| Photos (see all 35 | slideshow) | Videos (see all 5) |
| Uma Thurman | ... | Rafi Gardet | |
| Meryl Streep | ... | Lisa Metzger | |
| Bryan Greenberg | ... | David Bloomberg | |
| Jon Abrahams | ... | Morris | |
| Adriana Biasi | ... | Bay Ridge Blonde | |
| David Younger | ... | Brother #1 | |
| Palmer Brown | ... | Brother #2 | |
| Zak Orth | ... | Randall | |
| Annie Parisse | ... | Katherine | |
| Aubrey Dollar | ... | Michelle | |
| Jerry Adler | ... | Sam | |
| Doris Belack | ... | Blanche | |
| Ato Essandoh | ... | Damien | |
| David Anzuelo | ... | Bodega Counterman | |
| Naomi Aborn | ... | Dinah Bloomberg | |
| John Rothman | ... | Jack Bloomberg | |
| Jonathan Roumie | ... | Bakery Counterman | |
| Tadhg O'Mordha | ... | Bakery Counterman #2 | |
| Madhur Jaffrey | ... | Rita | |
| Gil Deeble | ... | Security Guard | |
| Jason McDonald | ... | Photographer / Basketball Player | |
| Mitchell Green | ... | Bouncer (as Mitch Green) | |
| Lotte Mandel | ... | Bubi | |
| Eboni Cooper | ... | Radjina (as Eboni Summer Cooper) | |
| Mick de Lint | ... | Fashion Shoot Client | |
| Mini Anden | ... | Sue | |
| Tina Farris | ... | Rafi's Assistant | |
| Stretch Armstrong | ... | House Party DJ | |
| Susie Kantar | ... | Carla | |
| Sebastian Sozzi | ... | Friend #1 | |
| Jade Yorker | ... | Friend #2 | |
| David Costabile | ... | Jason | |
| Will McCormack | ... | Palmer | |
| Alex Webb | ... | Art Collector | |
| Seth Herzog | ... | Rafi's Friend | |
| Anne Joyce | ... | Young Mother | |
| Beth Skipp | ... | Salesperson | |
| Christopher Innvar | ... | Rafi's Date | |
| Jennifer Marlowe | ... | Il Buco Bartender | |
| rest of cast listed alphabetically: | |||
| Michalina Almindo | ... | Dinner guest (uncredited) | |
| Stacy Asencio Sutphen | ... | Dancer (uncredited) | |
| Jerry Baxtron Jr. | ... | Bartender (uncredited) | |
| James Coyle | ... | Security Guard (uncredited) | |
| Vinny DeGennaro | ... | Street Thug (uncredited) | |
| Dennis Funny | ... | Tower Records Window shopper (uncredited) | |
| Maria Gundy | ... | Girlfriend in a Club (uncredited) | |
| Julie Jei | ... | Club Girl (uncredited) | |
| Rick Kain | ... | Yuppy Dad (uncredited) | |
| Adam LaFramboise | ... | Bar Patron / Window Shopper (uncredited) | |
| Chester Riley | ... | Sky Cap (uncredited) | |
| Cameron Stevens | ... | Bar Patron (uncredited) | |
Directed by | |||
| Ben Younger | |||
Writing credits(WGA) | ||
| Ben Younger | (written by) | |
Produced by | |||
| Mark Gordon | .... | executive producer | |
| Bradley Jenkel | .... | co-producer (as Brad Jenkel) | |
| Anthony Katagas | .... | co-producer | |
| Jennifer Todd | .... | producer | |
| Suzanne Todd | .... | producer | |
| Bob Yari | .... | executive producer | |
Original Music by | |||
| Ryan Shore | |||
Cinematography by | |||
| William Rexer | |||
Film Editing by | |||
| Kristina Boden | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Ricker | |||
Art Direction by | |||
| Paul D. Kelly | |||
Set Decoration by | |||
| Carol Silverman | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| J. Roy Helland | .... | hair stylist: Meryl Streep | |
| J. Roy Helland | .... | makeup artist: Meryl Streep | |
| Wayne Herndon | .... | additional hair stylist | |
| Lori Hicks | .... | additional makeup artist | |
| Michelle Johnson | .... | additional hair stylist | |
| Claus Lulla | .... | additional makeup artist | |
| Kyra Panchenko | .... | makeup artist: Uma Thurman | |
| Nuria Sitja | .... | key makeup artist | |
| Ryan Trygstad | .... | hair stylist: Uma Thurman (as Ryan Trygsdad) | |
| Anthony Veader | .... | key hair stylist | |
Production Management | |||
| Anthony Katagas | .... | unit production manager | |
| Robert Katz | .... | executive in charge of production | |
| Susan Lazarus | .... | post-production supervisor | |
| John Portnoy | .... | post-production executive | |
| Louise Runge | .... | post-production manager | |
| Robin Sweet | .... | production supervisor | |
Art Department | |||
| James C. Allen | .... | key carpenter | |
| Bob Arietta | .... | charge scenic artist: additional unit (as Robert Arietta) | |
| Anthony Baldasare | .... | on-set dresser | |
