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Directed by | |||
| Christophe Barratier | |||
Writing credits | ||
| Georges Chaperot | (1945 story "La Cage aux rossignols") & | |
| René Wheeler | (1945 story "La Cage aux rossignols") | |
| René Wheeler | (1945 screenplay "La Cage aux rossignols") & | |
| Noël-Noël | (1945 screenplay "La Cage aux rossignols") | |
| Christophe Barratier | (screen story) | |
| Christophe Barratier | (screenplay) & | |
| Philippe Lopes-Curval | (screenplay) | |
Original Music by | |||
| Bruno Coulais | |||
Cinematography by | |||
| Jean-Jacques Bouhon | |||
| Dominique Gentil | |||
| Carlo Varini | |||
Film Editing by | |||
| Yves Deschamps | |||
Casting by | |||
| Sylvie Brocheré | |||
| Agathe Hassenforder | |||
Production Design by | |||
| François Chauvaud | |||
Art Direction by | |||
| Pierre Ferrari | |||
Set Decoration by | |||
| Jean-Pierre Gaillot | |||
Costume Design by | |||
| Françoise Guégan | |||
Makeup Department | |||
| Sylvie Duval | .... | key makeup artist | |
| Odile Fourquin | .... | makeup artist | |
| Françoise Fregonese | .... | hair stylist | |
| Sylvie Leray | .... | key hair stylist (as Silvie Leray) | |
| Fabienne Robineau | .... | makeup artist | |
| Christine Vizier | .... | hair stylist | |
Production Management | |||
| Christophe Anzoli | .... | unit manager | |
| Cyrille Bruneau | .... | assistant production manager | |
| Bernard Lorain | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marc Baraduc | .... | first assistant director | |
| Catherine Hofer | .... | assistant director | |
| Vincent Kaluza | .... | trainee assistant director | |
| Romain Kunstlinger | .... | trainee assistant director | |
Art Department | |||
| Bernard Beysseriat | .... | painter | |
| Stéphane Blanc | .... | painter | |
| Henri Castillo | .... | head carpenter | |
| Sophie Chandoutis | .... | painter | |
| Nicolas Charpin | .... | constructor | |
| Vincent Chassaing | .... | constructor | |
| Jean-Luc Chauvaud | .... | assistant decorator | |
| Fabrice Coudert | .... | constructor | |
| Florence de la Maladière | .... | painter | |
| Bernard Ducrocq | .... | property master | |
| Pascal Fasola | .... | painter | |
| Patrice Fasola | .... | head painter | |
| Jean-Pierre Gaillot | .... | set dresser | |
| Serge Goblet | .... | constructor | |
| Grégory Graziani | .... | painter | |
| Lazlo Guarguir | .... | painter | |
| Rodolphe Heckmann | .... | constructor | |
| Guy Lionel | .... | painter | |
| Max Magnan | .... | storyboard artist | |
| Emmanuel Marthon | .... | constructor | |
| Jonathan Muret | .... | assistant decorator | |
| Joel Nicolas | .... | carpenter (as Joël Nicolas) | |
| Stéphane Renié | .... | constructor | |
| Francoise Rouge | .... | painter | |
| Jean-Claude Tenes | .... | construction manager | |
| Laurent Thevenot | .... | painter (as Laurent Thévenot) | |
| Bertrand Vuarnesson | .... | carpenter | |
Sound Department | |||
| Vladislav Boyadjiev | .... | pro-tools technician | |
| Hervé Bénard | .... | sound recordist | |
| Nicolas Cantin | .... | boom operator | |
| Nicolas Cantin | .... | sound editor | |
| Joseph Catricala | .... | foley engineer | |
| Frédéric Cattoni | .... | stereo sound consultant: DTS | |
| Pascal Chauvin | .... | foley artist | |
| Eric Grattepain | .... | foley artist | |
| Gabriel Hafner | .... | sound editor | |
| Alexis Leverve | .... | sound recordist | |
| Didier Lizé | .... | sound engineer | |
| Michel Monier | .... | stereo sound consultant: Dolby | |
| Nicolas Naegelen | .... | sound mixer | |
| Laurent Peter | .... | sound assistant | |
| David Rit | .... | boom operator | |
| Hervé Roux | .... | stereo sound consultant: DTS | |
| Daniel Sobrino | .... | sound editor | |
| Daniel Sobrino | .... | sound mixer | |
| Patrice Séverac | .... | post-synchronization | |
| Vincent Vatoux | .... | sound | |
Special Effects by | |||
| Romain Bretet | .... | special effects | |
| Olivier Cohen-Bacri | .... | special effects | |
| Nicolas David | .... | titles design | |
| Daniel Lenoir | .... | special effects | |
| Carol Styczen | .... | special effects | |
| Piotr Styczen | .... | special effects | |
Visual Effects by | |||
| Thierry Ardiller | .... | digital compositor | |
| Luc Augereau | .... | visual effects producer | |
| Berengere Dominguez | .... | visual effects coordinator | |
| Justine Gasquet | .... | digital compositor | |
