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Douglas Adams (book)
Douglas Adams (screenplay) ...
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29 April 2005 (USA) more
Don't Panic more
Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy." full summary | add synopsis
1 win & 6 nominations more
A virtual tour of the universe of sci-fi
(From The Geek Files. 30 October 2009, 7:41 AM, PDT)
HorrorFest 2009: 'John Dies At The End'
(From Hitfix. 22 October 2009, 2:30 PM, PDT)
Hitchhiker's Guide is born again! more (1018 total)
| Bill Bailey | ... | The Whale (voice) | |
| Anna Chancellor | ... | Questular Rontok | |
| Warwick Davis | ... | Marvin | |
| Mos Def | ... | Ford Prefect | |
| Zooey Deschanel | ... | Trillian | |
| Su Elliot | ... | Pub Customer (as Su Eliott) | |
| Martin Freeman | ... | Arthur Dent | |
| Stephen Fry | ... | Narrator / The Guide (voice) | |
| Richard Griffiths | ... | Jeltz (voice) | |
| Dominique Jackson | ... | Fook | |
| Simon Jones | ... | Ghostly Image | |
| Thomas Lennon | ... | Eddie the Computer (voice) | |
| Mark Longhurst | ... | Bulldozer Driver | |
| Kelly Macdonald | ... | Reporter | |
| John Malkovich | ... | Humma Kavula | |
| Ian McNeice | ... | Kwaltz (voice) | |
| Helen Mirren | ... | Deep Thought (voice) | |
| Bill Nighy | ... | Slartibartfast | |
| Steve Pemberton | ... | Mr. Prosser / Additional Vogon Voices (also as The League of Gentlemen) | |
| Alan Rickman | ... | Marvin (voice) | |
| Sam Rockwell | ... | Zaphod Beeblebrox | |
| Mark Gatiss | ... | Additional Vogon Voices (as The League of Gentlemen) | |
| Reece Shearsmith | ... | Additional Vogon Voices (as The League of Gentlemen) | |
| Jack Stanley | ... | Lunkwill | |
| Mak Wilson | ... | Vogon Interpreter (voice) | |
| Albie Woodington | ... | Barman | |
| Mason Ball | ... | Creature Performer | |
| Sarah Bennett | ... | Creature Performer | |
| Danny Blackner | ... | Creature Performer | |
| Hayley Burroughs | ... | Creature Performer | |
| Cecily Fay | ... | Creature Performer (as Cecily Faye) | |
| Aron Freeman | ... | Creature Performer | |
| Ian Kay | ... | Creature Performer | |
| Nikki McInness | ... | Creature Performer | |
| Mohsen Nouri | ... | Creature Performer | |
| Oliver Parham | ... | Creature Performer (as Ollie Parham) | |
| Nigel Plaskitt | ... | Creature Performer | |
| Lynn Robertson Bruce | ... | Creature Performer (as Lynne Robertson Bruce) | |
| Jerome Blake | ... | Vogon Soldier | |
| Milo Bodrozic | ... | Vogon Soldier | |
| Martin Dawson | ... | Vogon Soldier | |
| Dan Ellis | ... | Vogon Soldier | |
| Steve Grindle | ... | Vogon Soldier | |
| Art Hewitt | ... | Vogon Soldier | |
| Simon Hibbs | ... | Vogon Soldier | |
| Rob Horseman | ... | Vogon Soldier | |
| Mike Lewis | ... | Vogon Soldier | |
| Paul Nathaniel | ... | Vogon Soldier | |
| Tim Perrin | ... | Vogon Soldier | |
| Jessie Riley | ... | Vogon Soldier | |
| Tucker Stevens | ... | Vogon Soldier | |
| Ashley Stuart | ... | Vogon Soldier | |
| Ben Uttley | ... | Vogon Soldier | |
| Patrick Walker | ... | Vogon Soldier | |
| Spencer Wilding | ... | Vogon Soldier | |
| William Wollen | ... | Vogon Soldier | |
| rest of cast listed alphabetically: | |||
| Polly Jane Rocket Adams | ... | London Citizen (uncredited) | |
| Alex Argenti | ... | Alien (uncredited) | |
| Ray Donn | ... | Humma Worshiper (uncredited) | |
| Susie Gossling Valerio | ... | Daewoo Driver (uncredited) | |
| Garth Jennings | ... | Frankie Mouse (voice) (uncredited) | |
| Rich Johnston | ... | Congregation (uncredited) | |
| Zoe Kubaisi | ... | Benjy Mouse (voice) (uncredited) | |
| Jim Lynn | ... | London Citizen (uncredited) | |
| Jason Schwartzman | ... | Gag Halfrunt (uncredited) | |
| Alisha Smith | ... | Trillian DBL (uncredited) | |
| Mark Smith | ... | Pall Bearer (uncredited) | |
| Sean Sollé | ... | London Citizen (uncredited) | |
| Mark Stevenson | ... | Native American (uncredited) | |
| Edgar Wright | ... | Deep Thought Technician (uncredited) | |
Directed by | |||
| Garth Jennings | |||
Writing credits(WGA) | ||
| Douglas Adams | (book) | |
| Douglas Adams | (screenplay) and | |
| Karey Kirkpatrick | (screenplay) | |
Produced by | |||
| Douglas Adams | .... | executive producer (posthumous credit) | |
| Todd Arnow | .... | co-producer | |
