| Photos (See all 25 | slideshow) | Videos (see all 6) |
| Freddie Highmore | ... | Young Max | |
| Albert Finney | ... | Uncle Henry | |
| Russell Crowe | ... | Max Skinner | |
| Rafe Spall | ... | Kenny | |
| Archie Panjabi | ... | Gemma | |
| Richard Coyle | ... | Amis | |
| Ben Righton | ... | Trader #1 | |
| Patrick Kennedy | ... | Trader #2 | |
| Ali Rhodes | ... | 20-Something Beauty | |
| Daniel Mays | ... | Bert the Doorman | |
| Nila Aalia | ... | Newscaster #1 | |
| Stephen Hudson | ... | Newscaster #2 | |
| Giannina Facio | ... | Maitre D' | |
| Tom Hollander | ... | Charlie Willis | |
| Lionel Briand | ... | Rental Car Employee | |
| Maria Papas | ... | Gemma's Friend | |
| Didier Bourdon | ... | Francis Duflot | |
| Isabelle Candelier | ... | Ludivine Duflot | |
| Kenneth Cranham | ... | Sir Nigel | |
| Marion Cotillard | ... | Fanny Chenal | |
| Igor Panich | ... | Russian Couple #1 | |
| Oleg Sosnovikov | ... | Russian Couple #2 | |
| Magali Woch | ... | Secretary | |
| Valeria Bruni Tedeschi | ... | Nathalie Auzet | |
| Jacques Herlin | ... | Papa Duflot | |
| Abbie Cornish | ... | Christie Roberts | |
| Catriona MacColl | ... | English Couple #1 | |
| Patrick Payet | ... | English Couple #2 | |
| Félicité Du Jeu | ... | Hostess | |
| Mitchell Mullen | ... | American Customer #1 | |
| Judy Dickerson | ... | American Customer #2 (as Judi Dickerson) | |
| Gilles Gaston-Dreyfus | ... | Oenologue | |
| Philippe Méry | ... | Chateau Buyer | |
| Dominique Laurent | ... | Chateau Buyer | |
| Stewart Wright | ... | Broker #1 | |
| Tom Stuart | ... | Broker #2 | |
| Catherine Vinatier | ... | Fanny's Mother | |
| Marine Casto | ... | Young Fanny | |
| Gregg Chillin | ... | Hip Hopper #1 | |
| Toney Tutini | ... | Hip Hopper #2 | |
| Philippe Bergeron | ... | (voice) | |
| Edita Brychta | ... | (voice) | |
| Hélène Cardona | ... | (voice) | |
| Jean-Louis Darville | ... | (voice) | |
| Neil Dickson | ... | (voice) | |
| Jean Gilpin | ... | (voice) | |
| Nicholas Guest | ... | (voice) | |
| Patrick Hillan | ... | (voice) | |
| Frank Isles | ... | (voice) | |
| Peter Lavin | ... | (voice) | |
| Caitlin McKenna-Wilkinson | ... | (voice) | |
| Paula J. Newman | ... | (voice) (as Paula Jane Newman) | |
| Moira Quirk | ... | (voice) | |
| Valeria Milenka Repnau | ... | (voice) | |
| Darren Richardson | ... | (voice) | |
| Jean-Michel Richaud | ... | (voice) | |
| Samantha Robson | ... | (voice) (as Samantha Jane Robson) | |
| Ian Ruskin | ... | (voice) | |
| Linda Sans | ... | (voice) | |
| Bruno Stephane | ... | (voice) | |
| Karen Strassman | ... | (voice) | |
| Jean-Paul Vignon | ... | (voice) | |
| Craig Robert Young | ... | Trevor |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Marc Klein | (screenplay) | |
| Peter Mayle | (novel) | |
Original Music by | |||
| Marc Streitenfeld | |||
Cinematography by | |||
| Philippe Le Sourd | (director of photography) | ||
Film Editing by | |||
| Dody Dorn | |||
| Robb Sullivan | (co-editor) | ||
Casting by | |||
| Antoinette Boulat | |||
| Jina Jay | |||
Production Design by | |||
| Sonja Klaus | |||
Art Direction by | |||
| Robert Cowper | |||
| Frederic Evard | |||
Set Decoration by | |||
| Bárbara Pérez-Solero | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Pascale Bouquière | .... | makeup artist: London | |
| Anita Burger | .... | hair stylist: London | |
| Hayat Ouled Dahhou | .... | key hair stylist | |
| Karen Dawson | .... | hair stylist | |
| Karen Dawson | .... | makeup artist | |
| Giancarlo De Leonardis | .... | wigs | |
| Raffaella Iorio | .... | makeup artist | |
| Melissa Lackersteen | .... | makeup artist: London | |
| Daniele Perosillo | .... | hair stylist | |
| Alessio Pompei | .... | hair stylist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Fabrizio Sforza | .... | key makeup artist | |
| Carla Vicenzino | .... | makeup artist: London | |
Production Management | |||
| Mark Allan | .... | unit production manager | |
| Rémi Bergman | .... | production manager | |
| Teresa Kelly | .... | post-production supervisor | |
| Vincent Lefeuvre | .... | assistant unit manager | |
| Branko Lustig | .... | unit production manager | |
| Jean-Patrick Nourricier | .... | unit manager trainee | |
| Emily Stillman | .... | production manager: UK | |
Second Unit Director or Assistant Director | |||
