie Carignan | .... | stunts | |
| Ben Gauthier | .... | stunt coordinator (as Benoît Gauthier) | |
| François Gauthier | .... | stunts (as Frank Gauthier) | |
| Nicole Germain | .... | stunts | |
| David McKeown | .... | stunt coordinator (as Dave McKeown) | |
| Martine Ouimet | .... | stunts | |
| John Walsh | .... | stunts | |
| Christian Caperaa | .... | stunt double (uncredited) | |
| Jason Cavalier | .... | stunts (uncredited) | |
| Nathalie Girard | .... | stunt performer (uncredited) | |
| Kathryn Kostlivy | .... | stunt performer (uncredited) | |
| Sharlene Royer | .... | stunts (uncredited) | |
Animation Department | |||
| Mark Axton | .... | animation line producer: Bent Image Lab (as Mark R. Axton) | |
| Solomon Burbridge | .... | animation art director: Bent Image Lab | |
| Traci Cook | .... | character designer: Bent Image Lab | |
| Ray DiCarlo | .... | animation producer: Bent Image Lab | |
| Gregg Fosmire | .... | animation art assistant: Bent Image Lab | |
| Jayme Hansen | .... | animation costumer: Bent Image Lab | |
| Kimberly Kaplowitz | .... | animation model maker: Bent Image Lab | |
| Dave Manuel | .... | character designer: Bent Image Lab | |
| Gary McRobert | .... | animation armatures: Bent Image Lab | |
| Orland Nutt | .... | animation compositor: Bent Image Lab | |
| Jeff Reily | .... | animator: Bent Image Lab | |
| Rob Shaw | .... | animator: Bent Image Lab | |
| Tsui Ling Toomer | .... | animation producer: Bent Image Lab | |
| Eric Van Kirk | .... | animation sculptor: Bent Image Lab (as Erik Van Kirk) | |
| Chel White | .... | animation supervisor: Bent Image Lab | |
Casting Department | |||
| Rori Bergman | .... | casting assistant: US | |
| Ali Farrell | .... | casting associate: US | |
| Barbara Harris | .... | adr voice casting | |
| Adam St. Coeur | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Jennifer Anderson | .... | assistant wardrobe | |
| Marie Bellemare | .... | extras dresser | |
| Faostine Berthet | .... | wardrobe technician | |
| Marie-Etienne Bessette | .... | wardrobe mistress: extras (as Marie-Etienne Bassette) | |
| Niamh Butler | .... | seamstress | |
| Yan Côté | .... | costume runner | |
| Nicole Cyr | .... | seamstress | |
| Sylvie Dagenais | .... | extras dresser | |
| Jean-François Desjardins | .... | assistant to key dresser | |
| Anie Fisette | .... | extras dresser | |
| Maory Gastelo | .... | wardrobe mistress | |
| Caroline Gauthier | .... | wardrobe technician | |
| Tereska Gesing | .... | extras dresser | |
| Chloé Giroux-Bertrand | .... | wardrobe technician | |
| Julie Graham | .... | extras dresser | |
| Amélie Grenier | .... | seamstress | |
| Laurence Lacoste | .... | assistant to extras wardrobe mistress | |
| Daniel Lalande | .... | wardrobe master (as Daniel G. Lalande) | |
| Lysbeth Le Bescond | .... | seamstress | |
| Véronique Marchessault | .... | assistant wardrobe | |
| Lisa Padovani | .... | assistant costume designer | |
| Lyse Pomerleau | .... | wardrobe coordinator | |
| Ginette Régis | .... | key dresser | |
| Jacqueline Rousseau | .... | specialty wardrobe technician | |
| Myriam St-Louis | .... | specialty wardrobe technician | |
| Maï Vuong | .... | seamstress | |
Editorial Department | |||
| Alan Bak | .... | digital intermediate technical manager: Cine-Byte Digital | |
| Jeff Baker | .... | digital intermediate crew: Cine-Byte Digital | |
| Tom Bak | .... | digital intermediate crew: Cine-Byte Digital | |
| Drake Conrad | .... | digital colorist: Cine-Byte Digital | |
| Jason Giberson | .... | digital intermediate crew: Cine-Byte Digital | |
| Rick Hannigan | .... | digital intermediate project supervisor: Cine-Byte Digital | |
| Felix Heeb | .... | digital intermediate crew: Cine-Byte Digital | |
| Diana Madureira | .... | digital intermediate crew: Cine-Byte Digital | |
| Paul Mantler | .... | digital intermediate crew: Cine-Byte Digital | |
| Guillaume Marin-Lafond | .... | post-production assistant: Ex-centris (as Guilaume Marin-Lafond) | |
| Perri Pivovar | .... | associate editor | |
| Chris Ross | .... | digital intermediate crew: Cine-Byte Digital | |