| Gary Barber | .... | producer | |
| Roger Birnbaum | .... | producer | |
| Derek Evans | .... | executive producer | |
| Jonathan Glickman | .... | producer | |
| Nick Goldsmith | .... | producer | |
| Caroline Hewitt | .... | co-producer | |
| Jay Roach | .... | producer | |
| Rebekah Rudd | .... | co-producer | |
| Robbie Stamp | .... | executive producer | |
Original Music by | |||
| Joby Talbot | |||
Cinematography by | |||
| Igor Jadue-Lillo | (director of photography) | ||
Film Editing by | |||
| Niven Howie | |||
Casting by | |||
| Marcia Ross | |||
Production Design by | |||
| Joel Collins | |||
Art Direction by | |||
| Alan Cassie | |||
| Daniel May | |||
| Phil Sims | |||
| Andy Thomson | |||
| Frank Walsh | (supervising art director) | ||
Set Decoration by | |||
| Kate Beckly | |||
Costume Design by | |||
| Sammy Sheldon | |||
Makeup Department | |||
| Rebecca Cole | .... | chief makeup artist: second unit | |
| Paul Gooch | .... | makeup artist | |
| Nikita Rae | .... | hair stylist | |
| Nikita Rae | .... | makeup artist | |
| Natalie Reid | .... | makeup artist: second unit | |
| Liz Tagg | .... | chief hair designer (as Elizabeth Tagg) | |
| Liz Tagg | .... | chief makeup designer (as Elizabeth Tagg) | |
| Duncan Jarman | .... | prosthetic makeup artist (uncredited) | |
| Matthew Smith | .... | prosthetic makeup artist (uncredited) | |
| Elizabeth Yianni-Georgiou | .... | make-up/hair artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Terry Bamber | .... | first assistant director: second unit | |
| Tamana Bleasdale | .... | second assistant director | |
| David Cain | .... | second assistant director: second unit | |
| Helen Chapman | .... | co-third assistant director | |
| Chris Croucher | .... | crowd assistant director | |
| David Decio | .... | additional third assistant director | |
| Fraser Fennell-Ball | .... | third assistant director: second unit | |
| Iain Lawrence | .... | assistant director | |
| Dominic Leung | .... | second unit director | |
| Terence Madden | .... | third assistant director: second unit | |
| Samar Pollitt | .... | third assistant director | |
| Richard Whelan | .... | first assistant director | |
Art Department | |||
| Jim Barr | .... | draftsman | |
| Bruce Bigg | .... | property master | |
| Steve Bohan | .... | construction manager | |
| Tony Chance | .... | storyboard artist | |
| Dean Clegg | .... | assistant art director | |
| Mark Curtis | .... | props | |
| Anita Dhillon | .... | graphic designer | |
| Paul Duff | .... | supervising carpenter | |
| Alex Fort | .... | concept artist | |
| Philippe Gaulier | .... | concept artist | |
| Turlo Griffin | .... | concept artist | |
| Jason Knox-Johnston | .... | assistant art director | |
| Dougie Lankston | .... | dressing prop daily | |
| Warren Lever | .... | carpenter | |
| Seeta Lingam | .... | junior draughtsperson | |
| Sean Mathiesen | .... | previsualisation artist | |
| Matthew O'Neill | .... | previsualisation assistant | |
| Robyn Paiba | .... | stand-by art director | |
| Harry Pain | .... | junior draughtsman | |
| Kimberley Pope | .... | concept artist | |
| Matt Sims | .... | CAD draughtsman | |
| David Weller | .... | on-set rigger | |
| Katy Henderson | .... | additional visual development (uncredited) | |
Sound Department | |||
| Mark Appleby | .... | adr recordist | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Tony Currie | .... | adr editor | |
| Peter Eusebe | .... | sound maintenance engineer | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Nick Foley | .... | adr recordist | |
| Peter Gleaves | .... | adr mixer | |
| Robin Green | .... | boom operator | |
| Mark Holding | .... | sound | |
| Robin Knapp | .... | assistant sound designer | |
| Robin Knapp | .... | assistant sound editor | |
| Mark Lafbery | .... | adr foley mixer | |
| Michael Redfern | .... | foley editor | |
| Jake Roberts | .... | sound conforming editor | |
| Jamie Roden | .... | adr mixer | |
| Gavin Rose | .... | adr recordist | |
| Bjorn Ole Schroeder | .... | adr supervisor | |
| Andy Shelley | .... | dialogue editor | |
| Steve Single | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | sound designer | |
| Alastair Sirkett | .... | sound effects editor | |
| Ted Swanscott | .... | adr mixer | |
