| Photos (see all 55 | slideshow) | Videos |
| Chase Ellison | ... | Neil (Age 8) | |
| George Webster | ... | Brian (Age 8) | |
| Rachael Nastassja Kraft | ... | Deborah (Age 12) (as Rachael Kraft) | |
| Lisa Long | ... | Mrs. Lackey | |
| Chris Mulkey | ... | Mr. Lackey | |
| Elisabeth Shue | ... | Mrs. McCormick | |
| David Lee Smith | ... | Alfred | |
| Bill Sage | ... | Coach | |
| Riley McGuire | ... | Wendy (Age 11) | |
| Ryan Stenzel | ... | Stephen Zepherelli | |
| Joseph Gordon-Levitt | ... | Neil | |
| Richard Riehle | ... | Charlie | |
| Michelle Trachtenberg | ... | Wendy | |
| Brady Corbet | ... | Brian | |
| Larry Marko | ... | Old Man with Scar | |
| Mary Lynn Rajskub | ... | Avalyn Friesen | |
| Clover | ... | Patches | |
| Jeffrey Licon | ... | Eric (as Jeff Licon) | |
| Bruno Alexander | ... | Redneck Hick | |
| Forrest Fountain | ... | Jackson | |
| Zane Huett | ... | Jackson's Son | |
| Reedy Gibbs | ... | Receptionist | |
| David Alan Graf | ... | Gay Lumberjack | |
| John Ganun | ... | NYC John | |
| Billy Drago | ... | Zeke | |
| Kelly Kruger | ... | Deborah | |
| Pete Kasper | ... | Sedan Driver | |
| rest of cast listed alphabetically: | |||
| Joan M. Blair | ... | Customer in Yogurt Shop (uncredited) | |
| Trieste Kelly Dunn | ... | Date in "Blood Prom" (uncredited) | |
| Gwenne Hudson | ... | Baseball Mom (uncredited) | |
Directed by | |||
| Gregg Araki | |||
Writing credits | ||
| Scott Heim | (novel) | |
| Gregg Araki | (screenplay) | |
Original Music by | |||
| Harold Budd | |||
| Robin Guthrie | |||
Cinematography by | |||
| Steve Gainer | (director of photography) | ||
Film Editing by | |||
| Gregg Araki | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Devorah Herbert | |||
Art Direction by | |||
| Morgan Blackledge | (as Morgan C. Blackledge) | ||
Set Decoration by | |||
| Erin Smith | (as Erin K. Smith) | ||
Costume Design by | |||
| Alix Hester | |||
Makeup Department | |||
| Michelle Rene Elam | .... | key hair stylist (as Michelle Elam Torres) | |
| Nicole Le Bris | .... | hair stylist: New York | |
| Nicole Le Bris | .... | makeup artist: New York | |
| Fleur Morell | .... | key makeup artist | |
| Eleanor Sabaduquia | .... | assistant makeup artist | |
| Alexis Walker | .... | assistant makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Petra Hoebel | .... | production manager: New York | |
| Lisa Looney | .... | production supervisor | |
| Per Melita | .... | production manager: New York | |
| Hans C. Ritter | .... | unit production manager (as Hans Christian Ritter) | |
Second Unit Director or Assistant Director | |||
| Heather I. Denton | .... | second assistant director | |
| Jordan Brendan Finnegan | .... | second second assistant director (as Jordan Finnegan) | |
| Gavin Kleintop | .... | second second assistant director | |
| W. Alex Korp | .... | first assistant director (as Ale Korp) | |
Art Department | |||
| Treven Bedwell | .... | property master | |
| Erin Cabeen | .... | art department intern | |
| Shannon Cabeen | .... | art department intern | |
| Jonathan Dortch | .... | assistant property master | |
| Sally Geier | .... | art department intern | |
| Rob Henning | .... | leadman | |
| Stacy L. Henning | .... | swing | |
| Jennifer Ireland | .... | art department intern (as Jen Ireland) | |
| Mathew Klickstein | .... | on-set dresser | |
| Scott Schutzki | .... | swing | |
| Pete Steinke | .... | swing | |
| Andrew 'Pinky' Swartsel | .... | swing (as A. Corey Swartsel) | |
Sound Department | |||
| Bryan Arenas | .... | sound consultant: Dolby | |
| Steven Avila | .... | sound effects editor (as Steve Avila) | |
| James Bailey | .... | foley artist | |
| Trip Brock | .... | supervising sound editor | |
| Bob Fisher | .... | boom operator | |
| Heather Fox | .... | sound coordinator: post-production | |
| Michael J. Fox | .... | adr supervisor (as Mike Fox) | |
| Michael J. Fox | .... | foley editor (as Mike Fox) | |
| Eric Hoeschen | .... | foley artist | |
| Peter D. Lago | .... | first assistant sound editor (as Peter Lago) | |
| Coleman Metts | .... | production sound mixer | |
| Peter Oreckinto | .... | optical soundtrack: DJ Audio | |
| Jackie Oster | .... | dialogue editor | |
| Mark A. Rozett | .... | sound re-recording mixer (as Mark Rozett) | |
| Elana Saviolis | .... | sound coordinator: post-production | |
| Geordy Sincavage | .... | foley mixer | |
| Geordy Sincavage | .... | sound effects editor | |
| Melissa Strater | .... | sound coordinator: post-production (as Melissa Strater-Brock) | |
| Kelly Vandever | .... | sound re-recording mixer | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
Special Effects by | |||
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Mark S. Driscoll | .... | visual effects supervisor: Look Effects | |
| Henrik Fett | .... | visual effects supervisor: Look Effects | |
| Chad Buehler | .... | digital compositor (uncredited) | |
Stunts | |||
