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Sin City (2005)

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A film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.

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(graphic novels)
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692 ( 115)
33 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Cara D. Briggs ...
Hearing Panel Person (as Cara Briggs)
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Motorcycle Cop (as Jeff Dashnaw)
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Jesse De Luna ...
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Christina Frankenfield ...
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Storyline

Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by Tom Benton

Plot Summary | Plot Synopsis

Taglines:

There is no justice without sin. See more »

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for sustained strong stylized violence, nudity and sexual content including dialogue | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

1 April 2005 (USA)  »

Also Known As:

Frank Miller's Sin City  »

Filming Locations:


Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$29,120,273 (USA) (3 April 2005)

Gross:

$74,103,820 (USA) (30 July 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated, recut)

Sound Mix:

| |

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Marley Shelton also starred in the 1998 Gary Ross film Pleasantville (1998) which, much like this, employed the same visual technique of showing everything in black and white with only the occasional person, object or scene shown in color. See more »

Goofs

When Wendy first tries to hit Marv outside the church, his back is to the door of his Mercedes. But when she actually hits him he is parallel to the Mercedes; in his original stance, Wendy would have run into the car. See more »

Quotes

[first lines]
The Salesman: [voiceover] She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
See more »

Crazy Credits

There is no screen writing credit. See more »

Connections

Featured in Videofobia: Caótica Ana (2014) See more »

Soundtracks

Cells (Instrumental)
(uncredited)
Written and Performed by The Servant
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Hyper-Noir for today
16 March 2005 | by (Washington, DC) – See all my reviews

I just came back from an advance screening of Sin City, and I can tell you this is one salient reel of pitch of a film. Think of it as film noir amped up for a post modern century. It comes across like most of Frank Miller's writing, modestly fantastic for the comic environment, but steeped long and hard in the tradition of the underground crime writers of the '40's. Visually, the juxtaposition of the rich B&W with digitally-hued Technicolor makes it hard to take your eyes off the screen. This film was tailor made for most of the people who have been following Miller's writing for the past twenty odd years, brimming with many of his trademark elements and visual style that he, along with Messrs. Rodriguez and Tarantino, capture brilliantly. Not for more sensitive or under aged souls, Sin City will burn like a fire that you have to watch for everyone else.


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