| Photos (see all 4 | slideshow) |
| Anthony Wong Chau-Sang | ... | Inspector Wong Chi Shing (as Anthony Wong) | |
| Eric Tsang | ... | Hon Sam | |
| Carina Lau | ... | Mary Hon | |
| Francis Ng | ... | Ngai Wing Hau | |
| Edison Chen | ... | Officer Lau Kin Ming | |
| Shawn Yue | ... | Chan Wing Yan | |
| Jun Hu | ... | SP Luk (as Hu Jun) | |
| Tung Cho 'Joe' Cheung | ... | Kwun (as Joe Cheung) | |
| Henry Fong | ... | Gandhi (as Fong Ping) | |
| Peter Ngor | ... | Negro | |
| Arthur Wong | ... | Wah | |
| Teddy Chan | ... | Ching | |
| Chung-yue Chiu | ... | Mary (as Yu Chiu) | |
| Phorjeat Keanpetch | ... | Sunny | |
| Shipin Ye | ... | Socialites (as Ye Shi Pin) | |
| Ping Hui Tay | ... | Hung the Solicitor (as Tay Ping Hui) | |
| Roy Cheung | ... | Law | |
| Kai Chi Liu | ... | Uncle John | |
| Chapman To | ... | Tsui Wai Keung | |
| Hui Kam Fung | ... | Cadet School Principal | |
| Alexander Chan | ... | Yee | |
| Andrew Lin | ... | Chung, Ngai's Brother (as Andrew Lien) | |
| Kara Hui | ... | Hau's Sister (as Wai Ying Hung) | |
| Chi Keung Wan | ... | Superintendent Leung (as Wan Chi Keung) | |
| Chaucharew Wichai | ... | Paul (as Chan Charoen Wichai) | |
| Xiao Hai | ... | Cheung | |
| Kelly Fu | ... | May | |
| William Tuen | ... | Sergeant Chan | |
| Wing-Hong Cheung | ... | Billy (as Cheung Wing Hong) | |
| Roderick Lam | ... | Father Kwun's Bodyguard | |
| Kam Loi Kwan | ... | Father Kwun's Bodyguard | |
| Chung Ka Lung | ... | Father Kwun's Bodyguard | |
| Wai Lam | ... | Hau's Button Man #1 (as Lam Fu Wah) | |
| Yui Sang Wong | ... | Hau's Button Man #2 (as Wong Yui Sang) | |
| Chu Chi Ho | ... | Hau's Button Man #3 | |
| Tiffany Cheung | ... | Killer at Nightclub | |
| Ken Ling | ... | Killer at Restaurant | |
| Tony Tai | ... | Killer at HiFi Shop (as Tai Ho Fai Tony) | |
| Chan Siu Kwan | ... | Killer at Lift Lobby | |
| Roger Lee | ... | Killer on Motorbike (as Roger Li) | |
| Lo Lou Fai | ... | Killer in Thailand | |
| Vincent Chi Mo Chun | ... | OCTB Constable #1 (as Chi Mo Chun, Vincent) | |
| Kin-Yung Tsang | ... | OCTB Constable #2 (as Tseng Kin Yung, Tenny) | |
| Cheung Pui Sai | ... | OCTB Constable #3 | |
| Frank Michael Liu | ... | OCTB Constable #4 (as Frank Liu) | |
| Man Shing Wong | ... | OCTB Constable #5 | |
| Cheung Yuk Sun | ... | OCTB Constable #6 (as Cheung Yuk Sun, Simon) | |
| Tang Tai Wo | ... | Sam's Button Man #1 | |
| Chan Kam Pui | ... | Sam's Button Man #2 | |
| Anthony Carpio | ... | Sam's Button Man #3 | |
| Lam Kwok Kit | ... | Sam's Button Man #4 | |
| Ken Chu | ... | Gandhi's Button Man #1 | |
| Chow Chi Shing | ... | Gandhi's Button Man #2 | |
| Fu Kwok Ho | ... | Gandhi's Button Man #3 | |
| Ho Ka Ming | ... | Gandhi's Button Man #4 | |
| Chan Kim Ming | ... | Negro's Button Man #1 | |
| Cheng Kwok Wai | ... | Negro's Button Man #2 | |
| Yiu Kai Tung | ... | Negro's Button Man #3 (as Yiu Kai Tung, Richard) | |
| Lau Tung Ching | ... | Negro's Button Man #4 | |
| Ming Liu | ... | Wah's Button Man #1 (as Lui Siu Ming) | |
