| Amitabh Bachchan | ... | Debraj Sahai | |
| Rani Mukerji | ... | Michelle McNally | |
| Shernaz Patel | ... | Catherine 'Cathy' McNally | |
| Ayesha Kapoor | ... | Young Michelle McNally (as Ayesha Kapur) | |
| Dhritiman Chatterjee | ... | Paul McNally (as Dhritiman Chaterji) | |
| Sillo Mahava | ... | Mrs. Gomes (as Silloo Mahava) | |
| Chippy Gangjee | ... | Principal Fernandes (as Chippy Ganjee) | |
| Mahabanoo Mody-Kotwal | ... | Mrs. Nair | |
| Nandana Sen | ... | Sara McNally | |
| Kenny Desai | ... | Dr. Mehta | |
| Arif Shah | ... | Marc Brugger | |
| Bomie E. Dotiwala | ... | Mr. Brugger (as Bomi Dotiwala) | |
| Jeroo Shroff | ... | Mrs. Brugger | |
| Bomi Kapadia | ... | Trustee 1 | |
| Kamal Adib | ... | Trustee 2 | |
| Zul Vellani | ... | Trustee 3 | |
| Shehnaz Anand | ... | Teacher | |
| Polly Shroff | ... | Nun | |
| Marriane D'Cruz | ... | Singer at the party (as Marianne D'Cruz) | |
| Richard Lane Smith | ... | Priest | |
| Tiara Gandhi | ... | Baby Sara McNally | |
| Trish Xavier | ... | Baby Michelle McNally | |
| Salomi Roy Kapur | ... | Martha |
Directed by | |||
| Sanjay Leela Bhansali | |||
Writing credits(in alphabetical order) | ||
| Sanjay Leela Bhansali | screenplay | |
| Bhavani Iyer | English dialogue | |
| Bhavani Iyer | screenplay | |
| Prakash Kapadia | screenplay and dialogue | |
Produced by | |||
| Sanjay Leela Bhansali | .... | producer | |
| Gautami Bhatt | .... | executive producer | |
| Aman Gill | .... | executive producer | |
| Kuldeep Rathore | .... | line producer (as Kuldeep Singh) | |
| Anshuman Swami | .... | producer (as Anshumaan Swami) | |
Original Music by | |||
| Monty Sharma | (as Monty) | ||
Cinematography by | |||
| Ravi K. Chandran | |||
Film Editing by | |||
| Bela Segal | |||
Casting by | |||
| Amita Sehgal | |||
Production Design by | |||
| Sabyasachi Mukherji | |||
Art Direction by | |||
| Omung Kumar | |||
Costume Design by | |||
| Sabyasachi Mukherji | |||
Makeup Department | |||
| Beena Banerjee | .... | hair stylist: Nandana Sen (as Beena) | |
| Joshua Clement | .... | assistant in execution of prosthetic makeup: Amitabh Bachchan | |
| Pradeep Doiphode | .... | assistant makeup artist | |
| Dayanand Gowda | .... | assistant in execution of prosthetic makeup: Shernaz Patel | |
| Hamid Khan | .... | makeup artist | |
| Loretta | .... | hairdresser: Rani Mukherjee | |
| Nahush Namdev Pise | .... | design and execution of prosthetic makeup: Shernaz Patel | |
| Prashant | .... | makeup artist: Rani Mukherjee | |
| Ruby Sape | .... | assistant hair stylist | |
| Deepak Sawant | .... | hairdresser: Amitabh Bachchan | |
| Deepak Sawant | .... | makeup artist: Amitabh Bachchan | |
| Chang Su Chan Shiu | .... | hair stylist | |
| Chang Su Chan Shiu | .... | hairdresser: Rani Mukherjee | |
| Amber Sibley | .... | prosthetic makeup effects artist: Amitabh Bachchan | |
| Subhash | .... | makeup artist: Nandana Sen | |
| Christopher Tucker | .... | prosthetic makeup designer: Amitabh Bachchan | |
Production Management | |||
| Gajendra Mishra | .... | production manager | |
| Meraj Shaikh | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Saurash Agarwal | .... | assistant director | |
| Dheeraj Akolkar | .... | chief assistant director | |
| Hansraj Bhaktawala | .... | assistant director | |
| Pradeep Choudhary | .... | chief assistant director | |
| Sangeeta Gala | .... | assistant director | |
| Ranbir Kapoor | .... | assistant director | |
| Sonam Kapoor | .... | assistant director | |
| Shyam Kaushal | .... | action director (as Sham Kaushal) | |
| Shabina Khan | .... | assistant director | |
| Amber Lall | .... | associate director | |
| Amar Sagar | .... | assistant director | |
| Shailey Sharma | .... | chief assistant director | |
Art Department | |||
| Farida Hussain Ali | .... | props and furniture | |
| Vivek Bhalerao | .... | assistant art director | |
| Deepal Dass | .... | graphics: Prime Focus Team | |
| Deen Dayal | .... | art department (as Deendayal) | |
| Aditya Desai | .... | graphics: Prime Focus Team | |
| Tushar Desai | .... | graphics: Prime Focus team | |
| Dinesh | .... | art department | |
| Mehernosh Fanibanda | .... | graphics: Prime Focus Team | |