| Mike Selemon | .... | apprentice editor | |
| Tanya Smith | .... | post-production coordinator | |
| Margaret Stultz | .... | post-production assistant | |
| Mark Tureski | .... | digital intermediate crew: Cine-Byte Digital | |
| Jon Weigand | .... | editor: animation sequence, Bent Image Lab | |
| Debbie Holland | .... | colorist (uncredited) | |
| Rui Martins | .... | telecine operator (uncredited) | |
| Tom Mayclim | .... | negative cutter (uncredited) | |
| Lee Wimer | .... | film color timer (uncredited) | |
Music Department | |||
| Jack Devine | .... | guitar teacher: Mr. Franklin | |
| Jim Dunbar | .... | music supervisor | |
| Haley Glennie-Smith | .... | singing coach: Ms. Blanchett (as Haley Glennie Smith) | |
| Eric Hill | .... | music editor | |
| Stewart Lerman | .... | music producer | |
| Randall Poster | .... | music supervisor | |
| Steven Price | .... | guitar and piano coach: Ms. Blanchett | |
Transportation Department | |||
| Claude Bélanger | .... | assistant to transportation coordinator | |
| Alain Bernard | .... | transportation coordinator | |
| Eric Brais | .... | assistant to picture car coordinator | |
| Patrick Brissette | .... | driver | |
| Pierre Chabot | .... | driver | |
| Jean-Marc Devieieux | .... | driver | |
| Denis Doiron | .... | driver | |
| Étienne Geoffrion | .... | driver (as Etienne Geoffrion) | |
| Jacques Grener | .... | driver | |
| Réal Hamel | .... | picture car coordinator | |
| Benoît Houle | .... | driver | |
| Yvan Labranche | .... | driver | |
| Jacques Landry | .... | driver | |
| Julie Marion | .... | head driver | |
| Richard Marsan | .... | driver | |
| Tasso Mathiopoulos | .... | driver | |
| Doris McFern | .... | driver | |
| Tony Pelletier | .... | driver | |
| Serge Pominville | .... | truck production assistant | |
| Ronald Randham | .... | driver (as Ronald Ramdhan) | |
| Manon Rufer | .... | driver | |
| Franco Zoccali | .... | driver | |
Other crew | |||
| Paul Barette | .... | armorer (as Paul Barrette) | |
| Isabelle Beaudry | .... | craft service assistant | |
| Michel Bilodeau | .... | production assistant | |
| Pierre Blondin | .... | location manager | |
| Stéphane Boucher | .... | production assistant | |
| Julie Bougie-Boyer | .... | production assistant | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| Jennifer Bydwell | .... | clearances | |
| Simon Champagne | .... | production assistant | |
| Yee Yeo Chang | .... | representative: Killer Films | |
| Delphine Clot | .... | legal affairs: Dreammachine | |
| William Conacher | .... | dialect coach: Mr. Whishaw | |
| Brent Cox | .... | legal services: Sloss Law Office | |
| Alana Cymerman | .... | assistant location manager | |
| Monica De Armond | .... | assistant: Steven Soderbergh | |
| Puelo Deir | .... | publicist: International House of Publicity | |
| Caroline Desbiolles | .... | location scout | |
| Etienne Desrosiers | .... | assistant location manager | |
| Maximilien Dion | .... | office runner | |
| Maureen Duffy | .... | completion guarantor: Film Finances | |
| Azaria Ehlers | .... | production assistant | |
| Joy Ellison | .... | dialect coach: Mr. Ledger | |
| Hugo Foisy | .... | production assistant | |
| Ramsey Fong | .... | representative: Killer Films | |
| François Gauthier | .... | horse wrangler (as Frank Gauthier) | |
| Laurent Gladu | .... | assistant location manager | |
| Marc-André Goyer | .... | travel coordinator | |
| Julie Gratton | .... | set production assistant | |
| Sophie Guérin | .... | craft service assistant | |
| Florian Harms | .... | legal counsel: VIP | |
| Jocelyn Hayes | .... | representative: Killer Films (as Jocelyn Hayes Simpson) | |
| Isabel Hervieux | .... | receptionist | |
| Jeff Hill | .... | publicist: International House of Publicity | |
| Alison Hunter | .... | legal services: Sloss Law Office | |
| Josée Juteau | .... | animal wrangler: Profilms Animals Actors | |
| Sotos Katakos | .... | paymaster | |
| Spiri Katerelos | .... | second assistant accountant | |
| Jemma Kearney | .... | assistant: Cate Blanchett | |
