| Photos (See all 35 | slideshow) |
| Catalina Sandino Moreno | ... | María Álvarez | |
| Virgina Ariza | ... | Juana | |
| Yenny Paola Vega | ... | Blanca | |
| Rodrigo Sánchez Borhorquez | ... | Supervisor | |
| Charles Albert Patiño | ... | Felipe | |
| Wilson Guerrero | ... | Juan | |
| Johanna Andrea Mora | ... | Diana Álvarez | |
| Fabricio Suarez | ... | Pacho | |
| Mateo Suarez | ... | Pacho | |
| Evangelina Morales | ... | Rosita | |
| Juana Guarderas | ... | Female Pharmacist | |
| John Álex Toro | ... | Franklin (as Jhon Alex Toro) | |
| Jaime Osorio Gómez | ... | Javier (as Jaime Osorio Gomez) | |
| Guilied Lopez | ... | Lucy Díaz | |
| Victor Macias | ... | Pellet Maker | |
| Hugo Ferro | ... | Pharmacist | |
| Ana Maria Acosta | ... | Stewardess | |
| Ada Vergara De Solano | ... | Carolina | |
| Maria Consuelo Perez | ... | Constanza | |
| Ed Trucco | ... | Customs Inspector | |
| Selenis Leyva | ... | Customs Inspector | |
| Juan Porras Hincapie | ... | Wilson | |
| Oscar Bejarano | ... | Carlos | |
| Singkhan Bandit | ... | Gas Attendant | |
| Patrick Rameau | ... | Taxi Driver | |
| Fernando Velasquez | ... | Pablo Aristizábal | |
| Patricia Rae | ... | Carla | |
| Orlando Tobón | ... | Don Fernando | |
| Monique Gabriela Curnen | ... | Receptionist | |
| Lourdes Martin | ... | Doctor | |
| Bobby Plasencia | ... | Enrique (as Osvaldo Plasencia) | |
| rest of cast listed alphabetically: | |||
| Thomas Daniel | ... | Tourist (JFK) | |
| Lauren Bonett | ... | Airport PA Announcer (voice) (uncredited) | |
| Mark Vincent | ... | Soccer player (uncredited) | |
Directed by | |||
| Joshua Marston | |||
Writing credits(WGA) | ||
| Joshua Marston | (written by) | |
Original Music by | |||
| Leonardo Heiblum | |||
| Jacobo Lieberman | |||
Cinematography by | |||
| Jim Denault | |||
Film Editing by | |||
| Anne McCabe | |||
| Lee Percy | |||
Casting by | |||
| Ellyn Long Marshall | |||
| Maria E. Nelson | |||
| Maria Eugenia Salazar | |||
| Jorge Valencia | |||
Production Design by | |||
| Debbie DeVilla | |||
| Mónica Marulanda | (as Monica Marulanda) | ||
Art Direction by | |||
| Yann Blanc | |||
Set Decoration by | |||
| Carrie Stewart | |||
Costume Design by | |||
| Sarah Beers | |||
| Lauren Press | |||
Makeup Department | |||
| Lucy Da Silva | .... | assistant hair stylist: Colombia/Ecuador | |
| Lucy Da Silva | .... | assistant makeup artist: Colombia/Ecuador | |
| Renee Didio | .... | key makeup artist: New York | |
| Donna Marie Fischetto | .... | hair stylist | |
| Dallas Hartnett | .... | key hair stylist: New York | |
| Evelyne Noraz | .... | additional key makeup artist | |
| Flore Marina Sandoval | .... | hair stylist: Colombia/Ecuador | |
| Flore Marina Sandoval | .... | key makeup artist: Colombia/Ecuador | |
Production Management | |||
| Guiselle Jaramillo | .... | line production manager | |
| Scott Michael Nabat | .... | post-production supervisor | |
| Jeremy Kipp Walker | .... | production supervisor | |
Art Department | |||
| Sarah Berney | .... | charge/camera scenic artist | |
| Raul Carrera | .... | assistant art director | |
| Thomas La Vecchia | .... | on-set dresser | |
| Cliff Lane | .... | property master | |
| Thomas Lee | .... | art department coordinator | |
| Richard Liebgold | .... | set dresser | |
| David Murray | .... | art production assistant | |
| Sebastian Naranjo | .... | on-set dresser | |
| Juan Olmo | .... | property master | |
| Jorge Paredes | .... | construction supervisor | |
| Dave Reardon | .... | lead man | |
| Enrique Vasconez | .... | assistant props | |
| Danielle Webb | .... | set dresser | |
| Michal Zilbersheid | .... | art department intern | |
Special Effects by | |||
| John von Bergen | .... | special effects props | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging | |
| Adam Hawkey | .... | lead compositor: iOFilm (as Adam S. Hawkey) | |
| Julie Landholt | .... | title graphics (as J. Kathryn Landholt) | |
Stunts | |||
| Elliot Santiago | .... | stunt coordinator | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Diana Camargo | .... | casting: Colombia | |
| Mónica Cardona | .... | casting: Colombia (as Monica Cardona) | |
| Marcela Castaño | .... | casting associate | |
| Myra Cotto | .... | casting intern | |
| Sig De Miguel | .... | additional casting: New York | |
| Mabel Escobar | .... | casting associate | |
