Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
How far would decent human beings be willing to go, when tragedy blurs the line between just and unjust? With "A Second Chance", Susanne Bier and Anders Thomas Jensen have crafted another ... See full summary »
Four small-time gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop... See full summary »
Mick and Tom are an unlikely father-son team of petty thieves. They've been hired to steal a painting from a museum. By accident, they steal the wrong painting: Denmark's only original Rembrandt masterpiece, worth millions.
A hairdresser, who has lost her hair to cancer, finds out her husband is having an affair, travels to Italy for her daughter's wedding, and meets a widower who still blames the world for the loss of his wife.
Svend and Bjarne work for a butcher in a small Danish town. Fed up with their boss' arrogance, they decide to start their own butcher shop. After dismal beginnings, an unfortunate accident ... See full summary »
Anders Thomas Jensen
Nikolaj Lie Kaas,
Michael has everything under control: a successful military career, a beautiful wife and two daughters. His younger brother Jannik is a drifter, living on the edge of the law. When Michael is sent to Afghanistan on a UN mission the balance between the two brothers changes forever. Michael is missing in action - presumed dead - and Sarah is comforted by Jannik, who against all odds shows himself capable of taking responsibility for both himself and the family. It soon becomes clear that their feelings have developed beyond mutual sympathy. When Michael comes home, traumatized by being held prisoner in the mountains of Afghanistan, nothing is the same... Written by
Director Susanne Bier thought Connie Nielsen's accent was more Swedish than Danish and made her take Danish lesson. Nielsen has been living in the USA for many years, and didn't speak Danish in her everyday life, but the result of the lessons turned out to be pretty good (though, still with a little accent). See more »
In the rear passenger window when Henning gets in the car after the service. See more »
I will always love you. That is the only truth that remains. Life is neither right nor wrong, good or bad. But I love you. That's all I know.
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The realism lies not in the war scenes, which work, but in the family ones, which are harrowing.
A remarkable movie in several ways. The first is just that it's well made, with two main layers of story line that are compelling, and some surprising and mostly believable turns. The second is that we (in the U.S.) have a look at the war in Afghanistan from non-American eyes. The echoes are inevitable, and so are the differences, in attitude by the soldiers and in public reaction.
The lead actor Ulrich Thomsen is compelling and versatile, and in some ways makes the movie. His range (which you have to see for yourself or you'll be tipped off) is terrific. His wife, played by better known Connie Nielsen (in her first Danish movie, even though she is Danish herself, and knows seven languages) is perfect, too, though she plays someone who is admittedly "boring" and so has less range. Finally, the lead man's brother, Nikolaj Lie Kaas, is charming and a wild card, making the trio appropriately imbalanced.
I say all this because it's an acting movie, and a movie about relationships and therefore about plot. It's not a war movie, but more about the effects of war. It's recommended for people who have absorbed American movies like The Hurt Locker. But more than that, it's just a well made, emotional, human interest film. There are a couple flaws (including the key part about the helicopter crash, which just doesn't hold up to common sense), but they are small in the larger, gritty realism of the whole.
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