| Photos (see all 14 | slideshow) | Videos |
| Casey Affleck | ... | Jim | |
| Kevin Corrigan | ... | Tim | |
| Mary Kay Place | ... | Sally | |
| Seymour Cassel | ... | Don | |
| Rachel Strouse | ... | Rachel | |
| Sarah Strouse | ... | Sarah | |
| Rick Duplissie | ... | Bar Patron | |
| Liv Tyler | ... | Anika | |
| Mark Boone Junior | ... | Evil | |
| Jake La Botz | ... | Phillip | |
| Jack Rovello | ... | Ben | |
| Don Strouse | ... | Neighbor | |
| Doug Liechty Caskey | ... | Doug the preacher | |
| Pam Angell | ... | Stacy - Prostitute | |
| rest of cast listed alphabetically: | |||
| Michael Buscemi | ... | Man (Driver) (uncredited) | |
Directed by | |||
| Steve Buscemi | |||
Writing credits(in alphabetical order) | ||
| James C. Strouse | written by | |
Produced by | |||
| Jake Abraham | .... | producer | |
| Saxon Eldridge | .... | associate producer | |
| Emily Gardiner | .... | associate producer (as Emily Gardiner Herzog) | |
| Caroline Kaplan | .... | executive producer | |
| Galt Niederhoffer | .... | producer | |
| Celine Rattray | .... | producer | |
| Jonathan Sehring | .... | executive producer | |
| Reagan Silber | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Mandy Tagger | .... | associate producer | |
| Daniela Lundberg Taplin | .... | producer (as Daniela Soto-Taplin) | |
| Derrick Tseng | .... | co-producer | |
| Anna Waterhouse | .... | executive producer | |
| Gary Winick | .... | producer | |
| Steve Buscemi | .... | producer (uncredited) | |
Original Music by | |||
| Evan Lurie | |||
Cinematography by | |||
| Phil Parmet | (director of photography) | ||
Film Editing by | |||
| Plummy Tucker | |||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Chuck Voelter | |||
Art Direction by | |||
| Chuck Voelter | |||
Set Decoration by | |||
| James Beaver | |||
Costume Design by | |||
| Victoria Farrell | |||
Makeup Department | |||
| Kymbra Callaghan | .... | makeup artist | |
| Darren Mills | .... | hair stylist | |
Production Management | |||
| Zennia M. Barahona | .... | post-production producer | |
| Emily Gardiner | .... | post-production supervisor | |
| Evan Schechtman | .... | post-production supervisor: Outpost Digital | |
| Derrick Tseng | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Kyle Lemire | .... | second assistant director | |
| Kurt Lustgarten | .... | second second assistant director | |
| Jesse Nye | .... | first assistant director | |
Art Department | |||
| Jim Bowen | .... | prop master (as James Bowen Jr.) | |
| Claire McAuliffe | .... | art department assistant | |
| Monika Mehlmann | .... | art department assistant | |
Sound Department | |||
| Nancy Cabrera | .... | foley artist | |
| Krissopher Chevannes | .... | adr recordist (as Kris Chevannes) | |
| Mario Coletta | .... | boom operator | |
| Ryan Collison | .... | foley recordist | |
| Mike Cremore | .... | mixing engineer | |
| Karl Dondlinger | .... | utility sound | |
| Bobby Johanson | .... | adr mixer | |
| Jan McLaughlin | .... | production sound mixer | |
| Mike Patrick | .... | sound recordist | |
| Steve Schwartz | .... | sound editor | |
| Warren Shaw | .... | sound re-recording mixer | |
| Warren Shaw | .... | supervising sound editor | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby (as Steve Smith) | |
| Reilly Steele | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Christopher Collard | .... | best boy grip (as Chris Collard) | |
| Jacob Davis | .... | best boy electric | |
| Bill Frye | .... | gaffer | |
| Sidney King | .... | second assistant camera | |
| Jenne Lee | .... | electric swing | |
| Jenne Lee | .... | grip | |
| Rory Muirhead | .... | camera operator | |
| Rory Muirhead | .... | first assistant camera | |
| Vince Palomino | .... | key grip (as Vincent Palomino) | |
| Meg Schrock | .... | camera production assistant | |
Casting Department | |||
| Bryan Falcon | .... | extras casting | |
| Jessica Smucker Falcon | .... | extras casting | |
Costume and Wardrobe Department | |||
| Penelope Laughman | .... | wardrobe supervisor | |
| Sarah Stevens | .... | wardrobe production assistant | |
Editorial Department | |||
| George Chavez | .... | color timer | |
| Dan Hacker | .... | post-production engineer | |