| Chi-Keung Lee | ... | Wah's Button Man #2 (as Lee Chi Keung) | |
| Peter Lee | ... | Wah's Button Man #3 | |
| Cheung Yiu Kwong | ... | Wah's Button Man #4 | |
| Li Wai Ming | ... | Ching's Button Man #1 | |
| Cheng Kai Chung | ... | Ching's Button Man #2 | |
| Wai Yin Tse | ... | Ching's Button Man #3 (as Tse Wai Yin) | |
| Wong Chun Lam | ... | Ching's Button Man #4 | |
| Lai Wai Tak | ... | Uncle John's Button Man #1 | |
| Ho Shu Wing | ... | Uncle John's Button Man #2 | |
| Ricardo Mamood-Vega | ... | Private Investigator #1 (as Ricardo Mamood) | |
| Brandon Rhea | ... | Private Investigator | |
| Luk Auntie | ... | Kwun's Wife (as Auntie Luk) | |
| Hera Lam | ... | Hau's Wife | |
| Eva Wong | ... | Yee's Wife | |
| Georgina Chan | ... | Hau's Daugher | |
| Ting-Fung Li | ... | Boy with Funny Face (as Li Ting Fung, Ken) | |
| Anna Yau | ... | Gandhi's Wife (as Anna Yiu) | |
| Carmen Cheung | ... | Negro's Wife | |
| Yan Qing Yu | ... | Wah's Wife | |
| Ann Ng | ... | Ching's Wife | |
| Kwok Yuk Keung | ... | Superintendent #1 | |
| Chow Chi Keung | ... | Superintendent #2 | |
| Brian Ireland | ... | Superintendent #3 | |
| Derek Skinner | ... | Superintendent #4 | |
| Bey Logan | ... | Inspector Calvin | |
| Tung-Lit Mui | ... | Noodle Shop Owner (as Mui Tung Lit) |
Directed by | |||
| Wai-keung Lau | (as Andrew Lau) | ||
| Siu Fai Mak | (as Alan Mak) | ||
Writing credits | ||
| Siu Fai Mak | (written by) (as Alan Mak) and | |
| Felix Chong | (written by) | |
| Siu Fai Mak | (characters) uncredited & | |
| Felix Chong | (characters) uncredited | |
Produced by | |||
| Ellen Chang | .... | line producer | |
| John Chong | .... | executive producer | |
| Lorraine Ho | .... | line producer | |
| Wai-keung Lau | .... | producer (as Andrew Lau) | |
| Baoping Ma | .... | executive producer (as Ma Baoping) | |
| Daniel Yun | .... | executive producer | |
Original Music by | |||
| Kwong Wing Chan | (as Chan Kwong Wing) | ||
Cinematography by | |||
| Wai-keung Lau | (director of photography) (as Andrew Lau) | ||
| Man-Ching Ng | (director of photography) (as Ng Man Ching) | ||
Film Editing by | |||
| Curran Pang | (as Pang Ching Hei) | ||
| Danny Pang | |||
Art Direction by | |||
| Bill Lui | |||
Costume Design by | |||
| Silver Cheung | |||
Makeup Department | |||
| Yu Lai Cheng | .... | makeup artist (as Cheng Yu Lai) | |
| Miko Chu | .... | makeup artist (as Chu Wai Fong) | |
| Joe Kwong | .... | hair stylist | |
| James Lau | .... | hair stylist | |
Production Management | |||
| Suparat Bruranaphant | .... | production manager: Thailand | |
| Tang Wai But | .... | production manager | |
| Lai Yin Chow | .... | unit manager (as Chow Lai Yin) | |
| Bonnie Shum | .... | assistant production manager | |
| Peanpen Udomchai | .... | production manager: Thailand | |
Second Unit Director or Assistant Director | |||
| Wai Hung Chan | .... | first assistant director (as Chan Wai Hung) | |
| Ka-kit Cheung | .... | second assistant director (as Cheung Ka Kit) | |
| Ask Lee | .... | third assistant director | |
