| James McAvoy | ... | Hal (voice: English version) | |
| Catherine McCormack | ... | Zita (voice: English version) | |
| Julian Glover | ... | Kahro (voice: English version) | |
| Derek Jacobi | ... | Nezo (voice: English version) | |
| Ian Hart | ... | Ghrak (voice: English version) | |
| Claire Skinner | ... | Jhinna (voice: English version) | |
| David Harewood | ... | Erito (voice: English version) | |
| Samantha Bond | ... | Eike (voice: English version) | |
| rest of cast listed alphabetically: | |||
| Marina Bouras | ... | Jhinna (voice) | |
| Pernille Højmark | ... | Eike (voice) | |
| Paul Hüttel | ... | Agra (voice) | |
| Jonas Karlsson | ... | Hal (voice: Swedish version) | |
| Melinda Kinnaman | ... | Zita (voice: Swedish version) | |
| Jesper Langberg | ... | Nezo (voice) | |
| Henning Moritzen | ... | Kahro (voice) | |
| Søren Spanning | ... | Erito (voice) | |
| Piers Stubbs | ... | (voice: English version) | |
| Jens Jacob Tychsen | ... | Hal (voice) | |
Directed by | |||
| Anders Rønnow Klarlund | |||
Writing credits(in alphabetical order) | ||
| Naja Marie Aidt | ||
| Anders Rønnow Klarlund | story | |
Produced by | |||
| Aage Aaberge | .... | co-producer | |
| Niels Bald | .... | producer | |
| Kate Barry | .... | associate producer | |
| Jan Blomgren | .... | co-producer | |
| Mike Downey | .... | co-producer | |
| Rumle Hammerich | .... | creative producer | |
| Axel Helgeland | .... | co-producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Sam Lavender | .... | associate producer | |
| Zorana Piggott | .... | associate producer | |
| Sam Taylor | .... | co-producer | |
| Ole Østergaard | .... | assistant producer | |
Original Music by | |||
| Jørgen Lauritsen | |||
Cinematography by | |||
| Kim Hattesen | |||
| Jan Weincke | |||
Film Editing by | |||
| Leif Axel Kjeldsen | |||
Casting by | |||
| Sam Chandley | |||
Production Design by | |||
| Sven Wichmann | |||
Art Direction by | |||
| David Drachmann | |||
Costume Design by | |||
| Ingrid Søe | |||
Production Management | |||
| Martin Keller | .... | post-production manager | |
| Lykke Lyngsø | .... | production manager | |
| Emma Murphy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Søren Hadsund Mortensen | .... | second assistant director (as Søren Hadslund Mortensen) | |
| Mikkel Nørgaard | .... | second assistant director | |
| René Frelle Petersen | .... | second assistant director | |
| Malene Vilstrup | .... | second assistant director | |
| Jonas Wagner | .... | first assistant director | |
Art Department | |||
| Jannik Albrechtsen | .... | painter | |
| Ole Paikjær Bak | .... | property builder | |
| Christian Bamberg | .... | carpenter | |
| Niels Bisbo | .... | technical drawings | |
| Søren Buus | .... | property designer | |
| Michael Doblin Larsen | .... | construction coordinator (as Michael Dolin Larsen) | |
| Sune Ehlers | .... | assistant art director | |
| Sune Elskær | .... | storyboard artist | |
| Jan Funk | .... | carpenter | |
| Sidse Færk | .... | set dresser | |
| Esben Horn | .... | model builder | |
| Mike Jensen | .... | storyboard artist | |
| Lucas Aron Krügermeier | .... | carpenter | |
| Gunnar Ludvigsen | .... | carpenter | |
| Esben Mourier | .... | property master | |
| Mette Nielsen | .... | painter | |
| Rebecca Nielsen | .... | props assistant (as Rebecca Camilla Nielsen) | |
| Sten Nielsen | .... | carpenter | |
| Jakob Polack | .... | technical drawings (as Jacob Polack) | |
| Thomas Pors | .... | technical drawings | |
| Reto Raselli | .... | model builder (as Reto Rasseli) | |
| Annette Rolfshøj | .... | property builder | |
| Peter Thomas Skat-Rørdam | .... | carpenter | |
| Birgitte Thiesen | .... | painter | |
| Jacob Torp Hansen | .... | carpenter | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | sound effects editor | |
| Felicity Cottrell | .... | foley artist | |
| Alex Hudd | .... | sound consultant: dolby | |
| Anne Jensen | .... | foley recordist | |