| Jagdish | .... | assistant art director | |
| Jairaj | .... | art department | |
| Ketan Kale | .... | graphics: Prime Focus Team | |
| Rahul Kurup | .... | assistant art director | |
| Somnath Lohar | .... | assistant art director | |
| Manoj | .... | art department | |
| Vishrut Manseta | .... | graphics: Prime Focus Team | |
| Ram More | .... | assistant art director | |
| Jignesh Patel | .... | graphics: Prime Focus Team | |
| Jimmy Philip | .... | graphics: Prime Focus team | |
| Tushar Shah | .... | graphics: Prime Focus Team | |
| Machhindra Shinde | .... | assistant art director | |
| Sudhakar | .... | art department | |
| Uttam | .... | art department | |
| Vinod | .... | art department | |
| Santosh Waikar | .... | assistant art director | |
| Wasim | .... | art department | |
Sound Department | |||
| Vikram Biswas | .... | sync effect assistant | |
| Cherag Cama | .... | sync sound mixing | |
| Sajjan Choudhary | .... | foley artist | |
| Subir Kumar Das | .... | re-recording assistant | |
| Anup Dev | .... | sound re-recording mixer | |
| Jayesh Dhakan | .... | adr recordist | |
| Amrit Pritam Dutta | .... | foley editor | |
| Tanay Gajjar | .... | background mixing engineer | |
| Rajendra Gupta | .... | foley artist | |
| Boby John | .... | ProTools engineer (as Bobby John) | |
| Boby John | .... | dialogue editor (as Bobby John) | |
| Sanjay Kurian K. | .... | associate sound recordist (as Sanjay Kurian) | |
| Mohamed Husein Kalsikar | .... | boom operator (as Mehmood Kalsekar) | |
| Sasi Kasaria | .... | boom operator (as Shashi Kasare) | |
| Shajith Koyeri | .... | sound editor | |
| Vijay Kumar | .... | foley artist | |
| Manik Mukherjee | .... | foley editor | |
| Namdes Patekar | .... | sync effect assistant | |
| Resul Pookutty | .... | sound designer | |
| Resul Pookutty | .... | sync sound mixing | |
| Resul Pookutty | .... | trade mixes | |
| Bhaskar Roy | .... | re-recording assistant | |
| Kunal Sharma | .... | ProTools engineer | |
| Jahangeer Sheik | .... | boom operator (as Jahangir Sheikh) | |
| Karnail Singh | .... | foley artist | |
| Jayant Vajpayee | .... | adr recordist (as Jayant Bajpeyi) | |
Visual Effects by | |||
| Paresh Acharya | .... | digital grading co-ordinator: Prime Focus Team | |
| Mahesh Baria | .... | digital compositor: Prime Focus Team | |
| Arup Chakravarty | .... | digital recording technician: Prime Focus Team | |
| Tony Cole | .... | visual effects compsitor: Intercolour Team, Sydney | |
| Rohan Desai | .... | digital color grading: Prime Focus Team | |
| Rohan Desai | .... | visual effects supervisor: Prime Focus Team | |
| Nirmal Gala | .... | digital grading co-ordinator: Prime Focus Team | |
| Sohail Gandhi | .... | data management: Prime Focus Team | |
| Lucky Honda | .... | digital scanning technician: Prime Focus Team | |
| Ketan Kale | .... | digital compositor | |
| Prakash Kurup | .... | title designer: Prime Focus Team | |
| Tony Leach | .... | visual effects coordinator: Intercolour Team, Sydney | |
| Warren Lynch | .... | digital colourist: Intercolour Team, Sydney | |
| Susheel Peris | .... | digital compositor: Prime Focus Team | |
| Santosh Prajapati | .... | digital compositor: Prime Focus Team | |
| Ritesh Shetty | .... | digital recording technician: Prime Focus Team | |
| Smanoj C.P.K. Verma | .... | digital colorist: Prime Focus Team | |
Stunts | |||
| Parmajeet | .... | action assistant | |
| Heera Singh | .... | action assistant (as Heera) | |
Camera and Electrical Department | |||
| Ayananka Bose | .... | camera operator | |
| Dharuman | .... | dolly grip | |
| V. Hariprasad | .... | assistant camera | |
| Ganesh Hegde | .... | dolly grip | |
| Irfan | .... | spot boy (as Irfaan) | |
| Dinesh Jangam | .... | best boy electric | |
| Kumar Shiv Kumar | .... | spot boy | |
| Chhabinath Mishra | .... | company electrician | |
| Mukesh | .... | spot boy | |
| Nagesh | .... | camera attendant (as Nageesh) | |
| Narayan | .... | spot boy | |
| Vikash Nowlakha | .... | assistant camera | |
| Guna Palan | .... | gaffer | |
| Rakesh Pandey | .... | spot boy | |
| Prasad | .... | camera attendant | |
| Rafiq | .... | spot boy | |
| Digamber Rajapurkar | .... | spot boy (as Digambar) | |
| Ram | .... | spot boy | |