| Saetant Sakchai | .... | assistant director: Thailand (as Sae Tant Sakchai) | |
Art Department | |||
| Chun Yim Ip | .... | assistant art director (as Ip Chun Yin) | |
| Pak Shing Lai | .... | prop master (as Lai Pak Shing) | |
| Sze Wan Leung | .... | assistant art director (as Leung Sze Wan) | |
| Wai Kong Leung | .... | propman (as Leung Wai Kong) | |
| Atisak Nokyu | .... | prop master: Thailand | |
| Ho Shu Wing | .... | propman | |
Sound Department | |||
| Wing Lai Chin | .... | sound mixer (as Bernard Chin) | |
| Felix Chung Sze Ming | .... | sound effects editor (as Chung Sze Ming, Felix) | |
| Burnard To | .... | foley recordist (as To Burnard) | |
| Kinson Tsang | .... | sound designer | |
| Kinson Tsang | .... | sound re-recording mixer | |
| Johnny Wan | .... | boom operator | |
| Tse Kin Wong | .... | dialogue recordist (as Wong Tsz Kin) | |
| Chun Hin Yiu | .... | dialogue recordist (as Yiu Chun Hin) | |
| George Lee Yiu-Keung | .... | dialogue editor (as George Lee Yiu Keung) | |
| George Lee Yiu-Keung | .... | sound re-recording mixer (as George Lee Yiu Keung) | |
| Ting Yip Yuen | .... | dialogue recordist (as Yuen Ting Yip) | |
Special Effects by | |||
| Kam Tong Fok | .... | special effects | |
Visual Effects by | |||
| Desmond Chan | .... | computer animator | |
| Hin Pu Ho | .... | computer animator (as Ho Hin Pun) | |
| Jesse Ho | .... | computer animator | |
| Terry Lam | .... | visual effects creative director | |
| Gary Leung | .... | computer animator | |
| Keith Leung | .... | computer animator | |
| Alex Lim | .... | digital effects supervisor | |
| Leo Ng | .... | computer animator | |
| Eddy Wong | .... | visual effects supervisor | |
| Victor Wong | .... | visual effects supervisor | |
| Ray Wu | .... | visual effects producer | |
| Siu Fai Yeung | .... | senior computer animator (as Yeung Siu Fai) | |
Stunts | |||
| Tat Chiu Lee | .... | stunt coordinator (as Lee Tat Chiu) | |
Camera and Electrical Department | |||
| Lo Lou Fai | .... | gaffer | |
| Chan Siu Kwan | .... | focus puller | |
| Chun-Shing Lam | .... | electrician (as Lam Chun Shing) | |
| Raymond Lam | .... | Steadicam operator | |
| Wing-Teng Law | .... | best boy (as Law Wing Tong) | |
| Chen Chiang Liao | .... | grip (as Liao Chen Chiang) | |
| Yuen Chun Ming | .... | grip | |
| Chun Kau Ng | .... | grip (as Ng Chun Kau) | |
| Hung Fei Wong | .... | still photographer (as Wong Hung Fei) | |
| Wai Lun Wong | .... | still photographer (as Wong Wai Lun) | |
| Kai Tin Yeung | .... | electrician (as Yeung Kai Tim) | |
| Chun-Wah Yuen | .... | focus puller | |
Costume and Wardrobe Department | |||
| Supavan Na Ha Korn | .... | wardrobe: Thailand | |
| Ling Fai Lau | .... | assistant costume designer (as Lau Ling Fai) | |
| Yun Mei Man | .... | wardrobe (as Man Yun Mei) | |
| Kwan-Kwan Siu | .... | assistant costume designer (as Siu Kwan Kwan) | |
Music Department | |||
| Nicolaus Eszterházy | .... | orchestra (as Nicolaus Esterhazy) | |
| Lászlo Kovács | .... | conductor (as Laszlo Kovacs) | |
