Kill Bill: Vol. 2 (2004)

Director:

Quentin Tarantino

Writers:

Quentin Tarantino (character The Bride) &
Uma Thurman (character The Bride) ...

Release Date:

16 April 2004 (USA)

Genre:

Action | Thriller

Tagline:

Revenge is a dish best served cold.

Plot:

The murderous Bride continues her vengeance quest against her ex-boss, Bill, and his two remaining associates; his younger brother Budd, and Bill's latest flame Elle.

Plot Keywords:

Revenge | Death | Female Assassin | Wedding Chapel | Hattori Hanzo

Awards:

Nominated for 2 Golden Globes. Another 9 wins & 38 nominations

US TV Schedule:

Mon. Nov. 23

9:00 PM

SPIKETV

Cast

Uma Thurman	...	Beatrix Kiddo - The Bride, 'Black Mamba'
David Carradine	...	Bill - 'Snake Charmer'
Lucy Liu	...	O-Ren Ishii (archive footage)
Vivica A. Fox	...	Vernita Green (archive footage)
Chia Hui Liu	...	Pai Mei (as Gordon Liu)
Michael Madsen	...	Budd - 'Sidewinder'
Daryl Hannah	...	Elle Driver
Michael Parks	...	Esteban Vihaio
Bo Svenson	...	Reverend Harmony
Jeannie Epper	...	Mrs. Harmony
Stephanie L. Moore	...	Joleen
Shana Stein	...	Erica
Caitlin Keats	...	Janeen
Christopher Allen Nelson	...	Tommy Plympton (as Chris Nelson)
Samuel L. Jackson	...	Rufus

Also Known As:

Kill Bill (USA) (closing credits title)
Kill Bill Part 2 (USA) (informal title)
Vol. 2 (USA)
Убить Билла 2 (Russia) [ru]
Kill Bill - Volume 2 (Brazil) [pt]
Kill Bill - pruudi kättemaks, vol 2 (Estonia) [et]
Kill Bill Vol. 2 (Greece) [el]
Kill Bill Vol. 2: The Love Story (Japan) [ja]
Kill Bill Volume 2 (Slovakia) [sk]
Kill Bill Volume 2 (Czech Republic) [cs]
Kill Bill Volume 2 (Croatia) [hr]
Kill Bill, la venganza: Volumen II (Argentina) [es]
Kill Bill: Vol. 2 (Germany) [de]
Kill Bill: Vol. 2 (Finland) [fi]
Kill Bill: Volume 2 (France) [fr]
Kill Bill: Volume 2 (Turkey: Turkish title) [tr]
Kill Bill: Volumen 2 (Spain) [es]
Mokali Billi ori (Georgia) [ka]
Tuer Bill: Volume 2 (Canada: French title) [fr]

MPAA:

Rated R for violence, language and brief drug use.

Runtime:

136 min

Country:

USA

Language:

English | Cantonese | Mandarin | Spanish

Color:

Black and White | Color

Aspect Ratio:

1.33 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Canada:18A (Alberta/Manitoba/Ontario) | Taiwan:R-12 | Malaysia:18SG (re-rating) | Iceland:16 | Hungary:18 | USA:R (certificate #40699) | USA:NC-17 (Special Edition DVD) | Argentina:13 | Australia:MA | Brazil:16 | Canada:13+ (Québec) | Canada:14A (British Columbia) | Canada:18 (Nova Scotia) | Chile:14 | Denmark:15 | Finland:K-15 | France:-12 | Germany:16 | Hong Kong:IIB | Ireland:18 | Israel:16 | Italy:T | Japan:PG-12 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:R-13 | Poland:15 | Portugal:M/16 | Singapore:M18 (re-rating) | South Africa:16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Zurich) | UK:18

Filming Locations:

Barstow, California, USA

Company:

Miramax Films

Trivia:

The gun that Bill uses appears to be a Colt Single Action Army, or "Peacemaker", it has a bird's head grip (a modern innovation). It is obviously chambered for .45 Colt as seen on the back of the bullet fired in the internal gun shot in Kill Bill: Vol. 1 (2003).

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): At the wedding rehearsal, the minister's gestures for the seating arrangements are incorrect.

Quotes:

[first lines]
Bill: Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride: Bill, it's your baby.

Movie Connections:

References Rolling Thunder (1977)

Soundtrack:

Three Tough Guys

The Better Half

It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already?

In the first volume of "Kill Bill," released only a few months before "Vol. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids.

"Vol. 2" is way different. It makes sense it's a separate movie; the tone is such a departure from "Vol. 1" in two ways. One is style. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. Cinematic sampling is something he's good at and enjoys, but in "Vol. 2" he doesn't go as overboard as he does in "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1"-style comic-book treatment. Throughout "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. "Vol. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2."

This gets to the second different tonal difference between the films, which is emotional. It all comes back to the characters. They don't quite become real people here, but they get close enough to get under your skin. Admittedly, the opening part of "Vol. 2" tests the viewer's patience a bit, there's some long bits that show the director hasn't really mastered self-discipline, like with Thurman's graveyard struggle, but the meandering usually has a purpose. Tarantino is building toward something here that has its payoff when Thurman's character finally has her face-to-face showdown with Carradine's Bill.

From that moment forward to the end, this is the best Tarantino has ever been.

Carradine and Thurman dominate the proceedings with two of the finest performances I've seen, certainly the best Tarantino has directed, playing off the mythology we've been taught in "Vol. 1" and developing resonances with the viewer both together and apart which will surprise those expecting a casual butt-kicking affair. We finally find out what Carradine means in the first line of "Vol. 1" where he tells a whimpering victim he is being masochistic, not sadistic, and its a powerful revelation, that this sinister baddie may have a heart buried under that cold exterior. Carradine is perfect in his phrasing, his pauses, the tired glint in his eye, or the way he says "Kiddo." You can't ask for a better veteran performance. For her part, Thurman presents a brilliantly conflicted character who can not stop either hating or loving Bill, and brings us not into a world of cartoon anguish, but real human pain.

"Kill Bill Vol. 2" is slow-moving, and needs "Vol. 1" in a way few sequels do, since it assumes you know nearly all the characters coming in. That's a weakness. So are some undeniably pointless bits, including the entire sequence with Bill's father figure, Esteban Vihaio, and some business at a bar involving Michael Madsen, who plays a former assassin now gone to seed.

Madsen's good, though, and so's Daryl Hannah as another rather mouthy assassin, Gordon Liu as Pei Mei, and especially Perla Haney-Jardine as a girl named B.B. The nice thing with Tarantino is for every scene that strikes a bum note, there's four or five that hit the right mark, and some manage to do much more. My favorite scene involves a Mexican standoff in an L.A. hotel room between Thurman's character and an anonymous hitwoman, at once grippingly suspenseful, hilarious, and life-affirming. Still, it's the final moments of this film that will stay with you, as Bill and his former pupil work out their "unfinished business" and we are left to ponder the results of their decisions and actions.

"Kill Bill Vol. 2" may not reach the heights of cinema to which it aspires, the level of "The Good, The Bad, And The Ugly" quoted in its score, but it's a fine film that will make most viewers glad they stuck around for the second installment. I am.