| Juan Pablo Felix | .... | casting: Colombia | |
| Meredith Jacobson | .... | extras casting (as Meredith Jacobson Marciano) | |
| Alexandra Posada | .... | casting associate | |
| Liliana Rincon | .... | casting: Colombia | |
| Maria Eugenia Salazar | .... | casting: Colombia | |
| Mauricio Samaniego | .... | casting: Ecuador | |
| Luis Sanchez-Cañete | .... | casting associate | |
| Felipe Solarte | .... | casting: Colombia | |
| Karen Torres | .... | casting assistant | |
| Jorge Valencia | .... | casting: Colombia | |
Costume and Wardrobe Department | |||
| Jeremy Capilla | .... | wardrobe assistant: Ecuador | |
| Mildred Del Rio | .... | wardrobe supervisor | |
| Luana Holloway | .... | wardrobe intern | |
Editorial Department | |||
| Drew Buckland | .... | assistant editor | |
| Joe Finley | .... | digital colorist | |
| Luis Ortiz Guillen | .... | assistant editor | |
| Adam Hawkey | .... | film colorist (as Adam S. Hawkey) | |
| Chris Regan | .... | color timer | |
Music Department | |||
| P.J. Bloom | .... | music consultant | |
| Lynn Fainchtein | .... | music supervisor | |
| James Flatto | .... | music editor | |
Transportation Department | |||
| Jim Buckman | .... | transportation captain | |
| Mauricio Garcia | .... | transportation captain | |
Thanks | |||
| Francesca Galesi | .... | special thanks | |
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| Gegen die Wand | Los novios búlgaros | Rois et reine | Boys on the Side | Trade |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Colombia section |
In Joshua Marston's small budget film Maria Full of Grace, a headstrong Colombian girl of seventeen (Catalina Sandino Moreno), determined to escape from a country where the average annual income is about $1700 US, seizes an opportunity to earn $5000 by ingesting and transporting illegal drugs to New York at considerable risk to herself and her unborn child. Inspired by a woman in his Brooklyn neighborhood who told him her story of swallowing capsules of heroin and boarding a plane for the United States, first-time director Marston has escaped the clichés of social realist films to offer a riveting human odyssey that transcends simplistic messages of good and evil. Shot in documentary style with a hand-held camera in Ecuador and New York, the film's authenticity is greatly enhanced by its use of Colombian actors speaking in their native Spanish language.
Maria Alvarez along with her best friend Blanca (Yenny Paola Vega), works at a job stripping thorns from roses in a village near Bogota, Colombia. Despite low wages and deplorable working conditions, her pay provides support for her grandmother, mother, sister, and infant nephew to sustain their meager household. After she has words with her boss, she quits her job and soon discovers she is pregnant by a local boy Juan (Wilson Guerrero) whom she does not love and refuses to marry. Feeling trapped, she quickly accepts when Franklin (Jhon Alex Toro), a friend she recently met at a dance, offers her a huge sum of money to smuggle drugs into the U.S. The trick is that she must swallow up to 100 heroin pellets sealed with latex and dental floss, knowing that certain death follows if one of them bursts.
The lovely Ms. Moreno, in an Oscar-worthy debut performance, is no cardboard character but a fully developed human being who epitomizes the desperation of people who are willing to do almost anything to better their life. The tension is almost unbearable as we follow Maria's odyssey into danger. She soon meets drug kingpin Javier (Jaime Osorio Gomez), who explains the operation, and in secret, talks with Lucy (Guilied Lopez), who shares her experience in carrying drugs to America and allows her to practice by swallowing large grapes.
After barely escaping the probing of U.S. Customs Officers in New York, things begin to go wrong and Maria and Blanca must rely on their tremendous resolve to survive in a confusing and lonely environment. Winner of the Dramatic Audience Award at Sundance and two major awards at the Berlin Film Festival, Maria Full of Grace is not only a hard-hitting jab at a global economic system that allows exploitation of the poor to satisfy the pleasure of the rich, but a richly nuanced coming-of-age story that delivers its hard-edged message with understanding and compassion. One of the best films of the year.