| Tarik Ait Ben Ali | .... | third assistant director | |
| Dan Channing-Williams | .... | crowd assistant director | |
| Caroline Chapman | .... | crowd assistant director: UK | |
| Emilie Cherpitel | .... | second assistant director | |
| David Decio | .... | additional third assistant director: London | |
| Eliot Mathews | .... | second second assistant director | |
| Frédéric Millet | .... | assistant director | |
| Cian O'Clery | .... | third assistant director | |
| Bonnie Pirès | .... | assistant director | |
| Darin Rivetti | .... | first assistant director | |
| Anthony Wilcox | .... | second assistant director: UK | |
Art Department | |||
| Florian Augis | .... | dressing props | |
| Olivier Breban | .... | drapery | |
| Tristan Carlisle-Kitz | .... | stand-by props | |
| Anthony Caron-Delion | .... | stand-by art director | |
| Stéphane Cressend | .... | property master | |
| Emmanuel Delis | .... | props chargehand | |
| Frédéric DeVilliers | .... | drapery | |
| Sarah Duncan | .... | assistant buyer | |
| Luke Edwards | .... | set decorating assistant | |
| Matthew Foster | .... | property master | |
| Jean-Luc Fouvet | .... | carpenter | |
| Samuel Garcin | .... | construction runner | |
| Jean-Claude Giusti | .... | construction chargehand | |
| Daniel Hoffmann | .... | construction coordinator | |
| Alexis Imbert | .... | props | |
| Coralie Lew | .... | graphic designer | |
| James Newell | .... | painter foreman | |
| Julie Pitt | .... | assistant set decorator | |
| Derek Reddington | .... | stand-by carpenter | |
| Lydie Rugiero | .... | art department assistant | |
| Amy Simons | .... | art department coordinator | |
| Hugo Slight | .... | construction manager | |
| Nick Turnbull | .... | property master | |
| Lloyd Vincent | .... | supervising prop dresser | |
| Dicken Warner | .... | head greensman | |
| Krissi Williamson | .... | production buyer | |
| Ghislain Gabriel | .... | art buyer (uncredited) | |
| Hélène Imbert | .... | painter (uncredited) | |
| Frédéric Jourdan | .... | carpenter (uncredited) | |
Special Effects by | |||
| Steve Benelisha | .... | special effects technician | |
| David Brighton | .... | special effects lead senior technician | |
| Manex Efrem | .... | special effects senior technician | |
| Dave Poole | .... | senior special effects technician | |
| Steven Warner | .... | special effects supervisor | |
| Alistair Williams | .... | special effects | |
Visual Effects by | |||
| Dick Edwards | .... | visual effects supervisor: Invisible Effects | |
| Wesley Sewell | .... | visual effects supervisor | |
Stunts | |||
| Caroline Bouffard | .... | stunts | |
| Alexis Boutiere | .... | stunts | |
| David Forax | .... | stunts | |
| Alain Gaudiard | .... | stunts | |
| Philippe Guégan | .... | stunt coordinator | |
| Jules Madi | .... | stunts | |
| Ksénia Zarouba | .... | stunts | |
Animation Department | |||
| Johnny Wong | .... | animator | |
Casting Department | |||
| Frederic Bacchi | .... | assistant extras casting | |
| Dixie Chassay | .... | casting associate | |
| Lucky Englander | .... | casting: Austria/Germany | |
| Kasia Krynska | .... | casting assistant: france | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Michael Laguens | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Castellano | .... | costumer: Russell Crowe | |
| Céline Collobert | .... | dresser | |
| Lee Croucher | .... | costume supervisor | |
| Corinne Fulconis | .... | costumes | |
| Andrew Hunt | .... | costume assistant | |
| Camille Janbon | .... | assistant costume designer | |
| Camille Joste | .... | head textile artist | |
| Karen Muller Serreau | .... | wardrobe supervisor (as Karen Muller-Serreau) | |
Editorial Department | |||
| Philippe Akoka | .... | editorial coordinator: France | |
| Emily Aulagnon | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Quinby Chunn | .... | editorial assistant | |
| Jo Dixon | .... | film assistant: london (as Joanne Dixon) | |
| Emmanuel Fleury | .... | editorial assistant | |
| Skip Kimball | .... | digital intermediate colorist | |
| Céline Kélépikis | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Debra L. Tennant | .... | first assistant editor | |
| Yon Van Kline | .... | assistant editor | |
| Zara Roberts | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Christopher Benstead | .... | music editor (as Chris Benstead) | |
