| Photos (see all 19 | slideshow) | Videos (see all 5) |
| John Travolta | ... | Bobby Long | |
| Scarlett Johansson | ... | Pursy Will | |
| Gabriel Macht | ... | Lawson Pines | |
| Deborah Kara Unger | ... | Georgianna | |
| Dane Rhodes | ... | Cecil | |
| David Jensen | ... | Junior | |
| Clayne Crawford | ... | Lee | |
| Walter Breaux | ... | Ray | |
| Sonny Shroyer | ... | Earl | |
| Carol Sutton | ... | Ruthie | |
| Warren Kole | ... | Sean (as Warren Blosjo) | |
| Bernard Johnson | ... | Tiny | |
| Gina 'Ginger' Bernal | ... | Waitress | |
| Douglas M. Griffin | ... | Man #1 (as Douglas Griffin) | |
| Earl Maddox | ... | Man #2 | |
| Steve Maye | ... | Man #3 | |
| Don Brady | ... | Old Man | |
| Will Barnett | ... | Old Man #2 | |
| Patrick McCullough | ... | Streetcar Boy | |
| Leanne Cochran | ... | Streetcar Girl | |
| Nick Loren | ... | Merchant | |
| rest of cast listed alphabetically: | |||
| Brooke Allen | ... | Sandy (uncredited) | |
| Darlene Moore | ... | Jazz Club Guest (uncredited) | |
| Doc Whitney | ... | Alcoholic (uncredited) | |
Directed by | |||
| Shainee Gabel | |||
Writing credits(WGA) | ||
| Ronald Everett Capps | (novel "Off Magazine Street") | |
| Shainee Gabel | (screenplay) | |
Produced by | |||
| Anson Downes | .... | associate producer | |
| Randall Emmett | .... | executive producer | |
| Linda Favila | .... | associate producer | |
| George Furla | .... | executive producer | |
| Shainee Gabel | .... | producer | |
| Jamie Gordon | .... | co-producer | |
| Brad Krevoy | .... | executive producer | |
| David Lancaster | .... | producer | |
| Chad Marting | .... | associate producer | |
| Paul Miller | .... | producer | |
| R. Paul Miller | .... | producer | |
| Melanie Sloan | .... | co-producer (as Melanie Johansson) | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Nathan Larson | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Lisa Fruchtman | |||
| Lee Percy | |||
Casting by | |||
| Sig De Miguel | |||
| Lisa Mae Fincannon | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
| Wendy Weidman | |||
Production Design by | |||
| Sharon Lomofsky | |||
Art Direction by | |||
| Adele Plauche | |||
Set Decoration by | |||
| Leonard R. Spears | |||
Costume Design by | |||
| Jill M. Ohanneson | |||
Makeup Department | |||
| Michelle Bühler | .... | makeup artist: Mr. Travolta (as Michelle Buhler) | |
| Theresa A. Fleming | .... | additional hair stylist | |
| Allison Gordin | .... | key makeup artist | |
| Betty Hamnac | .... | assistant hair stylist (as Betty Hammach) | |
| Philip Ivey | .... | assistant hair stylist (as Philip 'Mr. P' Ivey) | |
| Kelly Nelson | .... | hair department head | |
| Paige Reeves | .... | assistant makeup artist | |
| LeDiedra Richard-Baldwin | .... | makeup artist | |
| Susan Spaid | .... | additional makeup artist | |
| Yolanda Toussieng | .... | hair stylist: Mr. Travolta | |
Production Management | |||
| Betsy Mackey | .... | unit production manager | |
| Robert Katz | .... | executive in charge of production (uncredited) | |
| Karri O'Reilly | .... | production manager: additional photography (uncredited) | |
| John Portnoy | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | first assistant director | |
| Alexa Sheehan | .... | second assistant director (as Alexa Motley) | |
| Paul Uddo | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Stuart Auld | .... | scenic artist | |
| Gail Briant | .... | signwriter/scenic | |
| Cassie Catalanotto | .... | set dresser | |
| Daniel Coe | .... | carpenter | |
| James Dupuy | .... | foreman | |
| Caleb Guillotte | .... | art coordinator | |
| Christina Gulotta | .... | art department production assistant | |
| Diana Jackson | .... | art assistant | |
| Vince Le Blanc | .... | lead man | |
| Michael S. Martin | .... | property master | |
| Danny Nick | .... | set dresser | |
| Eric William Pierson | .... | set dresser | |
| Marcus Turchi | .... | carpenter | |
| David Warburton | .... | props | |
Sound Department | |||
| Jimmy 'Coach' Armstrong | .... | cable person | |
| Jimmy 'Coach' Armstrong | .... | second boom operator | |
| Jeremy Balko | .... | foley mixer | |
| Pud Cusack | .... | production sound mixer | |
| Paula Fairfield | .... | sound effects editor | |
| Alan Freedman | .... | adr mixer | |
| Ruby C. Haupt | .... | boom operator | |
| Scott Hinkley | .... | post-production sound recordist | |
| Carla Murray | .... | sound effects editor | |
| Shelley Roden | .... | foley artist | |
| Ross Simpson | .... | boom operator | |
| David E. Stone | .... | sound editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
Visual Effects by | |||
| David Emerson | .... | line-up | |
Camera and Electrical Department | |||
| Glenn Brown | .... | assistant camera | |
| Ted Caloroso | .... | director of photography: second unit | |
| Ted Caloroso | .... | first assistant camera: "a" camera | |
| Ryan Eustis | .... | camera production assistant | |
| Sean Finnegan | .... | rigging gaffer | |
| Dustin Frugé | .... | assistant camera | |
| John Johns | .... | video playback operator | |
| Michael D. Kennedy | .... | additional camera production assistant | |
| Giulio Magnolia | .... | camera loader | |
| Richard Mall | .... | key grip | |
| John Joseph Minardi | .... | grip | |
| Greg Morse | .... | 24 frame video | |