| Nirmal Kulu | .... | musician: didgeridoo | |
| Nirmal Kulu | .... | musician: sitar | |
| Anna Kwan | .... | musician: cello (as Kwan Ton An) | |
| Po Shek Tam | .... | musician: bamboo flageilet (as Tam Po Shek) | |
| Edmond Tsang | .... | orchestral arrangements | |
Other crew | |||
| Kwai Wah Chan | .... | set production assistant (as Chan Kwai Wah) | |
| Man Fai Chan | .... | set production assistant (as Chan Man Fai) | |
| Fiona Chow | .... | production coordinator | |
| Surasak Harunda | .... | set production assistant: Thailand | |
| Chaiyo Kairattanaluke | .... | set production assistant: Thailand | |
| Chutima Kanjanathammarat | .... | translator: Thailand | |
| Woratat Kongsubto | .... | set production assistant: Thailand | |
| Henry Lau | .... | script supervisor | |
| Larry Lee | .... | production assistant | |
| Tao Ling | .... | production coordinator (as Ling Tao) | |
| Calmen Lui | .... | laboratory consultant | |
| Jensan Matrwijitr | .... | set production assistant: Thailand | |
| Yod Saehang | .... | location manager: Thailand | |
| Chaipat Sitthisaramkul | .... | translator: Thailand | |
| Chi Fai So | .... | set production assistant (as So Chi Fai) | |
| Leo Sze | .... | production accountant | |
| David Wong | .... | production accountant | |
| Ronald Wong | .... | production coordinator | |
| Chi Wai Yeung | .... | script supervisor (as Yeung Chi Wai) | |
| Yung Lin Yeung | .... | tea lady (as Yeung Yung Lin) | |
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| Mou gaan dou | Ying hung boon sik II | The Departed | Mou gaan dou III: Jung gik mou gaan | The Corruptor |
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After phenomenal success of "Wu Jian Dao (2002)" (or IA for short), a lot of hypes generated around when next two movies in the series are announced. I tend to ignore them and do not expect anything about IA2. Before I got into the cinema, "how would the screenwriters present this time,and how would they connect the characters between them?". After the movie, I would say I am not disappointed.
Like IA, this is also a drama about clashes of characters, not in the form of breath-taking kung fu / wire-work actions we find in traditional Hong Kong cop movie, but starting from their own desire, intentions, hate and positions. If you are looking for a non-stop action flick, I am afraid IA2 would not fulfill you.
But unlike last year's blockbuster, the main theme of IA2 is about the rise and fall of a great gangster family Ngai, other than about the police. The difficult part in making a prequel lies in the fact that as audiences all know too well the new appearences would drop-out one way or the other and the characters from IA must be okay. So the story does not waste efforts in describing most of the adventures, rather, concentrate on how these events shapes things to come. It is sure to the scriptwrites' credits and this alone casts a strong contrast to prequel movies like "Star Wars: Attack of the Clones" (2002).
