| Photos (see all 57 | slideshow) | Videos |
| James Roday | ... | Mickey, First Assistant Director | |
| Jeffrey Vincent Parise | ... | Second Assistant Director (as Jeff Parise) | |
| Majandra Delfino | ... | First Trailer Twin | |
| Marieh Delfino | ... | Second Trailer Twin | |
| Sam Shepard | ... | Howard Spence | |
| George Kennedy | ... | Director | |
| Julia Sweeney | ... | Producer 2 | |
| Tim Matheson | ... | Producer 1 | |
| James Gammon | ... | Old Ranch Hand | |
| Tim Roth | ... | Sutter | |
| Robin Twogood | ... | Patrolman | |
| Gabriel Mann | ... | Earl | |
| Fairuza Balk | ... | Amber | |
| Mike Butters | ... | Businessman | |
| Sarah Polley | ... | Sky | |
| Rita Hutchison | ... | Mexican Woman | |
| Marley Shelton | ... | Starlet | |
| Eva Marie Saint | ... | Howard's Mother | |
| Kurt Fuller | ... | Mr. Daily | |
| Tom Farrell | ... | Cliff Ormsby (as Tom F. farrell) | |
| Yuri Elvin | ... | Casino Bartender | |
| Rachel Amondson | ... | Cocktail Waitress | |
| Jinny Lee Story | ... | Drunken Girl (as Jinny Story) | |
| Hugh Aodh O'Brien | ... | Secuyrity Guard | |
| Raymond O'Connor | ... | Elko Policeman - Charlie | |
| Carrie Mae Jones | ... | Elko Waitress (as Carrie Jones) | |
| Emy Coligado | ... | Desk Clerk | |
| Kristina Lankford | ... | Maid | |
| Jessica Lange | ... | Doreen | |
| Katie Goodman | ... | MGM Waitress | |
| Rodney A. Grant | ... | Wild-Eye | |
| rest of cast listed alphabetically: | |||
| David Michie | ... | Boxing Video Game Announcer (uncredited) | |
| Diane Polley | ... | Sky's Mother (in photograph) (uncredited) | |
| Rockey Whipkey | ... | Garbageman (uncredited) | |
Directed by | |||
| Wim Wenders | |||
Writing credits(WGA) | ||
| Sam Shepard | (screenplay) | |
| Sam Shepard | (story) & | |
| Wim Wenders | (story) | |
Produced by | |||
| Karsten Brünig | .... | producer | |
| Rémi Burah | .... | associate producer | |
| Reinhold Elschot | .... | associate producer | |
| Frank Graf | .... | associate producer | |
| In-Ah Lee | .... | producer | |
| Carsten H.W. Lorenz | .... | co-producer (as Carsten Lorenz) | |
| Stephan Mallmann | .... | associate producer | |
| Peter Nadermann | .... | associate producer | |
| Michel Reilhac | .... | associate producer | |
| Andreas Schreitmüller | .... | associate producer | |
| Peter Schwartzkopff | .... | producer | |
| Jeremy Thomas | .... | executive producer | |
| Meinolf Zurhorst | .... | associate producer | |
Original Music by | |||
| T-Bone Burnett | (as T Bone Burnett) | ||
Cinematography by | |||
| Franz Lustig | (director of photography) | ||
Film Editing by | |||
| Peter Przygodda | |||
| Oli Weiss | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Nathan Amondson | |||
Art Direction by | |||
| William Budge | |||
| Nicole Lobart | |||
Set Decoration by | |||
| David Storm | |||
Costume Design by | |||
| Caroline Eselin | (as Caroline Eselin-Schaefer) | ||
Makeup Department | |||
| Courtney Buley | .... | hair stylist intern | |
| Sam Debree | .... | makeup artist (as Fredrich 'Sam' DeBree) | |
| Bonita DeHaven | .... | makeup artist: Miss Lange | |
| Barbara Lamelza | .... | key makeup artist | |
| David Larson | .... | assistant hair stylist | |
| D. Garen Tolkin | .... | key hair stylist (as Garen Tolkin) | |
Production Management | |||
| Dominik Bollen | .... | post-production supervisor | |
| Samson Mucke | .... | unit production manager | |
| Niels Rinke | .... | post-production supervisor | |
| Haley Sweet | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Josef Lieck | .... | first assistant director | |
| Edward McGurn | .... | second assistant director | |
| Josefine Schwartzkopff | .... | assistant director department intern | |
| Michael Wenders | .... | assistant director department intern | |
Art Department | |||
| Isaac Amondson | .... | leadman | |
| Rachel Amondson | .... | art department intern | |
| Tony Ballew | .... | lead propmaker | |
| Zach Bangma | .... | art department assistant | |
| Angel Boyken | .... | lead scenic artist | |
| Denise Ciarcia | .... | assistant property master | |
| Michael A. Clark | .... | construction coordinator (as Mike Clark) | |
| Katherine Craig-Lowe | .... | construction office manager (as Kathy Craig-Lowe) | |
| Camden Draeger | .... | art department intern | |
| Craig Sherman Hall | .... | on-set dresser | |
| Jeff Hill | .... | propmaker | |
| Dixie Housel | .... | painter | |
| Mary Keele | .... | laborer (as Mary K. Keele) | |
| Jeffrey M. O'Brien | .... | property master (as Jeffrey O'Brien) | |
| David Van De Veere | .... | set dresser | |
| Robb Webber | .... | scenic artist | |
