| Romen Avinian | ... | Hamo | |
| Lala Sarkissian | ... | Nina | |
| Ivan Franek | ... | Dilovan | |
| Ruzan Mesropyan | ... | Zine (as Rouzanna-Vite Mesropian) | |
| Zahal Karielachvili | ... | Giano | |
| Astrik Avaguian | ... | Avin | |
| Armen Marutyan | ... | Romik (as Armen Marouthian) | |
| Armen Sarkissian | ... | Conducteur autobus | |
| Hasmik Alexanian | ... | Femme acheteuse armoire | |
| Roudik Revondyan | ... | Homme Volga | |
| Hasmik Ter-Karapetian | ... | Femme de Romik | |
| Svetlana Babelyan | ... | Tali | |
| Levon Meloyan | ... | Patron Nina | |
| Vahagn-Poncho Simonian | ... | Robert (as Vahagn Poncho Simonian) | |
| Gaguik Sarkissian | ... | Homme acheteur armoire | |
| Aramo Guervorguian | ... | Jeune homme TV (as Aramo Guevorguian) | |
| Lilit Karaétian | ... | Fiancée jeune homme TV | |
| Témour Mhoyan | ... | Azad | |
| Edouard Bagdassarov | ... | Auto-stoppeur 1 | |
| Gourguen Basmadjian | ... | Auto-stoppeur 2 | |
| Hayk Avaguian | ... | Chauffeur bus armoire | |
| Hiner Saleem | ... | Homme piano |
Directed by | |||
| Hiner Saleem | |||
Writing credits | ||
| Lei Dinety | (writer) | |
| Pauline Gouzenne | (adaptation) | |
| Hiner Saleem | writer | |
Produced by | |||
| Fabrice Guez | .... | executive producer | |
| Pierrick Le Pochat | .... | line producer | |
| Michel Loro | .... | line producer | |
| Tiziana Soudani | .... | associate producer | |
Original Music by | |||
| Michel Korb | |||
| Roustam Sadoyan | |||
Cinematography by | |||
| Christophe Pollock | |||
Film Editing by | |||
| Dora Mantzoros | |||
Production Design by | |||
| Kamal Hamarash | |||
Production Management | |||
| Margot Luneau | .... | production director | |
Second Unit Director or Assistant Director | |||
| Guillaume Bonnier | .... | assistant director | |
| Christine Marrou | .... | second assistant director | |
Sound Department | |||
| Michel Filippi | .... | adr supervisor | |
| Christian Fontaine | .... | sound re-recording mixer | |
| Yves-Marie Omnes | .... | boom operator | |
| Frédéric Ullmann | .... | sound | |
Camera and Electrical Department | |||
| Viguen Begoyan | .... | electrician | |
| Olivier Regent | .... | gaffer | |
Editorial Department | |||
| Bruno Patin | .... | color timer | |
Music Department | |||
| Alexandre Gasparov | .... | musician: piano | |
| Roland Romanelli | .... | musician: accordion | |
| Jean-Pierre Smadja | .... | musician: oud | |
| Zorica Stanojevic | .... | musician: violin | |
Transportation Department | |||
| Manuel Adoyan | .... | driver | |
Other crew | |||
| Julie Belthoise | .... | location manager | |
| Geraldine Niche | .... | production secretary | |
| Delphine Prothais | .... | production assistant: France | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
This is a good film -- dark, and funny, and absurd. The setting is post-Soviet Armenia, today. Life is bleak in the Caucasus; the young have either emigrated or, if they have stayed, they've either turned cruel and abusive or are exploited through prostitution or tawdry sexual encounters. Most of the people in village are pensioners, however. Everyone is forced to sell their meager belongings just to get by. Life is tedious -- unemployed men gather in small groups to drink Vodka Lemon and discuss their effete prospects. A widow and widower, strangers, meet during their regular visits to the graves of their deceased partners. A bit of human warm and humor is thus established. But what gives this film its true strength of statement, and sets is tone, are the absurd moments -- it opens with a musician sleigh-riding on his sick-bed; it ends with a piano gliding off down the road into the distance; a man on horseback gallops across the screen at odd moments and for no known purpose. There is no rhyme or reason for the poverty experienced by these characters -- its effects are pointless, random, and unpredictable and absurd.