| Photos (see all 2 | slideshow) |
| Angie Cepeda | ... | Sofia | |
| Ken Marino | ... | Dr. Neil Gardner | |
| Martita Roca | ... | Monica | |
| Nora Dunn | ... | Helen Bauman | |
| Jim Piddock | ... | Frank Bauman | |
| Max Burkholder | ... | Max | |
| Brad Rowe | ... | Jesse | |
| Richard Speight Jr. | ... | George | |
| Hunter Johnson | ... | Zoe | |
| rest of cast listed alphabetically: | |||
| Lillian Adams | ... | Mrs. Goldfarb | |
| Rae Allen | ... | Gwen | |
| Ryan Armstrong | ... | Ken | |
| Lilli Birdsell | ... | Chaney | |
| Scott Burkholder | ... | Principal Jones | |
| Diana Castle | ... | Dr. Langdon | |
| Precious Chong | ... | Binnie | |
| Shane Edelman | ... | Dennis (Restaurant Employer) | |
| Matthew Fairchild | ... | Brad | |
| Robert Harvey | ... | INS Agent (as Bob Harvey) | |
| Jeanine Jackson | ... | Wendy | |
| Chane't Johnson | ... | Cashier | |
| Andy Milder | ... | Paramedic | |
| Meredith Morton | ... | Shelly | |
| Mitch Ryan | ... | Doctor | |
| Tony Sagastizado I | ... | Paramedic | |
| David Shackelford | ... | Tony | |
| Josh Stamberg | ... | Paul | |
| Jeanne Trepanier | ... | Nurse Reynolds | |
| Jack Wallace | ... | Uncle Todd | |
Directed by | |||
| Shane Edelman | |||
Writing credits(in alphabetical order) | ||
| Andrew Miles | written by | |
| Brian D. Young | story | |
Produced by | |||
| Alvaro Albarracin | .... | executive producer | |
| Jimmy Holcomb | .... | line producer (as Jimmy Holcomb II) | |
| Terence Michael | .... | producer | |
| Jose Santos | .... | co-executive producer | |
| David Schulz | .... | co-producer | |
Original Music by | |||
| Jeff Cardoni | |||
Cinematography by | |||
| David Rush Morrison | |||
Film Editing by | |||
| Gabriel Wrye | |||
Casting by | |||
| Abra Edelman | |||
| Meredith Morton | |||
Production Design by | |||
| David Huang | |||
Art Direction by | |||
| Stephen Noriega | |||
| Amy Lee Wheeler | |||
Costume Design by | |||
| Heather Goodwin | |||
Makeup Department | |||
| Wendy Boscon | .... | hair stylist | |
| Corinna Liebel | .... | key makeup artist | |
| Francie Paull | .... | key makeup artist | |
| Ally Williams | .... | additional makeup artist | |
Production Management | |||
| Jimmy Holcomb | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steven Hacker | .... | first assistant director | |
| David Harari | .... | additional second assistant director | |
| Brandon Rafferty | .... | second assistant director | |
| Christopher Ruiz | .... | second second assistant director | |
| Vance A. Zanin | .... | additional second assistant director | |
Art Department | |||
| Anne Addelsbergh | .... | art department assistant | |
| Ashley Baggins | .... | art department assistant | |
| Roger Beer | .... | property master | |
| Thaddeus Hallinan | .... | property assistant | |
| Asako Ogiwara | .... | art department assistant | |
| Asako Ogiwara | .... | set dresser | |
| Janine Pesce | .... | art department assistant | |
| Dave Preston | .... | lead man | |
| Janine Reyes | .... | set dresser | |
| Billy Sale | .... | art department assistant | |
| Billy Sale | .... | set dresser | |
| Georgia Schwab | .... | on-set dresser | |
Sound Department | |||
| Willy Allen | .... | supervising adr & dialogue editor | |
| Lawrence Becktold | .... | foley mixer (as Larry becktold) | |
| Monette Becktold | .... | foley artist | |
| Christopher Briles | .... | adr mixer | |
| Christopher Briles | .... | foley mixer | |
| Christopher Briles | .... | sound effects editor | |
| Christopher Briles | .... | sound re-recording mixer | |
| Preston Connor | .... | boom operator | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Patrick Giraudi | .... | supervising sound editor | |
| Paul Graff | .... | boom operator | |
| Vicki Lemar | .... | assistant sound editor | |
| Ben Patrick | .... | sound mixer | |
| Sean Skinner | .... | sound mixer | |
Visual Effects by | |||
| David Emerson | .... | optical lineup | |
| Allan Levine | .... | visual effects supervisor | |
| David McCue | .... | optical supervisor (as Dave McCue) | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Baio | .... | grip | |
| Eric S. Boland | .... | gaffer | |
| Brandi Borden | .... | camera loader | |