Sound Department | |||
| Manfred Arbter | .... | dubbing mixer | |
| Michael Baird | .... | sound effects editor | |
| Oliver Barth | .... | dialogue editor | |
| Michael Fürstenberg | .... | technical support: sound | |
| Hubert Henle | .... | sound consultant: Dolby | |
| Eric Horstmann | .... | audio support | |
| Bostjan Kacicnik | .... | dialogue looping editor | |
| Manuel Laval | .... | foley editor | |
| Claude Letessier | .... | sound designer | |
| Sabrina Naumann | .... | additional foley editor | |
| Donald Nelson | .... | boom operator (as Don Nelson) | |
| Matthew Nicolay | .... | production sound mixer | |
| Mike Stephan Parker | .... | assistant foley editor (as Mike Parker) | |
| Carsten Richter | .... | foley artist | |
| Walter Spencer | .... | supervising sound editor | |
| Marcus Sujata | .... | foley recordist | |
| Roman Volkholz | .... | assistant foley editor | |
| Alan Freedman | .... | adr mixer (uncredited) | |
| Ralph Thiekötter | .... | sound dubbing mixer (uncredited) | |
Special Effects by | |||
| Lenny Dalrymple | .... | special effects | |
| Steve Dearth | .... | special effects (as Steven Dearth) | |
Visual Effects by | |||
| Sacha Bertram | .... | visual effects production manager | |
| David Colclasure | .... | on-screen boxing game | |
| Alex Klippe | .... | Lustre assistant | |
| Teni Noravian | .... | compositing artist | |
| Eva Rais | .... | opticals | |
| Sandra Roach | .... | compositing artist | |
| Dina Saleem | .... | compositing artist | |
| Hari Schernthaner | .... | Lustre assistant | |
| Benjamin Seide | .... | compositing artist | |
| Juri Stanossek | .... | visual effects supervisor | |
| Max Stummer | .... | tracker/matchmover | |
| Dominik Trimborn | .... | visual effects supervisor | |
| Robert Tucker | .... | compositing artist | |
| Frank Berbert | .... | digital compositor (uncredited) | |
| Paul Dreisen | .... | digital compositor (uncredited) | |
| David Laubsch | .... | digital compositor (uncredited) | |
| Abraham Schneider | .... | digital compositor (uncredited) | |
Stunts | |||
| Stan Barrett | .... | falling stuntman #1 (as Stanton Barrett) | |
| Hugh Aodh O'Brien | .... | stunt coordinator: Vendover (as Hugh O'Brien) | |
| Casey O'Neill | .... | falling stuntman #2 | |
| Jesse Shepard | .... | stunt double: Sam Shepard | |
Casting Department | |||
| Tina Buckingham | .... | extras casting | |
| Tina Buckingham | .... | local casting | |
| Laura Corrin | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Nicola Marsh | .... | extras casting coordinator (as Nicola B. Marsh) | |
| Michele Short | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shirley Kurata | .... | costumer | |
| Cathy Smith | .... | set costumer (as Cathy A. Smith) | |
| Jennifer Day Young | .... | costume supervisor | |
| Amy Jean Roberts | .... | costumer (uncredited) | |
| Jennifer Jesse Smith | .... | costumer (uncredited) | |
Editorial Department | |||
| Veronika Auer | .... | negative cutter | |
| Rebekka Garrido | .... | post-production assistant | |
| Philipp Großmann | .... | assistant editor: avid (as Philipp Grebmann) | |
| Jochen Hermann | .... | assistant editor: avid | |
| Charly Huser | .... | color timer | |
| Florian Martin | .... | supervising digital colorist (as Florian 'Utsi' Martin) | |
| Gunnar Refardt | .... | assistant editor: avid | |
| Carola Schimpf | .... | post-production assistant | |
| Bille Stellbrink | .... | post-production assistant | |
Music Department | |||
| Paul Ackling | .... | music technical support | |
| Carla Axar | .... | musician: drums | |
| Jay Bellerose | .... | musician: drums | |
| Fernand Bos | .... | supervising music editor | |
| Stephen Bruton | .... | musician: manaicello | |
| T-Bone Burnett | .... | executive music producer (as T Bone Burnett) | |
| T-Bone Burnett | .... | musician: guitar (as T Bone Burnett) | |
| Daphne Chen | .... | musician: violin | |
| Keefus Ciancia | .... | musician: keyboards | |
| Armando Compean | .... | musician: bass | |
| Dennis Crouch | .... | musician: bass | |
| J.D. Foster | .... | additional music production (as JD Foster) | |
| Tony Gilbyson | .... | musician: guitar | |
| Leah Katz | .... | musician: viola | |
| Jim Kellner | .... | musician: drums | |
| Emile Kelman | .... | assistant score engineer | |
| Emile Kelman | .... | music technical support | |
| Emile Kelman | .... | musician: cello | |
| David Klotz | .... | music editor (as Dave Klotz) | |
| Curtis Laur | .... | music technical support | |
| Debra MacCulloch | .... | music clearance: King, Holmes, Paterno & Berliner | |
