Melinda and Melinda (2004)

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

29 October 2004 (Spain)

Genre:

Comedy | Drama

Tagline:

One love story. Two versions. Seriously funny.

Plot:

Two alternating stories about Melinda's (Mitchell) attempts to straighten out her life.

Plot Keywords:

Actor | Party | Extramarital Affair | Alcoholism | Actress Playing Multiple Roles

Cast

Chiwetel Ejiofor	...	Ellis Moonsong
Will Ferrell	...	Hobie
Jonny Lee Miller	...	Lee
Radha Mitchell	...	Melinda Robicheaux
Amanda Peet	...	Susan
Chloë Sevigny	...	Laurel
Wallace Shawn	...	Sy
David Aaron Baker	...	Steve Walsh
Arija Bareikis	...	Sally Oliver
Josh Brolin	...	Greg Earlinger
Steve Carell	...	Walt
Stephanie Roth Haberle	...	Louise
Shalom Harlow	...	Joan
Geoffrey Nauffts	...	Bud Silverglide
Zak Orth	...	Peter

Also Known As:

Melinda & Melinda (USA) (alternative spelling)
Untitled Woody Allen Fall Project (USA) (working title)
Melinda et Melinda (Canada: French title) (France) [fr]
Melinda y Melinda (Argentina) (Spain) [es]
Mélinda et Mélinda (Belgium: French title) (dubbed version) [fr]
Melinda & Melinda (Finland) [fi]
Melinda É Melinda (Brazil) [pt]
Melinda and Melinda (Denmark) [da]
Melinda and Melinda (Greece) [el]
Melinda e Melinda (Italy) [it]
Melinda i Melinda (Poland) [pl]
Melinda ja Melinda (Estonia) [et]
Melinda und Melinda (Germany) [de]
Melinda ve Melinda (Turkey: Turkish title) [tr]

MPAA:

Rated PG-13 for adult situations involving sexuality, and some substance material.

Runtime:

99 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

Iceland:12 | Hungary:14 | Norway:A | Canada:PG (Ontario) | South Korea:15 | USA:TV-MA (TV rating) | Argentina:13 | Australia:M | Brazil:14 | Canada:14A | Canada:G (Quebec) | Czech Republic:12 | Finland:K-7 | Hong Kong:IIA | Ireland:12A | Netherlands:12 | Portugal:M/12 | Singapore:PG | Spain:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12A | USA:PG-13 (certificate #40800) | Germany:o.Al.

Filming Locations:

Dune Road, The Hamptons, Long Island, New York, USA

Company:

Fox Searchlight Pictures

Trivia:

Robert Downey Jr. was cast, but dropped from the film, because the actor's insurance premium was too costly to meet.

Goofs:

Revealing mistakes: When Melinda, Walt and Hobie are watching the first race at the race track, Walt says, "No! You did not bet on Bedazzler! That's a nine-to-one horse!" There then follows a scene of Melinda and Hobie talking, following by another scene of them watching a horse race with Walt, in which the dialogue track has been removed from underneath the musical score. However, if you look at Walt's lips during this second scene, he is clearly saying, once again, "No! You did not bet on Bedazzler! That's a nine-to-one horse!"

Quotes:

Walt Wagner: Maybe you should go back to your shrink... Discuss it.
Hobie: He just recommended Prozac. I think he has stock in the company, honestly.

Movie Connections:

References The Broadway Melody (1929)

Soundtrack:

Don't Get Around Much Anymore

Witty, incisive, refreshing

This film probably marks the crucial point where Woody Allen takes one step back and lets others take over the Woody persona of a typical Allen film. It's happened before, in Celebrity and Anything Else, but now the lead characters can breathe as themselves without having to essentially 'be Woody'. Sure the resemblances are still there but more in the situations than in the characters. Will Ferrell displays proper comic timing and Jonny Lee Miller tries valiantly with what he's given. The script sparkles with more one-liners than most recent efforts and an appropriate return of the 'lust for life' motif seen in earlier films such as Hannah and Her Sisters or Everyone Says I Love You. If you don't appreciate that comic situations are both sad and full of life, and that tragedy has a fair share of unexpected delights as well as heartache, than you're definitely missing the point. Woody displays both of these in equal quantity spread liberally throughout the film in all situations. And so what if the end plays more like a series of sketches than a full-on film? It's the mark of a master than can make us enjoy what we see regardless of narrative form. 8 out of 10.