| Meredith Barchat | .... | scenic artist | |
| Coburn Boyd | .... | set dresser | |
| Russell Bullock | .... | scenic artist | |
| Kelley Burney | .... | art production assistant | |
| Jennifer Buturla | .... | scenic artist | |
| John J. Ciccimarro | .... | co-construction coordinator | |
| Jeffrey Czaja | .... | scenic artist | |
| Amy Fritz | .... | art department coordinator | |
| Joseph Garzero | .... | charge scenic artist (as Joe Garzero) | |
| Emily Gaunt | .... | camera scenic artist | |
| Gerald Gloster | .... | key construction grip | |
| Paul W. Gorfine | .... | scenic artist (as Paul Gorfine) | |
| Alex Gorodetsky | .... | scenic artist | |
| Joanna Hartell | .... | leadman | |
| Henry Kaplan | .... | set dressing foreman | |
| Renee Kilden | .... | scenic artist | |
| Timothy Main | .... | shop craftsman (as Tim Main) | |
| Eric M. Metzger | .... | set dresser (as Eric Metzger) | |
| Ann Miller | .... | property master | |
| Ron Miller | .... | second carpenter | |
| Tim Okamura | .... | artist: paintings | |
| Ralph Perri | .... | construction grip | |
| David Poses | .... | shop craftsman | |
| Jeffrey Rollins | .... | set dresser | |
| Daniel Rosenfeld | .... | scenic shopman | |
| Pierre Rovira | .... | construction coordinator | |
| Elizabeth Schlitten | .... | assistant property master | |
| Cathy Scorsese | .... | third property assistant (as Catherine Scorsese) | |
| Keith Steinberg | .... | construction grip | |
| Larry Steinberg | .... | key construction grip | |
| Hector Toledo | .... | construction grip | |
| James Whelan | .... | set dresser | |
| Ian Zdatny | .... | scenic artist | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Dan Edelstein | .... | foley editor (as Daniel Edelstein) | |
| Kenton Jakub | .... | adr editor | |
| Bobby Johanson | .... | adr engineer | |
| Dan Korintus | .... | dialogue editor | |
| Paul Koronkiewicz | .... | boom operator: additional unit | |
| Brian Langman | .... | sound effects editor | |
| Avi Laniado | .... | sound mix engineer | |
| Kim Maitland | .... | utility sound | |
| Tod A. Maitland | .... | sound mixer | |
| James Nichols | .... | sound consultant: Dolby (as James P. Nichols) | |
| Bob Olari | .... | sound re-recordist (as Robert Olari) | |
| Jay Peck | .... | foley artist | |
| Mike Poppleton | .... | first assistant sound editor (as Michael Poppleton) | |
| Mathew Price | .... | sound mixer: additional unit | |
| Michael Scott | .... | boom operator | |
| Timothia Sellers | .... | utility sound: additional unit (as Timothea Sellers) | |
| Paul P. Soucek | .... | supervising sound editor | |
| Greg Steele | .... | adr engineer | |
| Greg Steele | .... | adr mixer | |
| Reilly Steele | .... | sound re-recording mixer | |
| Daniel Ward | .... | assistant sound editor | |
| Paul J. Zydel | .... | adr engineer (as Paul Zydel) | |
Special Effects by | |||
| Drew Jiritano | .... | special effects director | |
| Andrea Swistak | .... | special effects technician | |
| Thomas Viviano | .... | special effects assistant (as Tom Viviano) | |
Visual Effects by | |||
| Danny DeVincent | .... | digital color timer (as Daniel Devincent) | |
| John Kuramoto | .... | compositor | |
| Gary Leib | .... | compositor: main titles | |
| Janos Pilenyi | .... | optical supervisor | |
| Ariel Enriquez Saulog | .... | digital supervisor | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Euston | .... | casting associate | |
| Meredith Jacobson | .... | extras casting | |
| Sondra James | .... | adr voice casting | |
| Barbara McNamara | .... | extras casting | |
| John Papsidera | .... | casting consultant | |
| Laura Verbeke | .... | background casting assistant | |
Costume and Wardrobe Department | |||
| Kevin P. Faherty | .... | costume supervisor: additional crew (as Kevin Faherty) | |
| Leah Katznelson | .... | costume shopper | |
| Cheryl Kilbourne-Kimpton | .... | set costumer | |
| Jill Kliber | .... | assistant costume designer | |
| Joseph La Corte | .... | costumer: Ms. Thurman | |
| Ellen Mahlke | .... | additional costumer | |
| Meredith McLaughlin | .... | key costumer: additional unit | |
| Colleen Morris | .... | head tailor | |
| Diana Pappas | .... | costume intern | |
