| Photos (see all 22 | slideshow) | Videos (see all 2) |
| Daniel Auteuil | ... | Georges Laurent | |
| Juliette Binoche | ... | Anne Laurent | |
| Maurice Bénichou | ... | Majid | |
| Annie Girardot | ... | Georges's Mom | |
| Bernard Le Coq | ... | Georges's Editor-In-Chief | |
| Walid Afkir | ... | Majid's Son | |
| Lester Makedonsky | ... | Pierrot Laurent | |
| Daniel Duval | ... | Pierre | |
| Nathalie Richard | ... | Mathilde | |
| Denis Podalydès | ... | Yvon | |
| Aïssa Maïga | ... | Chantal | |
| Caroline Baehr | ... | Nurse | |
| Christian Benedetti | ... | Georges's Father | |
| Philippe Besson | ... | TV Guest | |
| Loic Brabant | ... | Police Officer No. 2 (as Loïc Brabant) | |
| Jean-Jacques Brochier | ... | TV Guest | |
| Paule Daré | ... | The Orphanage Attendant | |
| Louis-Do de Lencquesaing | ... | Bookstore Owner | |
| Annette Faure | ... | Georges's Mother, Young | |
| Hugo Flamigni | ... | Georges as a Child | |
| Peter Stephan Jungk | ... | Writer | |
| Dioucounda Koma | ... | Cyclist (as Diouc Koma) | |
| Marie Kremer | ... | Jeannette | |
| Nicky Marbot | ... | The Orphanage Driver | |
| Malik Nait Djoudi | ... | Majid as a Child | |
| Marie-Christine Orry | ... | Housekeeper | |
| Mazarine Pingeot | ... | TV Guest | |
| Julie Recoing | ... | Georges's Assistant | |
| Karla Suarez | ... | Novelist | |
| Laurent Suire | ... | Police Officer No. 1 | |
| Jean Teulé | ... | TV Guest | |
| rest of cast listed alphabetically: | |||
| Carlo Azeglio Ciampi | ... | Himself (archive footage) | |
| Barbara Contini | ... | Herself (archive footage) | |
| François Négret | ... | Man in elevator (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | screenplay | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Michael Hudecek | |||
| Nadine Muse | |||
Casting by | |||
| Kris Portier de Bellair | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
| Christoph Kanter | |||
Costume Design by | |||
| Lisy Christl | |||
Makeup Department | |||
| Laurent Bozzi | .... | hair stylist | |
Production Management | |||
| Gregory Bruneau | .... | assistant unit manager | |
| Sébastien Delepine | .... | unit manager trainee | |
| Brigitte Faure | .... | production manager | |
| Emmanuelle Jacobson-Roques | .... | unit manager trainee | |
| Grégory Valais | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alain Olivieri | .... | first assistant director | |
Art Department | |||
| Carine Demongueres | .... | assistant art director | |
| Peter Ecker | .... | property master: Austria | |
| Yannick Heuveline | .... | assistant decorator | |
| Katrin Huber | .... | props: Austria | |
| Christoph Kanter | .... | production designer: Austria | |
| Thomas Pitre | .... | property master | |
| Teresa Prothmann | .... | art department assistant | |
| Arnaud Roth | .... | first assistant decorator | |
| Hans Wagner | .... | set decorator: Austria | |
Sound Department | |||
| Frank Ceven | .... | assistant foley artist (as Franck Ceven) | |
| Pascal Chauvin | .... | foley artist | |
| Jean-Pierre Laforce | .... | sound editor | |
| Mathias Maydl | .... | sound re-recordist | |
| Antoine Mercier | .... | daily boom operator | |
| Jean-Paul Mugel | .... | production sound mixer | |
| Jean-Paul Mugel | .... | sound | |
| Yves-Marie Omnes | .... | boom operator | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Emmanuel Aubry | .... | lighting grip | |
| Gabriele Buti | .... | assistant camera: HDTV camera | |
| Xavier Embry | .... | best boy grip | |
| Gerald Helf | .... | first assistant camera | |
| Natascha Neulinger | .... | lighting technician | |
| Marion Stalens | .... | still photographer | |
Costume and Wardrobe Department | |||
| Tess Hammami | .... | assistant costume designer | |
Editorial Department | |||
| Alarich Lenz | .... | assistant editor | |
| Soazic Veillon | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Other crew | |||
| Richard Lormand | .... | publicist: international | |
| Lina Martins | .... | assistant: Juliette Binoche | |
| Tosé Riesser | .... | production assistant | |
| Kristy Ryan | .... | promotions manager: Australia | |
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| Mysterious Skin | Body Double | The Godfather | Chello hongmijoo ilga salinsagan | Le corbeau |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
Greetings again from the darkness. French films have a tradition of being filmed intimately, almost in a voyeuristic manner. Writer/Director Michael Haneke takes it a step further with a story about a family being watched. The idea is pretty creepy as Daniel Auteuil and Juliette Binoche have videos dropped on their doorstep showing the almost total nonaction occurring right outside their front door. This puts quite a strain on their already passionless relationship.
The joy of a suspense story is assembling the clues and deciding what is and what is not vital to solving the mystery. Haneke does an admirable job of tossing clues and false trails on the viewer. The general consensus seems to be that if you somehow miss the last shot of the film, you can't solve it. In fact, that final shot merely reinforces what we have already been shown.
The blending of voyeurism, terrorism and revenge causes much stress for the two leads. Auteuil is solid in his role, but the lovely Ms. Binoche really shines in her much more emphatic turn as the wife and mother who begins to unravel as the men in her life seem to turn on her. Watching for details such as the TV newscasts, facial expressions and the timing of the appearance and disappearance of key characters will easily allow the viewer to solve the mystery, but it does not take away from the tension the situation creates.
This is a pretty solid thriller, but not in the class of Francois Ozon's "Swimming Pool" from a couple of years ago. Of course the topicality of technology makes "Cache" a bit more relevant at the moment.