| Ian Wilson | .... | sound designer | |
| Ian Wilson | .... | supervising sound editor | |
Special Effects by | |||
| Vanessa Bastyan | .... | fabricator: Jim Henson Creature Shop | |
| Jo Budden | .... | fabricator: Jim Hensons Creature Shop | |
| Richard Darwin | .... | key animatronic designer | |
| Richard Darwin | .... | puppeteer | |
| Paul Dunn | .... | special effects director | |
| Wilma Dunn | .... | special effects coordinator | |
| Cat Hart | .... | special effects pyrotechnician | |
| Catherine Hart | .... | special effects | |
| Laurence Harvey | .... | special effects technician | |
| Mark Hunter | .... | senior animatronics technician | |
| Martin Jago | .... | animatronic technician | |
| Oliver Jarlett | .... | mechanical design | |
| Vincent Jenkins | .... | model maker | |
| Paul Jomain | .... | Marvin build and crew: Jim Henson Creature Shop | |
| Adam Keenan | .... | animatronic model designer | |
| Adam Keenan | .... | electronics | |
| Sean Kenrick | .... | special effects technician | |
| Matt Lewis | .... | model & prop maker | |
| Jared Manley | .... | animatronics technician | |
| Jared Manley | .... | puppeteer | |
| Luke Marcel | .... | special effects senior technician | |
| Scott McIntyre | .... | special effects | |
| Charlie Olsen | .... | special effects technician: pyrotechnics | |
| Colin Shulver | .... | art finisher: Jim Henson's Creature Shop | |
| Colin Shulver | .... | sculptor: Jim Henson's Creature Shop | |
| Nicola Tedman | .... | Marvin build and crew: Jim Henson Creature Shop | |
| Mark Topping | .... | special effects technician | |
| Jason Troughton | .... | special effects senior technician | |
| Anne Marie Walters | .... | prop maker | |
| Simon Webber | .... | creature effects crew | |
| Mark White | .... | special effects technician | |
| Dan Martin | .... | mould shop trainee (uncredited) | |
| Karl Openshaw | .... | special effects technician: animatronic effects (uncredited) | |
Visual Effects by | |||
| Joe Arnold | .... | tracker: Cinesite | |
| Jaume Arteman | .... | compositor: Cinesite | |
| John Attwood | .... | best boy: models special effects lighting | |
| Chris Bailey | .... | gaffer: model unit | |
| Dimitri Bakalov | .... | 3D animator: Cinesite | |
| Richard Baker | .... | digital compositor: Cinesite | |
| Mark Bakowski | .... | digital compositor | |
| Sebastien Beaulieu | .... | lighting technical director | |
| Alistair Bell | .... | visual effects | |
| John Benn | .... | scanning and recording: Cinesite | |
| Angus Bickerton | .... | visual effects supervisor | |
| Steve Brooke Smith | .... | model camera operator | |
| Adam Buckner | .... | associate animatronics producer | |
| Simon Bunker | .... | 3D technical director: Cinesite | |
| Leo Burton | .... | production assistant: Jim Henson's Creature Shop | |
| Mark Buschbacher | .... | scanning and recording: Cinesite | |
| Kevin Campbell | .... | software developer | |
| Warwick Campbell | .... | sequence supervisor: Cinesite | |
| Simon Carr | .... | digital effects artist: The Senate VFX | |
| Chas Cash | .... | 3D sequence lead: Cinesite (as Charles Cash) | |
| Jason Chalmers | .... | model maker | |
| Lee Chidwick | .... | 2K playback operator: Cinesite | |
| Colin Childs | .... | senior propmaker | |
| Angela Cole | .... | 3D sequence lead: Cinesite | |
| Tom Conneely | .... | scanning operator: Cinesite | |
| Pete Coogan | .... | executive producer: Jim Henson's Creature Shop | |
| Laurent Cordier | .... | 3D artist: Cinesite | |
| Jamie Courtier | .... | project supervisor: Jim Henson's Creature Shop | |
| Tyson Cross | .... | digital artist | |
| Tiffany Cullum | .... | 3D manager: Cinesite | |
| Mark Curtis | .... | models and action props: Asylum Models and Effects | |
| Aimee Dadswell-Davies | .... | visual effects line producer: Cinesite (as Aimee Dadswell-Davies) | |
| Ken Dailey | .... | visual effects producer: Cinesite | |
| Matthew D'Angibau | .... | 3D motion control technician: Cinesite | |
| Evan Davies | .... | previsualisation artist: Cinesite | |
| Martin R. Davison | .... | digital compositor | |
| Max Dennison | .... | digital matte painter: Cinesite | |
| Keith Devlin | .... | senior compositor: Cinesite | |
| Piero Di'Giovanni | .... | prop maker | |