| Nitin Rao | .... | Steadicam operator | |
| Prakash Shetty | .... | gaffer | |
| Shiva | .... | assistant grip | |
| Priyanka Sood | .... | assistant camera | |
| Sreenu | .... | camera attendant | |
| R. Sudhakaran | .... | focus puller | |
| Vasu | .... | spot boy | |
| Hari Vendantam | .... | second assistant camera | |
Casting Department | |||
| Purnamrith Singh | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rajesh Ayyar | .... | dressman (as Rajesh Iyer) | |
| Mohammed Aziz | .... | tailor | |
| Dilip Chauhan | .... | dressman | |
| Yashpal Concessao | .... | costume assistant | |
| Dattaram | .... | dressman | |
| Nagraj Gaddam | .... | dressman | |
| Ramkrishna Gaddam | .... | dressman (as Krishna Gaddam) | |
| Vishnu Kaheri | .... | dressman | |
| Amol Kelshikar | .... | costume assistant | |
| Sher Khan | .... | dressman | |
| Mohsen Nathani | .... | costumes: junior artistes | |
| Anand Naverakar | .... | dressman | |
| Simit Sandhu | .... | costume assistant | |
| Maqbool Shaikh | .... | dressman | |
| Hyder Sheikh | .... | dressman | |
| Rajkumar Yadav | .... | dressman | |
Editorial Department | |||
| K.N. Nayak | .... | color grader: Adlabs | |
| Tirupathi Reddy | .... | associate editor (as B.R. Tirupathi Reddy) | |
| Amit Shetty | .... | negative handler | |
Music Department | |||
| Ashton Colaco | .... | musician: saxophone | |
| Lavine D'Costa | .... | musician: double bass | |
| Gayatri Iyer | .... | playback singer (as Gyatri Ganjawala) | |
| Zohaib Khan | .... | music assistant | |
| Pritesh Mehta | .... | music programmer | |
| Roger Menezes | .... | musician: drums | |
| Ameya Nare | .... | music assistant | |
| Taufiq Qureshi | .... | musician: rhythm | |
| Cliffton Rodricks | .... | musician: piano | |
| Nitin Shankar | .... | musician: rhythm | |
Other crew | |||
| Vikas Bahl | .... | production team: Simla | |
| Vishal Bahl | .... | caterer | |
| Vishal Bahl | .... | production coordinator: Simla | |
| Manu Bhatia | .... | production team: Simla | |
| Manmeet Bhatti | .... | publicity stills | |
| Anil Chinrania | .... | legal consultant | |
| J.P. Choksi | .... | media and strategy consultant | |
| Joe D'Souza | .... | publicity stills | |
| Chetan Deolekar | .... | production accountant | |
| Hetal Desai | .... | model coordinator | |
| Sangeeta Gala | .... | consultant: sign language | |
| Vijendra Gupta | .... | provider: vintage car | |
| Om Prakash Jagodia | .... | accounts team | |
| Adil Jain | .... | publicity stills | |
| Pravin Jain | .... | personal boy: Amitabh Bachchan | |
| Zankhana Joshi | .... | office staff | |
| Anil Kavshik | .... | applause team | |
| Sachin Khaitan | .... | production accountant | |
| Samar Khan | .... | applause team | |
| Krishna | .... | company lightman | |
| Amber Lall | .... | associate director | |
| Frankie Malhotra | .... | production assistant | |
| Ranjit Malik | .... | provider: vintage car (as Ranjeet Malik) | |
| Peter Martis | .... | public relations officer | |
| Rajesh Mishra | .... | production assistant | |
| Vishal Modi | .... | production accountant | |
| Himanshu Nanda | .... | publicity designer | |
| Rahul Nanda | .... | publicity designer | |
| Rahul Nanda | .... | web site designer | |
| Narayan | .... | personal boy: Nandana Sen | |
| Kalidas Naryan | .... | office boy | |
| Neeraj Parashar | .... | model coordinator | |
| Rajesh | .... | company lightman | |
| K.S. Ramaiya | .... | accounts team | |
| Sachin | .... | production team: Simla | |
| Sanjeev | .... | company lightman | |
| Sanju | .... | production team: Simla | |
| Manoj Sharma | .... | accounts team | |
| Abhay Singh | .... | publicity stills | |
| Chandrakant Surekha | .... | chief production accountant | |
| Manish Temkar | .... | accounts team | |
| Upendra | .... | personal boy: Rani Mukherjee | |
| Rajnath Yadav | .... | production assistant | |
Thanks | |||
| Navin Bhansali | .... | dedicatee | |
| Usha Bumbawala | .... | special thanks (as Dr. Usha Bumbawala) | |
| Rohan D'Souza | .... | special thanks (as Dr. Rohan D'Souza and the Newman Choir) | |
| Shripad Desai | .... | special thanks: Novartis | |
| Dinoo Gandhi | .... | special thanks: National Association for the Blind | |