| Mike Piersante | .... | score engineer | |
| Mike Piersante | .... | score mixer | |
| Marc Ribot | .... | musician: guitar | |
| Ivy Skoff | .... | music production manager | |
| Walter Spencer | .... | composer: additional music | |
| Lisa Surber | .... | music production assistant | |
| Andy Taub | .... | additional score engineer | |
| Patrick Warren | .... | composer: additional music | |
| Patrick Warren | .... | musician: keyboards | |
| Patrick Warren | .... | musician: pump organ | |
| Jason Wormer | .... | assistant score engineer | |
| Jason Wormer | .... | music editor: ProTools | |
Transportation Department | |||
| Bart Allsup | .... | driver: wrangler | |
| George Bolton | .... | transportation captain | |
| Sandra Dickson | .... | transportation secretary (as Sandy Dickson) | |
| Rodrigo Dorame | .... | driver | |
| Wayne Flowers Jr. | .... | driver: honeywagon (as Wayne Flowers) | |
| John Hagner | .... | driver | |
| Kit Hendrickson | .... | driver (as Kit R. Hendrickson) | |
| Philip Krysl | .... | driver | |
| Rita Lundin | .... | driver | |
| K.C. Peterson | .... | driver | |
| Mike Russell | .... | driver | |
| Abiff Salcedo | .... | driver | |
| Tom Selman | .... | driver | |
| Andrea Simon | .... | driver | |
| Mario Simon | .... | transportation coordinator | |
| Maritra Simon | .... | transportation production assistant | |
| Joseph Sparks | .... | driver: grip | |
| Jimmie K. Turner | .... | driver (as Jimmy Turner) | |
| Robin Twogood | .... | driver | |
| Raymond Van Holtan | .... | driver (as Ray Van Holten) | |
| Sean Walby | .... | driver | |
| Mike Welch | .... | driver | |
| John M. Woodward | .... | transportation co-captain (as John Woodward) | |
Thanks | |||
| Florence Larsonneur | .... | special thanks | |
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Greetings again from the darkness. Terribly underrated as a director, Wim Wenders has more than a couple of gems on his resume. Most notable are "Wings of Desire" and "Paris, Texas". Without question, "Don't Come Knocking" immediately jumps into the same class as those two extraordinary films. Collaborating with the insanely talented writer Sam Shepard for the first time since "Paris, Texas", Wenders offers up a character study that many of us have more in common with than we might first imagine.
With a rare appearance in a film he has written, Mr. Shepard plays Howard Spence, a washed up western film star who hits the road in search of the life he somehow missed. Admittedly, when the film opens with Howard galloping off into the desert away from the film set, my stomach began to churn as I had flashbacks to "Electric Horseman". Not long afterward, I became mesmerized by the pain of this man seeking redemption and meaning. Sure, there will be comparisons to "Broken Flowers" and many other meaning of life films, but writer Shepard never once pretends to be writing the great American self realization story. This is a VERY simple story about a handful of VERY interesting characters.
Jessica Lange (Shepard's real life honey) plays his long ago, nearly forgotten love who has never wandered from her small town Montana roots. What Shepard learns, after visiting with his mother (Eva Marie Saint) for the first time in 30 years, is that Lange has raised Shepard's son (Gabriel Mann). The focus drastically shifts for Shepard as he tries to make sense of it all. Just to add to his misery, Shepard is stalked by Sarah Polley (carrying her mom's remains in an urn), who suspects she is his daughter.
The genius of the film lies in the characters and setting. We never feel we are observing. Instead, we are part of the story. Winders camera angles really capture the thought cycles of Shepard in the motel room, at the bar and on the sofa in the road. Watching this would-be dad and these might-be kids come to terms with all of this is on one hand, slyly funny, but mostly intensely painful and intimate.
Spectacular performances by Shepard, Lange, and Eva Marie Saint, as well as strong support from Tim Roth, Polley, Mann and even the great George Kennedy make the story unfold in our reality. Wenders terrific camera work and small town setting with stunning panoramic views keep us comfortable, yet very aware. The pulsing guitar of the seemingly everywhere T Bone Burnett drives our pulse up or down depending on the scene.
This is marvelous film-making and pure joy for film lovers. At the post screening Q&A, Mr. Wenders expressed his enthusiasm for working with Mr. Shepard and creating a masterpiece out of a seemingly little story. We as movie goers are the lucky ones.