| Ben Dishart | .... | texture artist | |
| Laura Dubsky | .... | rotoscope artist: Cinesite | |
| Ruth Ducker | .... | previsualisation artist: Cinesite | |
| Dave Early | .... | head of digital matte painting: David Early | |
| Jonathan East | .... | render wrangler | |
| Erik Ellefsen | .... | character modeler: Shynola | |
| Chris Elson | .... | compositor: Cinesite | |
| Guy Elson | .... | compositor: Cinesite | |
| Jo Fenton | .... | prop sculptor | |
| Ben Flatter | .... | visual effects coordinator | |
| Andy Fowler | .... | visual effects producer | |
| Jim Gaffney | .... | prop maker | |
| Manu Garcia | .... | tracker: Cinesite | |
| Peter Godden | .... | digital artist | |
| Sally Goldberg | .... | 3D animator: Cinesite | |
| Astrid Goldsmith | .... | prop runner | |
| Simon Gosling | .... | prop maker | |
| Verner Gresty | .... | technical supervisor: Jim Henson's Creature Shop | |
| Kate Griffin | .... | production accountant: Cinesite | |
| Michael Grobe | .... | 3D sequence lead: Cinesite | |
| Alexis Hall | .... | 3D technical director: Cinesite | |
| P.J. Harling | .... | visual effects editor | |
| Ryan Harrington | .... | 3D artist: Cinesite | |
| Mark Harrison | .... | model unit | |
| Dan Harrod | .... | digital artist | |
| Simon Haslett | .... | Inferno artist: Cinesite | |
| Sandro Henriques | .... | rotoscoper: Cinesite | |
| Kay Hoddy | .... | roto/prep artist | |
| Jon Hollis | .... | title sequence design | |
| Myf Hopkins | .... | producer: Jim Henson's Creature Shop | |
| David Hyde | .... | 3D technical director: Cinesite | |
| Michael Illingworth | .... | Inferno artist: Cinesite | |
| Iain Irwin-Powell | .... | production support: Cinesite | |
| Andrew Jeffery | .... | colour grader: Cinesite | |
| Allan Torp Jensen | .... | compositor: Cinesite | |
| Tim Jetis | .... | art department coordinator: Jim Henson's Creature Shop | |
| Lorraine Johnson | .... | scanning and recording: Cinesite | |
| Matt Johnson | .... | visual effects supervisor: Cinesite | |
| Simon Johnson | .... | scanning and recording: Cinesite | |
| Ilyas Kaduji | .... | digital effects artist | |
| Sevendalino Khay | .... | digital matte painter: Cinesite | |
| Paul Ladd | .... | visual effects line producer: Cinesite | |
| Christopher Learmonth | .... | visual effects editor: Cinesite | |
| John Lee | .... | model maker | |
| Tracy Lenon | .... | producer: Jim Henson's Creature Shop | |
| Bruno Lesieur | .... | 3D lighting: Cinesite | |
| Fredrik Limsater | .... | 3D technical director: Cinesite | |
| Richard Little | .... | senior compositor: Cinesite | |
| Thomas Loeder | .... | compositor: Cinesite | |
| Sam Lucas | .... | 3D artist: Cinesite | |
| Simon Maddocks | .... | 3D sequence supervisor: Cinesite | |
| Jay Mallet | .... | motion control operator | |
| Mark Mason | .... | project supervisor: Asylum Models and Effects | |
| Matthew Maude | .... | 3D technical director: Cinesite | |
| Jamie McCarter | .... | animation director: Shynola | |
| Lindsay McFarlane | .... | visual effects coordinator: Jim Henson's Creature Shop | |
| Adam McInnes | .... | visual effects supervisor: Cinesite | |
| Jan Meade | .... | projectionist: Cinesite | |
| Ivor Middleton | .... | 3D sequence supervisor: Cinesite | |
| Rick Mietkowski | .... | visual effects director of photography: Jim Henson's Creature Shop | |
| Jon Miller | .... | head of tracking: Cinesite | |
| Jon Miller | .... | head of tracking: second unit matchmover, Cinesite | |
| Sangita Mistry | .... | digital I/O: Cinesite | |
| Mitch Mitchell | .... | scanning and recording: Cinesite | |
| Kevin Modeste | .... | 3D animator: Cinesite | |
| Fernanda Moreno | .... | cg artist: Cinesite | |
| Ben Morgan | .... | compositor: Cinesite | |
| Steve Murgatroyd | .... | Inferno artist: Cinesite | |
| Danielle Nadal | .... | digital I/O: Cinesite | |
| Jonathan Neill | .... | CG supervisor: Cinesite (as Jon Neill) | |
| Gustaf Nilsson | .... | compositor: Cinesite | |
| Sarah Norton | .... | compositor: Cinesite | |
| Artemis Oikonomopoulou | .... | digital artist | |
| David O'Reilly | .... | animator | |
| Steve Pang | .... | visual effects assistant editor | |
| Jim Parsons | .... | Inferno artist: Cinesite | |
| Stuart Partridge | .... | sequence supervisor: Cinesite | |