| Hans Møller | .... | sound | |
| Lars Rasmussen | .... | sound assistant | |
| Jamie Roden | .... | adr mixer | |
| Eddie Simonsen | .... | additional sound effects | |
Visual Effects by | |||
| Lars Brok | .... | digital compositor | |
| Niels Valentin Dal | .... | digital matte painter | |
| Claus Greffel | .... | Fire/Inferno artist | |
| Kasper Jansen | .... | visual effects animator | |
| Jon Lauridsen | .... | visual effects animator | |
| Daniel Silwerfeldt | .... | visual effects supervisor | |
| Tonni Zinck | .... | 3D supervisor | |
Camera and Electrical Department | |||
| Niels Buchholzer | .... | sparks | |
| Steen Donsby | .... | still photographer | |
| Philip Forbes | .... | assistant cinematographer: second unit | |
| Claudio Fransson | .... | sparks | |
| Nicolas Tobias Følsgaard | .... | camera trainee | |
| Thue Garde | .... | camera trainee | |
| Jonathan Go-Matsushima Rasmussen | .... | sparks (as Jonathan Go-Matsushima) | |
| Ian Hansen | .... | director of photography: second unit | |
| Thomas Holm Deleurang | .... | focus puller: second unit (as Thomas Holm Christensen) | |
| Morten Jensen | .... | grip | |
| Jimmy Leavens | .... | grip | |
| Martin Lerche | .... | best boy | |
| Mark Mavrinac | .... | grip | |
| Lennart Pettersson | .... | assistant cinematographer | |
| Martin Pålsheden | .... | best boy | |
| Søren Sielemann | .... | sparks | |
| Jens Sjöwall | .... | gaffer (as Jens Sjöwall-Wahlöö) | |
| Michael Sørensen | .... | gaffer | |
| Erik Thal-Jantzen | .... | assistant cinematographer | |
| Michael Tøt | .... | grip | |
| Henry Williams | .... | grip (as Henry E. Williams) | |
| Sebastian Winterø | .... | cinematographer: opening sequence | |
| Eric Witzgall | .... | assistant cinematographer: second unit | |
Costume and Wardrobe Department | |||
| Janni Andrup Madsen | .... | wardrobe assistant | |
| Grith Deleuran | .... | wardrobe mistress | |
| Nynne Gottlieb | .... | wardrobe assistant | |
| Julia Lundby Lous | .... | wardrobe assistant | |
| Emmy Nielsen | .... | wardrobe assistant | |
| Disa Persson | .... | wardrobe assistant | |
| Julie Raavig | .... | wardrobe assistant | |
| Maj-Britt Velling | .... | wardrobe assistant | |
Editorial Department | |||
| Carsten Bramsen | .... | second assistant editor | |
| Pelle Folmer | .... | lab post-production coordinator | |
| Norman Nisbet | .... | colorist | |
| Rikke Selin | .... | first assistant editor (as Rikke Selin Lorentzen) | |
Music Department | |||
| Thomas Lester | .... | music editor | |
Other crew | |||
| Finn Andersen | .... | puppet builder | |
| Peter Baird | .... | puppeteer (as Peter B. Baird) | |
| Radek Beran | .... | puppeteer | |
| Gila Bergqvist | .... | film consultant: Swedish Film Institute | |
| Vit Brukner | .... | puppeteer | |
| Sue Dacre | .... | puppeteer | |
| Nele de Craecker | .... | puppeteer | |
| Espen Dekko | .... | puppeteer | |
| Lars Dela | .... | technical supporter | |
| Andrea Diestel | .... | party organizer | |
| Olga Felgemacher | .... | puppeteer (as Olga Felgemacher Marin) | |
| Geoff Felix | .... | puppeteer | |
| Peter Garde | .... | financial advisor | |
| Libby Granger | .... | puppeteer | |
| Simon Granger | .... | puppeteer | |
| Gudmundur Lúdvik Grétarsson | .... | puppet builder | |
| Allan Haslund | .... | puppet builder | |
| Jacob Hoffmann | .... | runner | |
| Signe Iarussi | .... | coordinator of puppetry department (as Signe Rasmussen) | |
| Per Kapper | .... | puppet builder | |
| Lars Kirchhoff | .... | puppet builder | |
| Astrid Kjær Jensen | .... | assistant puppeteer | |
| Casper Knudsen | .... | runner | |
| Maria Koch Nielsen | .... | set assistant | |
| Sofie Krog | .... | puppeteer | |
| Sam Lavender | .... | development executive | |
| Govert Lund | .... | puppet builder | |
| Lars Lundegaard | .... | set runner | |
| Patrick Maire | .... | puppeteer | |
| Craig Marin | .... | puppeteer | |
| Magnus Miselli | .... | puppet builder | |