| Kumar Gaurav | .... | sincere thanks | |
| Nasli Ichhaporia | .... | special thanks (as Dr. Nasli Ichhaporia) | |
| Helen Keller | .... | dedicatee | |
| Virbhadra Singh | .... | sincere thanks: Hon. Chief Minister of Himachal Pradesh (as V.S. Singh) | |
| Beroz Vacha | .... | sincere thanks (as Ms. Beroz Vacha) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb India section |
First things first. On Easter Sunday I pondered whether I should go see the film "Black" -- a film about which I had heard nothing in the popular press, until I saw its title on the cinema's Marquee. Not surprising really, since the film appears at this point to have only been released in the specialty Hindi-language Bollywood film circuit in Canada. Which is a real pity because if I had not made an accidental point of presenting myself at a movie-house that was actually screening the picture, as a Euro-heritage native-born Canadian I would likely still be walking around in a typically North American ethno-centric film fog about this excellent picture.
When I initially asked the theatre's ticket clerk what "Black" was about, his description hardly got me excited. It's the story of a teacher who helps a disabled woman. It didn't sound terribly engaging to me. But boy, was I wrong! While I am not a complete stranger to a number of Bollywood-type films, I'm lucky if I see one or two in a year, and at that, it's usually been because someone else has suggested it. While few of these "B" class movies "deserve" screen time in mainstream North American theatres, this is hardly the case for "Black". It is not a "B" class flic.
If only because the film's Director Sanjay Bhansali co-wrote the script, this obviously allowed him to imagine how he might want to capture the story with beautiful emotionally-charged cinematography. And what a sophisticated symbolically packed feast it was at that! Yet backing up the impeccable imagery was an equally top-drawer story. One dimension tells the story of a once well-regarded teacher who has come to the end of his financial, if not his existentially-justified rope, a man whose talents are neither fully recognized or completely appreciated. Then during this 11th hour turmoil, he receives a letter asking for help from the parents of a young deaf and blind girl. Her story is of course equally gripping, a girl effectively trapped in an internal prison in which language, a vital connector within herself as well as to the outside world, is missing. In this sense, both characters need one another, for both are on the common and all too true brink of being "disposable people" - people ripe relegated to become out-of-sight out-of-mind statistics in a faceless institution.
This feature of the story speaks to a possibility few of us care to contemplate, namely: "Who would care for me if everything fell to pieces?". It is a possibility reminiscent of and anchored in a time when as children we depended entirely on our parents for nurturance and love. This I think is what gives this story its privileged access to the inner-recesses of our deep emotional need for interconnection. And because it is a story told as much with emotionally poignant visuals as it is with emotionally gripping dialogue, these have a way of by-passing the usual intellectual filters we erect to both define and "protect" ourselves from one another. This film will have none of that. And the emotionally-forceful performances offered by the male and female leads simply seal our fates, leading us to co-journey with them in their heroic quest to find the light that will illumine us as much as them.
Few are the number of viewers who could experience this film and not leave better people, if only because it succeeds in allowing us to recognize the value of caring for one another as the greatest triumph, if not the most important ingredient in all of our other successes as a species. In short, this film strives to restore one's faith in the value of life and love, and does very well in that task. And what more can anyone ask from any motion picture? It is a work of genius, well executed, and a triumph of film-making, regardless the culture. Which is why I believe it deserves a lofty 10.