| John Peck | .... | compositor: Cinesite | |
| Geoff Pedder | .... | lighting technical director | |
| Hannah Peirce | .... | compositor: Cinesite | |
| Venetia Penna | .... | scanning and recording: Cinesite | |
| Chris Perschky | .... | production support: Cinesite | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| George Plakides | .... | 3D artist: Cinesite | |
| Ed Plant | .... | senior compositor: Cinesite | |
| Anna Privett | .... | production support: Cinesite | |
| Matt Redhead | .... | digital artist | |
| David Richardson | .... | production support: Cinesite | |
| Gillian Roberts | .... | production development: Cinesite | |
| Peter Robertshaw | .... | production support: Cinesite | |
| Andy Robinson | .... | sequence supervisor: Cinesite London | |
| Campbell Rose | .... | senior compositor: Cinesite | |
| Chris Rosewarne | .... | prop maker | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Alexander Savenko | .... | 3D technical director: Cinesite | |
| Carlo Scaduto | .... | senior compositor: Cinesite | |
| Christoph Schinko | .... | 3D animator: Cinesite Europe | |
| Marko Schöbel | .... | 3D modeler: Cinesite | |
| Jörg Schulz-Gerchow | .... | digital compositor: Cinesite London | |
| Denis Scolan | .... | senior compositor: Cinesite | |
| Thrain Shadbolt | .... | 3D sequence supervisor: Cinesite | |
| Shynola | .... | visual effects animator: guide | |
| Tony Skinner | .... | mechanical effects: Asylum Models and Effects | |
| John Slattery | .... | senior compositor: Cinesite | |
| Sharon Smith | .... | creative supervisor: Jim Henson's Creature Shop | |
| Sharon Smith | .... | creature costume designer: Jim Henson's Creature Shop | |
| Steve Smith | .... | production support: Cinesite | |
| Marc Stevenson | .... | tracker: Cinesite | |
| Petra Stueben | .... | rotoscoper: Cinesite | |
| Mark Sum | .... | scanning and recording: Cinesite | |
| Jan Toensmann | .... | sequence supervisor: Cinesite | |
| Sanju Travis | .... | compositor: Cinesite (as Sanju Gupta-Travis) | |
| Chris Trice | .... | model maker | |
| Lisa Tucker | .... | buyer: Jim Henson's Creature Shop | |
| Christoph Unger | .... | digital matte painter: Cinesite | |
| Gert Van Dermeersch | .... | compositor | |
| Courtney Vanderslice | .... | executive producer: Cinesite | |
| Holger Voss | .... | 3D technical director: Cinesite | |
| Maggie Walby | .... | digital I/O: Cinesite | |
| Ollie Weigall | .... | film assistant | |
| Kathy Wise | .... | digital I/O: Cinesite | |
| Pat Wong | .... | digital compositor | |
| Christian Zeh | .... | sequence supervisor: Cinesite | |
| Patrick Zentis | .... | sequence supervisor: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Howard Berry | .... | script supervisor: visual effects unit (uncredited) | |
| Mike Bryant | .... | data I/O: Cinesite (uncredited) | |
| Gary Coulter | .... | previs artist: Fuzzygoat Ltd (uncredited) | |
| James Eggleton | .... | digital I/O: Cinesite Europe (uncredited) | |
| Anna Ford | .... | bidding coordinator: Cinesite (uncredited) | |
| Caroline Garrett | .... | previs artist: Fuzzygoat Ltd (uncredited) | |
| Jami Gigot | .... | 3D artist: Cinesite (uncredited) | |
| Pete Hartless | .... | runner: Jim Henson's Creature Shop (uncredited) | |
| Debbie Langford | .... | previsualisation artist: Cinesite (uncredited) | |
| Wendy Whaley | .... | stereoscopic advisor (uncredited) | |
Stunts | |||
| Andy Bennett | .... | stunts | |
| Richard Bradshaw | .... | stunts | |
| Ray De-Haan | .... | stunts | |
| Kelly Dent | .... | stunts (as Kelly J. Dent) | |
| Jim Dowdall | .... | stunt coordinator | |
| Neil Finnighan | .... | stunts | |
| Glenn Foster | .... | stunts | |
| Steve Griffin | .... | stunts (as Steve 'Street' Griffin) | |
| Paul Heasman | .... | stunts | |
| Derek Lea | .... | stunts | |
| Seon Rogers | .... | stunts | |
| Lee Sheward | .... | stunt coordinator: second unit | |
Casting Department | |||
| Nadia Aleyd | .... | casting associate | |
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Susie Figgis | .... | casting | |
| Lucy St Giles | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Annette Allen | .... | set costumer | |
| Russell Barnett | .... | wardrobe master | |
| Jo Budden | .... | dresser: Jim Hensons Creature Shop | |