| Thomas Bowes | .... | orchestra leader | |
| Peter Cobbin | .... | score mixer | |
| Peter Cobbin | .... | score recordist | |
| Bruce Fowler | .... | orchestrator | |
| Vic Fraser | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nick Ingman | .... | conductor | |
| Mike Knobloch | .... | music executive | |
| Goh Nakamura | .... | musician: guitar, vocals | |
| Joel J. Richard | .... | music programmer | |
| Del Spiva | .... | music editor | |
| Jill Streater | .... | music preparation | |
| Marc Streitenfeld | .... | music supervisor | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Jake Walker | .... | musician | |
| David Walter | .... | technical assistant to composer (uncredited) | |
Transportation Department | |||
| Stéphan Arnoux | .... | transportation | |
| Gerry Gore | .... | transportation captain (as Gerard Gore) | |
| Tony Jayes | .... | driver: russell crowe | |
| Nicolas Piechaczek | .... | transportation co-captain | |
| Olivier Suffert | .... | production driver: Ridley Scott | |
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| Atonement | Love Actually | Damage | Persepolis | Metroland |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is definitely the first time I have gone to see an Russell Crowe and/or Ridley Scott film at the cinema, fully bracing myself to be disappointed and...
I am very pleased to be able to say that I enjoyed it thoroughly. It has a very warming glow to it - beautifully played; gorgeously shot. Anyone who isn't just a little bit seduced by Provence after seeing it needs their head (or more likely their heart) examining. The lessons may well have been taught in a hundred films before, but that doesn't make them any less relevant or resonant for the commercial era in which many of us now live...
So, why the terrible reviews? I really don't know. The comedy was not overplayed in the way implied by the critics at all. To be blunt, it was not really necessary, as the warmth and effectiveness of the film and story lies in the romantic drama. The comedy is fine, but doesn't really add anything to the film. However, it does give it a very upbeat, cheerful and likable feel and maybe that is reason enough.
Max's character and Russell Crowe's performance? It's in the quieter moments where Crowe really excels and shows just why someone would want to cast him, as opposed to say Hugh Grant, in a film like this. His reactions to memories and the things that other characters do and say are just so much deeper and more real than Grant is capable of: which is why Grant always comes off as the same character in these films (a variation on the Grant formula) and Max comes off as real.
It almost seems as though the critics have a film with this plot pegged into a box: because they can only see (and can only expect to see) a Hugh Grant characterisation, they cannot accept anything other than a Hugh Grant characterisation. Whereas the actual reason that Crowe doesn't come off as Hugh Grant is because he isn't channelling that kind of characterisation at all. This is a very different kind of film.
Also, the critics seem to be completely off the mark in assessing the character, when they say that he starts off a bastard and ends a bastard too. Actually, this is far more about unearthing other qualities - not completely rejecting those 'bastard' qualities that he begins the film with, but refining and diluting them, as he becomes more and more adjusted to his past. He doesn't change, he opens his heart and mind to qualities that he has been ignoring within himself. You can see that other Max from the moment he opens the letter telling him Henry is dead - but he tries to resist the feelings that are clearly there, in large part because he doesn't want to face the fact that he has let his Uncle down - and all of the guilt that is allied with that.
The film is not the best film I have ever seen. The questions it asks are fairly fundamental, but they aren't startling or especially thought provoking.
But the film is highly enjoyable, from start to finish; and it's warm, something that is pretty rare in films these days.
So, to end, clearly I am not in tune with the critics - but then, increasingly that seems to be the case nowadays. I just think that I see completely different films to them...