Creep (2004/I)

Director:

Christopher Smith

Writer:

Christopher Smith (written by)

Release Date:

28 January 2005 (UK)

Genre:

Horror | Mystery | Thriller

Tagline:

Evil Dwells Underground.

Plot:

Trapped in a London subway station, a woman who's being pursued by a potential attacker heads into the unknown labyrinth of tunnels beneath the city's streets.

Plot Keywords:

Underground | Tunnel | London Underground | Subway | Acquaintance

Cast

Franka Potente	...	Kate
Vas Blackwood	...	George
Ken Campbell	...	Arthur
Jeremy Sheffield	...	Guy
Paul Rattray	...	Jimmy
Kelly Scott	...	Mandy
Sean Harris	...	Craig
Kathryn Gilfeather	...	Girl
Grant Ibbs	...	Man
Joe Anderson	...	Male Model
Sean De Vrind	...	Friend
Ian Duncan	...	Friend
Debora Weston	...	Mya
Emily Gilchrist	...	Karen
Craig Fackrell	...	Homeless Guy

Also Known As:

Creep (Germany)
Creep (Argentina) (Venezuela) [es]
0:34 (Japan) [ja]
Creep (France) [fr]
Creep - Il chirurgo (Italy) [it]
Gad (Serbia) [sr]
Nakaza (Croatia) [hr]
Plataforma do Medo (Brazil) [pt]
Tromos sto metro (Greece) (DVD title) [el]

MPAA:

Rated R for strong bloody horror violence, language, some drug use and sexual content.

Runtime:

85 min

Country:

UK | Germany

Language:

German | English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:R | Taiwan:R-18 | USA:R (cut) | Netherlands:16 | Hong Kong:III | Argentina:16 | Norway:15 | Malaysia:18SG | Brazil:18 | New Zealand:R18 | Canada:13+ (Quebec) | Canada:14A (Ontario) | Canada:18A (Manitoba) | South Korea:18 | Portugal:M/16 | Italy:VM18 | France:-16 | Italy:VM14 | Germany:16 | Ireland:18 | Japan:R-15 | Singapore:M18 | Singapore:NC-16 (cut) | UK:18 | Philippines:R-13 | Finland:K-18

Filming Locations:

Aldwych Underground Station, Aldwych, Holborn, London, England, UK

Company:

UK Film Council

Trivia:

Titles that didn't make it: "Runt", "Cellar Dweller", "Horunder", "Here Kitty Kitty", "One Track Mind" and "Piccadilly Nightmare".

Goofs:

Continuity: When the train that Kate boarded at Charing Cross comes to a halt in the tunnel, she goes to the front of the train where the car number above the door to the front cab reads 96101. After the lights have gone out and the nasty boyfriend has activated the emergency lights, Kate returns to the same front cab door and the car number has changed to 96107.

Quotes:

Jimmy: So what are you, French?
Kate: No, I'm German.
Jimmy: German? I support Germany when they're playing against England at football. Come to think of it I support anyone who's playing against England at football.

Movie Connections:

Referenced in The Making of 'Severance' (2007) (V)

What a sickly, demented creep!

After leaving a party one night, Kate heads to a London subway. But being a bit drunk, she nods off and when she finally awakes, she realises she's alone and has been locked in. Now she's panicking, but a train pulls up and to her surprise no one else is on board. After a few seconds the train comes to sudden halt and Kate comes to the realisation that someone or something is lurking down there, which has some nasty surprises waiting for Kate.

When watching "Creep", what entered my mind was that I was seeing the backwoods horror slasher "Wrong Turn (2003)" basically set in a subway, but only more bloodier and incredibly cruel. I get the train to work and back, but I'm just glad that there are no subway systems on my journeys. But there's no doubting public transport can be the pits.

Christopher Smith the writer and director of this slick British Indie subterranean horror flick presents one very tight and atmospherically Gothic feature that benefits highly from its relentless surge of twisted and ragged jolts. It's gruesome, mean-spirited and unflinching terror is mostly delivered in a serious manner, despite the script being sprinkled with quick-witted remarks. The damp, isolated and claustrophobic setting of the poorly lit tunnels makes a huge imprint on the disorientating cloud the audience and main protagonist face. Smith integrates some flashy and rapid techniques. The versatile hand held photography adds a real moody and intimate vibe amongst the very effective sound effects and creaky understated music score. Hitting the mark was the graphic and always on the ball makeup effects. The appearance of the hideously unusual subway dweller just lingers in your mind and when it came to the kills it didn't disappoint.

However, there are things that really do bring the film down. By the third act it starts to wear a bit thin with predictable jumps and wearisome clichés. The story is terribly vague from the get-go. Illogical patterns and stupid circumstances unravel throughout the string-like plot. Originality comes in minor doses, but in all, there's a nice sense of realism and a speeding train-like pace created to keep you mostly involved. Franka Potente gives a strong, flexible and quite capable performance as Kate and the amusing Vas Blackwood gets caught up in the gruel too.

A very nasty and dour slasher that won't blow you away, but it provides the nightmarish thrills and intensity one would hope for.