| Rosemary Burrows | .... | costume supervisor | |
| Nicholas Immaculate | .... | wardrobe master | |
| Charlotte-Rose Kay | .... | assistant costume designer | |
| Claire Kitchener | .... | costumes | |
| Sunny Rowley | .... | key set costumer | |
| Celia Yau | .... | key costumer | |
Editorial Department | |||
| Phil Ashton | .... | color timer | |
| Judith Babcock | .... | post-production coordinator: USA | |
| Steven Delman | .... | digital film colorist (as Steve Delman) | |
| Mark Harris | .... | first assistant editor | |
| Carrie Holecek | .... | digital intermediate producer: Los Angeles | |
| Lionel Johnson | .... | assistant film editor | |
| Gareth Maynard | .... | digital intermediate project manager | |
| Lindsey Morrow | .... | trainee assistant editor | |
| Russell Pawson | .... | second assistant editor | |
| Tolly Swallow | .... | second assistant editor | |
| Dominic Thomson | .... | digital editor | |
| Samantha Welland | .... | post-production coordinator | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Christopher Austin | .... | conductor | |
| Christopher Austin | .... | orchestrator | |
| Luke Bedford | .... | music preparation | |
| Gary Carpenter | .... | additional orchestrator | |
| Michael Connell | .... | supervising music editor | |
| Chris Cozens | .... | auricle control systems | |
| Marcia Crayford | .... | concert master | |
| Ben Foskett | .... | additional orchestrator | |
| Ben Foskett | .... | music preparation | |
| Ben Foster | .... | additional orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Jake Jackson | .... | score recordist | |
| Rob Johnston | .... | choir master: R'SVP Voices | |
| Bernie Leadon | .... | composer: song "Journey of the Sorcerer" | |
| Catherine Manners | .... | score coordinator | |
| Nigel Short | .... | choir master: Tenebrae | |
| Mark Tucker | .... | music engineer | |
| Mark Tucker | .... | music mixer | |
Transportation Department | |||
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| Tim Earl | .... | driver | |
| Simon Jones | .... | transportation coordinator | |
| Sean Thornton | .... | picture vehicle technician | |
| Bob Hole | .... | unit driver (uncredited) | |
| Darren Leen | .... | driver: Sam Rockwell (uncredited) | |
Other crew | |||
| Susan Adams | .... | fabricator | |
| Kaseem Allah | .... | assistant: Mr. Def | |
| Lucy Anthony | .... | unit nurse | |
| J.B. Benna | .... | production assistant | |
| Andrew Bernstein | .... | assistant: Mr. Evans | |
| Lita Blechman | .... | assistant: Mr. Jennings & Mr. Goldsmith | |
| Judy Britten | .... | production coordinator: second unit | |
| David Broder | .... | location manager | |
| Kim Buttlar | .... | executive coordinator: Mr. Barber | |
| Jerry Chater | .... | titles editor | |
| Jeffrey Chernov | .... | production executive | |
| Richard Coombs | .... | puppeteer | |
| David Corke | .... | animal consultant | |
| David Corke | .... | animal trainer | |
| Phillip Eason | .... | puppeteer (as Phil Eason) | |
| Peter Elliott | .... | creature performers coordinator | |
| Tim Elliott | .... | body double | |
| Tim Elliott | .... | stand-in | |
| Gary Gillingham | .... | production controller | |
| Christine Greaves | .... | food stylist | |
| Denise Hanrahan | .... | production runner | |
| Andy Heath | .... | puppeteer | |
| Brian Herring | .... | puppeteer | |
| Jon Hollis | .... | title designer | |
| Mark Hopkins | .... | set runner | |
| Pauline Hume | .... | title designer: end titles | |
| Mark Jefferis | .... | puppeteer | |
| Perry M. Kimura | .... | digital scanning and recording: EFILM | |
| Jennifer Lambert | .... | construction nurse | |
| Jamie Lengyel | .... | location finder | |
| Sara Levy | .... | set production assistant: dailies | |
| David Lobatto | .... | production runner | |
| Hayley Lyon | .... | assistant accountant | |
| Sharon Mansfield | .... | script supervisor: second unit | |
| Mark Mason | .... | supervisor: Asylum | |
| Rob Meisenholder | .... | accountant | |
| Dan Morrow | .... | post-production accountant | |
| Dan Morrow | .... | production cost accountant | |
| Grant Nicholson | .... | double | |
| Billy Pegg | .... | location assistant | |
| Eve Petcher | .... | assistant coordinator | |
| Ben Pugh | .... | production assistant | |
| Jason Rayford | .... | stand-in | |