| Eddie Matthews | .... | stunt driver (as Eddie Mathews) | |
| Lou Simon | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Goldstein | .... | casting assistant | |
| Katya Lidsky | .... | casting assistant (as Katja Lidsky) | |
Costume and Wardrobe Department | |||
| Carla Haupt | .... | costume intern | |
| Prudence Stein | .... | costume intern | |
| Pamela Walt | .... | costumer | |
Editorial Department | |||
| Alex Blatt | .... | post-production coordinator | |
| Alana Greenfield | .... | negative cutter: Viv Kim Negative Cutting | |
| Terry Haggar | .... | color timer | |
| Vivian Hengsteler | .... | negative cutter: Viv Kim Negative Cutting | |
| Eden Williams | .... | negative cutter: Viv Kim Negative Cutting | |
Music Department | |||
| Jenée DeAngelis | .... | music coordinator (as Jenee Clark) | |
| Bradford Ellis | .... | score engineer | |
| Bradford Ellis | .... | score programmer | |
| Howard Paar | .... | music supervisor | |
| Ronald J. Webb | .... | music editor (as Ron Webb) | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
Transportation Department | |||
| Jaime Chapparo | .... | additional driver (as Jaime Chaparro) | |
| Mac 'Buck' Cook | .... | driver | |
| Guy Johnson | .... | transportation captain (as Guy 'Bone' Johnson) | |
| Eli Lozano | .... | driver (as Eli James Lozano) | |
| Sandra Ninham | .... | additional driver | |
| Stephen 'Stevo' Pate | .... | transportation coordinator | |
| Marco Ruiz | .... | additional driver (as Marco A. Ruiz) | |
| Bobby Weaver | .... | driver | |
| Alexander Yurchikov | .... | additional driver | |
Thanks | |||
| Andrew Bentler | .... | special thanks | |
| Peter Billingsley | .... | thanks | |
| Eunice Lee | .... | thanks | |
| Robert Messinger | .... | special thanks | |
| Sigur Rós | .... | special thanks | |
| Warren Zavala | .... | special thanks | |
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| Across the Universe | Midnight Cowboy | Novecento | The Outsiders | 101 Reykjavík |
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| News articles | IMDb Drama section | IMDb USA section |
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Araki's newest film takes on a much more subtle note. The darkness of his other films is again apparent and gone are the many bizarre comic reliefs. The movie goes deep deep into story, even to tackle a really hard to watch subject about love and sex between men and little boys.
The story revolves around Niel, how he grew up and had his first climax from seeing another man get off. This lead to a deep interest in the older man, the little league coach and how he seemed to be everything young Niel wanted. Cut to the other main role, Brain, a geeky kid who for some reason, seemed to have had a blackout one day and was believed to have been abducted by space aliens(again an Araki tradition in movies.). his story revolves around his obsession with aliens and how and why and who abducted him in the dark time he's forgotten. Niel found his soul mate Wendy very young and she's since moved to New York to find more to life than living in Kansas with no goal in life. Niel wants to follow her as well since his prostitution to local Joe's at the park has run sour. What he finds about new york however is that with a bigger city, he will have more problems and issues with his Kansas style. Niel's and Brian's path intertwine eventually over something perhaps both of them would like to forget, but should get through it so they can move on with their lives.
The acting in this is Very real, and while at times Niel comes off as cocky, its said by Wendy as "Where normal people have a heart, Niel McCormick has a bottomless black hole. And if you don't watch out you can fall in and get lost forever". There's a few select scenes that seem to go over the top with lewd and violent expressions so try and take heed before watching this. The music was simply amazing. It reminded me some of Endless Sunshine Of The Spotless Mind, with very deep and sad music all through it. The movie is very dark and some parts are very depressing, but its worth watching to have everything explained in the end.
Personal bias: I've seen four of Araki's films so far, with Nowhere being my favorite. Araki seems to be able to get some pretty huge stars and put them in roles you wouldn't exactly picture them fitting well in but this really tested main character Joseph Gordon-Levitt. I viewed it alone and with a complete open mind, as its most times required to really soak in the mood of such films. It took me in and really got to me. This style film is definitely meant to look deeper into relationships, and why people are the way they are. The meaning in the end reminded me a lot of Nowhere's with the wish that people could just go to another world like angels, or aliens. Do not look for comedy here but instead a deep meaningful story with some really controversial scenes, but also an amazing musical score, and superb acting.