| Brett Mason | .... | on-line editor: high definition | |
| James Nichols Jr. | .... | second assistant editor (as James E. Nichols) | |
| Tina Pacheco | .... | additional editor | |
| Michael E. Phillips | .... | consultant: digital editing | |
| Richie Roefaro | .... | post-production | |
| Jacob Steingroot | .... | second assistant editor | |
Music Department | |||
| Nancy Allen | .... | music editor | |
| Alan Brewer | .... | song producer | |
| Greg Cohen | .... | musician: bass | |
| Linda Cohen | .... | music supervisor | |
| Mike Cremore | .... | score recordist | |
| William Galison | .... | musician: harmonica | |
| Gregory 'Smokey' Hormel | .... | musician: guitar (as Smokey Hormel) | |
| Keith Rigling | .... | assistant score engineer | |
| Alex Steyermark | .... | executive music producer | |
| Douglas Wieselman | .... | musician: guitar and dulcimer | |
| Kenny Wollesen | .... | musician: drums | |
Other crew | |||
| Chris Bertello | .... | set production assistant | |
| Lucas Bishop | .... | office intern (as Luke Bishop) | |
| Nicole Boyd | .... | office production assistant | |
| Paul Brennan | .... | production legal | |
| Gregory Brunkalla | .... | additional color corrector | |
| Christopher Collard | .... | adr voice | |
| Mara Hade Connolly | .... | accountant: InDigEnt (as Mara Connolly) | |
| Brent Cox | .... | production legal | |
| David D'Alessio | .... | production associate: InDigEnt | |
| Elise Friesen | .... | office production assistant | |
| Rachel Friesen | .... | location production assistant | |
| Michele Gentille | .... | personal assistant to actor | |
| Tom Glick | .... | location assistant | |
| Julian Kauffmann | .... | location manager | |
| Albert Krause | .... | production accountant | |
| Chad Krause | .... | set tutor | |
| Bryn Lehman | .... | craft service (as Bryn Miller Lehman) | |
| Brian McLaughlin | .... | set production assistant | |
| Jeff McLaughlin | .... | office intern | |
| Cherry Montejo | .... | production office coordinator | |
| Shane Moran | .... | set production assistant | |
| John Nickel | .... | script supervisor | |
| Reid Rosefelt | .... | publicist | |
| Deborah Ross | .... | title designer | |
| Albert G. Ruben | .... | production insurance | |
| Dukyoung Song | .... | assistant production office coordinator (as Maya Dukyoung Song) | |
| Gabby Stein | .... | production legal | |
| James C. Strouse | .... | location manager | |
| Karen Wellington | .... | office production assistant | |
| Greg Wendling | .... | production assistant | |
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| Midnight Cowboy | Jimmy and Judy | The Prize Winner of Defiance, Ohio | Little Athens | The Notebook |
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Casey Affleck does a good job becoming the unlovable loser that you're actually interested in watching in this film. And for what it's worth, I feel like this film did a great job avoiding indie cliché's. Jim is not really overly inept or annoyingly stupid; in the contrary he's just kind of a high minded loser fumbling about for the same things most people fumble about for. Love, self respect and meaning in life. He's someone that's thinking somehow they are above the standard human fare because he has a specialization in literature.
Growing up in the Midwest I can say this captures Midwestern life almost perfectly. The tone of the settings, the reactions of the characters and even the fact that it appears to be shot in that brownish tan time between winter and spring which always reminded me of the Midwest no matter where I went. The supporting actors all turn in very good performances and it's interesting to look at.
This was a good movie. Steve Buscemi has mastered the art of subtlety and after seeing this movie and reading a few user reviews, I gather it's lost to a large number of people. Much like Ghost World which he starred in, he gives you hints and details that allow you to find character motivations and to flesh out their inner workings. In other words, he allows you to use your imagination. The film is like Jim, sad and brooding but with the hint of a good heart trying to find a way out. This is very funny and melancholy piece that's well worth a watch for people who enjoy films like this.