| Adele Rogers | .... | food stylist | |
| Adam Rosenberg | .... | assistant: Jonathan Glickman | |
| Deborah Simmrin | .... | unit publicist | |
| Katherine Smee | .... | puppeteer | |
| Deryn Stafford | .... | production coordinator | |
| Camilla Stephenson | .... | assistant location manager | |
| Heather Thomas-Hughes | .... | unit nurse | |
| Marlena Thomas | .... | executive coordinator: Mr. Birnbaum | |
| Robert Tygner | .... | puppeteer (as Rob Tygner) | |
| Françoise Valentine | .... | underwater coordinator | |
| Richard Van Den Bergh | .... | modeler designer | |
| Angela Wharton | .... | script supervisor | |
| Dan Whitty | .... | location assistant | |
| David Wilcock | .... | accounts trainee | |
| Rose Wilde | .... | set production assistant | |
| Mak Wilson | .... | puppeteer | |
| Tim Ballou | .... | senior script clearance manager (uncredited) | |
| James Keaton | .... | additional floor runner: second unit (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Richard Senior | .... | additional runner (uncredited) | |
Thanks | |||
| Douglas Adams | .... | dedicatee (as Douglas) | |
| Tim Browse | .... | special thanks | |
| Yoz Grahame | .... | special thanks | |
| Spike Jonze | .... | thanks | |
| Jim Lynn | .... | special thanks | |
| Sean Sollé | .... | special thanks | |
| Billy Weber | .... | thanks | |
Guía del viajero intergaláctico (Argentina) (video title) (Panama) [es]
Per Anhalter durch die Galaxis (Austria) (Germany) [de]
Bir otostopçunun galaksi rehberi (Turkey: Turkish title) [tr]
Galaxis útikalauz stopposoknak (Hungary) [hu]
Guía del autoestopista galáctico (Spain) [es]
Guida galattica per autostoppisti (Italy) [it]
Guide galactique (Canada: French title) (video title) [fr]
Gyriste ton galaxia me otostop (Greece) [el]
H2G2: le guide du voyageur galactique (France) [fr]
Le guide galactique (Canada: French title) [fr]
Liftarens guide till galaxen (Sweden) [sv]
Linnunradan käsikirja liftareille (Finland) [fi]
O Guia do Mochileiro das Galáxias (Brazil) [pt]
Pöidlaküüdi reisijuht galaktikas (Estonia) [et]
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Rated PG for thematic elements, action and mild language.
109 min
2.35 : 1 more
Dolby Digital | SDDS | DTS
Spain:7 | Taiwan:GP | Argentina:Atp | Malaysia:U | Netherlands:MG6 (DVD rating) | Iceland:10 | Iceland:LH (video rating) | Hungary:14 | USA:PG (certificate #41593) | Canada:PG | South Korea:All | Australia:PG | Brazil:10 | Canada:G (British Columbia/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Finland:K-11 | Germany:6 | Hong Kong:IIA | Ireland:12A | New Zealand:PG | Norway:7 | Singapore:PG | UK:PG | Philippines:PG-13 | Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Sweden:11
Beehive Pub, Hare Street, Nr Buntingford, Hertfordshire, England, UK more
The music played the first time the book is introduced is called "The Journey of the Sorcerer". The original version by Eagles served as the theme song for the original BBC Radio series, then later for the BBC Television series, "The Hitch Hikers Guide to the Galaxy" (1981). more
Continuity: When Ford is scooting along with the trolley full of beer he passes a red truck on the right side of the screen (Ford's left side) however when the shot pans out there are only red trucks on the left side of the screen (Ford's right). more
[first lines]
The Book:
It's an important and popular fact that things are not always what they seem. For instance, on the planet Earth, Man had always assumed that he was the most intelligent species occupying the planet, instead of the *third* most intelligent. The second most intelligent creatures were of course dolphins who...
more
Spoofs 2001: A Space Odyssey (1968) more
Journey of the Sorcerer more
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Well, I'm not a film reviewer. I'm not really a fan of film reviewers as their job involves pretending that there is an objective standard that governs how much everyone will enjoy a film (well, some of them are smart enough not to dress their opinion as anything else). Everyone enjoys films in different ways and I like to use my own judgment to decide if a film is worth my time or not (well, that and the opinions of a few trusted individuals who's taste in films is very similar to my own).