| Stephen Mottram | .... | puppeteer | |
| Bernd Ogrodnik | .... | lead puppeteer | |
| Bernd Ogrodnik | .... | puppet building supervisor | |
| Tomás Procházka | .... | puppeteer | |
| Damian John Regan | .... | assistant puppeteer | |
| Sophie Rimington | .... | puppeteer | |
| Søren Huus Rosenquist | .... | technical production assistant | |
| Diana Klara Røjtburg | .... | set runner | |
| Adalsteinn Steffansson | .... | puppet builder | |
| Malina Terkelsen | .... | production assistant | |
| Lee Thomas | .... | assistant to producers | |
| Joakim Zacko Weyland | .... | key puppet builder (as Joakim Zacho Weylandt) | |
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| Imperium: Augustus | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Golden Compass | Edvard Munch | The Man in the Iron Mask |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Denmark section |
Strings, at it's simplest level, is a dark fairy tale of the Brother's Grimm variety. The film begins with a King writing his final message before he kills himself, asking his son to take up his crown and strive for peace between his people and the rebellious enemy of the nation. However the King's evil brother finds the note first, and wanting to get rid of the son, and also wipe out the rebel faction, he concocts a plot to achieve his goal, and claim the throne for himself. The son soon finds himself an outcast from his land, and learns some shocking truths, whilst also falling in love. Sort of Snow White meets Gormenghast, the tale itself is nothing new. What makes this film different is the style in which it is presented. The characters are all puppets.
Now, this isn't the first puppet film to have hit the screen. In the past there have been various attempts, most recently the spoof Team America. However, in all the films before the puppets were used to represent humans. Here, in Strings, the fact that they are marionettes is integral to the tale, and the strings that hold them are as important as the characters. Each of them are aware of these cords, and they play such a huge part in every scene, and in the grand design of the whole thing. The details such as the city gate being just a piece of stone which is lifted to a high level, preventing the strings from passing, thus stopping anyone entering or leaving. The prison which is a simple grid of beams at a height, leading to some poignant moments when an imprisoned family can see each other, but cannot touch. Fights are enacted where the intention is to sever someone's cords. A child's birth is a different affair, with the baby being carved first before the strings themselves can be attached. Truly imaginative, and quite a high concept, yet working so well.
The marionettes are not the detailed dolls that Team America gave us. The only facial movements here are the eyes which open and close. This could have presented a problem, but thanks to the marvelous animation of the wooden puppets, and some passionate voice casting, it doesn't. There is never any confusion as to who is speaking, and what is going on, as the film presents us with wonderfully conceived scene after scene. Some elements are beautiful and touching, such as an underwater rescue, or the aforementioned birth scene. Some are quite shocking, but without being upsetting. Burning string has never seemed so dark until now.
This is possibly one of the freshest, most creative films of recent years, and is another example of someone doing something new with a genre. Visually superb, and wonderfully played out, the only concern is where the market actually lies for this kind of film. As a kids story it is very mature and dark, and as a mature film, the puppetry is a little alienating to the masses. Instead this film lies somewhere between the two, and if you can cope with a delightful tale, with poignant moments, enacted by some of the best 'classic' puppetry you would ever see, then go and take a seat.