| Frederic Moreau | .... | visual effects producer | |
| François Vagnon | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| François Andreoletti | .... | video assist operator | |
| Nicolas Batisse | .... | video assist operator (as Nicolas Bátisse) | |
| Vincent Blasco | .... | grip | |
| Jean-Jacques Bouhon | .... | additional camera operator | |
| Michel Bubola | .... | electrician | |
| Simon Bérard | .... | gaffer | |
| Renaud Chassaing | .... | additional camera operator | |
| Benoit Dentan | .... | camera operator | |
| Guillaume Dreujou | .... | assistant camera | |
| Nicolas Duchêne | .... | assistant camera | |
| Jean-Christophe Duwez | .... | electrician | |
| Denis Garnier | .... | assistant camera | |
| Nil Henchoz | .... | key grip | |
| Hans Krumenacker | .... | electrician | |
| Frédéric Lenormand | .... | grip | |
| Margot Lestage | .... | second assistant camera | |
| Loïc Limosin | .... | electrician | |
| Christine Mignard | .... | assistant camera | |
| François Perrault-Alix | .... | grip | |
| Raphaël Planeix | .... | electrician trainee | |
| Philippe Quaisse | .... | still photographer | |
| Marie Queney | .... | assistant camera | |
| Yves Reymond | .... | grip | |
| Piotr Stadnicki | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Christine Civrac | .... | wardrobe | |
| Eric Perron | .... | costumer | |
| Jean-Pierre Villeneuve | .... | costumer | |
Editorial Department | |||
| Frédéric Casnin | .... | color timer | |
| Pauline Flamand | .... | assistant editor | |
| Alain Guarda | .... | color timer | |
| Sophie Voiturin | .... | assistant editor | |
Music Department | |||
| Christophe Barratier | .... | composer: themes "Cerf-Volant" and "Nous sommes de Fond de l'Etang" | |
| Bruno Coulais | .... | conductor | |
| Petits Chanteurs de Saint-Marc | .... | choir | |
| Dominic Faricier | .... | musician: piano | |
| Asen Kanchev | .... | music production manager | |
| Paul Lavergne | .... | executive music producer | |
| Slim Pezin | .... | music supervisor | |
| Nicolas Porte | .... | conductor: choir | |
Other crew | |||
| Stéphanie Auger | .... | production administrator | |
| Nasser Belkalem | .... | production coordinator | |
| Sarah Bellwood | .... | script consultant | |
| Nicolas Dumont | .... | executive production associate | |
| Mickael Georgeault | .... | groupman | |
| Magali Herbinger | .... | production secretary | |
| Claude Morice | .... | production administrator | |
| Frédéric North | .... | helicopter pilot | |
| Valentine Perrin | .... | assistant: Christophe Barratier | |
| Eva Simonet | .... | press attache | |
| Jean-Luc Tesson | .... | production assistant | |
| Françoise Thouvenot | .... | script supervisor | |
| Karin Tourgeman | .... | accountant | |
| Coralie Venière | .... | production assistant | |
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| La meglio gioventù | Spider-Man 3 | Au revoir les enfants | The Kite Runner | Faubourg 36 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Spoilers
Taking France by storm this summer, Les choristes purportedly led to a surge in applications to join choirs all over the country. The magic is unquestionably in the music, but I'll come to that later.
The success of Les choristes as a film (with or without the divine music) lies in its not trying to be anything more than what it is, a simple tale that opens up to you instead of manipulating you. You'll find neither heart-breaking poignancy nor rousing heroism. Within the short duration of a school term or two he spent with the somewhat notorious boarding school, teacher and musician Clement Mathieu had his modest ambition fulfilled, of having a choir sing the music he wrote, then moved along to a continuously modest life of teaching and music. Talented protégé Pierre Morhange did achieve fame and success, but we have essentially been spared laboured scenes of Titanic struggles or exuberant jubilation. To ensure that I'm not misleading towards the other extreme, let me hasten to add that Les choristes does touch our hearts. It does this gently, sensibly.
But in the end, it's the music. Purely the celestial beauty of the music alone will brings tears to the appreciative audiences' eyes. The story is touching. The character are likable. But the ultimate magic is the choir and boy soprano Jean-Baptiste Maunier chosen from two thousand auditions. Such a magical choice.