| Nancy Klein | .... | first assistant accountant | |
| Karen Klose | .... | assistant: Mr. Gere | |
| Pamela Koffler | .... | representative: Killer Films | |
| Christian Labrie | .... | armorer | |
| Jean-Michel Lacasse | .... | production assistant | |
| Annie Laurier | .... | office runner | |
| Gabriel Lavina | .... | assistant to producers | |
| Lorette Leblanc | .... | script supervisor | |
| Solomon J. LeFlore | .... | production financing | |
| Yana Collins Lehman | .... | post-production accountant | |
| Geneviève Lhote | .... | assistant: Hengameh Panahi | |
| Irene Litinsky | .... | representative: Muse Entertainment | |
| Guy J. Louthan | .... | European consultant (as Guy Louthan) | |
| Erick Martinez | .... | production assistant | |
| Kyle Martin | .... | assistant to producers | |
| Kyle Martin | .... | assistant: Ms. Kaufman | |
| Michel Martowski | .... | craft service | |
| Roman Martyn | .... | assistant location manager | |
| Marlene McCarty | .... | title designer | |
| John Michaels | .... | production controller: VIP | |
| Beth Milles | .... | movement coach: Mr. Franklin | |
| Valérie Millot | .... | production assistant | |
| Sarah Monfort | .... | assistant to producers | |
| Tim Monich | .... | dialect coach: Ms. Blanchett | |
| Jared P. Morell | .... | assistant: James D. Stern (as Jared Morell) | |
| Marr Morgan | .... | production accountant | |
| Helene Muller | .... | production coordinator (as Hélëne Muller) | |
| Eva Neufahrt | .... | production controller: VIP (as Eva-Marie Neufahrt) | |
| Brian O'Donnell | .... | production assistant (as Brian O'Donnell) | |
| Samantha Porteous | .... | assistant production coordinator | |
| Michael Prupas | .... | representative: Muse Entertainment | |
| Deborah Ricketts | .... | researcher: archival footage | |
| Katie Roumel | .... | representative: Killer Films | |
| Martin Roy | .... | production assistant | |
| Pascale Savage-Bouchard | .... | craft service assistant (as Pascale Savage Blanchard) | |
| Tanya Smith | .... | assistant: Mr. Haynes | |
| Gordon Spragg | .... | head of marketing: Dreammachine | |
| Gabby Stein | .... | legal services: Sloss Law Office | |
| Brigitte St-Onge | .... | production assistant | |
| Roger Vaillancourt | .... | set runner | |
| Berit Wetzel | .... | legal counsel: VIP | |
| Cindy Wilkinson Kirven | .... | executive: Endgame (as Cindy Kirven Wilkinson) | |
| Sylvi Woitusch | .... | production assistant: VIP | |
| Evagelia Zouliatis | .... | assistant accountant | |
| Francie Brown | .... | dialect coach: Mr. Bale, pre-production (uncredited) | |
| Jean-Philippe Collin | .... | stand-in (uncredited) | |
| André Déry | .... | production assistant (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant (uncredited) | |
| Alexander Sandy Jesion | .... | chief financial officer (uncredited) | |
Thanks | |||
| Steve Alexander | .... | special thanks | |
| Mark Astbury | .... | special thanks | |
| Anne Bakoulis | .... | special thanks | |
| Lorrie Bartlett | .... | special thanks | |
| Benjamin Cheah | .... | special thanks (as Ben Cheah) | |
| George Drakoulias | .... | special thanks | |
| Jack Elliott | .... | special thanks (as Ramblin' Jack Elliot) | |
| Colin Farrell | .... | special thanks | |
| Steve Gainer | .... | special thanks | |
| Craig Gering | .... | special thanks | |
| Jack Johnson | .... | special thanks | |
| Morgan Lebus | .... | thanks | |
| James Lyons | .... | in memory of (as Jim Lyons) | |
| Tony Margherita | .... | special thanks | |
| Cat Power | .... | special thanks (as Chan Marshall) | |
| Jeff Rosen | .... | our very deepest thanks | |
| Sufjan Stevens | .... | special thanks | |
| Jeff Tweedy | .... | special thanks | |
| Gus Van Sant | .... | special thanks | |
| Neil Young | .... | special thanks | |
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| Factory Girl | Across the Universe | Gonzo: The Life and Work of Dr. Hunter S. Thompson | Sid and Nancy | 24 Hour Party People |