| Christy Rilling | .... | costume intern | |
| Deirdre N. Williams | .... | costume supervisor (as Deirdre Williams) | |
Editorial Department | |||
| Danny DeVincent | .... | digital color timer (as Daniel DeVincent) | |
| Fred Heid | .... | color timer | |
| Victoria Lang | .... | apprentice editor | |
| David Rogow | .... | first assistant editor | |
| Aidan Stanford | .... | laboratory color timer | |
| Tim Stipan | .... | spirit colorist: video mastering | |
| Stan Sztaba | .... | negative cutter | |
| Adriaan van Zyl | .... | post-production assistant | |
| Adriaan van Zyl | .... | post-production intern | |
| Joe Violante | .... | color timer: dailies (as Joey Violante) | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Linda Cohen | .... | music consultant | |
| Dan Evans Farkas | .... | music editor | |
| Richard Glasser | .... | music executive | |
| Sam Hyde | .... | music consultant | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Ryan Shore | .... | conductor | |
| Ryan Shore | .... | music producer | |
| Ryan Shore | .... | orchestrator | |
| Andrew Silver | .... | music editor | |
Transportation Department | |||
| Nick Grzan | .... | driver | |
| Peter Tavis | .... | transportation captain (as Pete Tavis) | |
Thanks | |||
| Mike Spera | .... | thanks | |
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| City of Shoulders and Noses | The Devil Wears Prada | The Nanny Diaries | Flannel Pajamas | Down to You |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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I happened to catch the second half on HBO one night. I saw the entire movie a few nights later. I could easily watch it through again -- I was really drawn into the movie. I had to look it up on IMDb just because I was thinking about it so much.
There's a lot of negative reviews here, much more than the movie deserves. Movies are like people -- some you despise, many leave you indifferent, and some just really *click*. My roommate came back from "Saw III" hyper and proclaiming it the "BEST movie EVER!!!" -- I can guarantee you he wouldn't care for this. "Prime" also doesn't have any of the typical emotional manipulations found in your average rom-com. It makes do with much subtler if still dramatic material. For example: the meeting between Rafi and David is low-key, slightly awkward, nothing like, say, the Ferris wheel scene in "The Notebook". Ryan Gosling threatening suicide to get a date is certainly entertaining, but it also leaves me slightly detached, too aware this is a story for my viewing pleasure.
"Prime" is the anti-"Grease". There's nothing STYLIZED about it; no fairy-tale ending. If you can do with such accoutrements you'll be sucked in, especially if you can relate to the very upper-middle-class New York viewpoint that permeates it. Another reviewer was quite insightful in comparing it to "Annie Hall".
As for the relentless disparagement of Bryan Greenberg in the male lead: you've got to be kidding me!!!! He doesn't play the role the way, say, a young Al Pacino would play it. His persona is understated, relaxed almost to the point of passivity, slightly unsure, sarcastic and naive and vulnerable all at once. Completely believable as a 23-year-old who would appeal to and be attracted to a 37-yr-old divorcée. A more typical male lead his age wouldn't be dating Uma Thurman, he'd be charming Natalie Portman or Jessica Alba. Take the scene where he's trying to connect with the stoic doorman -- I totally cracked up and at the same time couldn't help but admire how true-to-life it felt. Everything about that scene bespoke an upper-middle-class 20-something living with his grandparents and lacking direction.
Not to mention that the intimacy between Rafi and David felt so natural that I felt convinced that Uma and Bryan had something off-screen during filming. The way they looked at each other, shared each other's space... the lust didn't seem acted, I'll put it that way.
To Ben Younger: despite all the people out there who don't get it, there are some of us who do. You really did an amazing job, and I doubt I'll ever forget "Bubbe" knocking herself with that frying pan... Lol.