| Don Chong | .... | key grip | |
| John Doherty | .... | assistant camera | |
| Eric Forand | .... | electrician | |
| Owen Foye | .... | electrician | |
| Erik Gonzales | .... | best boy electric | |
| Hilario Gonzalez | .... | electrician | |
| Hans Haveron | .... | grip | |
| Chip Ingram | .... | dolly grip | |
| Dan Kanes | .... | electrician | |
| Daron Keet | .... | first assistant camera | |
| James Mann | .... | electrician | |
| Mike Marnasee | .... | grip | |
| Seth Orozco | .... | camera loader | |
| Joe Pier | .... | still photographer | |
| Kosta Rigopoulos | .... | dolly grip | |
| Paul Storino | .... | grip | |
| Nicole Tuergano | .... | camera loader | |
| Nicole Turegano | .... | film loader | |
| Isabella Vosmikova | .... | still photographer | |
| Dennis Wong | .... | best boy grip | |
| Jamie Young | .... | grip | |
Casting Department | |||
| Chad Darnell | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sarah Fleming | .... | assistant costume designer | |
| Chelsey Hemstreet | .... | wardrobe production assistant | |
| Karen Levine | .... | wardrobe production assistant | |
| Cynthia Quiroga | .... | wardrobe production assistant | |
Editorial Department | |||
| James Carter | .... | color timer (as Jim Carter) | |
| Steve Lemley | .... | color timer | |
| Brian J. Cavanaugh | .... | assistant editor (uncredited) | |
Music Department | |||
| Alvaro Albarracin | .... | executive music consultant | |
| Danny Bracht | .... | music supervisor | |
Transportation Department | |||
| Luis Arroyo | .... | driver: honeywagon | |
| Brad Biedenbach | .... | driver: wardrobe trailer | |
| Tracey V. Black | .... | stakebed driver | |
| Lance Cherniet | .... | driver | |
| Virgie Haltman | .... | driver | |
| Ken Kaplan | .... | driver | |
| Jason Lems | .... | shotmaker driver | |
| Eric Moon | .... | transportation captain | |
| Michael Perrotti | .... | transportation coordinator | |
| Juan Ramirez | .... | driver: camera truck | |
| Isidoro Vasquez | .... | car driver | |
Other crew | |||
| Dan Baker | .... | assistant craft service | |
| Susan Bambara | .... | script supervisor | |
| Michael Cavaretta | .... | assistant production coordinator | |
| Eric Crush | .... | location assistant | |
| Melissa Elliott | .... | title designer | |
| Guy Flint | .... | studio teacher | |
| Joshua David Humphrey | .... | on-set medic | |
| Nicole Landers | .... | unit publicist | |
| Grace Lee | .... | key set production assistant | |
| Joe Lomba | .... | production coordinator | |
| Patty Macklin | .... | studio teacher | |
| Kathy Olazaba | .... | craft service | |
| Jesse Rivard | .... | location manager | |
| Carole Segal | .... | location assistant | |
| Ron Segro | .... | post-production accountant | |
| Ron Segro | .... | production accountant | |
| Anthony Steinhart | .... | additional set production assistant | |
| Jeanne Trepanier | .... | assistant: Terence Michael | |
| Recent Posts (updated daily) | User |
|---|---|
| something about angie cepeda... | zazleni |
| May i say LOVELY. | Pampkeen |
| Martita Roca as Monica !! | sssjh |
| An Invitation to the Fans of Ken Marino Yahoo Group | ericadh |
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After reading such a harsh review of Love For Rent in the Miami Herald, I just had to see what stirred up such emotion in their critic, especially since I read a terrific review in the LA Times.
Angie Cepeda, plays Sofia, a Colombian native struggling to keep alive her dream of becoming a lawyer in America (finally a Latina in a film not depicted as a cleaning lady). She is so driven in her goals that when she gets an A- minus in law class, she is disappointed. After getting robbed of everything and it looks as though there's no choice but to give up and go back to Columbia, she is offered money to carry a childless couple's baby. She becomes a surrogate mother. But this movie is about much more than that. It's about the powerful mother-child connection whether genetically bonded or not. This theme runs throughout the movie involving most of the characters and their own maternal connections.
The entire audience cheered at the end. Perhaps, they too, were curious at what brought so much fury to the Herald's critic.