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This was the semantically richest and emotionally deepest film experience I have had in years. And since I am different now that I was five years ago, it could qualify as near my favorite. It will likely not be so for you, at least to approach the way I did. It seems that you have to be my age, and have lived through the events the wrap this. Also, you have to have invested some part of your personal poetry in that of this man. And finally, you have to be sufficiently cineliterate to follow the amazing shape of the eye-concepts that are serially birthed.
Often I say that essentially all films are about other films, rarely reaching life. This does that, reaching life, but by going through, punching through art by force. It presents a collage of images in such a way that we can see through the space in them to truth. Its an amazing feat. But in order for it to work, you have to have those patches sparkle for you.
So for instance you have to have internalized Fellini's one masterpiece, and be yearning for decades to escape the now close confines of the imagination set then. Of course when it was new, it was a wild ramble in the jungle, but now turn to tethers in the park. You really have to chafe at what passes for cinematic art, and dream of the next film, the one that will do for us what "8 1/2" did then.
You also have to have lived through the blasphemy of the Vitenam war and ideally have been on the "right side" throughout and still bear the pain of it. You have to seriously, even though the director is too young for this have had your life ruined by the revelation of a lying government, coupled with the spinning parade of false hopes from artists, many of whom we still admire. You have to have built your life taking into account mistrust.
But you also have to have had this particular dancer as a focus. This man who split into so many men, most of whom were designed to charm, all of whom weren't men at all but crystallized paths to salvation. You have to have invested in a few of these paths yourself enough so that it cost you more than it ever could Dylan.
If you have all of these traits then you already have the web on which this tarantula dances. And this will seep into you like some exotic solvent carrying subtle hallucinogens. And it will haunt you forever. Oh, you'll be able to slough it off and pretend that this is merely a clever puzzle of kinematic trivia. But this will hurt. It will hurt a lot, but only because of memories now defused.
It will make you soar as well, because it is so massively glorious. Many Dylans, well of course. Different ages, races, sexes. My, surely true.
Stories about films of one in another, about hiding from each other, about having sex with and spatting with each other. About disowning, and writing about each other. About one being another's blood, who is the hidden eyebrow of another in a Joycean web, but one that makes sense because it is made out of the stuff that made us.
What impresses me so much is that even before this was conceived the filmmaker had to know something like this fabric of selves existed. And he had to without having lived it himself develop deep intuitions about how this specific soul danced upon us in music and images. He had to understand how to borrow and bend those images with the music in ways that would make Julie Taymor blush: "Thin Man" used not for confused sexual tension but the conflating of superficial dylanology with artistic expiration. "Pat Garrett" as the context for a world rather than the escape from one. Over and over again the juxtapositions of life events, image and music (often performed by others in strange deviations) are all wrong but so right.
And then this artist had to see it all cinematically, to send it directly into our soul. I suppose this is a particularly broad leap because of the disconnected way this must have been made.
I celebrate this. You might wonder if it worked for someone, somewhere. It sure did for me.
Cate understands the whole enterprise, from the outside, all the way through every layer. What a soul!
Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this.