| Jeff Murrell | .... | gaffer | |
| Allen Parks | .... | electrician | |
| Ray Patrick | .... | super technocrane operator | |
| Ron Phillips | .... | still photographer | |
| Henry Tirl | .... | Steadicam operator | |
| Henry Tirl | .... | camera operator: "a" camera | |
| Thomas Crawford | .... | second company grip (uncredited) | |
Casting Department | |||
| Elizabeth Coulon | .... | extras casting | |
| Timothee Hammond | .... | extras casting | |
Costume and Wardrobe Department | |||
| Donna Chance | .... | key set costumer | |
| Dana Embree | .... | costumer | |
| Linda Gardar | .... | costume supervisor | |
| Jennifer Kamrath | .... | costume production assistant | |
| Giselle Spence | .... | seamstress | |
Editorial Department | |||
| Sheri Bylander | .... | associate editor | |
| Tim Fox | .... | assistant editor | |
| Teresa Garber | .... | post-production executive | |
| Dan Muscarella | .... | color timer | |
| John W. Wayland | .... | assistant editor | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Jeffrey Haupt | .... | music playback | |
Transportation Department | |||
| Tim Whisenant | .... | transportation: John Travolta | |
|
|
|
|
|
| The Kite Runner | The Lonely Passion of Judith Hearne | The Bad and the Beautiful | Lolita | The Last Picture Show |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
For those who have read Ronald Everett Capps' novel 'Off Magazine Street' and savor the slow, lugubrious, decadent pattern of life in the poor section of New Orleans, then Screenwriter/Director Shainee Gabel's transformation of those ideas into A LOVE SONG FOR BOBBY LONG will certainly satisfy. Though Gabel has manipulated characters names and identification to fit her sensitive interpretation of Capps' story into a visual manifestation, the changes are sound and serve to make this remarkably fine low budget film a humid, alcoholically lethargic slice of New Orleans as viable as, say, Tennessee Williams. There is a captured ambiance of the South complete with decay, shanties, intermittent rain, and aimless broken lives that sets a fine stage for a rather minimal story.
Purslane Hominy Will (Scarlett Johansson) is a young high school dropout living in trailer park trash in Florida with a low class boyfriend Lee (Clayne Crawford) when she learns of her mother Lorraine's death in New Orleans. Though she hasn't seen or heard from her obese, druggie, songwriter mother in years, she wants to attend her funeral and strikes out for New Orleans.
Arriving on the doorstep of her mother's rundown, rotting house, she discovers Bobby Long (John Travolta), an unkempt drunk who once was an English professor in a college in Alabama but fell into oblivion and alcohol when he lost his wife and family. He is living in filth with Lawson Pines (Gabriel Macht) who, as Bobby's teaching assistant whom Bobby has deemed gifted, has followed Bobby to write Bobby's biography - a work in progress that has stalemated in favor of alcoholism and disillusionment. Pursey hears that Booby and Lawson were Lorraine's closest friends (she had invited them to flop in her shabby house, entertained by their low key scholasticism and literature quoting), and that Lorraine had willed her home to the three of them.
Pursey moves in reluctantly - she has nowhere else to go - and immediately is at odds with her 'roommates'. Likewise Bobby and Lawson resist Pursey's presence and insist she 'get a life' by returning to high school, making use of her obvious intellect. The verbal sparing that eventually leads the three to find a sense of family lays the foundation for the predictable conclusion.
That is the simplicity of the tale - if it is storyline that is important to you. Gabel's distillation of Capps' novel is in the atmosphere she creates with these gifted actors. Bobby may be a drunk but he is the spokesman for a neighborhood of sad broken lives. The world is confined to the street that contains the local bar, churches, and graveyards - each of varying importance but all drenched in humidity and frequent rains and alcohol and aimless living. The local bar is tended by Georgiana (Deborah Kara Unger) with whom Lawson is having a strained affair. The folk who gather at Bobby's literature-spouting soirees include gardener Cecil (Dane Rhodes), Junior (David Jensen), to mention only a few well-defined characters. That anyone could alter the ennui in the way Pursey changes things is a minor miracle.
The minimal music score by Grayson Capps is atmospheric as are the off-screen comments and quotations of great literature of TS Eliot, Robert Frost, WH Auden et al. The cinematography by Eliot Davis is properly claustrophobic and decadent in atmosphere. And while some feel the movie is too long for the minimal story, the length and pacing are in keeping with the traditions and the literature of the South and for this viewer it works exceedingly well.
Travolta, Johansson, Macht, and Unger give multifaceted, highly sensitive performances. As for Shainee Gabel (whose only other film was the controversial 'Anthem') here is a writer and director to watch. The DVD contains some excellent deleted scenes and one of the more informative 'making of' segments with Gabel, Travolta, Johansson, Macht, and Rhodes speaking with quiet eloquence. Highly recommended.