So this isn't a review, it's just my honest reaction to the film and you may judge for yourselves if my opinion is likely to be similar to your own.
I loved it. There were a couple of small points that I wasn't happy with but there was so much that I really enjoyed that I left the cinema very happy indeed. It has a very frantic pace, especially when compared to the glacial pace of the TV series. But, in my opinion, it works.
I'll now talk about different aspects of the film.
The Cast. Each member of the cast has brought a new interpretation of their character to the film but they are still definitely the same characters. Martin Freeman is very funny but also very human. He's less of a caricature of Britishness than Simon Jones's interpretation.
Mos Def is an excellent laid back Ford who occasionally has slightly manic (David Dixon style) moments. I don't think everyone will like his delivery of some of the lines as he can be very dead-pan at times but I found him very watchable and likable.
Sam Rockwell's Zaphod is either lovable or irritating depending on your loony-tolerance. I found his over-the-top performance was just perfect for Zaphod, and frequently had me in stitches.
Zooey Deschanel. Mmmm....Zooey. She's the best Trillian ever! She's adorable, funny, charming, intelligent and finally has an emotional depth that was missing from all other incarnations. She works well with both Zaphod and Arthur and their interactions were believable.
Bill Nighy gave a performance that managed to be nothing like Richard Vernon's yet at the same time definitely Slartibartfast. Very funny. Very human.
Stephen Fry is someone who I new would be good. He has the intelligence needed to get the delivery right and a mysterious gentle voice (like God has popped round for a cup of tea).
The Effects, sets and puppets. Wonderful. I loved the Vogon puppets, it made them seem much more real than any CG character (yes, even Gollum). The sets looked great and there is one nice tracking shot down a Vogon corridor that shows just how huge the set was. Every set is packed with detail, I cannot wait for the DVD. The Magrathea 'factory floor' is breathtaking - especially on the big-screen. Zaphod's second head isn't brilliantly executed but it didn't bother me much.
The Guide entries. I'm a big Shynola fan. I was extremely excited when I learned that they would be doing the guide entries. I wasn't disappointed - the guide entries look great and are packed with the inventive wit that characterises Shynola's work. The way they visually interpret the words of the guide entries is very clever and matches the wit of the original animations in the TV series but with a more modern approach.
The Music. The Dolphin song at the start was wonderful. Call me a softy but a couple of the lines nearly brought a tear to my eye. The music for the guide entries fit really well. The new orchestrated version of Journey of the Sorcerer is great. I was too wrapped up in the experience to really notice the music, I'll have to see it again (or buy the soundtrack)! Editing. The film flies along at an incredible pace but for me it never suffered from the 'why are we here now?' problem that some film (The Phantom Menace) suffer from. I really couldn't tell you how someone new to Hitchhiker's Guide might react. The destruction of the Earth is particularly well handled, managing to be both funny and moving.
Stuff I didn't like. Not much really. Part of me craves for the inclusion of things that other parts of me recognise will make the film less effective. One thing that I felt was a shame is that certain added plot elements make the story less bleak. These plot elements actually come from later books in the series so they weren't un-Hitchhiker-y but they contributed to a more optimistic story than I am familiar with from other versions. But this is a minor quibble and it didn't spoil my enjoyment of the film. Though I really liked Zaphod, I didn't really like the second head. It didn't work as well as it might have. Still, it was preferable to a shoulder-mounted permanent extra head - which would have been wrong for many reasons.
Conclusion. It is The Hitchhiker's Guide to the Galaxy reborn with a new energy. It is lighter than previous incarnations but still retains most of what I love about the story. It also adds a brilliant level of visual inventiveness that matches the aural inventiveness of the original radio series. People expecting the TV series but with better effects will be disappointed. This is a new beginning. The Hitchhiker's Guide is alive again, it is an enormous shame on a galactic scale that Douglas isn't here to enjoy it. The huge applause after the film showed I wasn't alone in having a good time.
Also, the film contains my favourite line. It previously only occurs in the second radio series (as far as I know) and is moved to a different occasion but I was dead chuffed when I heard it!