Moreover, it is not surprising for many audiences relating this with similar movies like "The Godfather". I am not comparing them here, but rather I would point out that the actor Francis Ng, who plays the new gangster head of Nagi family, runs the show. He plays a young, well-educated, cool,calculating, witted, cruel, cunning -- and unpredictable leader. As some critics say, a CEO-style triad boss. On the other hand, he successfully shows Ngai is actually a passionate man whose family comes first. On the other hand, late gang leader is screened for one shot only (pun intended), his character is only reflected, not by flashbacks, but by short monologues recited by Ng. It is a quite demanding job and I would say Ng has done a really good job here.
Speaking of characters, another drift from IA, and many other traditional movies in the genre, female character actually plays "real" effects. Mary, played by Claudia Lau, is the closest girlfriend of Sam Hung. She is not just a powerless, declorative character. Like many female in the course of human history, she is the ignition point of the whole storm.
If the audiences has not forgotten IA actually hints that Inspector Wong (played by award-winning Anthony Wong) and Sam Hung (played by also award-winning Eric Tsang) have known each other for a long time. IA2 unveils their long-time mutual respects, and how all these change as the story flows along. Anthony Wong still delivers a high standard of acting just like in IA and how he plays the 3 ups-and-downs of Inspector Wong is simply terrific. On the contary, gangster Hung, Wong's arch-enemy in IA, is much lighter and more human. As with Wong, this character experiences changes which shapes of what to be seen in IA. However, I find the last party scene is unnecessary and does not seem to connect with the firece and uncanny Hung we used to know.
Relatively, the other major characters seems week. Mainland actor Jun Wu, plays another inspector who is a close partner with Wong. I could see the actor tries. Unfortunately, Wu's character is just too flat. His friendship and his clashes with Wong could not mark strong impressions among the audiences. I have a (probably false) feeling that this character is created to be destroyed and it is a waste of Wu's talents.
The actors portriating the young Wing-yan Chan (by Shawn Yu) and Kin-ming Lau (by Edison Chan) would be the weakest link in IA2. Except for a few scene, Edison puts up a regular expression of somewhat between arragonce and anger. For example, towards the end of airport scene, Lau would have a mixed feeling of guilt, anger, loss and vengence. This is an important scene for Lau's self-centered character, however, the actor simply fails to convince me.
The same goes to Shawn. He fails to play as someone who is torn between his role as a "policeman" and a triad member, his loyalty and duty. Most of the time, he just plays plain and "flat faced". To be fair, he gets a tad better towards the end of the movie as his character begins to merge with the character in IA.
Nonetheless, young actors weight must less as the others.
Speaking about continuity, IA2 does not fail in providing bits and pieces about the backstory of IA. And it is not hard for anyone to catch the images of other minor characters from IA. However, I have a few issues.
First, in IA, we see Hung was an ambitious and man of vision, that is why he implants many moles in the police department in the first place. However, the initial character of Hung seems too soft and passive. Why does he stand by Ngai in the time of crisis? We could not see his importance rises afterwards. Why didn't he use the chance and take out his opponents or expand his influence in the triad, then? Was he just covering himself for his long-term plan?
Also, why Wing-yan Chan remains in the end, even in light of his well-known ties with the Ngai family? How come does he becomes a subordinate of Keung? In IA, the position of Keung and Yan seems to have switched.
Apart from some goofs (accuracy of shooting from a paper bag, ignorance of emptied handgun and way of corspes could be burnt to ashes), the run of the movie stops rather abruptedly twice as timeline transits from year 1991 to 1995 and from 1995 to 1997. The effects on and changes of characters are not appearent so it leaves the audiences with a lot of imaginations and mental exercises. (Not that I hate mental exercises, it is rare for Hong Kong movies to make me enjoy doing so) I think the director could handle the storytelling a bit better smoother and tighter.
Despite of cliches, IA2 delivers a more powerful drama than the original. The acting, directing and many other technical aspects are top notch. The scriptwriters are very clever in telling from the other side of the theme and breaks away the shadow casted by the successful predecessor.
Looking forward to see the real "final" this December.
8/10